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List of illustrations

  • The Marquis and Marquise de Miramon and Their Children
  • Empress Eugénie
  • Marie-Clothilde-Inès de Foucauld, Madame Moitessier
  • The Family Gathering
  • Two Women Outdoors
  • The Two Sisters
  • Autumn
  • Sulking
  • Lady in Blue
  • Young Woman in 1866
  • Symphony in White, No. 1: The White Girl
  • Girl in Red
  • Portrait of the Marquise de Miramon, née Thérèse Feuillant
  • Sample from the marquise de Miramon's peignoir
  • Lorette in Dressing Gown with a Parrot
  • Woman with a Parrot
  • Autumn Flowers
  • The Sisters
  • Eva Gonzalès at the Piano
  • Young Lady in Pink
  • La Loge
  • Portrait of Nini
  • The Latest French Fashions
  • Ellen Andrée
  • Portrait of the Artist
  • Lady with Fans
  • Camille
  • The Portrait at This Year's Salon
  • Detail of Monet's "Camille" from The Salon of 1866
  • Petit Courrier des Dames
  • Page from L'Epâtouflant, salon du Havre
  • Promenade dress
  • Camille, The Green Dress
  • Parisian Type: Bal Mabile
  • Elegant Ladies
  • Reception
  • The Lady with the Glove
  • L'accoudée
  • Cover of La Dernière Mode
  • Stéphane Mallarmé
  • Toilette for the City: Toilette for Important Visits
  • Print for a summer dress
  • Grands Magasins du Louvre. Dealer in indiennes, muslins and organdies. Spring season 1869. Percale dress, exclusive
  • Figure of a Woman
  • Woman with Parakeet
  • Berthe Morisot
  • Berthe Morisot Seen from Behind
  • Fashion plate from the album of the Compagnie Lyonnaise
  • The Promenade
  • Toilettes by Madame Fladry
  • La Mode Illustrée
  • The Conversation
  • In the Conservatory
  • Summer dress
  • Summer dress
  • Journal des Demoiselles
  • Summer ("Portrait")
  • The Couple
  • Measurements to be given, or how to take measurements for buying by mail
  • Zouave jacket
  • The Parisienne
  • The Parisienne
  • Her Majesty, the Parisienne
  • Profile of a Parisian woman
  • Woman with Gloves
  • Young Women on the Banks of the Seine
  • Luncheon on the Grass (Le Déjeuner sur l'herbe)
  • Luncheon on the Grass (Study)
  • Bazille and Camille (Study for "Déjeuner sur l'Herbe")
  • Promenade dress
  • Woman's three-piece seaside ensemble
  • La Mode Illustrée
  • Summer ensemble
  • Luncheon on the Grass (left panel)
  • Luncheon on the Grass, central fragment
  • Lise—The Woman with the Umbrella
  • Parasol
  • Dress
  • Lise on the Banks of the Seine
  • The Promenade
  • The Swing
  • Women in a Garden
  • Promenade ensemble
  • Promenade dress
  • Le Follet
  • Black dress
  • Madame Théodore Gobillard
  • Interior
  • Reading
  • Woman's morning dress
  • Baudelaire's Mistress (Portrait of Jeanne Duval)
  • Seaside (July: Specimen of a Portrait)
  • Day dress
  • Seaside
  • Madame Edouard Manet on a Blue Sofa
  • Portrait of Madame Claude Monet
  • Woman at the Piano
  • La Mode Illustrée
  • Woman with a Fan. Portrait of Madame Marie Hubbard
  • Nana
  • Before the Mirror
  • Woman at Her Toilette
  • The Naked Maja (Maja desnuda)
  • Corset
  • Corset
  • Corset cover
  • Drawers
  • Woman Fastening Her Garter
  • Rolla
  • Top Hat and Suit
  • Six Men, a Woman, and a Boy in Day Dress
  • A Studio at the Batignolles
  • Edouard Manet
  • Dance in the City
  • Arrangement in Flesh Color and Black: Portrait of Theodore Duret
  • Frederick Gustavus Burnaby
  • Summer Scene (Bathers)
  • Pierre-August Renoir
  • Ludovic Halévy and Albert Boulanger-Cavé Backstage at the Opéra
  • Portrait of a Man
  • Leaving the Confessional
  • James-Jacques-Joseph Tissot
  • Portrait of Eugène Coppens de Fontenay
  • The Circle of the Rue Royale
  • Paris Street Scene
  • Lateral Cross Section of 72, Boulevard de Sébastopol, Paris
  • At the Café
  • The Shop Girl
  • The Balcony
  • On the Balcony
  • In the Loge
  • New Fountain on the Boulevard Sébastopol, Paris
  • Place de l'Etoile, Paris
