Hesse Page, Judd Page, Scientific American (1), and LeWitt Page

In the fall of 1966, the director of the School of Visual Arts gallery in New York invited me, a young art history instructor at the school, to curate a “Christmas” exhibition of drawings by contemporary artists. My original idea was to organize an exhibition on the theme of “working drawings.” Unlike a sketch, with its projected reference to a final visual form, a working...