Index

Baudelaire, Charles: xviii, 5, 8, 19, 30, 36–37, 40, 42, 45–47, 50, 62, 82, 88–89, 93, 95–98, 109, 112–26, 128–30, 132–33, 154, 156–57, 169, 175–76, 196, 201, 245, 264, 300, 304–05, 312, 317, 322 n26, 329 n44, 331 n65, n66, 334 n15, 339 n19, 339 n21, 339 n22, 340 n29, 340 n32, 341 n40, 343 n1, 344 n10, 346 n25, n26, n28, n30, n32, 350 n78, n80, 352 n89, 359 n19, n20, 361 n38, 362 n39, 372 n36, 373 n49

Fleurs du mal: 115, 329 n44, 346 n25, n28, 350 n78

on Lola de Valence: 40, 114–16, 118, 129–30, 329 n44, 346 n24, 176

“L’Oeuvre et la vie d’Eugène Delacroix”: 115–16, 120–21, 175

obscenity trial: 114, 329 n44

“Le peintre de la vie moderne”: xviii, 46, 112–13, 116–17, 119–26, 128–30, 132–33, 322 n26, 340 n32, 346 n32, 250, 304, 359 n17, n18

“Salon de 1846”: 115, 117–22, 125, 348 n60

Benjamin, Walter: 88, 90–91, 122, 351 n86, 358 n5

Bergerat, Emile: 237, 238, 240, 244, 250, 252, 371 n26

Bertall: 45 51

Blanc, Charles: 42, 50, 81, 93–96, 112, 330 n58, 332 n2, 343 n68, 345 n13, 356n38

Boucher, François: 321 n24, 228

Boudin, Eugène: 55, 365 n25

Le Boulevard: 88–89, 339 n22, 340 n32

Bracquemond, Félix: 31, 32, 364 n15

Portrait of Manet: 31, 32

Bruyas, Alfred: 4, 8, 10, 323 n19

Burty, Philippe: 93, 95, 363 n11, 380 n13, 367 n7

Cabanel, Alexandre: 31, 168, 356 n40

Birth of Venus: 152, 155, 168

Cadart, Alfred: 72–73, 78, 82, 85–86, 88

Cadart portfolio: xvii, 72–73, 76–78, 81–88, 90–94, 96–98, 104–05, 339 n15, 344 n2

Caillebotte, Gustave: 208–09, 364 n17, n18, 365 n23, 374 n3

The Pont de l’Europe: 208–10, 209

Camprubi, Don Mariano: 73, 106, 108

Carolus Duran, Emile-Auguste: 380 n12

Carré, Valentine: 198, 362 n41, n43

Castagnary, Jules-Antoine: 92–93, 222–23, 225, 358 n8, 366 n34

Cézanne, Paul: xi–xiii, 4, 64, 66, 305, 315, 318 n3, 320 n10, n14, 326 n34, n1, 333 n11, 339 n11, 362 n1, n2, 375 n5, 376 n15, 381 n20

Self Portrait with Palette: 316, 316

Champfleury (Jules Husson): 5, 8

Chaplin, Charles: 360 n22

Chardin, Jean-Baptiste Siméon: 21, 24, 54, 216, 270, 273–77, 282–84, 326 n35, 365 n28, 375 n4, n5, n9

The Brioche or A Dessert: 275, 276

Hare with Powder Flask and Game Bag: 274, 275

The Ray: 155, 155, 272, 354 n15

Chardin revival: 271, 278, 283, 354 n15, 375 n4, n9

Charpentier, Georges: xvii, 288, 230, 236, 250, 370 n25

Charpentier, Mme: 238, 250

Chassériau, Théodore: 55, 334 n19, n20

The Tepidarium: 55, 57

The Toilette of Esther: 56

Claretie, Jules: 97

Clark, T. J.: xii, 217, 319 n10, 320 n10, 322 n9, 323 n12, n16, n17, 332 n73, 335 n28, 351 n83, 353 n8, n10, n11, 355 n22, 364 n19, 365 n30, 366 n41, 368 n14, 375 n13, 376 n16, n18

Claus, Fanny: 182, 186, 359 n8

coloris: 17, 52, 54–55, 61, 63–64, 67, 93, 129, 164, 229, 321 n24, 342 n54

Corot, Camille: 55, 361 n33

Courbet, Gustave: xi, 3–11, 13–14, 16–17, 19–20, 23–24, 27, 30–31, 50, 115, 168–69, 171–72, 182, 194, 305, 318 n3, 319 n4, 322 n3, n4, n6, n7, n8, n9, 323 n9, n14, n15, n16, n17, n18, n19, n21, 324 n25, 325 n26, 326 n33, n34, 328 n32, 356 n40, 365 n29, 376 n15

