Index

Hall, Marcia B.

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Index

Marcia B. Hall

After Raphael: Painting in Central Italy in the Sixteenth Century

Index

Author

Marcia B. Hall

PublisherYale University Press

Stable URL: https://aaeportal.com/?id=-100117

Index

Academy, Roman, 13, 37

Accademia del Disegno, Florence, 237–8, 241, 280

Adrian VI, Pope, 45, 53, 69, 75, 92, 93, 136, 184

Agresti, Livio, 208

Gonzaga Chapel, Sto. Spirito in Sassia, Rome, 183–4, fig. 123

Agucchi, Leon Battista, 253

Alberti, Leon Battista, 4, 15, 83, 207

Sant’Andrea, Mantua, 104

Aldobrandini, Pietro, 270

Alexander VI, Pope, 13, 15, 130, 288

Alesssandro del Barbiere

Goldsmith’s Workshop, Studiolo of Prince Francesco, Palazzo Vecchio, Florence, 241

all’antica, xiii, 100, 113, 146, 200, 219–21, 226, 231–2

decoration, 41

Allori, Alessandro, 176, 194, 237–8

Judgment of Paris, drawing, Metropolitan Museum, New York, 253–4, fig. 168

Last Judgment, copy after Michelangelo, 248, 250

Oration of Titus Flaminius, Villa Medici, Poggio a Caiano, 255

Pearl Fishers, Studiolo of Prince Francesco, Palazzo Vecchio, Florence, 241

Scipio entertained by Syphax, Villa. Medici, Poggio a Caiano, 254–5, fig. 169

Altoviti, Antonio, 236

Altoviti, Bindo, 220

Andrea del Sarto, xii, 8, 23, 55–6, 62–3, 85, 120, 131, 136, 252, 253

John the Baptist, Pitti, Florence, 57–8, Pl. X

Joseph interpreting Pharaoh’s Dream, Pitti, Florence, 59, 66

Madonna of the Harpies, Uffizi, Florence, 60

Tribute to Caesar, Villa Medici, Poggio a Caiano, 66, 255, fig. 45

Angelico, Fra, 191

anticlericalism, xiv

anti-Maniera, xiv

antiquarian decoration, 18, 19

see Ripanda

see Giulio Romano

antiquarian manner, 75

antiquarianism, xiii, 7, 10, 14, 24, 53, 88, 103, 136, 140

defined, 4

Roman art, xv, 14

antique art, 70

antique culture, 1

antique models, xiii

antique painting, 1

antique sculpture, 1, 8, 15, 22, 50, 283

Apollo Belvedere, Belvedere Statue Court, Vatican, 1, 4, 32, 126, 286, fig. 2

battle sarcophagi, Capitoline Museum, Rome, 47, 75, fig. 29

Column of Trajan, Rome, 44, 74–5, 100, 258, 260

Crouching Venus, 50–1, 131, 160, 227, 277

Cupid stringing his Bow, Capitoline Museum, Rome, 118

Dead Niohid, 244

influence on painting, 2

Laocoon, Belvedere Statue Court, Vatican, 1, 4, 22, 32, 50, 90, 126, 191, 211, 287, fig. 1

“Letto di Policleto” Palazzo Mattei, Rome, 160, 195, fig. 105

Marcus Aurelius, Rome, 74, 103

relief, 2, 46, 75–6, 144

She-Wolf Palazzo dei Conservatori, Rome, 15

Sleeping Ariadne (Cleopatra), Museo Pio-Clementino, Vatican, 4, 85, 126

Spinario, Palazzo dei Conservatori, Rome, 15

Torso Belvedere, Belvedere Statue Court, Vatican, 4, 221, 286

antiquity, 2, 4, 9, 13, 55, 140

Greek, 6

shifts in approaches to, 9

Antoniano, Silvio, 261

Apuleius, 5

Arch of Constantine, Liberalitas, Rome, 219, 232

Arch of Titus, Rome, 17, 154

Aretino, Pietro, 110, 118, 120–1, 160, 183, 189, 244

poems for I Modi, 72

Arezzo, 119, 120, 219

Barocci, Madonna del Popólo, original commission, 255, 273

Aristotle, 167

Armenini, Giovanni Battista, 113, 135, 159, 161–2, 199, 229, 279

Arpino, Cavaliere d’ (Cesari, Giuseppe), 200, 271

Battle ofTullus, Palazzo dei Conservatori, Rome, 290–1, fig. 188

Romulus and Remus, Palazzo dei Conservatori, Rome, 290

vault, Olgiati Chapel, Sta. Prassede, Rome, 289–90

artists’ sketchbooks, 140

art writing, 113–4, 159, 280

Aspertini, Amico, 15

astrology, 24

Bacchiacca, 228

Legend of the True Son, Gemäldegalerie, Dresden, 57–9, fig. 38

Baptism of Christ, Berlin, Staatliche Museen, Gemäldegalerie, 57

Bagnaia, Villa Lante, 55, 206

Baltimore, Walters Art Gallery, Heemskerck, 137–9, fig. 89

Bandinelli, Baccio, 7, 68–9, 130, 137, 217, 219, 220, 238

his academy, 7, 136

Martyrdom of St. Lawrence, engraving, 68

Barocci, Federico, xv, 8, 11, 199–200, 212, 252, 258, 261, 270–1, 277–8, 282–3, 287

