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Autumn Rhythm (Number 30)

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Description: Autumn Rhythm (Number 30)
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Description: A Conspiracy of Images: Andy Warhol, Gerhard Richter, and the Art of the Cold War
~~The Cold War claimed its most famous victim on November 22, 1963, with the assassination of President John F. Kennedy. Paranoid theories involving...
PublisherYale University Press
Related print edition pages: pp.1-19
https://doi.org/10.37862/aaeportal.00001.003
Description: The Sacred Image in the Age of Art: Titian, Tintoretto, Barocci, El Greco,...
Whereas Tintoretto worked on enormous canvases aided in the execution by his techniques for speed and his large workshop, Barocci worked laboriously on his altar-pieces through multiple stages of preparation, carefully calculating especially his affective color. If Tintoretto’s ambition was to engulf his viewers, Barocci’s was to enthrall them.
PublisherYale University Press
Related print edition pages: pp.199-223
https://doi.org/10.37862/aaeportal.00155.011
Description: Reading Abstract Expressionism: Context and Critique
Despite continuing references in the scholarly and the popular press to the lasting artistic and cultural relevance of Abstract Expressionism, no comprehensive collection of essays related to this movement has been published since David and Cecile Shapiro’s Abstract Expressionism: A Critical Record and Clifford Ross’s Abstract Expressionism: Creators and Critics appeared in 1990...
PublisherYale University Press
Related print edition pages: pp.1-121
https://doi.org/10.37862/aaeportal.00098.001
Description: The Sculptural Imagination: Figurative, Modernist, Minimalist
Much of the cogency of Judd’s best-known essay, ‘Specific Objects’, comes from its being both a statement of aesthetic principle and a broad critical assessment of the new forms of sculpture or three-dimensional art making an impact in the New York art world in the mid-1960s. Because he was trying to explain why he felt impelled to depart from accepted modernist understandings of the art object, the essay has a striking sense of urgency. But it does not deal directly with his own sculpture. …
PublisherYale University Press
Related print edition pages: pp.269-310
https://doi.org/10.37862/aaeportal.00156.012
Description: Donald Judd
Judd made his first “new three-dimensional work” in 1962. He built DSS 29 from a red and black wooden rectangular frame that surrounds a four-foot-long black asphalt pipe, which vertically bisects a canvas covered in light cadmium red paint, wax, and sand (fig....
PublisherYale University Press
Related print edition pages: pp.9-36
https://doi.org/10.37862/aaeportal.00184.002
Description: Farewell to an Idea: Episodes from a History of Modernism
Once Upon a Time. When I first came across the lines by the duke of Aquitaine some years ago, naturally I imagined them in Jackson Pollock’s mouth. They put me in mind of modernism; or of one moment of modernism, which I realized I had been trying (and failing) to get in focus ever since I had read Harmonium or looked at Le Bonheur de vivre. Two things were clarified. Not just that modern artists often turned away from the detail of the world in order to revel in the work of …
PublisherYale University Press
Related print edition pages: pp.299-369
https://doi.org/10.37862/aaeportal.00048.009

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