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Description: The Sculptural Imagination: Figurative, Modernist, Minimalist
The artists who came to prominence in the mid to late 1960s as Minimalist object makers working in three dimensions engaged in a highly self-conscious dialogue with the formalist paradigms that had dominated previous conceptions of the sculptural. This is evident both from the conception and staging of their work, and from their compulsion to reflect on and verbalise the larger imperatives guiding their practice. In the latter respect they were following the example set by David Smith, and …
PublisherYale University Press
Related print edition pages: pp.235-268
https://doi.org/10.37862/aaeportal.00156.011

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