Index

Baxandall, Michael

Save Cite Share

Free

Index

Michael Baxandall

Shadows and Enlightenment

Index

Author

Michael Baxandall

PublisherYale University Press

https://doi.org/10.37862/aaeportal.00111.013

Stable URL: https://aaeportal.com/?id=-13767

Index

Al-Bīrūnī 169n

anisotropic surface 7, 97, 131, fig. 45

astronomy 46, 84, 112

atmosphere 5, 96, 104, 108–109, 113–117, 123–124, 139, 152–153, 167–168n

attention 18, 35, 40, 77, 119, 127–128, 135, 140, 142, 177–178n

Bartolozzi, Francesco 12–14, fig. 5

Berkeley, George 20–22, 26

Blinn. J.F. fig. 2

Bosse, Abraham 170n

Botticelli 149

Bouguer, Pierre 6, 97–99, 108, 111, 113, 115–117, 119, fig. 31

Buffon, Georges-Louis Leclerc, comte de 26, 29, 112–113, 119, 176n

Caravaggio 95

Cavalieri, Bonaventura 97, 173n

Cennini, Cennino 148–149

Chardin, Jean-Siméon 111, 132, 137, 139–142, fig. 35, fig. 46

Cheselden, William 22–25, 27, 134, fig. 9

chiaroscuro/clair-obscur 16, 59, 76–77, 88, 96, 106–107, 140, 142

Cochin, Charles-Nicolas, the Younger 78–79, 104–110, 115, 119, 121, 123–124, 130–131, 136–139, 153, 169n, 177n, fig. 34, fig. 38, fig. 40

colour 30, 78–79, 81–82, 110–111, 112–117, 142, 148–149, 167–168n, 173n, 178n, fig. 28

Condillac, Etienne Bonnet de 26–28, 30, 56, 119, 177–178n

Dandré-Bardon, Michel-François 76, 104, 164n, 178–179n

Daniels, Charles 179n

Desargues, Girard 85–86

Diderot, Denis 26, 30, 96–99, 110–111, 119, 175n

Dowling, J.E. fig. 20

Formey, Jean-Henri-Samuel 81, 85, 88–91, 119, 169n, 171n

Fréart de Chambray, Roland 113, 115

Furetière, Antoine 179n

Gautier D’Agoty, Jacques 91, 95, 172n

Ghirlandaio, Domenico 149

Gibson, James J. 160n

Gilchrist, Alan L. 63, 68–71, 163n, fig. 27

Giotto 147, fig. 48

gnomonics 60, 85

’sGravesande, Willem Jacob 88

Gregory, Richard L. 161n, fig. 12

Grimaldi, Francesco Maria 81–84, 88, 121, fig. 28

Guericke, Otto von 116, 176n

Hills, Paul 147

Hooke, Robert 81

Horn, Berthold K.P. 42–46, 160n, fig. 14

Jacob, Hildebrand 29, 158n

James, R.C. fig. 13

Jeaurat, Edme-Sébastien 84, fig. 29

Jombert, Charles-Antoine 77–79, 81, 84, 110, 115, 119, 130, 133, 153, 164–169n

Jurin, James 26

Koenderink, Jan J. 56–59, 70, 146, 163n, fig. 23, fig. 24

Lairesse, Gérard de 91–94, 171–172n, fig. 30

Lambert, Johann Heinrich 6, 43, 88, 99–104, 119, 154, 156n, 173n, fig. 31, fig. 32, fig. 33

Lambertian surface 6–7, 43, 59, 99, 146, 148, 161n, 173n, fig. 31

Land, Edwin 116, 176n

Largillierre, Nicolas 96, 104, 131, 136–139, 145, 178n, 179n, fig. 44

Lecat, Claude-Nicolas 156n

Lehky, Sidney R. 46–47, 160n, fig. 15

Leibniz, Gottfried Wilhelm 20, 26

Leonardo da Vinci 2–4, 15, 77, 103, 107, 110, 113–115, 144, 146, 151–155, 177n, fig. 1, fig. 37, fig. 51, fig. 52, fig. 53, fig. 54

light:

ambient 5–6, 68–69, 74–75, 151–152

artificial 179n

conceptions of 1–2, 4–7, 80–84, 87–91, 106–107, 151–152

diffracted 2, 79–84, 86, 91, 169n, fig. 28

diffused 91–98, 102–103, 107–108, 153–154, fig. 30(a), and see ‘universal’

extended sources 5, 89, 102, 131, 152, 170n, fig. 4, fig. 52

global 6, 148, and see ambient

illumination 5–6, 38, 56–59, 68–70, 73, 131, 140–141, 146, 148, 152, 163n, 173n, fig. 2, fig. 4, fig. 13, fig. 14, fig. 27

location 2, 5, 15, 29, 60, 74, 99, 131, 144, 146–148, fig. 2, fig. 4, fig. 14(a), (c)

luminance 5, 7–11, 43, 54–59, 62–63, 70–71, 161–162n, fig. 4, fig. 14, fig. 21, fig. 22

point sources 86, 102, fig. 4

reflected 2–7, 14, 15, 18, 25, 29, 43, 63, 68–70, 77–81, 90–98, 103–111, 113, 153–154, 166–168n, 173n, 178–179n, fig. 2, fig. 27, fig. 30, fig. 31, fig. 34

refracted 80–82

terms defined 5–6

‘universal’ 91, 95, 96, 102, 152, 154, 155, fig. 30(a), fig. 54

Lippi, Filippino 149, fig. 50

Locke, John 15, 17–20, 25–27, 56, 157n, 160n, 177n

Mach bands 63, 68, 163n, fig. 26

Maraldi, Giacomo Filippo 88–91, 121, 170–171n

Mariotte, Edme 84, 169n

Marr, David 160n, 161n, fig. 18, fig. 19, fig. 21

Masaccio 147–148, fig. 49

mental imagery 39, 48–52, 71, 126, 127, 163n, and see vision:

top-down

Mérian, Jean-Bernard 25, 157n

Millot, the abbé 29–30, 112, 116

Mingolla, Ennio 160n

Molyneux, William 19–22, 24–27, 36, 157n

Monge, Gaspard 85, 170n

Montesquieu, Charles-Louis de

Secondât, baron de 28–29, 119, 158n

Morgan, Michael J. 157n, 177n

Newton, Isaac 80, 82, 84, 88

Olson, Richard 160n

Oudry, Jean-Baptiste 96, 104, 119, 121, 130–134, 136–137, 172n, fig. 38, fig. 41

penumbra 5, 30, 82, 86, 89, 90, 102–103, 173n, fig. 32

Piazzetta, Giovanni Battista 12–14, 15, 119, 146, 156n, fig. 5, fig. 6, fig. 7

pictures:

attention and 28, 29, 76–77, 127–29, 134–135, 137–138, 140, 142, 170n, 177–178n

drawing 12–14, 48–51, 84–85, 139–143, 149–151, 177n, fig. 29, fig. 40, fig. 46

perception and 24–25, 34–35, 39, 48–52, 59, 76, 77, 84, 99, 129–130, 134–135, 136–139, 149–151, 177–178n

tonal conduct of 12–16, 32–34, 48–51, 76–77, 78–79, 84, 88–91, 104, no, 130–133, 139–143, 146–155, 156n, 166–169n, 178–179n, fig. 30

Piles, Roger de 76, 77, 164n, 177n, fig. 8

Pitteri, Marco 12–14, fig. 6

Pollaiuolo, Antonio del 149

Pozzo, Andrea fig. 3

Priestley, Joseph 169n

Ramachandran, Vilayanur S. 160n

Raphael 28–29

Rayleigh scattering 113, 117

Reid, Thomas 124–125, 127–129, 177n

Rembrandt 95, 136–138, 178n

Rigaud, Hyacinthe 137–138, fig. 43

rilievo 59, 146–149, 151, and see shadow: shading

Rousseau, Jean-Jacques 30–31, 119

Rubens 178–179n

sciography 61, 84–88, 91, 99–102, 132, 153, 169–170n, fig. 29, fig. 32

Sejnowski, Terrence J. 46–47, 160n, fig. 13

shadow:

‘attached’ 3–4, 77

cast 3–4, 14–15, 29–30, 60–62, 72–74, 77, 79, 84–91, 99–103, 107–108, 115–117, 121, 123, 132, 140–143, 147, 148, 152–154, 160n, 162n, 167n, 169n, 178n, fig. 25, fig. 29, fig. 37, fig. 52, fig. 53

chiaroscuro/clair-obscur 16, 59, 76–77, 88, 96, 106–107, 140, 142

colour in 78–79, 110–111, 168n

colour of 30, 78, 81–82, 112–117, 167–168n, 173n, 178n, fig. 37

‘derived’ (in Leonardo) 152–154, fig. 53

edges 74–75, 82, 89–91, 102–103, 153, 162–163n, fig. 21, fig. 28, fig. 26, fig. 39

intensity, relative 5, 6, 15, 29, 50, 68–70, 76–78, 88, 89–91, 95, 96, 104–110, 123–124, 150, 153–154, 166–168n, 179n, fig. 14, fig. 27, fig. 30, fig. 34, fig. 39, fig. 53, fig. 54

microshadow 6–7, 9, 32–33, 97, 125–127, 132, 139, 141–142, 163n, fig. 2

‘original’(in Leonardo) 151–153, fig. 53

penumbra 5, 30, 82, 89–90, 102–103, 173n, fig. 32, fig. 33

projected 4, 6, 7, 14–15, 32, 38, 41, 59–62, 70–74, 80, 84–91, 96, 110, 115, 123, 132–134, 139–140, 143–144, 146–148, 152–154, 161n, 169n, 173n, 179n, fig. 2, fig. 12, fig. 15, fig. 25, fig. 29, fig. 30, fig. 33, fig. 37, fig. 52, fig. 53

rilievo 59, 146–149, 151, fig. 48, fig. 49, fig. 50, fig. 51, and see shading

sciography and 61, 84–88, 91, 99–102, 132, 153, 169–17on, fig. 29, fig. 32

self-shadow 4, 6, 7, 14, 15, 32, 36–38, 41, 42, 60, 62, 70, 88, 96, 108, 109, 123, 134, 146, 148, 149, 152–154, 178n, fig. 12, fig. 25, fig. 30, fig. 53

shading 4, 6, 14, 17, 32–34, 36–38, 41–47, 50, 51, 56–59, 63, 69–71, 96, 103, 128, 140, 146–149, 152–154, 160–163n, 178n, fig. 14, fig. 15, fig. 21, fig. 23, fig. 24, fig. 27, fig. 30, fig. 52

sharpness, see edges

structure, internal 88–90, fig. 53

types, perceptual fig. 39

types, physical 2–4, 12–15

slant/tilt 4, 7, 36, 41–43, 125, 134, 146, 153

specular surface 7, 33, 75, 131, 133, 141, 146

Subleyras, Pierre 32–35, 119, 159n, fig. 10

Tiepolo, Giovanni Battista 48–50, 119, 161n, fig. 16, fig. 17

Todd, James T. 160n

Todes, Samuel 179n

touch, sense of 19–22, 24, 26–28, 124, 125

Van Doorn, Andrea J. 56–59, 70, 71, 73, 146, 163n, fig. 23, fig. 24

Verrocchio, Andrea del 149, 151

Vinci, Leonardo da, see Leonardo da Vinci

vision:

bottom-up 35, 48, 52, 63

constancy in 116–117, 125

contrast and 7, 51, 63, 68–69, 91, 109, 115–116, 148, 153, 163n, 166n, 167n, 169n, fig. 26

empiricist theories of 17–28

eye and 1–2, 5–8, 38, 52–56, 53, 71, 78, 124, 150–151, fig. 20

luminance discontinuities 8, 35, 56, 70, 161n, 162n

machine 36, 42–47, 55–56, 59–67, 149–150, 159–162n

nativist theories of 17, 20

parallel processing 46–47, 56, 59, 71, 128, 160n, fig. 15

serial processing 44–46, 56, 128, 129, 160n, 162n, fig. 14

spatial frequency 55, 150, 103n, fig. 21, fig. 22

top-down 35, 39–41, 48, 50, 52, 63, 72, fig. 26

Voltaire, François-Marie Arouet 25

Waltz, David 61–66, 70, 71, 163n, fig. 25

Watt, Roger fig. 4, fig. 22

Yonas, Albert 160n photograph

Next chapter

Base text size -

Chapter images ()