Save
Save chapter to my Bookmarks
Cite
Cite this chapter
Print this chapter
Share
Share a link to this chapter
Free
Description: Wearing Propaganda: Textiles on the Home Front in Japan, Britain, and the United...
Bibliography
Author
PublisherBard Graduate Center
PublisherYale University Press
View chapters with similar subject tags
Bibliography
“Adult Education in War Aims Urged,” New York Times, 12 December 1942: 14.
Affleck, Diane L. Fagan, and Paul Hudon. Celebration and Remembrance: Commemorative Textiles in America 1790–1990. Lowell, Mass.: Museum of American Textile History, 1990.
Alpers, Benjamin L. “This Is the Army: Imagining a Democratic Military in World War II.” The Journal of American History 85, no. 1(1998): 155
American Scenes and Events on Textiles 1777–1941. Exh. cat. New York: New-York Historical Society, 1941.
“America’s Shipment of Planes to Allies May Decide Outcome of War.” Life (January 8, 1940): 11.
Aoki Hideo. “Kokuminfuku to ifuku” (Civilian uniforms and clothing). In. Sumai to ifuku (Livelihood and clothing). Edited by Imada Kingo. Tokyo: Seikatsu Press, 1942.
Arnold Lever Archive: Press book, sample books, sketchbooks, other ephemeral materials, 1936–76. Beachampton, U.K.
Asahi Journal, ed. Shōwashi no shunkan (The moments of Shöwa history). Vol. 2. Tokyo:
Asahi Shimbunsha, 1974. Asahi Shimbun Press. Sensō to shomin (War and the common people). Tokyo: Asahi Shimbunsha, 1986.
Aston, W.G. Nihongi. London: Kegan, Paul, 1896.
Atkins, Jacqueline M. Shared Threads: Communal Quilting Yesterday and Today. New York: Dutton Studio Books with the Museum of American Folk Art, 1994.
Attfield, Judy, ed. Utility Reassessed: The Role of Ethics in the Practice of Design. Manchester: Manchester University Press, 1999.
Baird, Merrily. Symbols of Japan: Thematic Motifs in Art and Design. New York: Rizzoli International Publications, 2001.
Basinger, Jeanine. The World War II Combat Film: Anatomy of a Genre. New York: Columbia University Press, 1986.
Bean, Susan S. “The Indian Origins of the Bandanna.” The Magazine Antiques (December 1999): 832–35.
Beckerman, Ilene. Love, Loss and What I Wore: My Life in Fashion. New York: Algonquin, 1995.
Beckham, Sue Bridwell. Depression Post Office Murals and Southern Culture: A Gentle Reconstruction. Baton Rouge and London: Louisiana State University Press, 1989.
Beech, Joan. One WAAF’s War. Tunbridge Wells: D. J. Costello, 1989.
Bentley, Amy. Eating for Victory: Food Rationing and the Politics of Domesticity. Urbana: University of Illinois Press, 1998.
Biddle, Eric. The Mobilization of the Home Front: The British Experience and Its Significance for the United States. Chicago: Public Service Administration Press, 1942.
Biggs, Susan. The Home Front: War Years in Britain, 1939–1945. New York: McGraw-Hill, 1975.
Bird, William J., Jr., and Harry R. Rubenstein. Design for Victory: World War II Posters on the American Homefront. New York: Princeton Architectural Press, 1998.
Boardman, Michelle. “Shoulder to Shoulder: Women’s Patriotic Scarves of World War II.” Dress 25 (1998): 3–16.
——————. “All That Jazz.” Exh. cat. Allentown, Pa.: Allentown Art Museum, 1998.
Brandon, Reiko Mochinaga. Bright and Daring: Japanese Kimonos in the Taishō Mode. Honolulu: Academy of Arts, 1996.
Braverman, Jordan. To Hasten the Homecoming: How Americans Fought World War II through the Media. Lanham, Md.: Madison Books, 1996.
Briggs, Asa. Go To It! Working for Victory on the Home Front 1939–1945. London: Mitchell Beazley, 2000.
Broad, Richard, and Suzie Fleming, eds. Nella Last’s War: A Mother’s Diary 1939–45. London: Sphere Books, 1981.
Brown, Geoff. Launder and Gilliat. London: British Film Institute, 1977.
Brown, Kendall. “Out of the Dark Valley: Japanese Woodblock Prints and War, 1937–1945.” Impressions 23 (2001): 64–85.
Brown, Kendall, and Sharon Minichiello. Taisho Chic: Japanese Modernity, Nostalgia, and Deco. Seattle: University of Washington Press, 2001.
Buruma, Ian. Inventing Japan. New York: Random House, 2003.
Calder, Angus. The Myth of the Blitz. London: Jonathan Cape, 1991.
——————. The People’s War: Britain 1939–45. London: Jonathan Cape, 1969; rev. ed. London: Panther, 1971.
Cantwell, John D. Images of War: British Posters, 1939–1945. London: HMSO, 1989.
“Cartoons by Arthur Szyk are Like Weapons of War.” New York Times, 20 July 1949.
CC41. Utility Furniture and Fashion 1941–1951. Exh. cat. London: Geffrye Museum, 1974.
Chambers, John Whiteclay, II, and David Culbert, eds. World War II, Film, and History. Oxford and New York: Oxford University Press, 1996.
Chang, Iris. The Rape of Nanking: The Forgotten Holocaust of World War II. New York: Basic Books, 1998.
Chapman, J. The British at War. London: I B Tauris, 1998.
Christie, Ian. Arrows of Desire. London: Waterstone and Co., 1985.
——————. Powell, Pressburger and the Others. London: British Film Institute, 1978.
Clarke, Sandi. Introduction. Dressed to Kill 1935–1950. exh. cat. Queensland: Brisbane Gallery, 1985.
Clark, Toby. Art and Propaganda in the Twentieth Century: The Political Image in the Age of Mass Culture. New York: Harry N. Abrams, 1997.
Cohen, Stan. V for Victory: America’s Home Front During World War II. Missoula, Mo.: Pictorial Histories Publishing Company, 1991.
Collins, Herbert Ridgeway. Threads of History: Americana Recorded on Cloth 1775 to the Present. Washington, D.C.: Smithsonian Institution Press, 1979.
Colman, Penny. Rosie the Riveter: Women Working on the Home Front in World War II. New York: Crown Publishers, 1995.
