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Index
Elizabeth Johns
Description: Thomas Eakins: The Heroism of Modern Life
Thomas Eakins: The Heroism of Modern Life
Index
Author
Elizabeth Johns
PublisherPrinceton University Press
Copyright© 1983 by Elizabeth Johns
Stable URL: https://aaeportal.com/?id=-23376
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Index
Unless otherwise specified, works of art are by Thomas Eakins
Abbey, Edwin Austin, 162n
Abel, Carl Frederic, Figure 7; 6, 124
Academicians of the Royal Academy, The (Zoffany), 103
Academy of Natural Sciences of Philadelphia, 155n, 164n
Actress, An (Portrait of Suzanne Santje), Figure 108; 150, 164n, 167
Addicks, Stanley, 143n
Addie (Portrait of Mary Adeline Williams), Figure 122; 167
Agnew, Dr. D. Hayes, Plate 6; 78–79, 116, 150
Agnew Clinic, The, Plate 6; 78–79, 80n, 116, 148, 150, 166
Agriculture (Rush), 96
Alexander, John White, 144n, 153n
Allegory of the Schuylkill River in its Improved State (Schuylkill Chained, Rush), 86, 88
Allegory of the Waterworks (The Schuylkill Freed, Rush), Figure 49; 86, 88–90, 101, 105, 107n
Alphonse Leroy (David), Figure 8; 6
Ambroise Paré Applying Ligatures after an Amputation (after Matout), Figure 43; 73–75
American Catholic Historical Society (Philadelphia), 151
American Philosophical Society (Philadelphia), 59, 86, 150
amputation, 56, 69, 70, 75
anatomical dissection, 55–56, 69
anatomical models (Rush), 86n
anatomy instruction, 11, 53–55, 58
anatomy lesson, as image, 71, 72
Anatomy Lesson of Dr. Nicolaos Tulp, The (Rembrandt), Figure 36; 56, 67, 70, 71, 73
Anatomy Lesson of Dr. Velpeau, The (Feyen-Perrin), Figure 42; 72, 76n
lithograph of, 73
anesthesia, 47–48, 57, 59–60, 65
anthropology in the nineteenth century, 158–59
Antiquated Music (Mrs. William D. Frishmuth), Figure 107; 137n
Appel, Dr. Daniel, 48, 51
Arcadia (Bouguereau), 128n
Arcadia (Corot), 128n
Arcadia, (oil), Figure 89; 128–29
studies for, Figure 88; 128–30
Arcadia (plaster relief), Figure 90; 128–30
studies for, Figure 87; 128–30
Arcadia and Arcadian themes, 127–30
An Arcadian, 129n
Archbishop James Frederick Wood, 82, 149
Archbishop William Henry Elder, 148n
Arnold, Thomas, 26
Arrangement in Black: Pablo de Sarásate (Whistler), Figure 85; 126
Artist and His Model, The (Gérôme), Figure 65; 102
Artist and Model (Susan Eakins), 111n
Artist in His Museum, The (Peale), Figure 62; 94
artist in his studio (convention), 91–95, 99
in photographs, 95. See also Old Master in his studio
Artist’s Studio, The (Courbet), Figure 59; 92, 103
asepsis, 47n, 49, 78–79
Asher Brown Durand (Huntington), 95
At the Piano, Figure 79; 116, 120
At the Piano (Whistler), Figure 75; 117
Atelier de Rembrandt (Robert-Fleury), 100n
Aze, Adolph, 93n
Baby at Play, 82
Bache, A. Dallas, 9
Ballantyne, J., 93n
banjo, 131, 136
Barber, Alice, Figure 67; 104
“Barnes Bridge” (Harper’s), Figure 22; 32
Barton, Dr. James M., 48, 52
Baseball Players Practising, xixn Batoni, Pompeo, Figure 81; 124
Baudelaire, Charles, Figure 3; 4, 5, 11, 169
Baudouin, P. A., 100n
Beale, Joseph Boggs, 23, 24n, 53n, 54n
Beaux, Cecilia, Figure 113; 153–54, 157n, 162
Bebie, Henry, 94n
Beckwith, Carroll, 112n
Bement, William, 157n
Benjamin Franklin (Peale), Figure 9; 6
Benjamin Rush (Rush), 86, 88
Benjamin Rush (Sully), Figure 10; 6
Bensell, G. F., 157n
Bichat, Marie-François, Figure 39; 71–72
Biglin, John, Plate 3, Figures 29 and 30; 41–43
Biglin brothers, Eakins’ paintings of, 21, 41–42
Biglin Brothers About to Start the Race, The (The Biglin Brothers Racing), Figure 29; 42n
Biglin Brothers Practising, The (The Pair-Oared Shell), Plate 3; 21, 42