Aeneas’s Flight from Troy, Borghese Gallery, Rome, 274, Pl. XXX

Deposition, Cathedral, Perugia, 273–4, fig. 179

Madonna del Popólo, Uffizi, Florence, 255, 273

St. Jerome in Prayer, Borghese Gallery, Rome, 272, Pl. XXIX

Visitation, Chiesa Nuova, Rome, 273–4

Baronio, Cesare, 289

Baroque style, xv

Bartolomeo, Fra, 23, 55, 252

Baths of Titus, Rome, 1

Battisti, Eugenio, 289

Beccafumi, 95, 149

Sacrifice of Codra, Palazzo Pubblico, Siena, 112–13

Bellori, Giovanni Pietro, 5–6, 278, 280, 288

Bembo, Pietro, Cardinal, 35

on imitation, 27

Benintendi, Giovanni, 57–9, 67

Berlin, Staatliche Museen

Bacchiacca, 57

Heemskerck, drawing, 139, 141, fig. 91

Bernini, Gianlorenzo, 267

Ecstasy of St. Theresa, S. M. delia Vittoria, Rome, 84

Bertoia, Jacopo, 119, 201, 241

Entry into Jerusalem, Oratory of the Gonfalone, Rome, 208

Prophets and Sybils, Oratory of the Gonfalone, Rome, 208, 210, fig. 138

Stanza dei Giudizi, Villa Farnese, Caprarola, 204

Stanza della Penitenza, Villa Farnese, Caprarola, 204–5, fig. 135

Besançon, Musée des Beaux-Arts, Bronzino, 222–3

Biondo, Flavio, 13

Bologna, 53, 100, 106, 114–16, 118–19, 127, 280–1

Pinacoteca

Annibale Carracci, 283

Parmigianino 116–17, fig. 79

Raphael, 282

S. Giocomo Maggiore

Sammacchini, 281, 287

S. Gregorio

Carracci, 282, fig. 183

S. Petronio

Giulio Romano, 106

Borgherini, Salvi, 56, 67

Borghini, Raffaello, xiv, 161, 244, 246–7, 258, 280

Borghini, Don Vincenzo, 234, 237–8, 242, 245, 249, 251

Borromeo, Carlo, Archbishop, xiv, 190, 198, 200, 202, 206, 246, 260, 273, 275

Boston, Museum of Fine Arts, Rosso, 83–5, 119, 158, 190, fig. 56

Botticelli, Sandro, Venus and Mars, National Gallery, London, 127–8

Boyvin, René, 126

Bracciolini, Poggio, 13

Bramante, Donato, 2, 37

design for new St. Peter’s, 32

Cortile del Belvedere, Vatican, 32–3, fig. 20

theater, Cortile del Belvedere, Vatican, 257, 263–4, fig. 174

Braunschweig, Herzog Anton Ulrich-Museum, Rosso, 83–5, Pl. XIII

Bronzino, Agnolo, xiii, 62, 176, 245

Allegory of Love, National Gallery, London, 229

altarpieces, 158

Andrea Doria as Neptune, Brera, Milan, 217, 220

Brazen Serpent, Chapel of Eleonora, Palazzo Vecchio, Florence, 222–3

Cosimo de’ Medici as Orpheus, Museum of Art, Philadelphia, 217, 221, fig. 148

Crossing the Red Sea and Moses appointing Joshua, Chapel of Eleonora, Palazzo Vecchio, Florence, 222–4, fig. 149

Gathering of Manna, Chapel of Eleonora, Palazzo Vecchio, Florence, 223

Holy Family Panciatichi, Uffizi, Florence, 217–18, fig. 146

Joseph recounting his Dream, drawing, Ashmolean, Oxford, 228, fig. 151

Lamentation, Musée des Beaux-Arts, Besançon, 222–3

Lamentation over the Dead Christ, Uffizi, Florence, 216–18, fig. 145

Martyrdom of St. Lawrence, S. Lorenzo, Florence, 224, 238, 239, 248, fig. 259

Moses bringing Forth Water from a Rock, Chapel of Eleonora, Palazzo Vecchio, Florence, 222–3