Combs, James E., and Dan Nimmo. The New Propaganda: The Dictatorship of Palaver in Contemporary Politics. New York and London: Longman, 1993.
Connolly, Loris. “Recycling Feed Sacks and Flour Bags: Thrifty Housewives or Marketing Success Story?” Dress 19 (1992): 17–36.
Constantine, S. Buy and Build. London: HMSO, 1986.
Cook, Haruko Taya, and Theodore F. Cook. Japan at War: An Oral History. New York: The New Press, 1992.
Cosgrove, Stuart. “The Zoot-Suit and Style Warfare.” Radical America 18, no. 6 (1984): 40–46.
Crafts Council. “The Scarf Show.” Exh. brochure. London: Crafts Council, 1987.
Cunningham, Patricia A., and Susan Voso Lab, eds. Dress and Popular Culture. Bowling Green, Ohio: Bowling Green State University Popular Press, 1991.
Cunningham, Stanley B. The Idea of Propaganda: A Reconstruction. Westport, Conn.: Praeger, 2002.
Cushman, Wilhela. “Spring in America.” Ladies’ Home Journal (March 1943).
Dalby, Liza Crihfield. Kimono: Fashioning Culture. New Haven: Yale University Press, 1993.
Dalton, Curt. Home Sweet Home Front: Dayton during World War II. Dayton, Ohio: Curt Dalton, 2000.
Daniels, Gordon. “Japanese Domestic Radio and Cinema Propaganda, 1937–1945: An Overview.” Film & Radio Propaganda in World War II. Edited by K. R. M. Short. Knoxville: University of Tennessee Press, 1983.
Darracott, Joseph, and Belinda Loftus, eds. Second World War Posters. London: Imperial War Museum, 1981.
Davis, Elmer. “OWI Has a Job.” The Public Opinion Quarterly 7, no. 1 (1943): 8–9.
de la Haye, Amy, ed. Cutting Edge: 50 Years of British Fashion 1947–1997. Woodstock, N.Y.: Overlook Press, 1997.
Dower, John W. ‘“An Aptitude for Being Unloved’: War and Memory in Japan.” In Crimes of War: Guilt and Denial in the Twentieth Century, 217–41,313–21. Edited by Omar Barton, Atina Grossman, and Mary Nolan. New York: The New Press, 2002.
——————. Japan in War and Peace: Selected Essays. New York: The New Press, 1993.
——————. “Race, Language, and War in Two Cultures: World War II in Asia.” In The War in American Culture: Society and Consciousness during World War II. Edited by Lewis A. Erenberg and Susan E. Hirsch. Chicago: University of Chicago Press, 1996.
——————. War without Mercy: Race and Power in the Pacific War. New York: Pantheon Books, 1986.
Dusenbery, Mary. “The Art of Color.” In Beyond the Tanabata Bridge. Edited by William Jay Rathbun. New York: Thames and Hudson with the Seattle Art Museum, 1993.
Duus, Peter. Modern Japan. 2nd ed. Boston: Houghton Mifflin Company, 1998.
Ellul, Jacques. Propaganda: The Formation of Men’s Attitudes. New York: Alfred A. Knopf, 1973, 1965.
Elwell, Ruth. “Popular Culture in World War II.” In World War II in Asia and the Pacific and the War’s Aftermath, with General Themes: A Handbook of Literature and Research. Edited by Loyd E. Lee. Westport, Conn., and London: Greenwood Press, 1998.
“Emergency Price Control Act Signed by Roosevelt, January 30, 1942.” Discovering U.S.History. Reproduced in History Resource Center. Farmington Hills, Mich.: Gale Group, 1997.
“England At War: Life Goes on in the Dark.” Life, 1 January 1940: 40–47.
“England Says ‘Hush’.” Life (March 18, 1940): 47–48.
Ewing, Elizabeth. History of Twentieth Century Fashion. Revised and updated by Alice Mackrell. Third, ed. Lanham, Md.: Barnes and Noble Books, 1992.
Feller, A.H. “OWI on the Home Front.” Public Opinion Quarterly 7, no. 1 (1943): 57.
Ferguson, Sheila, and Hilde Fitzgerald. Studies in the Social Services. London: HMSO, 1954.
“The First Wartime Night-Club.” Picture Post, 28 October 1939: 36–38.
Florence, L. S. America and Britain: Our Private Lives. London: George G. Harrap, 1944.
Fogel, Joshua A., ed. The Nanjing Massacre in History and Historiography. Berkeley: University of California Press, 2000.
Fox, Caroline. Dame Laura Knight. Oxford: Phaidon, 1988.
Fraser, James, Steven Heller, and Seymour Chwast. Japanese Modern: Graphic Design Between the Wars. San Francisco: Chronicle Books, 1999.
Frois, Luis. History of Japan (Nihon shi). Vol. 4. Tokyo: Heibonsha, 1982.
Fujii, Kenzō. Japanese Modern Textiles. Kyoto Shoin Art Library of Japanese Textiles, vol. 17. Kyoto: Kyoto Shoin Co., 1993.
——————. “Kire wa yonitsure” (Changing textile designs reflecting social conditions). Bessatsu Taiyō 38 (2001): 92–122.
Fujitani, Takashi. Splendid Monarchy: Power and Pageantry in Modern Japan. Berkeley and Los Angeles: University of California Press, 1998.
Fujitani, Takashi, Geoffrey M. White, and Lisa Yoneyama, eds. Perilous Memories: The Asia Pacific War(s). Durham and London: Duke University Press, 2001.
Fujiwara Akira, ed. “Sensō to Manshū” (War and Manchuria) in Nihon minshu rekishi (History of Japanese people). Vol. 9. Tokyo: Sanseidō, 1975.
Fujiwara Hisakatsu. Kimono mon’yō jiten (Dictionary of kimono emblems). Tokyo: Tankōsha, 2001.
Fukui Sadako. Kaitei Nihon no kasuri bunkashi (Revision: The history of Japanese kasuri culture). Kyoto: Kyoto Shoin, 1981.
Galloway, Francesca. Post-War British Textiles. London, Francesca Galloway, 2002.
Garland, M. History of Fashion. London: Dent, 1983.
Gary, Brett. The Nervous Liberals. Propaganda Anxieties for World War I to the Cold War. New York: Columbia University Press, 1999.
Gledhill, Christine, and Gillian Swanson, eds. Nationalising Femininity: Culture, Sexuality, and British Cinema in the Second World War. Manchester: Manchester University Press, 1996.