Biglin Brothers Racing, The (The Biglin Brothers About to Start the Race), Figure 29; 42n
biography, interest in, 7–8, 57, 92, 155
Birch, Thomas, Figure 11; 8n
Bispham, Henry C., 157n
Black Fan, The [Mrs. Talcott Williams], 146n
Boat Race, Boston Harbor (Lawrence), Figure 27
Boccherini, Luigi, Figure 81; 124
Boldini, Giovanni (Jean), 154n
Bond, Dr. Thomas, 58
bone diseases, 68–70
Bonheur family, 17
Bonnat, Léon, Figure 13; 13, 16, 71n, 92n, 148, 154, 156n
Borie, Adolph E., 157n
Boston Art Club, 100
Botticelli, 93
Bouguereau, A. W., 128n
Bourgeois, Louis, 74n
boxing, 43, 47
Boy Reclining, 129n
Breckenridge, Hugh H., 157n
Briggs, Dr. Charles S., 48, 52
Brinton, Daniel H., 150, 151n
Brinton, Dr. John H., 78n, 82
Brooklyn Art Association, 106
Brown, Walter, Figures 21 and 25; 32–33, 39, 44
Bryant, Walter C., 163
Bufford’s Comic Sheet, Figure 31; 45
Bush-Brown, Margaret Lesley, 157n
Cadwalader, Gen. George, 151
Calder, Alexander Stirling, 51n
Carjat, Etienne, Figure 3; 57n
Carl Frederic Abel (Gainsborough), Figure 7; 6, 124
Carlyle, Thomas, Figure 4; 4–5, 159, 162n, 169
Carolus-Duran, C.-E., 112n, 154n
Caspar Wistar (Rush), 86, 88
Cassatt, Mary, 115
Catholic University of America, 151
Cellist, The (Homer), 125n
Cellist Pillet, The (Degas), Figure 82
Cello Player, The, Plate 12; 123–26, 150–51
Centennial celebration, 46, 95, 98
Centennial exhibition, 48, 55, 76–77
Central High School, 9–11, 13, 17n, 18, 23, 39, 150, 157, 161
Eakins’ course of study, 10
medical emphasis of curriculum, 53
professorship of writing and drawing, 11
Centre Square (Philadelphia), 84–86, 96, 104–105, 107n, 108
Centre Square (Tiebout), Figure 48; 85
Champêtre (Giorgione), 128n
Champion Single Sculls, The (Max Schmitt in a Single Scull), Plate 1, Plate 2 (detail); 19–23, 33–35, 38–42
Charity Hospital (Paris), 72–73
Charles Baudelaire (Carjat), Figure 3
Charles E. Dana, 165n
Chartran, Theobald, 154n
Chase, William Merritt, Figures 69 and 112; 112, 153n, 156n, 162, 167
Chicago World’s Fair (1893), 80n, 128n, 147n
Claghorn, James, 157n
Clara Louise Kellogg as Aïda, photograph of, Figure 98; 139
Clark, William J., 47n, 49n, 52n, 77n, 108–109
Clarke, Hugh, 130n
Clarke, Thomas B., 121
clinical teaching in surgery, 57, 61, 63–67, 79, 80n
clinics, surgical: of Dr. Gross, 53–54, 66–67, 69–70, 79–80, 159
in Paris, 55, 60, 61n
in Philadelphia, 53–55, 78–80
Cochereau, L. M., Figure 66; 103
College of Physicians of Philadelphia, 59, 86, 164n
Commerce (Rush), 96
Composition Study for the Portrait of Professor Gross, Figure 32; 46, 51
Composition Study for William Rush Carving (1877), Figure 58; 90
Concert Singer, The, Plate 10, Figure 97; 116, 138–43, 150, 153, 159
conservative surgery, 68–70, 75
Cook, Weda, 133n, 138–40, 143
Corot, Camille, 128n
Courbet, Gustave, Figure 59; 92, 103
Courtship, 102n
Couture, Thomas, Figure 16; 15–16, 22
Cowboy Singing, Figure 95; 136–37, 150
Crawford, Thomas, 98
Crowell, Elizabeth, Figure 80; 121
Crowell, William (Billy), 16, 121
crucifixes (Rush), 84, 87n, 96
Crucifixion, xixn, 149, 153n
Culin, Stewart, 158
Currier and Ives, 31–34, 38–40
Cushing, Frank Hamilton, Plate 14; 150, 158–59
Da Costa, Dr. Jacob M., Figures 115, 116, and 119; 164n, 165–67
Dakota territory, 136, 160
Dana, Charles E., 165n
Danhauser, Joseph, 117n
Dante (Gérôme), Figure 12; 12
Darley, F.O.C., 157n
Darwinism, 157–58
Daumier, Honoré, 57, 131
David, Jacques Louis, Figure 8; 6, 103
Dean’s Roll Call, The (Portrait of James W. Holland), Figure 117; 78n, 166
Degas, Edgar, Figures 73, 76, 82, 92; 92, 115, 117, 124–25, 131
Delacroix, Eugène, Figure 60; 92–93
Detaille, Edouard, 92n
de Vigne, Felix, 100n
Dr. Charles Lester Leonard, 78n