Portrait of a Young Man, Metropolitan Museum, New York, 216

Resurrection, Santíssima Annunziata, Florence, 243, 246–8, fig. 162

Story of Moses, Chapel of Eleonora, Palazzo Vecchio, Florence, 222, Pl. XXIV

Venus and Cupid, Galleria Colonna, Rome, 229, Pl. XXVI

Brunelleschi, Filippo, 13, 248

Burckhardt, Jacob, 6

Budapest, National Gallery

Perino, drawing, 146, fig. 96

Sebastiano, 176, Pl. XX

Cali, Maria xiv

cangiantismo

see modes of coloring

Caprarola, Villa Farnese, 167, 201–3, 205

Bertoia, 204–5, fig. 135

T. Zuccaro, 202–3, figs. 133–4

caput mundi, 13, 207

Caraglio, Gian Jacopo

Bacchus, 90

Fury, 89–90, fig. 61

Hercules, 89–90

Marriage of the Virgin, 89, fig. 60

Mercury visiting Herse, 91, fig. 62

Pluto, 90

prints after Parmigianino, 89

prints after Rosso, 89–90

Caravaggio (Merisi, Michelangelo), xv, 5, 11, 256, 258, 270–1, 274

Boy bitten by a Lizard, Roberto Longhi Foundation, Florence, 275

Calling of Matthew, Contarelli Chapel, S. Luigi dei Francesi, Rome, 276, 279

Cardsharps, Kimbell Art Museum, Fort Worth, 275–6

Cerasi Chapel, Sta. M. del Popólo, Rome, 180, 279

Entombment, Pinacoteca, Vatican, 278, Pl. XXXII

Four Musicians, Metropolitan Museum, New York, 276

Jupiter, Neptune, Pluto, Camerino of the Casino Ludovisi, Rome, 277–8

Madonna of the Pilgrims (Madonna di Loreto), Sant’Agostino, Rome, 277

Penitent Magdalen, Galleria Doria-Pamphili, Rome, 277, fig. 182

Rest on the Flight into Egypt, Galleria Doria-Pamphili, Rome, 276–7, fig. 181

Caro, Annibale, 154–5, 203

Carpi, Ugo da

Diogenes, 89

Carracci, Agostino, 280

Gold conquers All, 288, fig. 187

Lascivie, 288

Presentation in the Temple, after Sanimacchini, 287, fig. 186

Carracci, Annibale, 6, 11, 280

Baptism of Christ, S. Gregorio, Bologna, 282, fig. 183

Bean Eater, Galleria Colonna, Rome, 283

Camerino, Palazzo Farnese, Rome, 283

Galleria, Palazzo Farnese, Rome, 283–6

Madonna of San Ludovico, Pinacoteca, Bologna, 283

Pietà, Galleria Nazionale, Parma, 282

Venus and Anchises, Galleria, Palazzo Farnese, Rome, 286, fig. 185

Carracci, Ludovico, 280

Carracci, the, xv, 256, 258

Accademia dei Incamminati, 281

Castagno, Andrea del, 4

Castiglione, Baldassare, 5, 27, 40, 77, 96, 99, 129, 179, 193

bellezza, 167–9

grace, 82–3

sprezzatura, 3–4, 83

Catholic reform, xiv, 69, 144, 173, 175, 179

see spirituali

Catholic Restoration, 257

Cellini, Benvenuto, 89, 105, 130, 242

Saltcellar, Kunsthistorisches Museum, Vienna, 126, 158

Cennini, Cennino, 9, 278

Cesi, Federico, Cardinal, 200

Chantilly, Musée Condé

Polidoro da Caravaggio, fig. 53

Raphael, 87

Charles V, Emperor, 96, 100, 107, 110, 124, 154, 165–6, 206, 215, 225, 226

triumphal entry into Rome (1536), 94, 140–1

Chatsworth, Devonshire Collection

Giulio Romano, drawing, 160

Raphael, drawing, 45, fig. 47

chiaroscuro

see modes of coloring

Chigi, Agostino, 23–4, 112, 166

see Rome, Villa Farnesina

Cicero, 4–5, 39, 83, 99, 268

on rhetoric, 9

Cigoli, Lodovico, 252, 273

Deposition, Pitti, Florence, 256

Ecce Homo, Pitti, Florence, 256

Pietà, Kunsthistorisches Museum. Vienna, 255–6, Pl. XVIII

Cimabue, 3

Cinquecento, 2–3

art historians of, xiv

Circignani, Nicolò (Pomarancio), 200, 213

Classic style, xiii, xiv, 5, 7, 9, 60–1, 113, 148, 167, 194

alternatives to, 70

composition, 46

concept of ideal art, 5

emulation of antique, 14

in Florence, 20, 55–6

classical antiquity, 95, 219

in sacred art, xv

classicism, 5

ClementVII, Pope, 45, 53, 68, 72 86, 88, 96, 100, 107, 118–19, 129, 130, 132, 215

Golden Age of Clement, 80

“Clementine Style,” 80

stuffetta, Castel Sant’Angelo, Rome, 149

Clement VIII, Pope, 258, 270, 274, 288–9

Colonna. Vittoria, xiv, 147, 174–5

color

see modes of coloring

colore-disegno debate, 255

Column of Marcus Aurelius, Rome, 258, 260

Column ofTrajan, Rome, 100, 258, 260

Trajan addressing his Troops, 44

connoisseurship, 50

Constantine, Emperor, 14, 43, 92, 262

see also Raphael, Donation of Constantine

contrapposto, 40–1, 87

Correggio, xv, 84, 114, 172, 255, 271, 272, 282

Madonna of St. Jerome, Galleria Nazionale, Parma, 80, 116, Pl. I

illusionistic dome paintings, Parma, 106

sfumato, 8, 82

Cort, Cornelius

King Cyrus and Daniel before Bel, engraving after Heemskerck, 263, fig. 173

Counter-Maniera, xiii–xiv, 171, 173–6, 180, 185, 187–8, 194–8, 208, 246, 251, 261

in sacred art, xv

Counter-Reformation, xiii–xv, 8, 84, 94, 129, 135, 158, 173, 188, 196, 198, 202, 206, 207, 211, 212, 214, 244, 247, 248, 250, 258, 260, 264, 268, 271–2

Cousin, Jean

Pandora-Eve, Louvre, Paris, 127–8, fig. 85

Cox-Rearick, Janet, 37, 226

Coxie, Michael, 88

Cranach, Lucas, the Elder

Christ cleansing the Temple and The Pope as Antichrist selling Indulgences, from Passional Christi und Antichristi, 92, fig.63

Daniele da Volterra, 104, 141, 146, 147, 238

assistant to Perino, Massimi Chapel, Sta. Trinità dei Monti, Rome, 147

Baptism of Christ, Ricci Chapel, S. Pietro in Montorio, Rome, 188, fig. 126

changes in Last Judgment by Michelangelo, Sistine Chapel, Vatican, 190, 192, 238, Pl. XXII

Deposition, Orsini Chapel, Sta. Trinità dei Monti, Rome, 147–8, 189

Jacopino’s Deposition (Oratory of San Giovanni Decollate), drawing for, 192

Massacre of the Innocents, Della Rovere Chapel, Sta. Trinità dei Monti, Rome, 148, fig. 97

stuccoes, Sala Regia, Vatican, 169, 183, fig. 112

Danti, Vincenzo, 194

Davent, Léon, (Thiry), 126

Davidson, Bernice, 195

decorum, 4, 167, 190, 259–60, 277

of antique model, 11

of devotional images, 158

of grotesques, 147

of sacred art, 144

of villa decoration, 99, 205

Del Monte, Cardinal, 275, 278

palace of, 276

Dente, Marco, 2

Dolce, Lodovico, 183, 189, 192, 244, 251, 283

Domenichino

Galleria, Sala Grande, Palazzo Farnese, Rome, 284

Domenico del Barbiere, 126

Domus Aurea (Nero’s Palace), Rome, ι, 15, 24, 137–9, 147

ancient painting, 77

grotteschi, 1, 16, 41, 49, 64, 76

stucco decoration, 15

Volta Dorata, 33, 54, Pl. VIII

Donatello, 13

Doria, Andrea, Prince, 107–10, 112–14, 127, 143, 147

Dresden, Gemäldegalerie

Bacchiacca, 57–9, fig. 38

Franciabigio, 57, fig. 37

Parmigianino, 118–19, 190, fig. 80

Raphael, 283

Dürer, Albrecht, 51, 59, 60, 68, 137

woodcuts, 89

Egidio da Viterbo, 34–5, 38

ekphrasis, 242

epideictic rhetoric, 34, 172

Erasmus, 268

Escorial, 207

Palace library, Francisco de Hollanda, 139, Pl. VIII

Este, Ippolito d’, II, 106, 201

Este, Isabella d’, 96

Fabrini, Giovanni F., 183

facades, painted, 73–4

Florentine, 68

Genoa, Palazzo Doria, 108, 110, fig. 74

see Polidoro da Caravaggio

fantastica Idea (Bellori), 280

Fantuzzi, Antonio

Jupiter sending the three Goddesses to submit to the Judgment of Paris, 126

Farnese, Alessandro, Cardinal, 104, 130, 153, 156, 158, 160, 164, 166, 185, 190–1, 198, 200–2, 206