Gluck, Sherna Berger. Rosie the Riveter Revisited: Women, the War and Social Change. Boston: Twayne (G.K. Hall), 1987.
Gluckman, Dale Carolyn, and Sharon Sadako Takeda, eds. When Art Became Fashion: Kosode in Edo-Period Japan. New York and Tokyo: Weatherhill with the Los Angeles County Museum of Art, 1992.
Gordon, Beverly. The Saturated World: Aesthetic Meaning, Intimate Objects, Women’s Lives, 1890–1940 (forthcoming).
“The Great Depression and World War II” Encyclopedia of American Social History. 3 volumes. New York: Charles Scribner’s Sons, 1993.
Greyser, Stephen A., and Raymond A. Bauer. “Americans and Advertising: Thirty Years of Public Opinion.” Public Opinion Quarterly 30, no. 1 (1966): 70.
Guildhall Library. “Not To Be Sneezed At.” Exh. brochure. London: Guildhall Library, 1995.
Hall, Robert K. Shūshin: The Ethics of a Defeated Nation. New York: Columbia University Press, 1949.
Hargreaves, E. L, and M. M. Gowing, The History of the Second World War: Civil Industry and Trade. London: HMSO, 1952.
Harris, C. Women at War. Stroud, England: Sutton Publishing, 2000.
Hartnell, Norman. Gold and Silver. London: Evans Brothers, 1955.
Hasegawa Nyozekan. “Beautifying War.” Nippon 16 (1938): 18ff.
Hasegawa Ushio. Jidō sensō yomimono no kindai (Modern war literature for children). Tokyo: Kyūzansha, 1999.
Havens, Thomas R. H. Valley of Darkness: The Japanese People and World War Two. Lantham, Md.: University Press of America, 1986.
Healey, Tim. Life on the Home Front. London: Readers Digest Association, 1996.
Heath, Joan. “Fashion by Government Order: Fact or Fiction?” Unpublished B.A. thesis, Staffordshire University, 1988.
Heide, Robert, and John Gilman. Home Front America: Popular Culture of the World War II Era. San Francisco: Chronicle Books, 1995.
Hein, Laura, and Mark Selden, eds. Censoring History: Citizenship and Memory in Japan, Germany, and the United States. Armonk, N.Y.: M. E. Sharpe, 2000.
Heisig, James W., and John C. Maraldo, eds. Rude Awakenings: Zen, the Kyoto School, and the Question of Nationalism. Honolulu: University of Hawai’i Press, 1994.
Higuchi, Kiyoyuki. Yosooi to Nihonjin (Japanese people and dress). Tokyo: Kōdansha, 1980.
Hirosawa Ei. Kurokami to keshō no Shōwa-shi (Shōwa history of black hair and cosmetics). Tokyo: Iwanami Shoten, 1993.
Honey, Maureen. Creating Rosie the Riveter: Class, Gender, and Propaganda during World War II. Boston: University of Massachusetts Press, 1984.
——————. A Retrospective of Rosie the Riveter, Newcomb College Center for Research on Women, Working Paper series #5 New Orleans: Newcomb College of Tulane University, 1992.
Horten, Gerd. Radio Goes to War, The Cultural Politics of Propaganda during World War II. Berkeley: University of California Press, 2002.
“How America Lives.” Ladies’ Home Journal (February 1940): 47.
Howard, Ronald. In Search of My Father: A Portrait of Leslie Howard. London: Kimber Press, 1981.
Hurst, Fannie. “Glamor as Usual?” New York Times Magazine, 29 March 1942: 10–11.
lenaga Saburo. The Pacific War 1931–1945. New York: Pantheon Books, 1978.
Inoue Masahito. Yōfuku to Nihonjin—Kokuminfuku to iu mōdo (Western dress and the Japanese). Tokyo: Kosaidō Shuppan, 2001.
Institute of Contemporary Art. Painting into Textiles. London: The Ambassador, British Export Magazine, 1953.
Inui Itsuko. “Sensōga no kimono” (War-picture kimono) in Minzoku Geijutsu (Folk Art) 20 (2004).
Ishikawa Prefectural Historical Museum. Jūgo no hitobito—inori to kurashi (People on the Home Front-prayers and lifestyle). Kanazawa: Ishikawa Prefectural Historical Museum, n.d
Itsutsu Masakaze. Genshoku Nihon fukushi-shi (History of Japanese clothing decoration in color). Tokyo: Kōrin Shuppan, 1998.
Iwanami Shoten. Nihon no shashinka (Photographers of Japan). 40 vols. Tokyo: Iwanami Shoten, 1998.
Iwasaki Haruko. Nihon no ishō jiten (The dictionary of Japanese costumes). Tokyo: Iwasaki Bijutsusha, 1984.
Jacobs, Martin. World War II Home Front Collectibles: Price & Identification Guide, lola, Wise.: Krause Publications, 2000.
Japan: An Illustrated Encyclopedia. 2 vols. New York and Tokyo: Kōdansha International, 1993.
Japan Art Directors Group, ed. Nihon no Kōkoku bijutsu-Meiji, Taishō, Shōwa. Tokyo: Bijutsu Shuppansha, 1967.
Japan Ministry of Education. “Kokutai no Hongi”: Cardinal Principles of the National Entity of Japan. Translated by John O. Gauntlett and edited by Robert K. Hall. Cambridge, Mass.: Harvard University Press, 1949.
“Japan at War: Rare Films from World War II.” Program. New York: Japan Society, 1987.
Jeffries, John W. Wartime America: The World War II Home Front. Chicago: I.R. Dee, 1996.
Jennings, M. L. Humphrey Jennings: Film-Maker, Painter, Poet. London: British Film Institute, 1982.
Jobling, Paul, and David Crowley. Graphic Design: Reproduction and Representation since 1800. Manchester: Manchester University Press, 1996.
Jon’s Two Types in Italy. Italy: British Army Newspaper Unit, 1944.
Kaneko, Ryōichi. “Realism and Propaganda: The Photographer’s Eye Trained on Society.” The History of Japanese Photography. Edited and translated by John Junkerman. New Haven: Yale University Press, 2003.
Kashiwagi, Hiroshi. “On Rationalization and the National Lifestyle: Japanese Design of the 1920s and 1930s.” In Being Modern in Japan: Culture and Society from the 1910s to the 1930s. Edited by Elise K. Tipton and John Clark. Honolulu: University of Hawai’i Press, 2000.