  • Apartment house with ground-floor shop project. Exterior perspective
  • Camparison of Haussmann's (left) and Bonnier's (right) Modified Street Envelopes
  • 26, rue Vavin, Paris
  • Place de l'Europe
  • Sunday at the Church of Saint-Philippe-du-Roule, Paris
  • The Pont de l'Europe
  • Portraits at the Stock Exchange
  • The Place de la Concorde
  • Music in the Tuileries
  • The Railway
  • Camille Monet on a Garden Bench
  • The Luncheon (decorative panel)
  • Interior
  • Exhibition of the Société des Aquarellistes Français at the Galerie George Petit, Rue de Sèze, in 1882
  • In the Grandstands
  • The Weighing of the Jockeys in front of the Grandstands
  • The Races at Longchamp
  • Woman with Binoculars
  • At the Racetrack
  • The Ball on Shipboard
  • Two Women in Evening Dresses
  • Ball gown
  • At the Salon, Evening
  • Young Woman in Ball Gown
  • Woman with a Pearl Necklace in a Loge
  • A Ball
  • Evening
  • The Circus Lover
  • Paris, A Rainy Day
  • Golconde
  • Frock coat and trousers
  • Blue walking dress
  • Study for Paris Street; Rainy Day
  • Les Modes Parisiennes
  • Isabelle Lemonnier
  • Nadar's studio at 35 Boulevard des Capucines
  • Empress Eugénie in a Polka-Dot Dress
  • Countess de Meyendorff [six views] and Her Mother, Baroness de Meyendorff [two views]
  • Beresford from Demi Monde I 56
  • Madame Louis Joachim Gaudibert
  • Ensemble, with shawl
  • Photographic Fantasies
  • Countess Castilgione with Her Son (Alba)
  • Madame Berthier
  • Women in Interior
  • Women in Interior
  • Empress Eugénie and Her Ladies-in-Waiting at Compiègne
  • Haute Couture
  • Les Grands Magasins du Louvre
  • Madame Jeantaud at the Mirror
  • At the Milliner's (Chez la modiste)
  • Au Printemps
  • Façade of the House of Doucet, rue de la Paix
  • At the Milliner's
  • At the Milliner's (The Modiste)
  • Interior of the Milliner's
  • Interior of the Saint Joseph Shops
  • The Storefront of the Couturier Doucet
  • Le Bon Marché
  • The Millinery Shop
  • At the Milliner's
  • The Milliner
  • Six Hats
  • Hat
  • Bonnet
  • Hat
  • The Millinery Shop, x-radiograph image
  • At the Milliner's
  • The Millinery Shop and At the Milliner's, overlay of IRR image
  • The Milliners
  • Little Milliners
  • The Milliner
  • The White Slipper
  • The Pink Slippers
  • The Assault of the Shoe
  • The Assault of the Shoe
  • Mademoiselle Marie Dihau
  • The Jet Earring
  • The Virgil
  • Portrait of Mademoiselle L.L.
  • Woman in an Outdoor Dress with a Woman in a White Muslin Dinner Dress from Les Modes Parisiennes
  • The Contrast
  • The Balloon
  • Repose (Le Repos)
  • Seasickness by Manet
  • Edouard Manet
  • Woman Reading
  • Young Woman Reading an Illustrated Journal
  • Madame Georges Charpentier and Her Children, Georgette-Berthe and Paul-Émile-Charles
  • Marguerite Charpentier
  • Man on a Staircase (Edmond Renoir) and Woman on a Staircase with a Fan
  • Madame Georges Charpentier and Her Children, Georgette-Berthe and Paul-Émile-Charles, detail
  • Toilettes by Madame Fladry, hat by Madame Deloffre
  • Mary Cassatt at the Louvre: The Paintings Gallery
  • Portraits in a Frieze
  • Le Journal des Dames et des Demoiselles
  • Young Woman in a Round Hat
  • Jeanne (Spring)
  • Woman in a Striped Dress
  • Portrait of a Woman
  • The Latest Fashions, Expressly Designed and Prepared for Le Moniteur de la Mode
  • Dress
  • Afternoon dress
  • Fashion plate
  • I Bet That Does Not Cost Him More Than Twenty-Five Cents a Meter
  • The Umbrellas
  • Day dress
  • The Rehearsal in the Choir Loft
  • Two Women in Afternoon Dresses
  • Study of a Figure Outdoors (Facing Right)
  • L'Art dans la parure et dans le vêtement
  • Study for A Sunday on La Grande Jatte
  • A Sunday on the Grande Jatte—1884
  • Singer Sewing Machine
  • Le Bon Marché
  • Les Grands Magasins du Louvre
  • Silk dress
  • Worth & Bobergh label on an evening dress
