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Yale University Press
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Composition No. 6

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Description: Composition No. 6
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Description: The Language of Twentieth-Century Art: A Conceptual History
Of all twentieth-century art, Mondrian’s work appears to be the most amenable to description in terms of purely formal transformation. After early figurative phases, familiarity with Cubism leads to gradual abstraction away from natural form. The major transition points are the pieces of 1913 and 1914 (with titles centring on ‘Composition’), the...
PublisherYale University Press
Related print edition pages: pp.129-148
https://doi.org/10.37862/aaeportal.00150.009

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