Paul Crowther
Paul Crowther is a professor of philosophy and author specializing in the fields of aesthetics, metaphysics, and visual culture, and a former lecturer in the history of art at the University of Oxford.
Crowther, Paul
Crowther, Paul
United States of America
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Description: The Language of Twentieth-Century Art: A Conceptual History
Recent theory has tended to understand the meaning of art primarily as a function of original contexts of production and reception or in its relation to fashionable notions of gender, multiculturalism, and "scopic regimes." These approaches, however, fail to negotiate adequately art’s transhistorical and transcultural significance, a shortcoming that is particularly serious in relation to twentieth-century works because it confines their significance to contexts that are regulated by the specialist interests of a narrow managerial class of curators, critics, and historians. In this important book, Paul Crowther provides a radical reinterpretation of key phases and figures in twentieth-century art, focusing on the way artists and critics negotiate philosophically significant ideas.

Crowther begins by discussing how and why form is significant. Using Derrida’s notion of "iterability"—a sign’s capacity to be used across different contexts—he links this possibility to key reciprocal cognitive relations that are the structural basis of self-consciousness. He then argues that while such relations are necessarily involved in any pictorial work, they are especially manifest in aesthetically valuable representation, and even more so in those twentieth-century works that radically transform or abandon conventional modes of representation. The involvement of key reciprocal relations gives such works a transhistorical and transcultural significance. To show this, Crowther investigates the theory and practice of important artists such as Malevich, Pollock, Mondrian, and Newman, and major tendencies such as Futurism, Surrealism, and Conceptual Art. By linking them to reciprocal relations, he is able to illuminate a language of twentieth-century art that cuts across those boundaries set out by such conventional notions as modern, avant-garde, and postmodern.
Print publication date December 1997 (in print)
Print ISBN 9780300072419
EISBN 9780300233551
Illustrations 50 b/w illus.
Print Status in print