  • Delivery of merchandise to and from Paris and the suburbs by Le Bon Marché
  • Dinner dress
  • Au Printemps department store, boulevard Haussmann and rue de Provence, Paris
  • Gagelin fashion showcase at the 1867 Exposition Universelle, presenting a dress chosen by the Austrian empress in a style called Eugénie or princess style
  • Department store A la Ville de Saint Denis, Paris
  • La Mode Miniature 1
  • Cover of La Dernière Mode 2
  • Turkeys
  • Evening cloak
  • Le Palais de la Nouveauté
  • L'Art et la Mode 42, pp. 8-9
  • Grands Magasins de la Paix
  • First page of Au bonheur des dames manuscript
  • A Sunday on La Grande Jatte—1884, detail showing three different depictions of the bustle
  • Marshall Field's wholesale store, Chicago
  • It's Amazing! I've Had Four of Just These Sizes in My Life. . . .
  • Reception
  • Young Women on the Banks of the Seine
  • L'accoudée
  • Woman with a Muff
  • Parasol
  • Parasol
  • Baudelaire's Mistress (Portrait of Jeanne Duval)
  • Promenade dress
  • The Two Sisters
  • Black dress
  • Portrait of Mademoiselle L.L.
  • Dress
  • Woman's three-piece seaside ensemble
  • Two Women Outdoors
  • Reading
  • Bazille and Camille (Study for "Déjeuner sur l'Herbe")
  • Luncheon on the Grass (left panel)
  • Luncheon on the Grass, central fragment
  • The Marquis and Marquise de Miramon and Their Children
  • Ensemble
  • Promenade dress
  • Shawl
  • Woman in an Outdoor Dress with a Woman in a White Muslin Dinner Dress from Les Modes Parisiennes
  • Woman's morning dress
  • Young Woman in 1866
  • Camille
  • Women in a Garden
  • Portrait of the Marquise de Miramon, née Thérèse Feuillant
  • Sample from the marquise de Miramon's peignoir
  • The Family Gathering
  • Pierre-August Renoir
  • Mademoiselle Marie Dihau
  • Beresford from Demi Monde I 56
  • Edouard Manet
  • Edouard Manet
  • Lise—The Woman with the Umbrella
  • Hesitation (Madame Monteaux?)
  • Top Hat and Suit
  • Six Men, a Woman, and a Boy in Day Dress
  • The Balcony
  • Madame Louis Joachim Gaudibert
  • The Couple
  • The Circle of the Rue Royale
  • The Lady with the Glove
  • Madame Théodore Gobillard
  • The Sisters
  • The Conversation
  • Sulking
  • Lise on the Banks of the Seine
  • Frederick Gustavus Burnaby
  • The Promenade
  • Toilettes by Madame Fladry
  • Repose (Le Repos)
  • On the Balcony
  • Woman with Parakeet
  • The Latest French Fashions
  • Three-Quarter Length Portrait of a Woman
  • Berthe Morisot in Black
  • Interior
  • On the Balcony
  • Lady with Fans
  • Berthe Morisot with a Fan
  • The Railway
  • Camille Monet on a Garden Bench
  • The Velvet Dress (Mrs. Leyland)
  • Blue walking dress
  • Two Young Ladies in a Garden
  • Lady in Blue
  • Madame Edouard Manet on a Blue Sofa
  • Woman with a Fan. Portrait of Madame Marie Hubbard
  • La Loge
  • The Parisienne
  • The Ball on Shipboard
  • Madame Jeantaud at the Mirror
  • Woman with Binoculars
  • The Conversation
  • The Parisienne
  • Figure of a Woman
  • Woman at Her Toilette
  • Woman at the Piano
  • Berthe Morisot
  • Berthe Morisot Seen from Behind
  • The Rubens Hat
  • Top Hat
  • Folding fan
  • The Terrace of the Villa Brancas
  • The Pont de l'Europe
  • The Jet Earring
  • Before the Mirror
  • The Swing
  • Mavourneen
  • Summer ("Portrait")
  • Portrait of Miss L. . . . , or a Door Must Be Either Open or Closed
  • Frock coat and trousers
  • Sunday at the Church of Saint-Philippe-du-Roule, Paris
  • Paris, A Rainy Day
  • Nana
  • Young Woman in a Round Hat
  • The Milliner
  • Corset
  • A Ball
  • In the Loge
  • Portrait of the Artist
  • Portraits at the Stock Exchange
  • Rolla
  • Madame Georges Charpentier and Her Children, Georgette-Berthe and Paul-Émile-Charles
  • Evening
  • Seaside (July: Specimen of a Portrait)
  • The Toilette
  • Day dress
  • Woman with a Pearl Necklace in a Loge
  • Mary Cassatt at the Louvre: The Etruscan Gallery
  • The Millinery Shop