Katō Yasuko. “Shina sensō sugoroku” (Sino-Japanese War pictorial war games). In Katō Yasuko and Matsumura Noriko, Bakumatsu Meiji no esugoroku (Pictorial board games in the late Edo and the Meiji period). Tokyo: Kokusho Kankōkai, 2002.
Katsumoto Sotome and Toki Shimao, eds. Shashin kaiga shūsei-Sensō (Corps of photography and painting of war). Vol. 3. Tokyo: Nihon Tosho Center, n.d.
Keene, Donald. “Japanese Aesthetics.” In Ronald McLaren, Donald Keene, and Richard Wood. Aesthetic & Ethical Values in Japanese Culture. Richmond, Ind.: Institute for Education on Japan, Earlham College, 1990.
Kennedy, Alan. Japanese Costume: History of Tradition. New York: Rizzoli International Publications, 1990.
Kennett, Frances. “Hartnell and the World of Couture” In Norman Hartnell. Exh. cat. Brighton, U.K.: The Royal Pavilion, Art Gallery and Museums, 1985.
Kimura Shōhachi. “Japanese Colors.” In Nippon XXIII (1940): 19–22.
King, Frances, ed. Writings from Japan. London: Penguin Books, 1984.
Kinoshita Naosuke. Bijutsu to iu misemono (The visual things called art). Tokyo: Heibonsha, 1993.
Kirkham, Pat. “Beauty and Duty: Keeping Up the (Home) Front.” In War Culture: Social Change and Changing Experience in World War II Britain. Edited by Pat Kirkham and David Thorns. London: Lawrence & Wishart, 1995.
——————. “Fashion, Femininity, and ‘Frivolous’ Consumption in World-War-Two Britain.” In Utility Reassessed: The Role of Ethics in the Practice of Design. Edited by Judy Attfield. Manchester, U.K.: Manchester University Press, 1999.
——————. “Fashioning the Feminine: Dress, Appearance and Femininity in Wartime Britain.” In Nationalising Femininity: Culture, Sexuality and British Cinema in the Second World War. Edited by Christine Gledhill and Gillian Swanson. Manchester, U.K.: Manchester University Press, 1996.
Kishi Nobusuke, as quoted in “Kachinuku kokumin seikatsu” (The life of Japanese nation to win a victory). Shufu no Tomo (September 1943): 14–15.
Kitada Masahiro. “Niko-niko kasuri no rekishi” (History of niko-niko kasuri). In Quilt Japan (September 1999): 140–41.
Kitamura Tetsurō. Nihon fukushoku shōjiten (A small dictionary of Japanese clothing). Tokyo: Genryōsha, 1988.
Kobayashi Hideo. Daitōakyōeiken no keisei to hōkai (Formation and collapse of the Greater East Asia Co-prosperity Sphere). Tokyo: Ochanomizu Shobō, 1975.
Konishi Jirō. Nishiki-e Bakumatsu Meiji no rekishi (Bakumatsu and Meiji history in nishiki-e). Vols. 11 and 12. Tokyo: Kōdansha, 1977.
Kuo, Susanna Campbell, Richard Wilson, and Thomas S. Richie. Carved Paper: The Art of the Japanese Stencil. New York: Santa Barbara Museum of Art and Weatherhill, Inc., 1998.
Lab, Susan Voso. ‘“War’Drobe and World War I.” In Dress in American Culture. Edited by Patricia A. Cunningham and Susan Voso Lab. Bowling Green, Ohio: Bowling Green State University Popular Press, 1993.
Landau, Ellen G. Artists for Victory. An Exhibition Catalog. Washington, D.C.: Library of Congress, 1983.
Lang, Caroline. Keep Smiling Through: Women in the Second World War. Cambridge: Cambridge University Press, 1989.
Lant, Antonia. Blackout: Reinventing Women for Wartime British Cinema. Princeton: Princeton University Press, 1991.
——————. “The Female Spy: Gender, Nationality, and War in ‘I See a Dark Stranger.’” In Resisting Images: Essays on Cinema and History. Edited by Robert Sklar and Charles Musser. Philadelphia: Temple University Press, 1990.
Lasswell, Harold. Propaganda Technique in the World War. New York: Alfred A. Knopf, 1927.
Lavine, Harold, and James Wechsler. War Propaganda and the United States. New Haven: Yale University Press, 1940.
Lee, Loyd E., ed. World War II in Asia and the Pacific and the War’s Aftermath, with General Themes: A Handbook of Literature and Research. Westport, Conn., and London: Greenwood Press, 1998.
Leff, Mark H. “The Politics of Sacrifice on the American Home Front in World War II” The Journal of American History 77, no. 4 (1991): 1296–1310.
Lerner, Daniel. Paper Bullets: Great Propaganda Posters, Allied & Axis Countries World War II. New York and London: Chelsea House Publishers, 1980.
Lewis, F., J. H. Mellor and E. A. Entwistle. A Century of British Textiles. Leigh-on-Sea: F. Lewis Publishers, 1955.
Litoff, Judy Barrett, and David C. Smith, eds. Dear Boys: WW II Letters from a Woman Back Home. Jackson and London: University Press of Mississippi, 1991.
Lykins, Daniel L. From Total War to Total Diplomacy: The Advertising Council and the Construction of the Cold War Consensus. Westport, Conn.: Praeger, 2003.
McCall, C. Women’s Institutes. London: Collins, 1943.
McClain, James L. Japan: A Modern History. New York: W.W. Norton, 2002.
McLaine, Ian. Ministry of Morale. London: George Allen and Unwin, 1979.
MacDonald, J. Fred. Television and the Red Menace: The Video Road to Vietnam. New York: Praeger, 1985.
McDowell, Colin. Forties Fashion and the New Look. London: Bloomsbury, 1997.
McLaren, Ronald, Donald Keene, and Richard Wood. Aesthetic & Ethical Values in Japanese Culture. Richmond, Ind.: Institute for Education on Japan, Earlham College, 1990.
McNeil. Peter. ‘“Put Your Best Face Forward’: The Impact of the Second World War on British Dress.” Journal of Design History 6, no. 4 (1993): 283–300.
Maeda, Mariko D. “Frailty Thy Name Is a Woman: Homefront Mobilization in Japan for World War II,” JCAS (Japan Center for Asian Studies) Occasional Paper no. 6 (2000).
