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Portrait of Eva Gonzalès

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Description: Portrait of Eva Gonzalès
Related content: Chapters (4) Images (108)

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Description: Sisters of the Brush: Women’s Artistic Culture in Late Nineteenth-Century...
~WHEN THE CRITIC FOR Le Temps reviewed the 1888 Salon des femmes, he hoped to find the exhibition infused with a feminine spirit, meaning, for him, a physical manifestation of a female essence transported to the objects on show. For...
PublisherYale University Press
Related print edition pages: pp.105-152
Description: The Painted Face: Portraits of Women in France, 1814–1914
~~EDOUARD MANET’S Portrait of Mlle E. G., recognised by many critics as a painting of the young artist Eva Gonzalès when it was exhibited at the Salon of 1870,...
PublisherYale University Press
Related print edition pages: pp.59-99
https://doi.org/10.37862/aaeportal.00298.2
Description: The Art of Impressionism: Painting Technique and the Making of Modernity
Nineteenth-century practice was to varnish paintings at the very last minute, when the work was already hanging in the exhibition: oil paintings had to be left the maximum time possible to dry before the varnish was applied. The vernissage, varnishing day – the day before the exhibition opened to the public – was an institution during...
PublisherYale University Press
Related print edition pages: pp.191-216
https://doi.org/10.37862/aaeportal.00125.015
Description: Manet Manette
~In 1932, on the occasion of the centenary of Manet’s birth and his retrospective at the Orangerie, Paul Valéry wrote the following about one of the several portraits of his aunt Berthe Morisot done by Manet between 1868 and 1874 (fig. 75):
PublisherYale University Press
Related print edition pages: pp.175-199
https://doi.org/10.37862/aaeportal.00080.010

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