Dr. John H. Brinton, 78n, 82
Dr. Joseph Leidy, II, 78n
Dr. William Thomson, Figure 46; 78n
Dolph, John Henry, 94n
Donovan, William, 112n
Dorr, Otto, 92n
Doughty, Thomas, 8n
Drawing of the Girard Avenue Bridge, Figure 17; 21
Drexel, Mrs. Joseph H., 146n
Dumont, Augustin, 13, 148
Dunlap, William, 97–99
Dupuytren, Guillaume, Figure 38; 58n, 61, 71–72
Durand, Asher B., 95
Eakins, Benjamin, Figure 101; 8–9, 11, 17, 23, 92n, 153
Eakins, Caroline (Mrs. Benjamin), 8, 23
Eakins, Caroline, 9, 118
Eakins, Frances, Figures 78 and 79; 9, 13n, 15, 19, 23, 37
as Frances Eakins Crowell, 120, 129
Eakins, Margaret, Figures 77 and 79; 9, 23, 118, 120
Eakins, Susan Macdowell (Mrs. Thomas), Figure 91, Plate 16; 90n, 98, 99n, 108n, 111, 115, 130, 146n, 168
Eakins, Thomas: birth and early education, 8–11
on drawing, 13–14
images of, Figures 1, 2, 124
on imitation, 14–15
on language, 16–17
on Spanish painting, 16
modeling technique, 129–30
on motion, 17
painting technique, xix, 14–16, 19, 21–23, 40–42, 49–52, 88–90, 120–22, 125, 134, 137, 139, 162–63, 165–66, 168
and the portrait, xix, 3, 5, 8, 12, 13, 147–49, 152–58, 161–69
on simplicity, 16–17
on Spanish painting, 16
a study of anatomy, 11, 17, 54–55
study in Paris, 11–17
and teaching, 147–49
on technical virtuosity, 13–14
École de Médecine, 73–75
École des Beaux-Arts, 12, 152
egalitarianism, 3–5, 9–10, 29–30, 39, 64, 131, 141
Einstein, Florence A., 76n
Elijah (Mendelssohn), 139–42
Elizabeth at the Piano, Figure 80; 116, 120–21
Emerson, Ralph Waldo, Figure 5; 4–5, 145, 169
Erastus Dow Palmer in His Studio (Matteson), Figure 64; 95
F. A. Kummer (unknown photographer), Figure 83; 124–25
Fairman Rogers Four-in-Hand, The, xixn, 47n, 164n
Fairmount Park, 20n, 35, 88, 101
Art Association, 95n
Fairmount Waterworks, Figures 26 and 50; 33, 86, 88, 105, 108–109
Falconio, Archbishop Diomede, Figure 109; 150
Fantin-Latour, Henri, 92
Fedigan, Very Rev. John J., 151
Female Life Class (Barber), Figure 67; 104
Fenton, Dr. Thomas H., 76n
Fetter, George W., 150
Feyen-Perrin, F.-N.-A., Figure 42; 72–73, 76n
Fidelity Trust Co. (Philadelphia), 151
Flint, Dr. Austin, 59
Forbes, Dr. William Smith, Figure 118; 50n, 78n, 119, 150, 166
Fortuny y Garbó, Mariano, Figure 86; 128n
Fountain and Stand-Pipe (Lauderbach), Figure 51
Fourth of July in Centre Square (Krimmel), Figure 55; 90, 100, 106, 107n
Frances Eakins, Figure 78; 116, 120
Frank Hamilton Cushing, Plate 14; 150, 158–59
Franklin, Benjamin, Figure 9; 4, 58, 151n
Frazee, John, 98
Frishmuth, Mrs. William D., 137n, 150
Gainsborough, Thomas, Figure 7; 6, 124–25
Gavarni, Paul, 57n
General George Cadwalader, 151
genre, urban, in the nineteenth century, 7, 8, 103
George Washington (Rush), Figure 52; 82, 86–88, 90, 101, 105, 107n, 108
George Washington sitting to Gilbert Stuart (Schmolze), 94n
Gérôme, Jean-Léon, Figures 12, 61, and 65; 12–16, 22, 34, 42, 94, 99, 102–103, 112n, 148
Gervex, Henri, 72n, 79n
Gest, John B., 151
Gibelin, Antoine-Esprit, 74n
Gilchrist, Hubert H., 144n
Gillespie, Mrs. Elizabeth Duane, 146n, 150, 151n
Giorgione, 128n
Girard Avenue Bridge, Figure 17; 20–21
Girls Normal School (Philadelphia), 150
Gloucester landscapes, by Eakins, xixn
Gottschalk, Louis Moreau, 120
Greenough, Horatio, 98
Gross, Dr. Samuel D., Plates 4 and 5, Figures 32, 33, and 44; 46–48, 50–55, 59n, 61–70, 75–82, 119–20, 147, 150
Gross, Dr. Samuel W., 49, 79n
Gross Clinic, The, Plate 4, Plate 5 (detail); 46–53, 55, 73n, 75–77, 79–80, 82–83, 89–91, 102, 107, 116, 119–20, 124, 149, 150, 153, 163, 166
autotype, 75, 77, 80n
Composition study, Figure 32; 46, 51
exhibition of, 76–77, 80
India ink wash, Figure 44; 75
parody (photograph), 77n