Farnese, Odoardo, Cardinal, 283

Farnese, Ottavio, 166, 218

Feltrini, Andrea di Cosimo, 66

Ferrara, 95, 227

Florence, xii–xiii, xv, 2, 8, 12, 95, 103, 106, 120, 130, 164, 175, 221

Accademia

Michelangelo, 21, 142

Bargello

Michelangelo, 15

Cathedral

Michelangelo, 55

Cupola

Vasari, 250–1, fig. 167

F. Zuccaro, 249–50, fig. 166

Palazzo Medici-Riccardi, 37, 226

Palazzo Vecchio, 103, 226, 285

Apartment of Eleonora, Vasari, 233

Chapel of Eleonora, Bronzino, 222–4, Pl. XXIV, fig. 149

Quartiere degli Elementi, Vasari, 205–6, 231

Sala dei Gigli, Ghirlandaio, 226

Sala dell’ Udienza, Salviati, 160–1, 168, 219, 221, 224–7, 230, 235–6, Pl. XXV, figs. 106, 150

Sala di Consiglio, see Salone dei Cinquecento

Sala di Cosimo I, Vasari, 232

Salone dei Cinquecento (Sala di Consiglio), 21, 170–1, 233

Vasari and workshop, 134–5, 2, 33–4, 236–8, 240, figs. 156–8

Studiolo, 233, 238, 240, 246, fig. 160

Alessandro del Barbiere, 241

Allori, 241

Macchietti, 240–1, fig. 161

Rossi, 240

Pitti

Andrea del Sarto, 57–9, 66, Pl. X

Cigoli, 256

Pontormo, 57, 59

Raphael, 37, 63, 86

Rosso, 63

Roberto Longhi Foundation, Caravaggio, 275

Sta. Croce 238, 245

Salviati, 160

Santi di Tito, 198, 200, 246, 252, fig. 164

Sta. Felicita

Pontormo, xiii, 61, 120, 217

Santíssima Annunziata

Bronzino 243, 246–8, fig. 162

Santíssima Apostoli

Vasari, 220

S. Lorenzo, 237

Bronzino, 224, 238, 239, 248, fig. 159

Michelangelo, 37, 66, 69, 120, 143, 244–5

Pontormo, 231, 244, fig. 163

Rosso, xiii, 63–4, 83, fig. 42

S. M. del Carmine, Brancacci Chapel

Perino, 67

S. M. Novella, 245

Ghirlandaio, 6, fig. 3

Pontormo, 66

Santi di Tito, 252, Pl. XXVII

Vasari, 238, 246–8, fig. 165

S. Michèle Visdomini

Pontormo, xiii, 60–1, fig. 40

Uffizi

Andrea del Sarto, 60

Barocci, 255, 273

Bronzino, 216–18, figs. 145–6

Michelangelo, 10, 22, fig. 5

Parmigianino, 114–15, fig. 77

Perino, 68, 75, 90, 143, 152, 217, Pl. XI

Pontormo, 215–18, fig. 144

Rosso, 62–4, 68, 83, fig. 41, 43

Salviati, 158, 176, 213, 215, 228–31, figs. 152–4

Titian, 230

Florentine Academy (Accademia Florentina), 167–8, 238

Floris, Frans, 275

Fontainebleau, 11, 95, 100, 107, 120, 124, 126, 127, 149, 227

court of François I, 8, 95, 106–7, 119

Chambre du Roi, Primaticcio, 122

Galerie François I, Rosso, 122–6, 164, 284, fig. 84; tapestries, 126

Fontana, Domenico, 260

Fontana, Prospero

Villa Giulia, 281

Fort Worth, Kimbell Art Museum, Caravaggio, 275–6

Franciabigio, xii, 59, 60, 66, 253

Story of Bathsheba, Gemäldegalerie, Dresden, 57, fig. 37

Triumph of Cicero, Villa Medici, Poggio a Caiano, 66

Franco, Battista, 130, 136, 141

Arrest of the Baptist, Oratory of S. Giovanni Decollate, Rome, 142

François I, King, 41, 95, 102, 120–1, 123, 125–6, 154, 165, 227, 229, 249, 250

at Fountainebleau, 8, 11

patronage of Rosso, 64

Freedberg, Sydney J., xiv, 158, 167–8, 202

on classicism, 6, 7

French Academy, 139

Friedlaender, Walter, xiii

anti-classicism, 59–61

Galluzzo (Certosa), xiii, 59, 60

Pontormo, 60, fig. 39

Gast, Michiel, 138–9, 184

Geneva, Museum of Art and History, Giulio Romano, 101

Genoa, 8, 95, 107–9, 112–4, 143

court of Doria, 164

Palazzo Doria, 228, 285–6

Perino

atrium, 108–10, fig. 72

facade frescoes, 108, 110, fig. 74

Loggia degli Eroi, 108

Salone dei Giganti, 108, 110–1, Pl. XV

tapestries of Loves of Gods, 110, 127, fig. 73

Salone del Naufragio, 108; fig. 73

Ghirlandaio, Domenico, 4, 131

Birth of the Baptist, Sta. M. Novella, Florence, 6, fig. 3

Sala dei Gigli, Palazzo Vecchio, Florence, 226

Gilio, Giovanni, xiv–xv, 190–1, 193–5, 197–8, 202, 210, 238, 247, 273, 277

Dialogues, 183, 200

“mixed schemes,” 154, 165

Giocondo, Fra Giovanni, 53

Giorgione, 9

Giotto, xii, 175

Arena Chapel, Padua, 33

Last Judgment, Arena Chapel, Padua, 133

Giovanni di Pistoia, 134

Giovio, Paolo, 153

Giulio Romano, 9, 69–73, 95–101, 105–6, 115–16, 118–19, 214

Adoration of the Child, Louvre, Paris, 104, 113, fig. 70

apse, Cathedral, Verona, 105

Assumption of the Virgin, Steccata, Parma, 105–6

Bacchus and Ariadne, Sala di Psiche, Palazzo Te, Mantua, 99

Battle of the Milvian Bridge, Sala di Costantino, Vatican, 10, 22, 46–8, Pl. VII, fig. 30

