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Yale University Press
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But why stands Leonora there?

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Description: But why stands Leonora there?
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Description: German Romanticism and English Art
IT HAS already been seen in the previous chapter how the influence of Retzsch mingled with that of the revivalists in England in the 1840s, so that many of his designs and motifs became recast in a more schematic setting, while the expressive physiognomies of his protagonists became replaced by the graver gestures of...
PublisherPaul Mellon Centre
Related print edition pages: pp.155-176
https://doi.org/10.37862/aaeportal.00229.006

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