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Yale University Press
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Wall Street, detail

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Description: The Disappearance Of Objects: New York and the Rise of the Postmodern City
In 1962, the critic Gene R. Swenson was making periodic visits to an old building of industrial lofts at 809 Broadway. He was checking on the progress of a new assemblage of Robert Rauschenberg’s, an untitled work that the artist was tinkering with...
PublisherYale University Press
Related print edition pages: pp.94-148
https://doi.org/10.37862/aaeportal.00132.006

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