The Painters Studio: A Real Allegory Summing Up Seven Years of My Life as a Painter: 5–7, 7, 8–10, 13, 17, 19–20, 23, 323 n14, n17

Woman with a Parrot 168, 169

1855 retrospective: 3–11, 13–14, 16–17, 27, 50, 72, 322 n4, n7, n8, 323 n19, 325 n26

1867 retrospective: 3–7, 10–11, 14, 17, 227, 322 n8, 323 n21, 324 n25, 325 n25

Le Courrier artistique: 73, 76, 337 n1, 338 n1, n2, n3, n4, 339 n7

Couture, Thomas: 3, 34–35, 135, 182

David, Jacques-Louis: 6, 55, 320 n10, 323 n10, 338 n1

De la Fizelière, Albert: 88–89

De Piles, Roger: 51, 54, 62, 117, 129, 320 n18, 321 n24

Decamps, Alexandre: 4, 6, 55, 334 n18, n19, 336 n32

Degas, Edgar: xii, xvii, 244, 303, 305–06, 319 n5, 326 n33, 346 n29, 357 n1, 359 n13, n14, 361 n33, 362 n1, 373 n42, 373 n50

M. and Mme Edouard Manet: 306, 307

Dehodencq, Alfred: 99

A Bullfight in Spain: 99, 100

Delacroix, Eugène: 4, 6, 40, 55, 115–22, 125, 201, 227, 304, 321 n24, 323 n12, 334 n19, 346 n33, n36, 337 n45

Delaroche, Paul: 55

Demarsy, Jeanne: 132, 221, 269, 309, 366 n3, 373 n52

dialogic/dialogism: xviii, 91, 132, 157, 320 n18, n11, 337 n44

Diderot, Denis: 45, 54, 321 n24, 331 n66

Duchamp, Marcel: 299, 364 n20

Duranty, Edmond: 227, 237, 330 n56

Duret, Théodore: 87, 324 n25, 325 n25, 137, 307, 352 n89, n3, 378 n1

Dutch art: 5, 24, 38, 42–44, 71, 94, 120, 126, 167, 171, 194, 270–71, 330 n55, n58, 331 n66, 332 n71, n2, 338 n1

eau-forte (aquatint): 11, 72, 88–98, n1, 116, 137, 339 n17, 340 n32

Ephrussi, Charles: 262, 280, 373 n51

etching revival: 76–77, 82, 89–90, 92, 339 n17

Fantin-Latour, Henri: 24, 116, 201, 203, 274, 308–09, 311–12, 314, 326 n34, 343 n68, 359 n13

Edouard Manet: 308–09, 309, 311

Homage to Delacroix: 116, 116

lithograph of his portrait of Manet, La Vie Moderne: 240, 241

A Studio at the Batignolles: 201, 202, 206, 314, 362 n1

Folies-Bergère: 24, 237–38, 244, 250, 258, 269, 285, 290, 294, 371 n27, 375 n13, 376 n17

formalism/formalist: xi–xii, xiv, xviii, 42, 45, 120, 314, 319 n4, n10, n14, n17, n20, 321 n21, n23, 366 n41, 375 n9

Fragonard, Jean-Honoré: 262, 321 n24

Fried, Michael: xii, 17, 320 n12, 322 n9, 323 n13, n18, 325 n27, n28, n29, 337 n1, 340 n24, n29, 346 n30, 350 n78, 351 n89, 354 n15, n16, 358 n4, 359 n8, 362 n1, 364 n18, 366 n41, 377 n27, 381 n18

Fry, Roger: xii, 319 n6, 320 n14, 326 n34, 375 n5

Galerie Espagnole: 94, 97–98, 340 n25, 342 n59, 345 n13

Gare Saint-Lazare: 172, 203, 208, 210, 216, 236, 258, 357 n48, 362 n3, 363 n6, n11, 364 n17

Gauguin, Paul: xi

Gautier, Théophile: 47, 83–84, 90–92, 95, 97–99, 109–14, 128–30, 132, 340 n23, 341 n36, n40, 345 n16, 350 n78

Voyage en Espagne: 83, 110–12

Géricault, Théodore: 55, 358 n4

Giroux’s: 227, 229–30, 234, 367 n7, 369 n18

Gobillard, Yves Morisot: 203, 361 n33

Goetschy, Gustave: 240, 371 n34

Goncourt brothers: xviii, 3–4, 50–51, 54–68, 112, 122, 161, 172, 237, 321 n24, 322 n2, 326 n36, 333 n3, n4, n6, 334 n15, n17, n18, n19, 335 n25, 336 n32, 351 n88, 355 n20, 367 n8