  • Portraits in a Frieze
  • The Pink Slippers
  • The White Slipper
  • Woman Reading
  • Young Woman in Ball Gown
  • Young Woman Seated on a Sofa
  • Eva Gonzalès at the Piano
  • Poke bonnet
  • A Windy Day on the Pont des Arts
  • At the Café
  • Portrait of a Man
  • Young Woman Reading an Illustrated Journal
  • Six Hats
  • Corset
  • Corset cover
  • Summer dress
  • Hat
  • Two Women in Evening Dresses
  • In the Conservatory
  • At the Milliner's
  • At the Milliner's (The Modiste)
  • Japonism
  • At the Milliner's (Chez la modiste)
  • At the Milliner's
  • Jeanne: Spring (Le Printemps)
  • Evening dress
  • Promenade bonnet
  • The Artist's Wife Reading
  • The Shop Girl
  • Arrangement in Flesh Color and Black: Portrait of Theodore Duret
  • Bonnet
  • Day dress
  • Two Women in Afternoon Dresses
  • Study for A Sunday on La Grande Jatte
  • A Sunday on the Grande Jatte—1884
  • Woman Walking with a Parasol (Study for A Sunday on La Grande Jatte)
  • Au Printemps
  • Fan: The Races at La Marche
  • Mary Cassatt at the Louvre: The Paintings Gallery
  • The Rehearsal in the Choir Loft
  • The Circus Lover
  • Hat
  • Study of a Figure Outdoors (Facing Right)
  • Ball gown
  • Afternoon dress
  • Portrait of a Woman
  • The Latest Fashions, Expressly Designed and Prepared for Le Moniteur de la Mode
  • Still Life with Hat, Umbrella, and Clothes on a Chair
  • Bonnet
  • Dress
  • Hat
  • Hat
  • The Assault of the Shoe
  • The Assault of the Shoe
  • The Assault of the Shoe
  • The Assault of the Shoe
  • Drawers
  • The Milliner
  • Boulevard de Strasbourg (Corsets)
  • Two Women Wearing Coats
  • Five Women in Day and Evening Dresses around a Piano, from The New Song, Les Modes Parisiennes
  • Two Women in Day Dresses with a Young Girl
  • Woman Looking Through a Telescope, with a Man and a Dog
  • Six Women at the Beach from Les Modes Parisiennes
  • Seven Men and a Woman in Day Dress and Outerwear
  • Two Women in a Garden
  • Two Women in Evening Dresses
  • Le Coquet
  • Napoléon Coste
  • Monsieur and Madame Musard from Demi-Monde II 57
  • Héloise from Demi-Monde II 57
  • Gabrielle; Gutierrez de Estrada from Demi-Monde II 57
  • Berthe from Demi-Monde I 56
  • Cora Pearl from Demi-Monde I 56
  • Madame Surrivan from Demi-Monde II 57
  • Beresford from Demi-Monde I 56
  • Gabrielle from Demi-Monde II 57
Free
Gloria Groom (Editor)
Description: Impressionism, Fashion, and Modernity
Contents
Author
Gloria Groom (Editor)
PublisherArt Institute of Chicago
Free
Gloria Groom (Editor)
Description: Impressionism, Fashion, and Modernity
Lenders to the Exhibition
Author
Gloria Groom (Editor)
PublisherArt Institute of Chicago
Free
Description: Impressionism, Fashion, and Modernity
~Impressionism, Fashion, and Modernity is the first exhibition to focus on the defining role of fashion in the works of the Impressionists and their contemporaries. Some eighty major figure paintings—shown in concert with period costumes, accessories, fashion plates, photographs, and popular prints—highlight the vital relationship between...
PublisherArt Institute of Chicago
Free
Gloria Groom (Editor)
Description: Impressionism, Fashion, and Modernity
~The exhibition Impressionism, Fashion, and Modernity, which was launched four years ago and has managed to bring together some of the world’s most recognized and iconic Impressionist paintings with contemporary costumes and a variety of contextual materials, could not have been realized without the acknowledged expertise of the collaborating...
Author
Gloria Groom (Editor)
PublisherArt Institute of Chicago
Description: Impressionism, Fashion, and Modernity
To show modern man and woman as they are, in the words of Edmond and Jules de Goncourt, “the reality of man and his costume transfigured by the magic of...
PublisherArt Institute of Chicago
Related print edition pages: pp.17-25
https://doi.org/10.37862/aaeportal.00356.1

