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Chocolate Grinder (No. 1)

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Description: Chocolate Grinder (No. 1)
Related content: Chapters (2) Images (7)

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Description: Duchamp in Context: Science and Technology in the Large Glass and Related Works
~Duchamp, Apollinaire, and Picabia left Paris for Jura about October 20, ten days after the opening of the Salon de “La Section d’Or,” the major independent exhibition of the Puteaux Cubists and a culmination of the group’s activities. On September 2, 1912, Gil Bias had announced that Marcel Duchamp would submit a painting entitled Section d’Or. The works shown, however, were Portrait of Chess Players (fig. 15), Nude Descending a Staircase (No. 2) (fig. 12), The King and Queen Surrounded by Swift Nudes (pl. 2), Duchamp’s watercolor and gouache study for the Swift Nudes painting (fig. 24), as well as two works listed simply as Peinture and...
PublisherPrinceton University Press
Related print edition pages: pp.58-70
https://doi.org/10.37862/aaeportal.00306.6
Description: Art & Graphic Design: George Maciunas, Ed Ruscha, Sheila Levrant de Bretteville
~Sperm, water, ink, paint, perfumed dye: the pharmakon always penetrates like a liquid; it is absorbed, drunk, introduced into the inside, which it first marks with the hardness of the type, soon to invade it and inundate it with its medicine, its brew, its drink, its potion, its poison.
PublisherYale University Press
PublisherTerra Foundation for American Art
Related print edition pages: pp.118-147
https://doi.org/10.37862/aaeportal.00305.7

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