Manette Salomon, xviii, 50–51, 54–64, 65, 67, 68, 161, 322 n2, 326 n36, 333 n3, n6, 334 n17, n18, n19, 335 n25

Goncourt, Edmond de: 4, 51, 65, 333 n4, 334 n17, 337 n37

Gonzalès, Eva: 177, 184–84, 186, 190, 192–93, 197–98, 229, 263, 275, 307, 360 n22, 362 n43

Goya, Francisco de: 25, 46, 50, 82–83, 85, 94–99, 103–04, 108–12, 146, 149, 176, 179, 180, 203, 332 n77, 333 n4, 339 n18, n19, 340 n25, 343 n68, 344 n2, n11, 355 n23, 258 n4, 333 n4, 339 n18, n19, 340 n25, 343 n68

Duchess of Alba: 85, 85, 86, 108, 340 n25

Tauromaquia: 82, 99, 339 n19, 344 n11

Greenberg, Clement: xi, xii, xiv–xv, xviii, 6, 17, 31, 54, 120, 132, 226, 314, 318 113, 319 113, 114, 10, 320 n10, n11, n13, 321 n23, n24, 328 n32, 331 n66, 334 n16, 349 n71, 350 n76, 325 n21, 366 n41, 372 n41, 376 n15, n19, 377 n28

“Manet in Philadelphia”: xi, xiii–xviii, 17, 120, 318 n1, 320 n13, 365 n21, 377 n28

Guillemet, Antoine: 176, 182

Guillemet, Mme: 132, 220, 294, 309

Guys, Constantin: 58, 121–23, 322 n26, 350 n76, 196, 243, 250, 267, 354 n19

Group of Men and Women: 123, 124

Hauser, Henriette: 228, 232

Haussmannization: 179, 206

Haussoullier, William (after Velasquez), Portrait of Philip IV in Hunting Costume: 81, 81, 82, 93, 95

Hegel, G. W. F: xviii, 42–43, 54, 61, 117–18, 319 n4, 320 n17, 321 n23, 331 n66, 333 n6, 334 n6

Heim, François-Joseph: 9

Hirsch, Alphonse: 206–07

Huysmans, Joris-Karl: 66, 223–25, 227, 229, 230, 253–57, 330 n57, 334 n15, 337 n38, n41, 351 n88, 366 n35

L’Illustration: 243, 356 n35, 362 n42

Impressionism/Impressionist: xi–xiii, xvii–xviii, 22–24, 54, 58, 116, 126, 177, 182, 186, 196, 199, 202–03, 206, 209–10, 212–13, 216–18, 269, 279, 285, 286, 288, 300–01, 312, 314, 318 n3, 319 n3, n10, 320 n10, 326 n34, 349 n71, 350 n76, 352 n89, 358 n6, 361 n32, 362 n1, n2, n3, 363 n5, 364 n24, n25, n17, 365 n27, n30, 366 n36

Impressionist exhibitions: xii, 64, 144, 186, 208–09, 213, 216, 364 n15, 374 n3

Ingres, Jean-Auguste-Dominique: 4, 6, 8–10, 27, 38, 55, 119, 121, 323 n21

The Apotheosis of Homer: 9, 9

Irigaray, Luce: xviii, 322 n27, 348 n52, 350 n74

Italian Renaissance: xv, 13–14, 25–27, 38, 42, 62–63, 82, 99, 105, 117, 325 n33, 330 n55, 332 n2, 338 n1, 378 n12, 381 n21, 380 n12, 381 n21

Janin, Jules: 92

japonisme/japoniste: 46–47, 49–50, 229, 325 n30, 332 n78

Le Journal amusant:, 11, 12–13, 45, 45, 172, 210, 324 n24, 345 n12, 376 n14

Kant, Immanuel: xi–xii, xiv, xvii, 132, 319 n4, 320 n17, 321 n23, 364 n20

La Caze collection: 155, 275, 354 n15

Laurent, Méry: 132, 293, 294, 304, 317, 361 n36, 366 n3

“le beau fard”: xviii, 129, 132–33, 245, 258

Le Nain brothers: 17, 19, 325 n29, 338 n1

Leenhoff, Ferdinand: 152, 154, 176, 179

Leenhoff, Léon: 25–27, 36, 67, 101, 144, 160, 306, 326 n36, 354 n14, 355 n24

Leenhoff, Rudolph: 210, 218

Leenhoff, Suzanne: 25, 104, 270, 326 n36, 354 n14

Lemonnier, Isabelle: 250, 294

Leroy, Louis: 54, 216, 359 n8, 362 n2

Mallarmé, Stéphane: 176, 225–26, 307, 319 n10, 359 n14, 363 n4, 366 n36, n37, n38, n39, n41, n42