Maginnis, Tara. ““She Saves Who Sews for Victory’: Home Sewing on the American Home Front.” Costume: The Journal of the Costume Society 26 (1992): 60–70.
“Manchester’s Africa Trade.” West Africa 1751 (16 September 1950): 850–51.
Manshūshi Kenkyūkai, ed. Nihon teikokushugika no Manshū (“Manchuria under Japanese imperialism). Tokyo: Ochanomizu Shobō, 1973.
Manvell, Roger. “Recent films.” Britain Today (May 1945): 36.
Marchand, Roland. Advertising the American Dream. Making War for Modernity, 1920–1940. Berkeley: University of California Press, 1986.
Marling, Karal Ann. Wall-to-Wall America: A Cultural History of Post-Office Murals in the Great Depression. Minneapolis: University of Minnesota Press, 1982.
Marwick, Arthur. Britain in the Century of Total War. Boston: Little, Brown, 1968.
——————. The Home Front: The British and the Second World War. London: Thames and Hudson, 1976.
Marwick, A., C. Emsley and W. Simpson. Total War and Historical Change. Buckingham: Open University Press, 2001.
Mass-Observation. War Begins at Home. Edited and arranged by Tom Harrison and Charles Madge. London: Chatto and Windus, 1940.
Mayo, Marlene, J. Thomas Rimer, and H. Eleanor Kerkham, eds. War, Occupation, and Creativity: Japan and East Asia 1920–1960. Honolulu: University of Hawai’i Press, 2001.
Me de miru kyōiku no ayumi (Illustrated history of education). Tokyo: Monbushō, Shōwa 42 (1968).
Melosh, Barbara. Engendering Culture: Manhood and Womanhood in New Deal Public Art and Theater. Washington D.C. and London: Smithsonian Institution Press, 1991.
Menchine, Ron. Propaganda Postcards of World Warr II. lola, Wise: Krause Publications, 2000.
De Mendelssohn, Peter. Japan’s Political Warfare. New York: Arno Press, 1944, 1972.
Mendes, Valerie, and Amy de la Haye. 20th Century Fashion. New York: Thames and Hudson, 1999.
Mendes, Valerie, and Frances M. Hinchcliffe. Ascher: Fabric, Art, Fashion. London: Victoria and Albert Museum, 1987.
Miller, Frank. MGM Posters: The Golden Years. Atlanta: Turner Publishing, 1994.
Minichiello, Sharon A., ed. Japan’s Competing Modernities: Issues in Culture and Democracy 1900–1930. Honolulu: University of Hawai’i Press, 1998.
Minnich, Helen Benton. Japanese Costume and the Makers of Its Elegant Tradition. Rutland, Vt., and Tokyo: Charles E. Tuttle, 1963.
Minns, Ravnes. Bombers and Mash: The Domestic Front 1939–45. London: Virago, 1980.
Mitchell, Richard. Janus-Faced Justice. Honolulu: University of Hawaii Press, 1992.
Mosse, George L. Nationalism and Sexuality-Public Morality and Fascism. Repr. ed., New York: Howard Fertig, 1998. Japanese edition, Nashionarizumu to sekushuaritii- Shimin dōtoku to fashizumu. Translated by Satō Takumi and Satō Yasuko. Tokyo: Parumakeia Books, Kashiwa Shobō, 1996.
Mrozek, Donald J. “Cultural Background to the War.” In World War II in Asia and the Pacific and the War’s Aftermath, with General Themes: A Handbook of Literature and Research. Edited by Loyd E. Lee. Westport, Conn., and London: Greenwood Press, 1998.
Musée national des chateaux de Malmaison et Bois-Préau. De Londres à Moscou, les mouchoirs de cou napoléonais. Paris: Réunion des musées nationaux, 1995.
Nagasaki Isao, “Meiji Taishō Shōwa no kimono no nagare” (Kimono trends in the Meiji, Taishō, and Shōwa periods). Bessatsu Taiyō 34 (2000): 89.
Najita, Tetsuo, and H. D. Harootunian, “Japanese Revolt against the West: Political and Cultural Criticism in the Twentieth Century.” In The Cambridge History of Japan: Volume 6-The Twentieth Century, 711–74. Edited by Peter Duus. Cambridge: Cambridge University Press, 1988.
Nakada Setsuko. Kōkoku no naka no Nippon (Japan in advertisements). Tokyo: Daiyamondosha, 1993.
Namekawa Michio. Momotarō-zō no hen’yō (Changes in the image of Momotarō). Tokyo: Tokyo Shoseki, 1981.
Nicolson, Harold. Diaries and Letters 1939–45. London: Collins, 1967.
Nihon Shashinka Kyōkai (Japan Photographers Association), ed. Nihon shashin-shi, 1840–1945. Tokyo: Heibonsha, 1971. For English adaptation with introduction and bibliography on the visual history of modern Japan by John W. Dower, see A Century of Japanese Photography. New York: Pantheon, 1980.
Nish, Ian. “Japan.” In Jeremy
Noakes, ed. 77ie Civilian in War: The Home Front in Europe, Japan and the USA in World War II. Exeter: University of Exeter Press, 1992. Noakes, Jeremy, ed. The Civilian in War: The Home Front in Europe, Japan and the USA in World War II. Exeter, England: University of Exeter Press, 1992.
Nornes, Abé Mark, and Fukushima Yukio. The Japan America Film Wars: World War II Propaganda and Its Cultural Contexts. Chur, Switzerland: Harwood Academic Publishers, 1994.
“Not Much Cash, not Many Coupons.” Picture Post, 27 February 1943: 24.
O’Brien, Ruth. “The Textile Situation on the Home Front.” Journal of Home Economics 36 (February 1944).
O’Brien, Kenneth Paul, and Lynn Hudson Parsons, eds. The Home-Front War: WW II and American Society. Westport, Conn.: Greenwood Press, 1995.
Ohkawa Kazushi, and Henry Rosovsky. “A Century of Japanese Economic Growth” In The State and Economic Enterprise in Japan, 47–92. Edited by William W. Lockwood. Princeton: Princeton University Press, 1965.
Ohnuki-Tierney, Emiko. Kamikaze, Cherry Blossoms, and Nationalism: The Militarizatio of Aesthetics in Japanese History. Chicago: University of Chicago Press, 2002.