Battle of Zama, drawing for Scipio tapestries, Louvre, Paris, 103, fig. 69

Constantine addressing his Troops, Sala di Costantino, Vatican, 48, fig. 27

Donation of Constantine, Sala di Costantino, Vatican, 44, 144, fig. 28

Nativity of the Virgin, drawing, Devonshire Collection, Chatsworth, 160

facade, S. Petronio, Bologna, 106

Fall of the Giants, Sala dei Giganti, Palazzo Te, Mantua, 98, fig. 65

Finding of the Sacred Blood, Chapel of St. Longinus, Sant’ Andrea, Mantua, 104

I Modi, 72, 89, 96, 183, 288

Palazzo Te, Mantua, 97, 108

Polyphemus and Galatea, Sala di Psiche, Palazzo Te, Mantua, 100

Portrait of Alexander the Great, Museum of Art and History, Geneva, 101

Portrait of Isabella d’Este, Hampton Court (London), 97

relieflike style at Mantua, 11

Sala degli Stucchi, Palazzo Te, Mantua, 100–2, 121–2, fig. 67

Sala di Costantino, Vatican, 10, 17, 22, 42–9, 69, 70–5, 78, 98, figs. 27–8, 30, 47, Pl. VII

Sala di Troia (Palazzo Ducale, Mantua), drawing for Diomedes’s Battle, British Museum, London, 102, fig. 68

Scipio tapestry designs, 17, 102, 103, 106, fig. 69

Stoning of St. Stephen, Sto. Stefano, Genoa, 71, 104, Pl. XII

Two Lovers, Hermitage, St. Petersburg, 70, 73, fig. 50

Villa Lante, Rome, 53

Villa Madama, Rome, 53–4, 73, 100

Wedding of Cupid and Psyche, Sala di Psiche, Palazzo Te, Mantua, 99, fig. 66

Woman with a Mirror, Pushkin Museum, Moscow, 71, fig. 49

Gonzaga, Ercole, Cardinal, 105, 189

Gonzaga, Federico, Duke, 11, 73, 89, 96–7, 100–7, 122, 127

Gonzaga, Giulia, 175

Gonzaga, Giulio Cesare, 183, 188

grazia (grace), xiv, 5, 40, 82–3, 131, 135, 158, 178, 187, 193–4, 248, 280

Greco, El

Boy lighting a Candle, Capodimonte, Naples, 210

Christ healing the Man Born Blind, Galleria Nazionale, Parma, 210–11, fig. 139

Gregory XI, Pope, 172

Gregory XIII, Pope, 169, 257, 260, 289

Grendler, Paul, xiv

grotteschi (grotesques), 16, 41, 49, 64, 76, 95, 108, 173, 203, 206, 266

defined, 1

see Pinturicchio

Guerra, Giovanni, 260

(with Nebbia), Daniel showing King Cyrus the Footsteps in Ashes, Sala Daniele, Lateran Palace, Rome, 262–3, fig. 172

(with Nebbia), Ecce Homo, Scala Santa, Rome, 261, fig. 171

Haarlem, 136

Hadrian, Emperor

villa at Tivoli, 32

Hall, Marcia, xiv

Hartt, Frederick, xii

Heemskerck, Martin van, 136, 141, 227

Daniel series, engravings, 263, 288, fig. 173

Panoramic Landscape with the Abduction of Helen, Walters Art Gallery, Baltimore, 137–9, fig. 89

sketch after Raphael’s Psyche Loggia, Staatliche Museen, Berlin, 139, 141, fig. 91

High Renaissance, xiv

Holkham Hall, Aristotile da Sangallo, after Michelangelo, 22, fig. 10

Hollanda, Francisco de, 147

Volta Dorata, Domus Aurea, watercolor, Desenhos das Antigualhas, Escorial, Palace library, 139, Pl. VIII

Homer, 102

Horace, 99

on decorum, 4, 183, 190

humanism, iv, 129

early Renaissance, 14

humanist scholars, 13

ichnographic map of Rome, 37

illusionism, 28–9, 38, 48, 54, 100, 164, 208, 250, 284

irony and, 78

imago dei, xiv, 134, 178

imitation, 27, 282

of antiquity, 14, 53, 76

of sculptural relief, 53

see Shearman, John

Innocent VIII, Pope, 13

invenzione, 242

Inquisition, 130, 181–2, 188

Jacopino del Conte, 55, 141, 143, 146, 168, 243

Annunciation to Zachariah, Oratory of San Giovanni Decollato, Rome, 142, 143, 146, fig. 93

Deposition, Oratory of San Giovanni Decollato, Rome, 142, 182–3, 189, fig. 121

Madonna and Child, National Gallery of Art, Washington, D. C, 143

Preaching of the Baptist, Oratory of San Giovanni Decollato, Rome, 11, 142–4, 152–3, 158, 168–9. 219, fig. 111, Pl. XVIII