MANET, EDOUARD

1867 retrospective: xi, xv, xvii, 3–4, 10–11, 13–17, 19–31, 36, 38, 40–41, 49–50, 58, 63, 67–68, 72, 87, 97, 103–04, 114, 132, 139, 182, 323 n21, n22, 324 n24, n25, 324 n25, 325 n25, n27

1884 retrospective: 49, 320 n16, 332 n1

1932 retrospective: 175, 320 n16

1966–67 retrospective: xi, xiii, xv–xvii, 159, 170, 227

1983 retrospective: 114, 320 n16

Legion of Honor: 228, 308

Salon des Refusés: 13, 34, 40, 72–73, 77, 81–83, 85–87, 94, 99, 112–14, 122, 126, 329 n44

Salon of 1861: xvii, 3, 15, 46, 71, 81–84, 96–97

Salon of 1864: 34, 40, 99

Salon of 1865: 13, 34, 40, 45, 344 n10

Salon of 1866: 13, 40

Salon of 1868: 49

Salon of 1869: 178, 180, 185

Salon of 1870: 177, 184

Salon of 1872: 203

Salon of 1873: 177, 199

Salon of 1874: 177, 201–03

Salon of 1875: 177

Salon of 1876: 225, 227

Salon of 1879: 177

Salon of 1880: 221, 228, 308, 312

Salon of 1881: 228

Salon of 1882: xvii, 309

WORKS

The Absinthe Drinker: 11, 14–15, 17, 18, 34, 39, 72–73, 82, 94, 112, 324 n24, 345 n21

Angelina: 11, 177, 178

Antonin Proust: 308–09, 310

Argenteuil: ii, 203, 210, 211, 213, 216–18, 219, 221, 286, 300, 353 n8, 363 n4, 365 n26, n30

Asparagus: 278, 279, 284

At the Milliner’s (The Modiste): 264, 265, 265

At the Prado (Au Prado): 111, 111

Autumn (Méry Laurent): 293, 293

The Balcony: 103, 83–84, 176, 178–79, 181, 181, 186, 190, 193, 203–05, 220–21, 344 n5, 359 n9

Bar at the Folies-Bergère: xvi, 24, 210, 218, 228, 267, 268, 276, 277, 282, 284, 286–88, 287, 290–92, 291, 291, 293–94, 297, 299, 300, 309, 361 n33, 366 113, 374 n1, n3, n4, 375 n12, 376, n17, n19, n20, 377 n22, n23, n26

Barque of Dante (copy after Eugène Delacroix): 116, 117

Baudelaire: 5, 8, 116, 117

Baudelaire (in profile): 123, 124

Before the Mirror: 252–53, 254, 254, 256, 255–59, 263–64, 288, 300, 372 n43, 373 n48, 375 n14

Berthe Morisot with a Bouquet of Violets: 174, 174, 175

Berthe Morisot with a Fan: 177

Boating: 203, 212, 218, 220, 220–22

Bon Bock: xvi, 194, 361 n37

Bouquet of Violets: 193, 193

The Boy with the Dog: 17, 72–73, 77, 82, 99

Boy with the Sword: 11, 14, 16–17, 27, 39–40, 47, 72–73, 101, 101, 104, 114, 160, 178

The Brioche: 276, 277

The Bullfight: 40–41, 99, 100

Bundle of Asparagus: 279, 280

The Café-concert: 250, 251

Chez la Père Lathuille: 223, 223, 228

copy after Tintoretto’s Self Portrait: 11, 16–17, 25–26, 26, 324 n24

Corner of the Café-concert: 250, 251, 366 n2

Croquis par Edouard Manet, La Vie Moderne: 241, 242

The Dead Christ and the Angels: 11, 14, 17, 40–41, 99, 157, 158, 158, 271, 355 n23, 362 n4

The Dead Torero: 11, 17, 40, 99, 100, 355 n23

Don Mariano Camprubi: 73, 108, 108, 339 n8

“Eaux-fortes par Edouard Manet” avec chapeau et guitare: 78, 80, 81

Emile Zola: 48, 49–50, 339 n18

Emilie Ambre in the Role of Carmen: 177, 178

Execution of Emperor Maximilian: 97, 103, 176, 203, 344 n5, 358 n4, n7, 366 n2

The Fifer: xvi, 11, 15, 20, 27, 40–42, 63, 142, 144, 159–62, 163, 164, 172, 184, 306, 355 n27