photograph showing installation, Figure 45
Study for the Head of Professor Gross, Figure 33, 5
Study for spectator [Robert C. V. Meyers], Figure 34; 51
guitar, 121, 131–32, 136
Hamilton, James, 8n, 96, 157n
Hamilton, John McLure, 154n
Hamman, Edouard, Figure 40; 72
Hammill, James, Figure 21; 31–33, 36, 39–40, 44
Harnett, William M., 8n
Harrison, Alexander, 128n, 133n
Harrison, Birge, 133n
Harrison, Margaret, 133
“Harry Kelley” (Harper’s), Figure 24; 33, 40
Hart, John S., 17n, 150, 151n
Hartmann, Sadakichi, 109
Hayes, President Rutherford B., 82, 149
Healy, George P. A., 94n
Hearn, Dr. Joseph W., 48
Hennig, Rudolf, Plate 12; 123–26, 151
Henry, Rt. Rev. Mgr. Hugh T., 151
Henry Clasper, Champion of the North (Hodgretts and Walter), Figure 20; 26
Henry O. Tanner, Figure 102
heroism: ideals of, 4–6, 47, 115, 151–52, 154–57, 161, 167–69
in music, 130, 143
in rowing, 26–30, 39–40, 43–45
in surgery, 56–58, 65–68, 73–74, 79–81
for Whitman, 152
His Eminence Sebastiano Cardinal Martinelli, 151
historicism, 5, 55
in art, 71–74, 92–95
in music, 127–29
in rowing, 26
in surgery and medicine, 57, 67–68, 71–73
Holland, Dr. James W., Figure 117; 78, 151n, 164n, 166
Hollingsworth Family, The (Hollingsworth), Figure 74; 117
Hollingsworth, George, Figure 74; 117
Homage to Delacroix (Fantin-Latour), 92
Home Ranch, Figure 96; 136–37, 150, 153n
Home Scene, Figure 77; 116, 118
Homer, Winslow, 125n, 147n
Hopkins, George D., 34
Hôtel-Dieu (hospital), 72n
Hovenden, Thomas, 157n
hunting, xixn, 43
hunting and sailing scenes, by Eakins, 19, 150
Huntington, Daniel, 95
In Arcadia (Harrison), 128n
Ingres, J.-A. D., 93, 117
Installation of Rush’s Nymph with Bittern in Fairmount Park near the Callowhill Street Bridge (unknown photographer), Figure 54; 88
J. Laurie Wallace Seated on Rock, Photograph of; Study for Arcadia Relief, Figure 87; 129
James Hammill and Walter Brown, in their Great Five Mile Rowing Match for $4000 and the Championship of America (Currier and Ives), Figure 21; 31–33, 39
Jarves, James Jackson, 98
Jefferson Alumni Association, 64, 77
Jefferson Medical College, 11, 18, 50n, 53– 55, 61–67, 69, 70, 72, 82, 150, 166
John B. Gest, 151
John Biglin in a Single Scull, Figure 30; 41–42
Johnson, Samuel, Figure 6; 4
Jordon, Letitia Wilson, Figure 121; 167
Justice (Rush), 88
Keen, Dr. William W., Figure 120; 55, 61n
Kelley, Harry, Figure 24; 33, 40
Kershaw, Jennie Dean (Mrs. Samuel Murray), 164n
Kirkpatrick, F. L., 107n
Knight, D. Ridgway, 157n
Kremer, P., 93n
Krimmel, John L., Figure 55; 90, 100, 106, 107n
La Modele Honnête (Baudouin), 100n
Lady with the White Shawl (Portrait of Mrs. C., Chase), Figure 112; 167
Lafayette (Rush), 88
Lambdin, George C., 8n
landscape, in the nineteenth century, 7–8, 103, 127
language, Eakins’ interest in, 16–17
Las Meninas (Velazquez), Figure 15; 93, 99, 100
Latrobe, Benjamin, 84, 110n
Lawrence, A. A., Figure 27; 34
Leaves of Grass (Whitman), 145–46, 149
Lee, Hannah, 98
Leidy, Dr. Joseph II, 76n, 78n
Leonard, Dr. Charles Lester, 78n
Leonardo da Vinci and His Pupils (White), 94n
Lerolle, Henry, Figure 94; 134
Lesson on Anatomy (Milne), 107n
Linton, Frank B. A., 157n
Liszt at the Piano (Danhauser), 117n
lithotomy, 56, 69, 75
Little Confectioner, The (Couture), Figure 16
Louisiana Purchase Exposition, St. Louis (1904), 80n, 147n
Luigi Boccherini (Batoni), Figure 81; 124
McClellan, Dr. George, 61–62
Mlle. Dihau at the Piano (Degas), Figure 76; 117
Macdowell, Susan (later Susan Macdowell Eakins), 121n, 133. See also Eakins, Susan
Madrazo y Garreta de, Raimundo, 154n
Mahon, Mrs. Edith, Plate 15; 167
Make, J. H., 34n
Malgaigne, Dr. J. F., 57n
Manet, Edouard, 92–93, 115, 163
