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Untitled [Composition with Black Pouring]

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Description: Untitled [Composition with Black Pouring]
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Description: Reframing Abstract Expressionism: Subjectivity and Painting in the 1940s
Jackson Pollock’s paintings have endured intense critical scrutiny since their first exhibition, and over the years, through repetition, elaboration, and consolidation of selected propositions, an orthodox assessment of their evolution and significance has become established. There are, to be sure, tensions and instabilities within this prevailing account of Pollock’s oeuvre, and there is considerable disagreement among scholars over some of its details and emphases; but its principal aspects, …
PublisherYale University Press
Related print edition pages: pp.275-327
https://doi.org/10.37862/aaeportal.00101.008

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