Fish (Still Life with Carp): 11, 270, 271, 271, 272, 285

Fishing: 11, 15–16, 25, 26–27, 305, 322 n35

The Gitanos: 11, 15–17, 19, 21, 26, 72, 73, 97, 149, 325 n27

The Guitar Player: 11, 15, 186, 186

Gypsy with a Cigarette: xiii, xv, xvi, 17, 345 n16

Ham: 149, 149

Hat and Guitar: 80, 81

In the Conservatory: 218, 220–21, 222, 222, 224, 365 n32, 366 n33

In the Garden: 198, 198, 199

Jeanne Duval: 196, 228, 346 n26

Lemon: 280, 281, 281, 284

Lola de Valence (1862): 11, 15–16, 20, 39–40, 72, 83, 85–87, 106, 107, 108–16, 118, 125, 128–30, 131, 150, 179, 324 n24, 329 n44, 344 n10, 345 n16, 346 n26

Lola de Valence (1863) (etching): 72–73, 79, 83, 85–87, 112–14, 329 n44

Luncheon in the Studio: xvi, 176, 178–79, 180, 180, 182, 205, 374 n3

Luncheon on the Grass: xiii, xvi–xvii, 11, 13–14, 14, 16–17, 20, 25, 30, 40–41, 72, 139, 150, 154, 156–59, 172, 183, 199, 210, 218, 286, 318 n3, 320 n14, 324 n24, 326 n36, 354 n12, n18, n21, 359 n13

Madame Brunet: 11, 15, 20, 86, 86, 324 n24, 339 n8, 340 n26

Madame Manet at the Piano: 306, 307

Madame Michel-Lévy: 192, 293

Masked Ball at the Opera: 305, 306, 358 n4, 362 n4, 379 n8

A Matador: 11, 15, 102–03, 103

Mirabelle: 294, 295

Mlle V…. in the Costume of an Espada: 11, 15–16, 20, 40, 72, 82–83, 94, 99, 112–14, 134, 139, 141, 146, 149–50, 157, 160, 162

Mlle V…. in the Costume of an Espada (etching): 72, 75, 82–83, 344 n2

The Mocking of Christ: 11, 14, 17, 139, 158, 158, 159, 355 n23

The Monet Family in Their Garden at Argenteuil: 213, 214

Monet and His Wife in His Floating Studio: 213, 214

Music at the Tuileries: 11, 15, 21–22, 22, 23–24, 39, 58, 72, 94, 98, 109, 113–14, 122–26, 127, 128, 130, 150, 196, 300, 305, 325 n33, 349 n71, 350 n76

Nana: 132, 227–29, 231, 234, 236, 252, 257, 263–64, 278, 288, 299, 367 n7, 370 n24, 373 n48

The Nymph Surprised: 11, 14–15, 21, 104–05, 105

Odalisque: 105, 106

The Old Musician: 11, 15, 17, 18, 19–21, 50, 72, 82, 94, 99, 112, 325 n28

Olympia: xiii, xvi–xvii, 2, 11, 13–14, 15, 17, 30, 34–35, 39–42, 44–46, 49–51, 64, 105, 120, 153, 154–60, 168, 178, 221, 228–29, 269, 271, 324 n24, 325 n30, 329 n42, 332 n73, 344 n10, 346 n30, 353 n10, n11, 354 n12, n13, n15, n20, 355 n22, n23, 357 n47, 363 n10, n13, 374 n2

Olympia (etching): 31, 32, 42, 139, 150, 152

On the Beach: 212, 212, 217–18

Oysters: 270, 270, 271

Parisienne (Ellen Andrée in a Dress with a Train): 260, 260

Pinks and Clematis: 276, 277

Plum Brandy: 244–45, 246, 248, 250, 257–58, 300, 372 n42

Portrait of Eva Gonzalès: 186, 190–91, 191, 193, 201, 362 114

Portrait of Irma Brunner or Woman with a Black Hat or La Viennoise: 292, 293

Portrait of Madame Manet: 11, 15, 20–21, 21, 292

Portrait of Méry Laurent 292, 293

Portrait of Philip IV (copy after Velásquez): 11, 16–17, 70, 72, 82–83, 85–88, 93, 97, 112–13, 343 n68

Portrait of Théodore Duret 87, 87

Racecourse at Longchamp (Racecourse in the Bois de Boulogne): 11, 15, 21–22, 23, 58

The Railway: 144, 200, 202–05, 207, 210, 218, 357 n48, 362 n4, 364 n17

Reading: 196, 196–97, 360 n29, 362 n40

Repose: 177, 194, 195, 196–98, 203, 221, 225

Roses in a Champagne Glass: 276, 277

Salmon: 271, 271, 273–74

Self-Portrait with Palette: 103–04, 312, 313, 314–15, 317

La Servante de Bocks (after), La Vie Moderne: 178, 178

Skating: 250, 251

Soap Bubbles: 160, 161

Spanish Ballet: 11, 15, 21, 39, 72, 94, 108, 109, 344 n11

Spanish Cavaliers: 179, 178

The Spanish Singer: 11, 17, 46, 81–84, 84, 94, 96–97, 99, 108, 139, 339 n8, 339 n21, 366 n1