Marie-François Bichat (after Béranger), Figure 39; 71–72
Martinelli, His Eminence Sebastiano Cardinal, 151
Martinez Montañés (Velázquez), Figure 14; 75, 93, 99, 100
Match Between Eton and Westminster, Figure 19; 26
Matout, Louis, Figure 43; 73–75
Matteson, Tompkins H., Figure 64; 95
Max Schmitt in a Single Scull (or The Champion Single Sculls), Plate 1, Plate 2 (detail); 19–23, 33–35, 38–42, 49, 53, 58, 116, 123, 153, 163
exhibition of, 19n, 33, 34n
Meissonier, J.-L.-E., 15, 92n
Melchers, Gari, 113n
Melville, Rear Admiral George Wallace, Figure 105; 150
Mendelssohn, Felix, 118, 132, 139–42, 159, 161
Mercury (Rush), 88
Merritt, Anna Lea, 128n, 157n
Meyers, Henry, 122n
Meyers, Robert C. V., Figure 34; 49, 53
Michelangelo in His Studio (Delacroix), Figure 60; 93
Michel-Lévy, Henri, 34n
Miller, Leslie W. (Professor), Figure 104; 150, 164n
Minor, Robert C., 106n
Miss Amelia C. Van Buren, 165n
Mrs. Edith Mahon, Plate 15; 167
Mrs. Elizabeth Duane Gillespie, 146n, 150, 151n
Mrs. Joseph H. Drexel, 146n
Mrs. Thomas Eakins, Plate 16; 168
Mrs. William D. Frishmuth, or Antiquated Music, Figure 107; 137n, 150
Mitchell, Dr. S. Weir, 160, 161n
modern life, modernity, 4–5, 7, 12, 17–20, 28, 30, 39, 42, 103, 116–19, 121, 123, 126–27, 131–33, 141–43, 154–59, 160–63, 167–69
Monet, Claude, 34n
Moran, Edward, 33n
Moran, Thomas, 8n, 94n
Morgan, Dr. John, 58
Morin, E., 34n
Morris, Harrison, 148
motion, Eakins’ interest in, 17, 40, 164–65
Mount, William Sidney, Figure 63; 94
Müller, Friedrich Max, 16
Murray, Samuel, 111–12, 137, 150
Museum of Charity Hospital, The (L’Universe Illustré), Figure 41; 72
Music, Figure 84; 121n, 126
music: egalitarianism in, 131, 141
emotion in, 120, 122–23, 125, 132, 135–38
as ideal, 126
virtuosity in, 118–21, 124–25, 143. See also Philadelphia, music in
Mütter, Dr. Thomas Dent, 61n
Mutual Assurance Co. (Philadelphia), 151
Muybridge, Eadweard, 113n, 164n
Myers, Samuel, 121n, 126
National Academy of Design, 147
Neagle, John, Figure 11; 8, 96, 150, 154
Neal, John, 98
necrosis, 68–70
Negro Whistling Plover, A, xixn
Nélaton, Dr. Auguste, 57n, 58n
New England Woman (Beaux), Figure 113
Nolan, Dr. Edward J., 164n
“O Rest in the Lord” (Mendelssohn), 139–43, 161
Oarsmen on the Schuylkill, 41
O’Donnell, Hughey, 49
Old-Fashioned Dress, The (Portrait of Helen Parker), Figure 123; 168
Old Master in his studio (convention), 92–95, 99
Operation under ether at Massachusetts General Hospital, An (unknown photographer), Figure 37; 67
Orchestra at the Opéra, The (Degas), Figure 73; 115–16
osteomyelitis, 68–70, 75
Painter’s Triumph, The (Mount), Figure 63; 94
painting technique: of Eakins, xix, 14, 19, 21–23, 40–42, 49–52, 88–90, 120–22, 125, 134, 137, 139, 162–63, 165–66, 168
late nineteenth-century, 162–64
Pair-Oared Shell, The (The Biglin Brothers Practising), Plate 3; 21, 42
perspective drawing for, Figure 18; 21
Pan-American Exposition, Buffalo (1901), 147n
Pancoast, Dr. Joseph, 54
Paré, Ambroise, Figure 43; 57n, 67, 73n, 74–75, 76n
Parepa Rosa Reynolds (North’s Philadelphia Musical Journal), Figure 100; 140
Paris, Eakins’ studies in, 11–17
Parker, Helen, Figure 123; 168
Pasdeloup concerts, Figure 72; 17, 115
Pathetic Song, The, Figure 93; 121n, 133–34, 137, 139
Patient in the presence of Charles X after a cataract operation by Dupuytren (anonymous), Figure 38; 71
Peale, Charles Willson, Figures 9 and 62; 6, 8, 85n, 87, 94, 102n, 150, 154
Peale, James, 8n
Peale, Raphaelle, 8n
Peale, Rembrandt, 10n
Péan, Dr. Louis, 79n
Pen and Ink Drawing after William Rush Carving His Allegorical Figure of the Schuylkill River, Figure 68; 106
Penn Club, 77, 157n