Ōka Yoshitake. Konoe Fumimaro: A Political Biography. Translated by Shumpei Okamoto and Patricia Murray. Lanham, Md.: Madison Books, 1992.
Ōkubo Jun’ichi. “Shudai wo shirutame no kisochishiki (The basic knowledge needed to understand the subjects of ukiyo-e). In T. Kobayashi and J. Ō kubo, Ukiyoe no kansho kisochishiki (The basic knowledge needed for appreciation of ukiyo-e). Tokyo: Shibundō, 2000.
Olian, Joanne. Everyday Fashions of the Forties. New York: Dover, 1992.
Onda Kazuko. “Senji sangyō kōgei shidō kōenkai” (Lecture on the wartime industrial crafts). Kōgei nyūsu (Industrial Crafts News) (January 1941).
O’Neil, Brian. “The Demands of Authenticity: Addison Durland and Hollywood’s Latin Images during World War II.” In Classic Hollywood, Classic Whiteness. Edited by Daniel J. Bernardi. Minneapolis: University of Minnesota Press, 2000.
Onishi, Norimitsu. “Letters from Asia.” New York Times, 19 November 2003: Section A-1.
Opie, Robert, ed. Wartime Scrapbook: From Blitz to Victory, 1939–1945. London: New Cavendish, 1995.
Orwell, George. The English People. London: Collins, 1947.
——————. The Lion and the Unicorn: Socialism and the English Genius. London: Seeker and Warburg, 1941.
Ōsugi Kazuo. Nitchū jūgonen sensōshi (History of the 15-year Japan-China war). Tokyo: Chūkōshinsho, 1962.
Ōta Rin’ichiro. Nihon kindai gunpukushi (The history of Japanese modern military uniforms). Tokyo: Yuzankaku Shuppan, 1972.
Ōtaki, Mikio. “Yūzen Tokyō-ha sono shiren to kagayaki” (The Tokyo School of Yūzen: Its Trials and Glory). In Yūzen: Tōkyō-ha gojūnen no jikuseki (Yūzen dyeing: tracing a fifty-year Tokyo tradition). Exh. cat. Tokyo: Bunka Gakuen Fukushi Hakubutsukan, 1983.
Otani, Michiko. Various Silk Crepe Chirimen. Tokyo: Kyoto Shoin, 1998.
Our Finest Hour: The Triumphant Spirit of the World War II Generation. New York: Time, Inc., 2000.
Ourselves in Wartime: An Illustrated Survey of the Home Front in the Second World War. London: Odhams Press, 1944.
Ovitte, Winifred J. “It’s Up to Us!” Women’s Wear Daily. 21 June 1940.
Panter-Downes, Mollie. London War Notes, 1939–1945. London: Longmans, 1972.
Peri, Paolo. The Handkerchief. Italy: Zanfi Editori, 1992.
Perrett, Geoffrey. Days of Sadness, Years of Triumph: The American Peop/e, 1939–1945. Madison: University of Wisconsin Press, 1985.
Pimlott, J.A.R. “Public Service Advertising: The Advertising Council.” The Public Opinion Quarterly 12, no. 2 (1948): 211.
Polenberg, Richard, comp. America at War: The Home Front, 1941–1945. Englewood Cliffs, N.J.: Prentice-Hall, 1968.
——————. War and Society: The United States, 1941–1945. Westport, Conn.: Greenwood Press, 1972.
Prange, Gordon W., with Donald M. Goldstein and Katherine V. Dillon. Pearl Harbor: The Verdict of History. New York: McGraw Hill, 1986.
Pratkanis, Anthony R. Age of Propaganda: Everyday Use and Abuse of Persuasion. New York: W.H. Freeman, 1992.
Priestley, J. B. British Women Go To War. London: Collins, 1943.
Pronay, Nicholas, and Jeremy Croft. “British film censorship and propaganda policy during the Second World War.” In British Cinema History. Edited by James Curran and Vincent Porter. London: Weidenfeld and Nicolson, 1983.
“Propaganda Prints.” Vogue (February 1942): 28, 29, 82.
Rathbun, William Jay, ed. Beyond the Tanabata Bridge: Traditional Japanese Textiles. New York: Thames and Hudson with the Seattle Art Museum, 1993.
Reeves, N. The Power of Film Propaganda. London: Cassell, 1999.
Reilly, Bernard F. Jr. “Emblems of Production: Workers in German, Italian, and American Art during the 1930s.” In Designing Modernity: The Arts of Reform and Persuasion, 1885–1945. London: Thames and Hudson, 1995.
Rendell, Kenneth W. With Weapons and Wits: Propaganda and Psychological Warfare in World War II. Lexington, Mass.: Museum of Our National Heritage, 1992.
Rennie, Paul. Siren Flags. Woodbridge: Antique Collectors’ Club, 1994.
——————. “Supplementary Essay.” Reconstruction: Design in Britain 1940–1951. London: Target Gallery, 2001.
Reports of General MacArthur: Japanese Operations in the Southwest Pacific Area, vol. 2, pts. I and II. Washington, D.C.: U.S. Government Printing Office, 1966, 1996.
Reynolds, Helen. “The Utility Garment: Its Design and Effect on the Mass Market 1942–54.” In Judith Attfield, Utility Reassessed: The Role of Ethics in the Practice of Design, 123–42. Manchester, U.K.: Manchester University Press, 1999.
Rhodes, Anthony. Propaganda, The Art of Persuasion: World War II. Secaucus, N.J.: Wellfleet Press, 1987.
Roof Over Britain. London: The Air Ministry and The War Office, 1943.
Roosevelt, Franklin Delano. “Joint Address to Congress Leading to a Declaration of War Against Japan” (8 December 1941), http://www.fdrlibrary.marist.edu/oddecwar.html.
Rose, Sonya. Which People’s War. Oxford: Oxford University Press, 2004.
Rostron, Allen. ‘“No war, no hate, no propaganda’: promoting films about European war and fascism during the period of American isolationism.” Journal of Popular Film and Television 30, no. 2 (2002): 85.
Rowbotham, S. A Century of Women. London: Viking, 1997.
Rowse, A.L. “Princess Elizabeth Is Schooled for the Throne.” Picture Post, 9 October 1943: 7–11.
Said, Edward. Orientalism. New York: Vintage, 1994.
Saitō Kazō. “Fujin hyōjunfuku no kōan” (Proposals for women’s standard attire). In Kurashi no kufū (Invention of livelihood). Edited by Imada Kingo. Tokyo: Seikatsu Press, 1942.