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Description: Impressionism, Fashion, and Modernity
Édouard Manet’s Young Lady in 1866 (cat. 9) is one of the most striking examples of the artist’s ability to astonish and...
PublisherArt Institute of Chicago
Related print edition pages: pp.26-32
https://doi.org/10.37862/aaeportal.00356.2

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Description: Impressionism, Fashion, and Modernity
Struck by the “immensity of Paris” compared to Turin, Milan, and Florence, De Amicis concluded, “Yesterday we were rowing on a small lake, today we are sailing on the ocean.” In his eyes, Paris provided “an...
PublisherArt Institute of Chicago
Related print edition pages: pp.33-43
https://doi.org/10.37862/aaeportal.00356.3

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Description: Impressionism, Fashion, and Modernity
In February 1866, having temporarily abandoned his monumental Luncheon on the Grass (cats. 38, 39), Claude Monet hurriedly prepared a...
PublisherArt Institute of Chicago
Related print edition pages: pp.44-52
https://doi.org/10.37862/aaeportal.00356.4

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Description: Impressionism, Fashion, and Modernity
Anatole France’s tongue-in-cheek claim that fashion magazines say more about humanity than novels suggests a separation between fashion, literature, and human experience that is easily challenged by numerous French literary works of the nineteenth century. For to read French literature produced during the period of the Impressionists is to realize that—for numerous novelists, poets,...
PublisherArt Institute of Chicago
Related print edition pages: pp.53-62
https://doi.org/10.37862/aaeportal.00356.5

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Description: Impressionism, Fashion, and Modernity
Corset and crinoline makers, for example, fashioned the latest silhouettes, which were featured in the outfits invented by dessinateurs industriels. In turn, these designers proposed their sketches to ready-to-wear manufacturers and dressmakers, and supplied ideas to major trendsetters like those at the specialized counters of department stores. Fashion illustrators and artists also took up...
PublisherArt Institute of Chicago
Related print edition pages: pp.63-77
https://doi.org/10.37862/aaeportal.00356.6