Pennsylvania Academy of the Fine Arts, xix, 11, 33n, 54–55, 80n, 87–88, 94, 96, 100–103, 106, 109–111, 123, 134n, 136, 147–49, 151, 153n, 154, 156n, 157n, 165
Gallery of National Portraiture in, 154
Pennsylvania Hospital, 58, 86
Pennsylvania Museum School of Industrial Art, 150
Perspective Drawing for “The Pair-Oared Shell,” Figure 18; 21
Pestalozzi, Johann Heinrich, 10n
Peto, John F., 8n
Pettit, George, 13n
Phidias Studying for the Frieze of the Parthenon, 112n
Philadelphia, 7, 12, 17–18, 46, 55, 58–59, 60–65, 84–86, 94–97, 101–104, 106–112, 115–16, 123, 147–48, 150–51, 153–56, 158–61
artists in, 8, 12, 13n, 27, 33, 87, 94–97, 100–104, 108, 156, 157n, 166–69
music in, 115–16, 123, 131, 138–39, 141
portrait in, 8, 12, 112, 153–55, 156, 157n, 168
rowing in, 23–24, 27, 33, 35–39, 41, 43
surgery and medicine in, 58–59, 61–67, 77–80
Philadelphia School of Anatomy, 53n
Philip Syng Physick (Rush), 82, 88
Photograph of J. Laurie Wallace, Seated on Rock, Study for Arcadia Relief, Figure 87; 129
Photograph of Walt Whitman, Figure 114; 163
photographs, by Eakins, 51, 90, 128, 164n
photographs, portrait, 7, 154
of cellists, Figure 83; 124–25
of rowers, 30n, 33n, 42n
of singers, Figure 98; 130, 131n, 139
Physick, Dr. Philip Syng, 59n, 76, 86, 88
piano, 115–21, 131, 133, 135
“Picked Crew of London Rowing Club” (Harper’s), Figure 23; 32–33
Pillet (cellist), Figure 82; 124
Piping Shepherd, The (after Fortuny), Figure 86; 128n
Piping Shepherd (Merritt), 128n
portrait: attitude of Eakins toward, xix, 3, 5, 8, 12–13, 147–49, 152–58, 161–69
Eakins’ portraits as a gallery, 149–50, 152, 168
in the eighteenth century, 6
in the nineteenth century, 3, 6–8, 153–55, 168
in Philadelphia, 8, 12, 112, 153–56, 157n, 168
Portrait of a Lady with a Setter Dog [Susan Eakins], Figure 91; 130
Portrait of an Opera Singer (Weber), Figure 99; 139–40
Portrait of Archbishop Diomede Falconio, Figure 109; 150
Portrait of Dr. Horatio C. Wood, Figure 110; 78n, 136, 160
Portrait of Dr. Jacob M. Da Costa, Figure 115; 164n, 165–66
Portrait of Dr. Jacob M. Da Costa (seated, Vonnoh), Figure 116; 166
(standing, Vonnoh), Figure 119; 167
Portrait of Dr. William W. Keen (Chase), Figure 120; 167
Portrait of Emile Zola (Manet), 92
Portrait of Helen Parker (The Old-Fashioned Dress), Figure 123; 168
Portrait of James Tissot (Degas), 92
Portrait of James W. Holland (The Dean’s Roll Call), Figure 117; 166
Portrait of John Taylor Johnston (Bonnat), Figure 13
Portrait of Letitia Wilson Jordan, Figure 121; 167
Portrait of Mary Adeline Williams (Addie), Figure 122; 167
Portrait of Mrs. C. (Lady with the White Shawl, Chase), Figure 112; 167
Portrait of Mrs. J. William White (Sargent), Figure 111
Portrait of Professor Leslie W. Miller, Figure 104; 150, 164n
Portrait of Professor Rand, Figure 35; 50n, 54, 150
Portrait of Professor William Smith Forbes, Figure 118; 50n, 78n, 119, 150, 166–67
Portrait of Rear Admiral George Wallace Melville, Figure 105; 150
Poussin, Nicolas, 93
Powers, Hiram, 98
President Rutherford B. Hayes, 82, 149
prints: portrait, Figures 20, 21, 24, 25, 39, and 100; 7–8, 26, 30–33, 38, 57
rowing, Figures 19, 20, 21, 22, 23, 24, 25, and 31; 26, 30–35, 38–40, 42n
Professionals at Rehearsal, Plate 11; 121, 123, 149
Professor George W. Fetter, 150, 151n
Professor Henry A. Rowland, Figure 103; 150, 159n
psychology, in the nineteenth century, 159–61
Pupils Drawing from a Nude Model (Sweerts), 103n
Pygmalion and Galatea (Gérôme), 103
Quaker heritage, 11n, 20, 39
Ramsey, Milne, 107n
Rand, Dr. B. Howard (Professor), Figure 35; 24, 50n, 54, 150, 164n
Raphael, 93
Raphael Showing Bramante the Sistine Ceiling (Gérôme), 94
Read, Buchanan, 13n