Joannides, Paul, 175

Julius II, Pope, 1, 2, 10, 13, 31–4, 96, 112, 130, 149, 207, 210, 257, 259, 288

Julius III, Pope, 162, 169, 173, 182, 187–8, 231, 238

landscapes

with ruins, 77, 138–9

Lanfranco, Giovanni

Galleria, Palazzo Farnese, Rome, 284

Lateran Council, Fifth, 132

Lateran Council, First, 264

Laureti, Tommaso

Triumph of the Cross, vault, Sala di Costantino, Vatican, 259, fig. 170

Leo X, Pope, 10, 13, 14, 44, 45, 53, 64, 69, 77, 102, 112, 130, 132, 149, 220

antiquarianism, 31, 36

death of, 69, 129, 253

Leonardo da Vinci, 8, 25–6, 55, 137, 272

Battle of Anghiari, 17, 46, 49, 233

Benois Madonna, Hermitage, St. Petersburg, 23

Last Supper, Sta. M. delle Grazie, Milan, 194

Leda, drawing, Windsor, The Royal Collection, 25, fig. 16

Madonna and Child with St. Anne, Louvre, Paris, 21, 200

Madonna of the Rocks, Louvre, Paris, 120

Mona Lisa, Louvre, Paris, 21, 120

sfumato, 5, 80, 82–4

St. John the Baptist, Louvre, Paris, 82

Leyden, Lucas van, 52, 56, 59, 68

Ecce Homo, 261, fig. 36

Ligorio, Pirro, 15

Casino of Pius IV, Vatican, 200

Dance of Salome, Oratory of San Giovanni Decollato, Rome, 142

Lippi, Filippino, 4

Lomazzo, Giovanni Paolo, 161, 194, 280

London

British Museum, Dept. of Drawings

Giulio Romano, 102, fig. 68

Pontormo, 245, fig. 163

Hampton Court

Giulio Romano, 97

Mantegna, 103

National Gallery

Botticelli, 127–8

Bronzino, 229

Parmigianino, 81, fig. 55

Raphael, 23, 86, fig. 11

Sebastiano, 50, 86–7 Pl. III

Victoria and Albert, Raphael, 30, 38, 40, 48, 102–3, 145, 177–9, 186, fig. 23

Louis XIV, King, 127

Loyola, Ignatius, 208, 213, 268

Luther, Martin, 44, 92, 174

Lutheran movement, 128, 213

Macchietti, Girolamo, 237

Baths of Pozzuoli, Studiolo, Palazzo Vecchio, Florence, 240–1

Medea rejuvenating Aeson, Studiolo, Palazzo Vecchio, Florence, 240–1, fig. 161

Madrid, 106, 121

Prado, Sebastiano, 175–6, fig. 116

Malibu, J. Paul Getty Museum, Pontormo, 216

Mander, Carel van, 137

maniera, xiii–xv, 5, 7, 48, 124, 143–6, 148, 161–2, 167, 171, 173, 176, 182, 185–6, 219, 221, 238, 268

conventions of the figure, 218, 228, 237

see Smyth, Craig Hugh

in sacred art, see sacred art

Mannerism, xiii, 5, 11, 59, 194, 208

Mantegna, Andrea, 4, 14, 99–100

Mantua, 8, 72, 95–6, 102, 105–7, 164, 227

Palazzo Ducale

Camera degli Sposi, Mantegna, 99–100

Sala di Troia, Giulio Romano, 101–2, fig. 68

Palazzo Te, Giulio Romano, 96, 97, 101–2

Sala degli Stucchi, 100–2, 121–2, fig. 67

Sala dei Cavalli, 97, 100, fig. 64

Sala dei Giganti, 98–9, 110, fig. 65

Sala di Psiche, 99, fig. 66

Sant’Andrea, Giulio Romano, 104

Marmirolo, Gonzaga villa, 97

Massimi, Angelo, 146

Maturino, 4, 95

Mazzoni, Giulio, 183

Medici, Alessandro de’, Duke, 215, 217, 218

Medici, Cósimo de’, Duke, 11, 37, 95, 103, 215–19, 224, 226–7, 229, 231, 234, 237, 241, 248, 270

Medici, Eleonora de’, Duchess, 218–20, 224, 226

Medici, Francesco de’, Prince and Grand Duke, 210, 234, 236

Medici, Lorenzo de’, 130, 218, 242, 255

Medici iconography, 220–1

Michael du Bay (Baius), 178

Michelangelo, xii, 1, 2, 8, 9, 51, 86, 96, 98, 104, 130, 134, 136, 161, 173, 175, 177, 219, 283

Ancestors of Christ, Sistine Chapel, Vatican, 57

Apostles, Cathedral, Florence, 55

Bacchus, Bargello, Florence, 15

Battle of Caseína, xiii, 10, 21, 46, 49, 76, 248, fig. 10

Battle of Caseína, cartoon, 22, 51–2, 68, 136, fig. 127

Brazen Serpent, Sistine Chapel, Vatican, 10

Conversion of Paul, Pauline Chapel, Vatican, 177–9, 191, fig. 118

Creation scenes, Sistine Chapel, Vatican, 28, 179

Crucifixion of Peter, Pauline Chapel, Vatican, 178–9, fig. 119

David, Accademia, Florence, 21

Deluge, Sistine Chapel, Vatican, 34, 178

death of, 190

Doni Holy Family, Uffizi, Florence, 10, 22, fig. 5

Expulsion of Adam and Eve, Sistine Chapel, Vatican, 178, Pl. V

Jonah, Sistine Chapel, Vatican, 10, 160, 243, Pl. IV

Last Judgment, Sistine Chapel, Vatican, xiv, 84, 129, 130, 132–6, 148–9, 161, 168, 176, 178, 181, 183, 189–93, 224, 238, 243–5, 271, fig. 87, Pls. XVII, XXII

Libyan Sibyl, Sistine Chapel, Vatican, 10

Madonna, Medici Chapel, S. Lorenzo, Florence, 143

Medici Chapel, S. Lorenzo, Florence, 37, 66, 69, 130, 215, 244–5

Moses, S. Pietro inVincoli, Rome, 34

Nativity of the Virgin, drawing possibly supplied to Sebastiano, 132

Pauline Chapel, Vatican, xiv, 130, 148–9, 174, 176–7, 179, 180–2, 186–7, 194, 267

Pietà, St. Peter’s, Vatican, 40, 84, 180

Seers (Prophets and Sybils), Sistine Chapel, Vatican, 34

Sistine Chapel, ceiling, 10, 28, 33–4, 44, 46, 69, 76, 86, 100, 125, 130, 136, 144, 148–9, 176, 178, 180, 223, 264, 284, Pl. IV

