https://aaeportal.com/?id=38057
Please wait while we complete your search...
Please wait while we complete your search...
Yale University Press
Accessibility Options
AA
Site search
  • Return to previous
  • Page

Sarah (Kemble) Siddons as the Tragic Muse

Image details
Description: Sarah (Kemble) Siddons as the Tragic Muse
Related content: Chapters (3) Images (4)

Select a chapter below to view this image within the text.


Description: Reynolds: Portraiture in Action
~~Throughout the 1780s, the Great Room at Somerset House also became an arena in which Reynolds showcased a series of ambitious experiments in female portraiture. These included boldly coloured, tautly composed and slickly painted portraits of aristocratic women in modern dress: Lady Dorothy Worsley outfitted en militaire, her...
PublisherPaul Mellon Centre
Related print edition pages: pp.383-423
https://doi.org/10.37862/aaeportal.00296.13
Description: Angelica Kauffman: Art and Sensibility
ACCORDING TO HIS salon criticism of 1767, Denis Diderot had placed his portrait painted by Anna Dorothea Therbusch opposite the one that Louis-Michel Van Loo had done of him in the same year...
PublisherPaul Mellon Centre
Related print edition pages: pp.77-121
https://doi.org/10.37862/aaeportal.00255.004
Description: Art on the Line: The Royal Academy Exhibitions at Somerset House 1780–1836
IN THE WINTER OF 1782/83 the actress Sarah Siddons marked her return to the Drury Lane Theatre by appearing eighty times in seven different parts. She opened in one of her most famous roles, as Isabella, the heroine of Garrick’s eponymous...
PublisherPaul Mellon Centre
Related print edition pages: pp.111-125
https://doi.org/10.37862/aaeportal.00023.014

Note: Some of the images of artworks presented on this platform were not sourced from the original print publication. However, in order to preserve the scholarly record of the print publication, all original image captions and credit lines have been retained on the platform. Learn more about our image policies.

Loading image