The Spanish Singer (etching): 72, 74, 81–84, 93–97

Spring: Jeanne: 294, 293–94

Stem of Peonies with Shears: 192, 193, 274, 275

Stéphane Mallarmé: 224, 225, 226

Still Lige with Fish and Shrimp: 272, 272

Still Lige Melon and Peaches: 273, 273–74

The Streetsinger: 11, 15, 20, 39–41, 63, 72, 85–86, 113–14, 139, 140, 145, 147, 148–49, 160, 166, 179, 363 n12

Three Plums: 294, 295

The Toilette: 73, 76, 82

The Tragic Actor (Rouvière as Hamlet): 11, 15–16, 20, 40, 101–02, 102, 355 n29

Two Hats: 294, 295

The Urchin: 11, 72–73, 78, 82–83, 112

Vase of Peonies: 11, 190, 192, 274

Victorine Meurent: 135, 136, 137–38

View of the Universal Exposition: 58, 59, 335 n28, 203

Woman Fastening Her Garter: 252–53, 255, 255 257, 372 n43

Woman in the Tub: 266, 167

Woman Reading (Reading the Illustrated Magazine): vi, 244–46, 247, 249, 250, 255, 263, 293, 300, 372 n38, n42

Young Man in the Costume of a Majo: 11, 15, 20, 40, 72, 86, 99, 101, 112, 139, 150, 344 n4

Young Woman in 1866: 11, 15–16, 20, 40–42, 49, 143, 144, 159–60, 164, 165 166, 167, 168, 171–72, 179, 193, 324 n24, 355 n27, 357 n48

Young Woman in Oriental Garb: 64, 64

Young Woman Reclining in Spanish Costume: xiii, xiv, xvi, 11, 14–15, 24, 72, 99, 104–05, 114, 149, 167, 354 n15, 369 n39

Manet, Eugène: 102, 154, 156, 212–13

Manet, Gustave: 99, 154, 156–57

Mantz, Paul: 97–98, 342 n57, 145, 162, 164, 353 n7, 355 n28, 356 n35, 359 n8

Martinet, Louis: xvii, 34, 39–40, 71–73, 76–77, 81, 83, 85–88, 90–99, 101, 104, 106, 108–09, 111–14, 116, 122, 128, 132–33, 139, 144–45, 149–50, 329 n44, 337 n1, 338 n1, n2, n4, 339 n8, 350 n78, 372 n2

Matisse, Henri: xi, 318 n3

mechanical reproduction: 8, 26, 50, 76–78, 82–83, 88–93, 142, 339 n20, 372 n35

Melea, Lola (Lola de Valence): 73, 106, 108, 115, 340 n28, 346 n22

Merimée, Prosper: 110, 117, 345 n16

Meurent, Victorine-Louise: 13, 41, 63, 67, 99, 105, 113, 132, 135–36, 139, 144, 150, 154, 201, 292, 306, 317, 324 n24, 333 n11, 344 n4, 353 n3, 354 n21, 359 n10, 365 n24

modernism/modernist: xi–xviii, 31, 34, 42, 44, 46–47, 51, 53–55, 59, 68, 114, 116–17, 132–33, 162, 226, 228, 289, 315–17, 318 n3, 319 n3, n4, n10, 320 n10, 321 n23, 332 n76, 334 n16, 337 n44, 364 n17, 366 n41, 372 n41, 376 n19, 377 n20, 377 n27, 378 n1, 381 n20, 339 n20, 348 n52, 350 n76

Monet, Camille: 213

Monet, Claude: xi, xvii, 4, 64, 126, 196, 201, 203, 206, 208–10, 213, 216–18, 250, 280, 307, 318 n3, 319 n3, 320 n19, 328 n32, 350 n77, 357 n48, 359 n14, 362 n1, n3, 363 n1, 364 n15, n16, n17, 365 n23, n25, n27, n30, 370 n24, n25

The Bridge at Argenteuil: 215 216

Luncheon on the Grass: 126, 126, 350 n77

The Pont de l’Europe (Gare Saint-Lazare): 208, 208

Regatta at Argenteuil: 215 216–17

Moore, George: 250

Moreau, Gustave: 64–65, 337 n38, n41

The Apparition: 65, 66

Morisot, Berthe: 132, 172, 175–78, 180, 182–86, 189–90, 193, 196–99, 201, 203, 205–06, 212–13, 218, 220–22, 225, 258, 259, 260, 262–64, 267, 280, 288, 292, 294, 300, 307, 317, 346 n29, 358 n6, 359 n8, 360 n22, 361 n31, n32, n33, n33, n37, 361 n 39, 362 n41, n43, 363 115, n11, 364 n14, 365 n24, 366, 113

