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The American Farmer

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Description: The American Farmer
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Description: American Genre Painting: The Politics of Everyday Life
In 1861, when the Civil War broke out, genre painting as a national enterprise had dropped to a low ebb. Woodville, who had enjoyed a flurry of popularity about 1850, was dead; Bingham had gone to Düsseldorf to study, having long since run through his repertory of Western subjects and given up exhibiting in New York after the collapse of the American Art-Union in 1852; Lilly Martin Spencer had found New York too discouraging and had moved to Newark; Burr had abandoned painting for writing and …
PublisherYale University Press
Related print edition pages: pp.197-203
https://doi.org/10.37862/aaeportal.00011.010

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