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Yale University Press
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Scottsboro Boys

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Description: Scottsboro Boys
Related content: Chapters (3) Images (500)

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Description: Artists on the Left: American Artists and the Communist Movement 1926–1956
~As I said in the introduction, my aim is to treat the art associated with the Communist movement as a social practice. From this perspective it is essential to take into account the different contexts of its display. That is, we need to consider both how exhibitions organised by Communist artists differed from those in museums and commercial galleries, and how these...
PublisherYale University Press
Related print edition pages: pp.47-73
https://doi.org/10.37862/aaeportal.00025.007
Description: The Image of the Black in African and Asian Art
The imagery of blacks that has accrued in Japan from the nineteenth century to the present is rooted, as we might expect, in the vicissitudes of the modern nation’s geopolitical...
PublisherHarvard University Press
Related print edition pages: pp.341-374
https://doi.org/10.37862/aaeportal.00136.016
Description: The Image of the Black in Western Art, Volume V: The Twentieth Century, Part 2: The...
In February 1940 the exhibition Bill Traylor—People’s Artist opened at the New South School and Gallery, a Montgomery, Alabama, cultural center dedicated to showing modern art and broadening and fostering southern culture. Miriam Rogers Fowler, “New South...
PublisherHarvard University Press
Related print edition pages: pp.11-52
https://doi.org/10.37862/aaeportal.00146.005

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