Sleeping Cupid, 19

sonnet, 168

Times of Day statues, Medici chapel, S. Lorenzo, Florence, 120

Tomb of Julius II, S. Pietro inVincoli, Rome, 32, 34, 76, 177

wax figurines, 135

Milan

Brera

Bronzino, 217, 220

Salviati, 146

Sta. Maria delle Grazie

Leonardo, 194

modes, concept of, 8, 125, 153

modes of coloring

cangiantismo, 9, 57, 85, 146, 148–9, 208, 210, 224, 227, 253, 279

chiaroscuro, xv, 8–9, 39, 86–7, 102, 113, 131, 271, 274, 278–9

sfumato, 5, 8, 56, 63, 80, 82–5

unione, 8, 36, 39, 41, 117, 145

modes of composition, xii, 8, 42, 46–7, 78

alternatives to central point perspective, xiii, 8, 125, 153

central point perspective, 46–7, 108, 143–5, 164, 258

modes of wall decoration, 8–10

Domus Aurea-type ornament, 8

modal thinking, 9

Montemurlo, battle of, 218, 226

Moscow, Pushkin Museum, Giulio Romano, 71, fig. 49

Muziano, Girolamo, xiv, 184, 194, 212, 237, 252

Ascension, Chiesa Nuova, Rome, 270–1, fig. 178

Circumcision, Gesu, Rome, 269

Raising of Lazarus, Museo del Duomo, Orvieto, 197–8

Rest on the Flight into Egypt, S. Caterina delia Rota, Rome, 197–8, fig. 131

mysticism, 211–12, 267–8

Nadal, Jerome, Evangelicae historiae imagines, Antwerp, 213, fig. 141

Naldini, Battista, 194, 237, 252

Naples, 95, 164

Capodimonte

El Greco, 210

Sebastiano, 86, fig. 57

Nebbia, Cesare, 260

(with Guerra) Daniel showing King Cyrus the Footprints in Ashes, Sala Daniele, Lateran Palace, Rome, 262–3, fig. 172

Ecce Homo, Oratory of the Gonfalone, Rome, 266

(with Guerra) Ecce Homo, Scala Santa, Rome, 261, fig. 171

Mocking of Christ, Oratory of the Gonfalone, Rome, 208, 210, 266, Pl. XXIII

Neri, Filippo, Saint, 269–70, 274, 275, 289

Nero, Emperor, 1, 179

palace of, 1, 17

see Domus Aurea

New York, Metropolitan Museum

Allori, drawing, 253–4, fig. 168

Bronzino, 216

Caravaggio, 276

T. Zuccaro, drawing, 186–7, fig. 125

Nicholas V, Pope, 34, 258

Aqua Vergine, 13

oil mural, 46, 88, 132

Olomouc, Muzeum Umeni, Sebastiano, 87, fig. 58

Oratorians, 270, 275

ornament, 1, 10, 15, 24, 33, 42, 53, 70, 74, 79, 87, 89, 90, 101, 108, 113, 124, 143–4, 147, 153, 158, 162, 167–8, 171, 173, 174, 180, 185, 187, 189, 195–6, 210, 220, 230, 241, 242, 246, 252, 256, 260, 261, 262, 264, 266–7, 268, 270, 273, 278, 290

Orvieto

Cathedral (Signorelli), 133

Museo dell’Duomo

Muziano, 197–8

F. Zuccaro, 198–9, fig. 132

Ostia, Bishop’s Palace, Ripanda, Riario Apartment, 19–20, figs. 8–9

Ostrow, Steven, 267

Ovid, 4, 5, 25, 27, 53, 66, 90, 110, 118, 138, 157

Oxford, Ashmolean Museum

Bronzino, drawing, 228, fig. 151

Annibale Carracci, 283

Padua, Arena Chapel Giotto, 33

Last Judgment, 133

Palilia, 12, 37

Paleotti, Gabriele, Bishop, xiv, 191, 198, 206, 247, 268, 281, 288

Palladio, Andrea, 237

paragone, 168–9, 227, 285

defined, 2

Paris, Louvre

Cousin, 127–8, fig. 85

Giulio Romano, 104, 113, fig. 70

drawing, 103, fig. 69

Leonardo, 21, 82, 120

Raphael, 40–1, 48, 120, 152, fig. 25

Rosso, drawing, 121, 123, 126–7, fig. 181

Sebastiano, 88, 120

Parma 95, 106, 114–5

Cathedral and S. Giovanni Evangelista, illusionistic domes, Correggio, 106

Galleria Nazionale

Carracci, 282

Correggio, 80, Pl. 1

El Greco, 210–11, fig. 139

Steccata

Giulio Romano, 105–6

Parmigianino, 115

Parmigianino, 80–4, 95, 104, 127, 158, 214, 243, 277

Bufalini Chapel, S. Salvatore in Lauro, Rome, 81

Conception of the Virgin (for Bufalini Chapel), 81

Cupid cutting his Bow, Kunsthistorisches Museum, Vienna, 117–118, Pl. XVI

Entombment, etching, 116, fig. 77

Madonna and Chdd with St. Margaret, Pinacoteca, Bologna, 116–17, fig. 79

Madonna dal Collo Lungo, Uffizi, Florence, 114–16, fig. 77

Madonna of the Rose, Gemàldegalerie, Dresden, 118–19, 190, fig. 80

Marriage of the Virgin, drawing engraved by Caraglio, 89, fig. 60

Meeting of Joachim and Anna (for Bufalini Chapel), 81

prints, 106, 114, 116, 118

Self-Portrait in a Convex Mirror, Kunsthistorisches Museum, Vienna, 81

sources and quotations, 82

Steccata, Parma, 115

Vision of St. Jerome, National Gallery, London, 81, fig. 55

Patinir, Joachim

world landscapes, 138

Paul, St.

Letter to the Corinthians, 132

“spiritual body,” 133

Paul III, Pope, 94, 129–30, 132, 140, 146, 149, 150, 154, 162, 165–6, 169, 176, 177, 179, 181, 183, 202, 236, 268

Paul IV, Pope, 129, 139, 169, 182–5, 187–9, 197, 200–1, 236, 238, 271

Pavia, 96

Penni, Gianfrancesco, 45, 102

pentimenti, 144

Perino del Vaga, xiv, 11, 55, 69, 95, 104, 106–7, 119, 126, 130, 141, 145–7, 156, 169, 185, 231, 287

Adoration of the Child, National Galery of Art, Washington, DC, 113, fig. 76

Allegories, Sala Paolina, Castel Sant’Angelo, Rome, 152–3

atrium, vault, Palazzo Doria, Genoa, 109, fig. 72

Brancacci Chapel, Sta. M. del Carmine, Florence, 67

Creation of Eve, S. Marcello al Corso, Rome, 79

Crossing the Red Sea, Uffizi, Florence, 68, 75, 90, 143, 152, 217, Pl. XI

facade frescoes, Palazzo Doria, Genoa, 108, 110, fig. 74

imitation, 113–14

Jupiter destroying the Giants, Salone dei Giganti, Palazzo Doria, Genoa, 110–111, Pl. XV