Sakurai Tadayoshi. Human Bullets: A Soldier’s Story of the Russo-Japanese War. Translated by Masujiro Honda and edited by Alice Mabel Bacon. Omaha: University of Nebraska Press, 1999.
Salt, Barry. Film Style and Technology: History and Analysis. London: Starword Press, 1983.
Sandler, Mark H. “A Painter of the ‘Holy War’: Fujita Tsuguji and the Japanese Military.” In War, Occupation, and Creativity: Japan and East Asia 1920–1960. Edited by Marlene Mayo, J. Thomas Rimer, and H. Eleanor Kerkham. Honolulu: University of Hawai’i Press, 2001.
Sato, Barbara. The New Japanese Woman: Modernity, Media, and Women in Interwar Japan. Durham: Duke University Press, 2003.
Schleuning, Sarah. “Manipulating the Masses: Design Strategies of Wartime Propaganda.” In Weapons of Mass Dissemination: The Propaganda of War. Miami Beach: Wolfsonian-FIU, 2004.
Schoser, M. Printed Handkerchiefs. London: Museum of London, 1988.
Schweister, Pam, et al., eds. “What did you do in the War, Mum?” Women Recall their Wartime Work. London: Age Exchange Theater Company, 1985.
Scott-James, Anne. “Deborah Kerr Shows off the New Utility Clothes for Women.” Picture Post, 28 March 1942: 18–19.
——————. “Here are two new ways of GOING TO BED” Picture Post. 4 March 1941: 28–29.
Seton, Alastair. “Militaria: Commemorating 100 Years since the Sino-Japanese War.” Daruma 8 (Autumn 1995): 12–26.
Sewell, Bill. “Reconsidering the Modern in Japanese History: Modernity in the Service of the Prewar Japanese Empire.” Japan Review 16 (2004): 213–58.
Shih, Joy. Forties Fabrics. Atglen, Pa.: Schiffler Publishing, 1997.
Shillony, Ben-Ami. Politics and Culture in Wartime Japan. Oxford and New York: Oxford University Press, 1981.
Short, K.R.M., ed. Film & Radio Propaganda in World War II. Knoxville: University of Tennessee Press, 1983.
Shōwa-shi (History of Shōwa). Vol. 1 0. Tokyo: Mainichi Shimbun Press, 1983.
Sivulka, Juliann. Soap, Sex, and Cigarettes. A Cultural History of American Advertising. Belmont, Calif.: Wadsworth Publishing Company, 1998.
Skabelund, Aaron. “Dogs of War: Chūken Hachiko (1923–1935) and the Breeding of Japanese Fascism.” Unpublished paper; presented at the Asian Studies Association, New York, 2003.
——————. “Loyalty and Civilization: A Canine History of Japan 1850–2000.” PhD. diss., Columbia University, 2004.
Sladen, Christopher. The Conscription of Fashion: Utility Cloth, Clothing, and Footwear 1941–1952. Aldershot, England: Scolar Press, 1995.
Spector, Ronald H. Eagle Against the Sun: The American War with Japan. New York, Vintage Books, 1985.
Spence, Jo. “What Did You Do In The War, Mummy? Class and Gender in Images of Women.” In Photography and Politics. London: Photography Workshop, 1977.
Sproule, J. Michael. Propaganda and Democracy: The American Experience of Media and Mass Persuasion. Cambridge: Cambridge University Press, 1997.
Steele, H. Thomas. The Hawaiian Shirt: Its Art and History. New York: Abbeville Press, 1984.
Steinberg, Saul. All in Line. Harmondsworth, England: Penguin Books, 1945.
Stermer, Dugald, ed. Kyūba posuta shū (The art of revolution). Translated by Taeko Tomioka. Tokyo: Heibonsha, 1972.
Suchomel, Filip. “Lyricism Amid the Cannon Salvos.” Andon 70 (2002): 5–16.
Summerfield, P. Women Workers in the Second World War. Beckenham, England: Croom Helm, 1984.
Taiheiyō sensō meigashō (Pacific war art collection).Tokyo: Nobel Shobō, 1967.
Takashina Shōji and J. Thomas Rimer, with Gerald D. Bolas. Paris in Japan: The Japanese Encounter with European Painting. Tokyo: The Japan Foundation, and St. Louis: Washington University, 1987.
Takeda Sachiko. Ifuku de yominaosu Nihonshi (Reconsideration of the history of Japan through clothing). Tokyo: Asahi Shimbunsha, 1998.
Takeda, Sharon Sadako. “Clothed in Words: Calligraphic Designs on Kosode.” In When Art Became Fashion: Kosode in Edo-Period Japan. Edited by Dale Carolyn Gluckman and Sharon Sadako Takeda. New York and Tokyo: Weatherhill with Los Angeles County Museum of Art, 1992.
Tanaka Chigaku. “Sekai Tōitsu no Tengyō” (The deed of god to unify the world). Shishi Ou Zenshū Kankōkai. Vol.1. Tokyo, 1932.
Tanida Etsuji and Koike Miki. Nihon fukushishi (History of Japanese clothing decoration). Tokyo: Koseikan, 1989.
Tanizaki Jun’ichirō. Chijin no Ai (A fool’s love), serialized in 1924–25. American edition, Naomi. Translated by Anthony Chambers. New York: Vintage, 2001.
Taylor, Lou. “Paris Couture 1940–1944.” In Juliet Ash and Elizabeth Wilson, Chic Thrills. London: Pandora, 1993.
Taylor, Philip M. Munitions of the Mind: A History of Propaganda from the Ancient World to the Present Era. 2nd ed. Manchester, U.K.: Manchester University Press, 1995.
Teruoka Yoshitomo, quoted in “Senji ifuku” (Clothing for wartime). Shufu no Tomo (June 1941): 126.
Tipton, Elise K. Modern Japan: A Social and Political History. New York: Routledge, 2002.
Tipton, Elise K., and John Clark, eds. Being Modern in Japan: Culture and Society from the 1910s to the 1930s. Honolulu: University of Hawai’i Press, 2000.
Thomas, Evelyn. Everyman’s Guide to the War Regulations: An ABC of Essential Information for the Ordinary Citizen. St. Albans: Donnington Press, 1939.
