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Summer's Day

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Description: Summer's Day
Related content: Chapters (4) Images (182)

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Description: Art and the French Commune: Imagining Paris after War and Revolution
~I WANT to begin this chapter with the case study of Gustave Caillebotte, both patron of, and participant in, the Impressionist collective. He was the youngest (born 1848) and most well off of the group, and the most conservative in style and content. His major works attest to a thorough assimilation of the rhetoric of...
PublisherPrinceton University Press
Related print edition pages: pp.77-113
https://doi.org/10.37862/aaeportal.00021.007
Description: The Art of Impressionism: Painting Technique and the Making of Modernity
In the late 1850s and 1860s, heightened tonal values in the rendering of plein air effects were primarily associated with the peinture grise or argentée of Corot and the blond palette and luminous skies of Boudin...
PublisherYale University Press
Related print edition pages: pp.136-155
https://doi.org/10.37862/aaeportal.00125.012
Description: Manet Manette
~The Garden was not a Salon painting. The only white dress to show up in Manet’s next Salon was worn by a child, in The Railway (fig. 95). In the Salon of 1874, Manet showed this painting and a little watercolor of Punchinello with a poem...
PublisherYale University Press
Related print edition pages: pp.201-226
https://doi.org/10.37862/aaeportal.00080.011
Description: Impressionism: Art, Leisure, and Parisian Society
James McCabe, the American visitor, was convinced that Louis Napoleon had enacted Meryon’s “Loi Solaire.” His account of Second Empire Paris is especially revealing when placed alongside Henry Tuckerman’s. Tuckerman saw through the sheen of imperial splendor to the authoritarian power it disguised....
PublisherYale University Press
Related print edition pages: pp.141-193
https://doi.org/10.37862/aaeportal.00067.009

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