The Artist’s Sister at a Window: 184, 187

Before the Theater: 260, 260

The Harbor at Lorient: 184, 186, 189, 189

The Mother and Sister of the Artist: 188

On the Balcony: 203, 204, 205–06

Reading: 199, 199, 213

Summer: 261, 262, 264

Summer’s Day: 221, 224

Winter: 261, 262, 264

Woman Dressed for the Ball: 261, 262, 264

Woman at Her Toilette: 259, 259–60, 262–63, 373 n50

Woman Powdering Herself: 263, 263

Morisot, Cornélie: 184, 203

Morisot, Tiburce: 363 n33, 362 n43

Murillo, Bartolomé Esteban: 17, 19, 99

Nadar: 104, 344 n4, 303, 363 n12

Edouard Manet: 302, 303

Naturalism/Naturalist: xi, 19, 21, 25, 27, 30, 46, 66–67, 121, 125, 137, 172, 178, 194, 217, 229, 232, 236, 319 n3, 337 n38, 349 n71, 350 n76, n77, 365 n29, 369 n20, 370 n23

Nieuwekerke, comte de: 4, 323 n12

Orientalism/Orientalist: 4, 55, 67, 97, 105–06, 115, 128–29, 169, 334 n19, 335 n25, 336 n32, 344 n9, n10, 350 n74

photography: 90–93, 95, 97, 341 n40, 369 n18

Picasso, Pablo: xi, 316, 318 n3, 320 n10, 333 n11, 339 n19, 356 n36, 373 n45, 381 n20

Self Portrait 316, 316

Place de l’Alma: xi, 11, 27, 31, 38, 40, 49, 324 n24, 325 n25

Pontillon, Edma Morisot: 361 n29, n33

positivism/positivist: xiv, 17, 32–38, 42–46, 51, 57, 61–62, 64, 67–68, 91, 117, 121, 126, 132, 171, 226, 229, 324 n25, 327 n9, n13, 328 n32, 330 n58, n59, n61, 349 n71, 377 n25

Proust, Antonin: 50, 135, 137, 221, 228, 304, 308–09, 312, 314, 339 n21, 352 n1, 367 n3, 378 n1, 378 n1, 379 n6, 380 n9, n13, 381 n14

Pygmalion: 33, 51, 53, 63–65

Raimondi, Marcantonio: 17, 82, 122, 146, 156

Randon, G.: 172, 324 n24

Le Journal Amusant: 12–13, 45, 109, 172

Raphael: 4, 17, 27, 46, 82, 94, 122, 130, 132, 156, 325 n33, 348 n64, 349 n64, 354 n18

Renoir, Pierre-Auguste: xi, 196, 201, 213, 216, 238, 321 n24, 339 n11, 359 n13, n14, 362 n1, 365 n23, 370 n25

Madame Georges Charpentier and Her Children, Georgette-Berthe and Paul-Émile-Charles: 238, 239

Riegl, Alois: xiv–xv

Rochefort, Henri de: 228, 380 n9

Rococo: 120, 190, 198, 262, 263, 288, 294, 300, 321 n24, 371 n33

Romanticism: xviii, 5, 42, 46, 52, 54, 61, 67, 91, 109, 116–17, 120–21, 128, 321 n23, 322 n9, 331 n66, 333 n6, 334 n16, 340 n23, 349 n71, 350 n78, 352 n89, 378 n1

Rousseau, Philippe, Still Life Five O’Clock: 283, 283

Rousselin, Auguste: 176, 182, 359 n13

Rubens, Peter Paul: 4, 21, 25–26, 94–95, 104, 119, 122, 305, 321 n24, 333 n4

Saint-Victor, Paul de: 89–90, 97, 341 n36, 343 n68

Schapiro, Meyer: xii, 319 n10, 375 n12

Scheffer, Ary: 55

Signac, Paul: 118, 437 n45

Société des Aquafortistes: 72–73, 76, 88–93, 96, 172, 339 n17

Société Nationale des Beaux-Arts: 71, 76, 92, 172, 337 n1, 338 n1

Spain/Spanish (Hispanic): 5, 14, 16–17, 19–21, 24–26, 36–40, 46–47, 50, 67, 73, 77–78, 83–84, 86, 88, 93–99, 101–06, 108–15, 120, 129, 149–50, 157–79, 233, 271, 325 n29, 332 n80, 339 n16, n18, n19, 343 n68, n1, 344 n4, n5, n10, 353 n9, 356 n39, 355 n23

