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Paying the Harvesters (La Paye des moissoneurs)

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Description: Paying the Harvesters (La Paye des moissoneurs)
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Description: Art of the Actual: Naturalism and Style in Early Third Republic France,...
~The established consensus in contemporary culture about the value of exactitude and legibility played a central part in the making, interpreting and appreciation of painting. Indeed, this process was circular, a self-fulfilling prophecy. The modern mentality set great store by precision and the document; contemporary pictures scrupulously recorded the present...
PublisherYale University Press
Related print edition pages: pp.81-115
https://doi.org/10.37862/aaeportal.00022.006
Description: Realism in the Age of Impressionism: Painting and the Politics of Time
Jules Bastien-Lepage first showed Haymaking (Les Foins) at the Paris Salon of 1878 (fig. 5).See William Steven Feldman, “The Life and Work of Jules Bastien-Lepage (1848–1884),” (Ph.D. diss., New York University, 1973), 89–106; Marie-Madeleine Aubrun, Jules Bastien-Lepage, 1848–1884: Catalogue raisonné de...
PublisherYale University Press
Related print edition pages: pp.15-51
https://doi.org/10.37862/aaeportal.00100.004

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