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Description: Impressionism, Fashion, and Modernity
The year 1874 was a seminal one for fashion. Pierre-Auguste Renoir painted The Parisienne (cat. 32), and between September 6 and December 20, Stéphane Mallarmé published eight issues of La Dernière Mode...
PublisherArt Institute of Chicago
Related print edition pages: pp.78-84
https://doi.org/10.37862/aaeportal.00356.7

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Description: Impressionism, Fashion, and Modernity
The ground for this style had been prepared three decades earlier by the artists of the Barbizon School, who left their studios for the forest of Fontainebleau near Paris...
PublisherArt Institute of Chicago
Related print edition pages: pp.85-99
https://doi.org/10.37862/aaeportal.00356.8

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Description: Impressionism, Fashion, and Modernity
In the spring of 1866, Claude Monet began work on a large group portrait set in the garden of a house he had rented in Ville d’Avray, southwest of Paris. Two years later, Émile Zola described Women in the Garden (cat. 45), which had meanwhile been rejected by the Salon, as one of the young painter’s most characteristic works...
PublisherArt Institute of Chicago
Related print edition pages: pp.100-106
https://doi.org/10.37862/aaeportal.00356.9

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Description: Impressionism, Fashion, and Modernity
A painted portrait attests to long minutes, stretching into longer hours, spent studying an individual’s features and dress. Even the language used to describe the process, “capturing a likeness,” implies something taken and, by extension, something given up. Yet despite the inevitable intimacy of the process, many portraits feel opaque—an apparently accurate transcription...
PublisherArt Institute of Chicago
Related print edition pages: pp.107-123
https://doi.org/10.37862/aaeportal.00356.10

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Description: Impressionism, Fashion, and Modernity
“The satin corset may be the nude of our era,” suggested Édouard Manet.“Le corset de satin, c’est peut-être le nu de notre époque.” C. Delaville, “Édouard Manet,”...
PublisherArt Institute of Chicago
Related print edition pages: pp.124-134
https://doi.org/10.37862/aaeportal.00356.11

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Description: Impressionism, Fashion, and Modernity
Nonetheless, in Fabric of Vision, Anne Hollander broached the question of Impressionism’s contribution to our understanding of men’s fashions.Hollander 2002. In particular, she carried out a subtle analysis of one of the variations of Gustave Caillebotte’s famous The Pont de l’Europe (1876–77; Kimbell Art Museum, Fort Worth), which features three males in...
PublisherArt Institute of Chicago
Related print edition pages: pp.135-145
https://doi.org/10.37862/aaeportal.00356.12

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Description: Impressionism, Fashion, and Modernity
There is a delightful paradox in including James Tissot in a discussion of fashion and the Impressionists. His tight, shimmering canvases are as hostile to the untidy brushwork of the Impressionist style as the painter himself was to the group’s strategies. In 1874 he resolutely kept himself at a distance from their first collective event and, in the end, respected only Edgar Degas,...
PublisherArt Institute of Chicago
Related print edition pages: pp.146-152
https://doi.org/10.37862/aaeportal.00356.13

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Description: Impressionism, Fashion, and Modernity
Until recently, the administration overseeing the street lines of Paris allowed builders—as long as they respected the laws of building height—the liberty of placing balconies, cornices and entablatures as they saw fit. . . .
PublisherArt Institute of Chicago
Related print edition pages: pp.153-164
https://doi.org/10.37862/aaeportal.00356.14

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Description: Impressionism, Fashion, and Modernity
Writing from Paris in her diary on the last day of 1868, the young American Frances Willard noted her admiration for “the brilliant shop-windows and the almost equally dazzling costumes...
PublisherArt Institute of Chicago
Related print edition pages: pp.165-185
https://doi.org/10.37862/aaeportal.00356.15

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Description: Impressionism, Fashion, and Modernity
If any one painting can be said to sum up the modern city during the second half of the nineteenth century, a good candidate would be Gustave...
PublisherArt Institute of Chicago
Related print edition pages: pp.186-196
https://doi.org/10.37862/aaeportal.00356.16