Stevens, Alfred: 108, 170–72, 333 n4, 356 n12, 373 n50

Young Lady in Pink: 170, 170

Tabarant, Adolphe: 353 n3, 355 n24, 372 n40, n42, 375 n10, 377 n1

Taine, Hippolyte: xv, 42–44, 50, 330 n55, n57, n59, n65, 331 n66, n68, 332 n1

Taylor, Baron Isidore: 98, 109–10, 112, 114, 128, 305, 342 n57, 345 n13, 350 n78

Voyage pittoresque en Espagne: 109–10, 112, 114, 345 n13

Thoré, Théophile (Wilhelm Bürger/Thoré-Bürger): 42, 92, 97, 148, 164, 170–72, 330 n58, 342 n57, 346 n33, 352 n89, 353 n9, 355 n23, 356 n33, 357 n43, n44, n47

Tissot, James: 296, 377 n22

The Shop Girl: 296, 298

Titian: 11, 16–17, 25–26, 46, 94, 105, 122, 130, 137, 150, 156, 158–59, 166, 179, 205, 348 n64, 349 n64, 354 n18

Venus of Urbino: 105, 150, 155, 168, 353 n11, 354 n20, 363 n10

Turner, Joseph William Mallord: 55, 60–61

Universal Exposition (1855): 3–10, 13, 38, 50–51, 55, 115, 322 n4, 334 n19

Universal Exposition (1867): xi, xvii, 3–4, 10–11, 13, 27, 31, 38, 50–51, 58, 68, 102, 159, 322 n4, n8, 323 n21, 324 n25, 326 n3, 332 n2, 333 n3

Universal Exposition (1878): 227

Valéry, Paul: 175–76, 346 n29, 357 n1, 358 n2

Van Gogh, Vincent: xiii, 305, 381 n20

Self Portrait: 316, 316

Vélasquez, Diego: 11, 16–17, 19–21, 23, 25–26, 46, 50, 67, 72–73, 81, 82–83, 85–88, 93–99, 101–04, 108–10, 112–13, 317, 332 n77, 339 n9, 339 n18, 343 n68, 345 n13

Las Meniñas: 103, 314, 315, 315, 343 n68

Pablo de Valladolid: 102, 102, 343 n68

Portrait of Philip IV in Hunting Costume (now attrib. to Mazo): 72, 81, 82–83, 85–88, 93, 108, 112, 339 n9, 343 n68

Vermeer, Jan: 171, 178

Vernet, Horace: 4, 6, 322 n4, 348 n59

La Vie Moderne: xvii, 228, 230, 236–38, 240, 242–45, 250–52, 257–59, 263–65, 267, 269, 294, 370 n23, n24, n25, 371 n24, n26, n28, n29, n31, n32, 372 n34, n36, n37, n38, n39, 374 n2, 380 n10

La Vie Parisienne: 228, 243, 367 n4

Watteau, Antoine: 17, 19, 112, 119, 122, 152, 164, 166, 171, 262, 321 n24, 325 n29

Winckelmann, Johann Joachim: 130, 354 n18

Wolff, Albert: 303–04, 359 n8, 378 n2

Wölfflin, Heinrich: xii, xiv–xv, 25, 42, 319 n4, 326 n34, 330 n55

Zola, Emile: xvii, 3–4, 30–47, 48–51, 54–55, 58, 62, 64–67, 114, 121–22, 125, 130, 135, 137, 144, 155–56, 159–60, 162, 164, 172, 176, 201, 226–28, 230, 232–36, 253, 258, 290, 303–04, 307, 322 n26, 323 n22, 326 n36, n1, n2, n5, 328 n32, 329 n44, 332 n78, n80, 334 n15, 337 n38, n41, 339 n18, 349 n71, 357 n47, 367 n5, n6, n8, 10, 368 n12, 377 n25, n1

Au bonheur des dames: 290, 376 n16

“Edouard Manet: Une nouvelle manière en peinture”: 3–4, 30–47, 49–51, 62, 64–65, 67, 122, 125, 326 n1, n5, 329 n44, 334 n15, 352 n1, 353 n5, 355 n25, n27, 356 n31

L’Assommoir: 290

Nana: 230, 232, 234–36, 239, 267 n8, 368 n13, n15, 369 n16, n19, n20, 370 n24

L’Oeuvre: xviii, 4, 34–35, 49, 51, 54–55, 58, 62, 64–67, 322 n26, 326 n36, n1, 337 n38,

Les Rougon-Macquarts: 369 n19

Le Ventre de Paris: 227, 374 n3, 376 n16

Zola, Gabrielle: 250

Previous chapter

Base text size -

Chapter images ()