Rehearsal in the Choir Loft, A (Lerolle), Figure 94; 134
Rehearsal of the Pasdeloup Orchestra at the Cirque d’Hiver (Sargent), Figure 72; 115
Reid, George Agnew, 121n
Rembrandt van Rijn, Figures 36 and 61; 6, 22, 56, 67, 70–72, 93
Rembrandt Etching a Plate (Gérôme), Figure 61; 94, 99
Renforth, James, 32–33, 44
Regnault, Victor, 93n
Reynolds, Sir Joshua, Figure 6; 6, 103
Reynolds, Parepa Rosa, Figure 100; 140
Ribera, José de, 16
Richards, T. Addison, 98
Richards, Williams Trost, 8n, 96, 157n
Robert-Fleury, T., 100n
Rogers, Fairman, 47n, 157n
Rosenthal, Albert, 157n
Rothermel, Peter F., 8n, 96
rowing, college and university, 25–27, 32, 36, 43–44
development of shells, 25–27
and discipline, 28–29, 39, 42, 45
and egalitarianism, 29–30, 39
in England, 24–26, 42
in France, 33–34, 41
in Germany, 41
and health, 28, 30, 44
and morality, 29, 43
pair-oared, Figure 29; 41, 42n
in Philadelphia, 23–24, 27, 33, 35–39, 41, 43
single sculling, 25–27, 32, 34, 36–38, 41, 43
in the United States, 24–25, 27–32, 34–35, 42
“Rowing Courses Used on the Schuylkill River, The” (Turf, Field and Farm), Figure 28; 35
rowing prints: American, Figures 21, 25, and 31; 30, 35
English, Figures 19, 20, 22, 23 and 24; 26, 32–33
Rowland, Henry A. (Professor), Figure 103; 140n, 150, 159n
Rubenstein, Anton, 119
Rush, Dr. Benjamin, Figure 10; 6, 59n, 86, 88
Rush, William, Figures 47, 49, 52, and 53; 83–91, 95–102, 104–114
Eakins’ statement on, 104–105, 107n
sailing, 19, 43
sailing and hunting scenes, by Eakins, xixn
Saint-Gaudens, Augustus, 144n
Salons, Paris, 17, 72, 93
Salutat, Figure 106; 150
Salvator Rosa Sketching the Banditti (T. Moran), 94n
Samuel Johnson (Reynolds), Figure 6; 6
Santje, Suzanne, Figure 108; 150, 164n, 167
Sarasate, Pablo de, Figure 85; 126
Sargent, John Singer, Figures 72 and 111; 115, 154, 156, 162
Sartain, Emily, 157n
Sartain, John, 157n
Sartain, William (Billy), 42n, 71n, 108n, 111, 157n
Schenck, Franklin, 137
Schendler, A. Z., 33n
Schmitt, Max, 20, 23–24, 33, 36–41, 43–44
Schmitz, Charles M., 133n, 138–40
Schmolze, Charles, 94n
Schreiber Brothers, The, 34n
Schuylkill Navy, 24, 36–39, 41, 43
Schuylkill River, Figure 28; 20, 23, 33, 35–36, 38, 42–43, 55, 84
racecourses on the Schuylkill, Figure 28; 35–38
Sculptor and Model [Susan Eakins], 111n
Self-Portrait [Eakins], Figure 124
Self-Portrait (Rush), Figure 53; 88, 90, 107n
Serres, John Thomas, 34n
Sharp, Dr. Benjamin, 164n
Shinn, Earl, xixn, 24n, 42n, 47n, 55, 87, 95–96, 146n, 147n
Singer in Green, The (Degas), Figure 92; 131
singers, 130–43
Sketch for William Rush and His Model, Figure 71; 113
Sleeping Chaperone, The (de Vigne), 100n
Smith, Dr. Nathan, 69–70
Smith, Sydney, 60, 98
Smith, T. Guilford, 53n
Society of American Artists, 80n, 106, 134n, 148
song, 131–43
“pathetic,” 135, 140, 143
cowboy, 136–37, 143
oratorio, 138–42
Stewart Culin, 158
Stolte, C. F., 133
Stuart, Gilbert, 154n
Studio, Spanish interior, The (Kirkpatrick), 107n
Studio in the Batignolles Quarter (Fantin-Latour), 92
Studio in the Time of Louis XVI (Dolph), 94n
Studio of Corot, The (Minor), 106n
Studio of David, The (Cochereau), Figure 66; 103
Study for spectator (Robert Meyers), Figure 34; 51
Study for the Head of Professor Gross, Figure 33; 51
Study of Ben Crowell for Arcadia, Figure 88; 129
Study of Woman with Parasol, Figure 56; 90, 100
Sully, Thomas, Figure 10; 8, 150, 154n
surgery: clinical teaching of, 57, 61, 63–67, 79, 80n
conservative, 68–70, 75
as distinct from medicine, 56–57
and egalitarianism, 57, 61–64
history in Europe, 56–58, 65, 68–69
history in France, 56–61, 63, 71
history in Philadelphia, 58–59, 61–67, 77–80
history in the United States, 58–63, 65, 68, 78–80
