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Yale University Press
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Old Woman, Santa Anita

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Description: Old Woman, Santa Anita
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Description: Mexico’s Revolutionary Avant-Gardes: From Estridentismo to ¡30–30!
During the early 1920s, as Manuel Maples Arce promoted his aesthetic program and extended his sphere of influence, he fostered an over-arching definition of Estridentismo, embracing artists who rejected bourgeois values or academic culture. Works of art unrelated to the cult of modernity and the urban aesthetic espoused in Actual No. 1 therefore became widely recognized as estridentista, especially those in media long associated with preindustrial cultures, such as woodcuts and masks. These were …
PublisherYale University Press
Related print edition pages: pp.160-205
https://doi.org/10.37862/aaeportal.00083.008

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