Thomas, Pauline Weston. “Rationing and Utility Clothing of the 1940s.” Prepared for Fashion-Era.com (2003), http://www.fashion-era.com/utility-clothing.htm
Tokushū Kurashi no Techō. No. 96, Sensōchū no kurashi no kiroku (Special issue of notebook on daily living, no. 96, record of daily living during the war). Tokyo: Kurashi no Techō, 1969.
Tolischus, Otto D. Tokyo Record. New York: Reynal & Hitchcock, 1943.
Tomczyszn, Pat. “With Love from the Trenches: Embroidered Silk Postcards of the First World War.” Material History Review 51 (Spring 2001): 43–49.
“Treasure Patch-piece for a Bride” Woman, 10 October 1942: 8.
Tsutsui, William M. “The Domestic Impact of War and Occupation on Japan.” In World War II in Asia and the Pacific and the War’s Aftermath, with General Themes: A Handbook of Literature and Research. Edited by Loyd E. Lee. Westport, Conn, and London: Greenwood Press, 1998.
Tucker, Anne Wilkes, et al. A History of Japanese Photography. Exh. cat., Houston Museum of Fine Arts. New Haven: Yale University Press, 2003.
Turner, Patricia A. Ceramic Uncles and Celluloid Mammies: Black Images and Their Influence on Culture. New York: Anchor Books 1994.
Tyler, Sydney. The Japan-Russia War. Philadelphia: P.W. Ziegler Co., 1905.
Uchida, H. “Narrow Cotton Stripes and Their Substitutes: Fashion Change, Technological Progress, and Manufacturing Organizations in Japanese Popular Clothing 1850–1920.” Textile History 19, no. 2 (1988): 159–70.
U.S. Army. A Short Guide to Great Britain. Washington D.C.: War and Navy Departments, 1942.
Veillon, Dominique. Fashion Under the Occupation. Translated by Mirian Kochan. New York: Berg, 2002.
Virgin, Louise. “Japan at the Dawn of the Modern Age.” In Japan at the Dawn of the Modern Age: Woodblock prints from the Meiji Era, 1868–1912. Edited by Emiko Usui. Boston: MFA Publications, 2001.
Wakakuwa Midori. Kōgō no shōzō—Shōken Kōtaigō no hyōzō to josei no kokuminka (Image of the empress-images of the empress dowager and the nationalization of women). Tokyo: Chikuma Shobō, 2004.
——————. “Senji no ifuku tōsei” (Regulating attire in wartime). In Sensō to josei (War and women). Edited by Hayakawa Noriyo. Tokyo: Yoshikawa Kobunkan, in press.
——————. Sensō ga tsukuru joseizō–Dainiji sekai taisenka no nihonjin josei dōin no shikaku puropaganda (Women’s image built by war: visual propaganda of women’s mobilization in World War II). Tokyo: Chikuma Shobō, 1995.
Waller, Jane, and Michael Vaughan-Rees. Women in Wartime: The Role of Women’s Magazines 1939–1945. London: Macdonald and Co., 1987.
Ward, Barbara McLean, ed. Produce and Conserve, Share and Play Square: The Grocer and the Consumer on the Home-Front Battlefield During World War II. Portsmouth, N.H.: Strawbery Banke Museum, 1994.
“Wartime Corsets,” Picture Post. 2 March 1940.
“We Pulled Together. . . .and Won!” Greendale, Wisc.: Reiman Publications, 1993.
Weiss, Hillary. The American Bandanna: Culture on Cloth from George Washington to Elvis. San Francisco: Chronicle Books, 1990.
Wells, Maureen. Entertaining Eric: Letters from the Home Front 1941–44. London: Imperial War Museum, 1988.
Williams, G. The New Democracy: Women and Work. London: Nicholson and Watson, 1945.
Williamson, Judith. “Woman as an Island: Femininity and Colonization.” In Studies in Entertainment. Edited by Tania Modleski. Bloomington: Indiana University Press, 1986.
Wilson, Elizabeth, and Lou Taylor. Through the Looking Glass: A History of Dress from 1860 to the Present Day. New York: Parkwest/BBC Books, 1991.
Wilson, Sandra. “The Past in the Present: War in Narratives of Modernity in the 1920s and 1930s.” In Being Modern in Japan: Culture and Society from the 1910s to the 1930s. Edited by Elise K. Tipton and John Clark. Honolulu: University of Hawai’i Press, 2000.
Winkler, Allan M. The Politics of Propaganda: The Office of War Information 1942–1945. New Haven: Yale University Press, 1978.
Wood, Maggie, ed. “We Wore What We’d Got”: Women’s Clothes in World War II. Warwickshire, U.K.: Warwickshire Books, 1989.
Wyman, Thomas. “Keep It Under Your Stetson—One Firm’s Contribution to the War Effort.” The Chronicle (Early American Industries Association) 54, no. 1 (2001): 40.
Yamanaka Hitoshi. “Bokura shokokumin kanren nenpyō” (Timeline of our young nation). In Bokura shonenmin (Our young nation). Vol. 5. Tokyo: Henkyōsha, 1985.
Yamanobe Tomoyuki, and Fujii Kenzō. Kyoto Modern Textiles: 1868–1940. Kyoto: Kyoto Textile Wholesalers Association, 1995.
Yamanouchi Yasushi. “Hōhōteki joron” (Methodological introduction). In Sō-ryokusen to gendaika (Total war and modernization). Edited by Yamanouchi Yasushi, Narita Ryoichi, and Victor Coshman. Tokyo: Kashiwa Shobō, 1995.
Yang, Daging. “Convergence or Divergence? Recent Historical Writings on the Rape of Nanjing.” American Historical Review (June 1999): 842–65.
Yasinskaya, I. Soviet Textile Design of the Revolutionary Period. London and New York: Thames and Hudson, 1990.
Yass, Marion. This is Your War: Home Front Propaganda in the Second World War. London: Her Majesty’s Stationery Office, 1983.
Yasuda Yojurō. Nihon no hashi (The Japanese bridge). Tokyo: Shibashoten, 1936.
Yoshioka Sachio, ed. Senshoku no bi: Meiji, Taishō no senshoku (Textile Art Magazine: Meiji, Taishō Textiles). Kyoto: Shikōsha Publishing Co., 1983.
Young, Louise. Japan’s Total Empire: Manchuria and the Culture of Wartime Imperialism. Berkeley: University of California Press, 1998.
Ziegler, Philip. London at War. London: Sinclair-Stevenson, 1995.