Loggia degli Eroi, Palazzo Doria, Genoa, 108

Loves of Jupiter, tapestries for Salone dei Giganti, Palazzo Doria, Genoa, 110, 127

Loves of the Gods, engravings by Caraglio, 90

Marriage ofJupiter and Juno, tapestry design for Salone dei Giganti, Palazzo Doria, Genoa, 110–12, 285, fig. 75

Massimi Chapel, Trinità dei Monti, Rome, 146–7, 186

drawing, National Gallery, Budapest, fig. 96

Martyrdom of the Ten Thousand, cartoon, Albertina, Vienna, 67, 75–6

Mercury visiting Herse, engraving, 91, fig. 62

ornament, 108, 113, 152

Roman Charity, vault, Palazzo Doria, Genoa, 108, 110, fig. 73

Preaching of the Baptist, drawing, Albertina, Vienna, 143, 146, fig. 94

Pucci Chapel, Trinità dei Monti, Rome, 79

Sacrifice at Lystra, Sala Paolina, Castel Sant’ Angelo, Rome, 150, 152, fig. 100

Sala dei Pontifici (with Giovanni da Udine), Vatican, 53–4, 108, 146–7, 166, Pl. IX

Sala Paolina, Castel Sant’Angelo, Rome, 98, 149, 150–1, 156, 166, 177, 194, 203, fig. 98–100

Sala Regia, Vatican, 126, 148–9, 153, 169, 170–1, fig. 112

Salone del Naufragio, Palazzo Doria, Genoa, 108

Sistine chapel, tapestry design, 181

cartoon, Palazzo Spada, Rome, 181

drawing, Uffizi, Florence, fig. 120

Stanza della Segnatura, basamento, Vatican, 148

Triumph of Bacchus, atrium, Palazzo Doria, Genoa, 108

Vertumnus and Pomona, engraving, 90

Villa Madama, Rome, 54

Visitation, Pucci Chapel, Trinità dei Monti, Rome, 154, fig. 54

personal resurrection, 132

perspective, central-point

see modes of composition

Perugia, Cathedral, Barocci, 273–4, fig. 179

Perugino, 132, 162

Stanza dell’ Incendio, vault, Vatican, 18

Peruzzi, Baldassare, 19, 24–5, 54, 74, 130

antiquarianism

fictive materials, use of, 29

illusionism, 28–9, 38

Loggia di Galatea, vault, 24, fig. 13

Salone delle Prospettive, Villa Farnesina, Rome, 28, 44, 78, 98, fig. 17

Deucalion and Pyrrha, 28

Villa Farnesina, drawing, Metropolitan Museum, New York, 24, fig. 12

Pesellino, 4

Philadelphia, Museum of Art, Bronzino, 217, 221, fig. 148

Philip II, King, 207

Philostratus, 27

Piranesi, 138

Pico, Gian Francesco

on imitation, 27

Pino, Marco, 149, 184

Resurrection, Oratory of the Gonfalone, 208

Pinturicchio, 13, 15, 36, 41, 138

Borgia Apratment, Vatican, 13, 15, 166

grotteschi, 16

Piccolomini Library, Cathedral, Siena, 16

style all’antica, 15

Pius IV, Pope, 169–70, 199–200, 205, 234, 257

PiusV, Pope, 199–200, 204–6, 234, 238, 246

Platonism, 5, 168

Pliny the Elder, 1, 4, 33

Pliny the Younger, 53, 155, 107

Poggio a Caiano. Villa Medici, xiii, 6–7, 59, 63

Allori, 254–5, fig. 169

Andrea del Sarto, 66, 255, fig. 45

Franciabigio, 66

Pontormo, 66–7

Pole, Reginald, Cardinal, 174–5, 187

Polidoro da Caravaggio, xiii, 4, 68, 70, 73–7, 100, 103

painted facades, 55, 73–4, 95, 104, 108, 110, 136, 225, 283

drawings after, 74, fig. 51

relieflike style, 10

simulated antique relief, 49

Story of Mary Magdalen, S. Silvestro al Quirinale, Rome, 138, fig. 52

drawing for altar, Musée Conde, Chantilly, fig. 53

Pompeii, 6

Pontormo, Jacopo, 55–9, 61–2, 105

Adoration of the Magi, Pitti, Florence, 57, 59

Certosa at Galluzzo, xiii, 59, 60

Christ before Pilate, Certosa, Galluzzo, 60, 145, fig. 39

Christ praying in the Garden, Certosa, Galluzzo, 60

Choir frescoes, S. Lorenzo, Florence, 244

Benediction of the Seed of Noah, drawing, British Museum, London, 245, fig. 163

Entombment, Sta. Felicita, Florence, xii, 61, 120, 215, 217

Holy Family with Saints, S. Michele Visdomini, Florence, 66

Joseph in Egypt, National Gallery, London, xiii, 56, 76, fig. 35

Lamentation, Certosa, Galluzzo, 60

Poggio a Caiano, Villa Medici, xiii, 63

Portrait of a Halberdier,]. Paul Getty Museum, Malibu, 216

Resurrection, Certosa, Galluzzo, 60

Vertumnus and Pomona, Poggio a Caiano, Villa Medici, 66–7, 217, 253

Visitation, Carmignano, church, xiii, 61, 62

Way to Calvary, Certosa, Galluzzo, 60

Poznan, Museum, Siciolante, 194–5, fig. 128

Pordenone, 74

Porta, Guglielmo della

grotteschi, assisting Perino, Sta. Trinità dei Monti, 146, fig. 96

portraiture, 86

Posthumus, Herman, 137, 139, 141, 227

Landscape with Ruins, Prince of Lichtenstein Collection, Vaduz, 138–9, fig. 90

Prague, 164

Primaticcio, Francesco, 95 120–1, 126, 149, 227

Chambre du Roi, Fontainebleau, 122

printmaking

at Fontainebleau, 126

invention of, 2

prints, 53, 68, 89, 116, 193, 213, 287–9

after Raphael, 2, 50

northern, 51

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