as scientific, 57, 67
virtuosity in, 65–66, 68
Sweerts, Michael, 103n
Sweetbriar Mansion, 20
Sword, James B., 157n
Symphony Society of Philadelphia, 123
Tanner, Henry O., Figure 102; 149
Tarbell, E. C., 153n
Tassaert, Octave, 92
Tenth Street Studio, The (Chase), Figure 69; 112
Thomas, Dr. A. R., 54
Thomas Birch (Neagle), Figure 11; 8n
Thomas Carlyle (Cameron), Figure 4; 4
Thomas Eakins, Figure 124; 168
Thomas Eakins (Gutekunst), Figure 1
Thomas Eakins (unknown photographer), Figure 2
Thomson, Dr. William, Figure 46; 78n
Tissot, James, 34n, 92
Titian, 22
Titian’s Model—from the Painting in the Louvre (Healy), 94n
Translator, The, 151
Tuckerman, Henry, 98
Tulp, Dr. Nicolaas, Figure 36; 56, 67, 70–71, 73
Tyson, Dr. James, 76n
Uhle, Albert Bernhard, 156n
Union League of Philadelphia, 19n, 54n, 82, 94n, 125n, 128n
Universal Exposition, Paris (1867), 93
Universal Exposition, St. Louis (1904), 80
University of Pennsylvania: medical college, 59, 61, 64n, 78, 150
rowing, 43
Van Buren, Amelia, 164n
Van Calcar, 71
van der Beemt, Hedda, Figure 84; 121n, 126
Van Dyck in His Studio (Bebie), 94n
van Rensselaer, Mrs. Marianna Griswold, 126
Vanuxem, Louisa, 85, 99, 100, 102n, 110n, 111n
Vanuxem, James, 85, 105
Vanuxem, Mrs. James, 99–100
Velázquez, Diego, Figures 14 and 15; 13, 16, 22, 75, 93, 99, 100
Velpeau, Dr. Armand A., Figure 42; 57n, 72–73
Very Rev. John J. Fedigan, 151
Vesalius, Figure 40; 71–72
Vesalius at Padua in 1546 (Hamman), Figure 40; 72
Veteran, The, 152
View of Fairmount Waterworks, A, Figure 26; 33
Villanova College, 150
Violinist, The, 126n
violoncello, 123–25, 132–33, 135
virtuosity: in music, 118–21, 124–25, 143
in painting, 13n, 14, 162
in surgery, 65–66, 68
voice, 131–32
Voltaire, 4
von Menzel, Adolph, 134n
Vonnoh, Robert, Figures 116 and 119; 156n, 166
Wallace, J. Laurie, Figure 87; 121
Walt Whitman, Plate 13; 144, 150–51, 163
Walt Whitman, Photograph of, Figure 114; 163
“Walter Brown” (Harper’s), Figure 25; 33
Ward, Joshua, 36, 42n
Ward of Model Post Hospital, Centennial Exposition (unknown photographer), Figure 45; 76
Water Nymph and Bittern (or Allegorical Figure of the Schuylkill River, Rush), Figures 47, 48, 51, 54, and 55; 84–88, 90, 95–96, 101–102, 104–111
as “Leda and the Swan,” 104–105, 107–108
Watson, John, 97
Watts, George F., 162n
Wax Studies for William Rush Carving His Allegorical Figure of the Schuylkill River (1877 version), Figure 57; 90
Weber, Paul, Figure 99; 139–40
Weir, John Ferguson, 95
Weir, Robert F., 95
West, Benjamin, 87
West, Dr. Franklin, 49–50
Wharton, Edith, 154n, 160n
Whistler, James A. McNeill, Figures 75 and 85; 117, 126, 153n, 154, 156n
White, Edwin, 94n
Whitman, Walt, Plate 13, Figure 114; 76n, 144–49, 163, 169
on Eakins, 144–45
William Rush and His Model, Plate 9; 113–14
William Rush Carving His Allegorical Figure of the Schuylkill River (1877 version), Plate 7, Plate 8 (detail); 82, 88–91, 95, 98–108, 115–16, 149, 153, 163
exhibition of, 106–107
outline drawing for engraving, Figure 68; 106
studies for, Figures 56, 57, and 58; 90–91, 100
William Rush Carving His Allegorical Figure of the Schuylkill River (1908 version), Figure 70; 111–14
studies for, 113
Williams, E. L., 33n
Williams, Mary Adeline (Addie), Figure 122; 167
Williams, Mrs. Talcott, 144n, 146n
Williams, Nannie, 102n
Williams, Talcott, 144
Wisdom (Rush), 88
Wistar, Dr. Caspar, 59n, 86, 88
Wood, Archbishop James Frederick, 82, 149
Wood, Dr. Horatio C., Figure 110; 78n, 136, 160, 161n
wrestling, 47
Writing Master, The, Figure 101; 149, 152
Youth Playing the Pipes, A, 129
zither, 121–23, 132
Zither Player, The, 121n, 149
Zoffany, Johann, 103
Zorn, Anders, 154n, 156n