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Description: Impressionism, Fashion, and Modernity
A few months after the French photographer Félix Nadar opened a newly enlarged, ambitious studio at 35, boulevard des Capucines in 1861, he staged a celebratory photograph of the facade of his business (fig. 1). While showcasing staff members gathered on the roof, fiacres parked along the curb, and an ostentatious gaslit sign applied across the two top...
PublisherArt Institute of Chicago
Related print edition pages: pp.197-208
https://doi.org/10.37862/aaeportal.00356.17

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Description: Impressionism, Fashion, and Modernity
In truth, however, the writer greatly simplified and shifted the authentic details he noted during his research on Parisian business activity, applying these to his...
PublisherArt Institute of Chicago
Related print edition pages: pp.209-217
https://doi.org/10.37862/aaeportal.00356.18

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Description: Impressionism, Fashion, and Modernity
Edgar Degas’s observations on...
PublisherArt Institute of Chicago
Related print edition pages: pp.218-232
https://doi.org/10.37862/aaeportal.00356.19

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Description: Impressionism, Fashion, and Modernity
While dress has been linked to character and social status in...
PublisherArt Institute of Chicago
Related print edition pages: pp.233-243
https://doi.org/10.37862/aaeportal.00356.20

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Description: Impressionism, Fashion, and Modernity
~At the Salon of 1879, Pierre-Auguste Renoir, who admitted that he “has never been so happy,” saw his career take a turn for the better thanks to Mme G . . . C . . . et ses enfants (as the painting was called in the accompanying catalogue; cat....
PublisherArt Institute of Chicago
Related print edition pages: pp.244-252
https://doi.org/10.37862/aaeportal.00356.21

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Description: Impressionism, Fashion, and Modernity
By the late 1870s and 1880s, a growing number of women were actively engaged in public life; as a result, they wore new styles of clothing appropriate for outings in the city and suburbs. Whether viewing paintings in the Musée du Louvre, singing in a Parisian church, or strolling on the island of La Grande Jatte, they appeared in daytime ensembles that, while often luxurious, tended to be...
PublisherArt Institute of Chicago
Related print edition pages: pp.253-269
https://doi.org/10.37862/aaeportal.00356.22

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Free
Description: Impressionism, Fashion, and Modernity
Key Dates in Fashion and Commerce, 1851–89
PublisherArt Institute of Chicago
Free
Gloria Groom (Editor)
Description: Impressionism, Fashion, and Modernity
Checklist of the Exhibition
Author
Gloria Groom (Editor)
PublisherArt Institute of Chicago
Free
Gloria Groom (Editor)
Description: Impressionism, Fashion, and Modernity
~This is a representative selection of fashion plates from the collection of The Metropolitan Museum of Art, New York. Although fashion plates first circulated at the end of the eighteenth century in England and France, they were most popular from c. 1850 to 1900, when fashion photography replaced them. Usually set into fashion magazines, they provided...
Author
Gloria Groom (Editor)
PublisherArt Institute of Chicago
Free
Gloria Groom (Editor)
Description: Impressionism, Fashion, and Modernity
~This is a representative selection of cartes de visite, or visiting cards, by the Parisian photographer André-Adolphe-Eugène Disdéri (French, 1819–1889). All (with the exception of the one to the immediate right) are in the collection of The Metropolitan Museum of Art, New York. In 1854, Disdéri patented this type of small...
Author
Gloria Groom (Editor)
PublisherArt Institute of Chicago
Free
Gloria Groom (Editor)
Description: Impressionism, Fashion, and Modernity
Selected Bibliography
Author
Gloria Groom (Editor)
PublisherArt Institute of Chicago
Free
Gloria Groom (Editor)
Description: Impressionism, Fashion, and Modernity
Index
Author
Gloria Groom (Editor)
PublisherArt Institute of Chicago
Free
Gloria Groom (Editor)
Description: Impressionism, Fashion, and Modernity
Photography Credits
Author
Gloria Groom (Editor)
PublisherArt Institute of Chicago
Impressionism, Fashion, and Modernity
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