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Description: Plaster Monuments: Architecture and the Power of Reproduction
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PublisherPrinceton University Press
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Books/Catalogues
Henry Hardy Cole, The Architecture of Ancient Delhi, especially the Buildings around the Kutb Minar (London: The Arundel Society, 1872): Fig. 71.
J. C. Dahl, Denkmale einer sehr ausgebildeten Holzbaukunst aus den frühesten Jahrhunderten in den inneren Landschaften Norwegens (Dresden, 1837): Fig. 60.
Camille Enlart and Jules Roussel, Catalogue Général du Musée de sculpture comparée au Palais du Trocadéro (moulages). Nouvelle edition entièrement refondue (Paris, 1910): Figs. 36, 39, 80.
James Fergusson, A History of Architecture from All Countries, from the Earliest Times to the Present Day, vol. 2 (London, 1874): Fig. 62.
Austen Henry Layard, The Assyrian Court, Crystal Palace (London, 1854): Figs. 59, 70.
Paul Frantz Julien Marcou, Album du Musée de sculpture comparée (Paris, 1897): Figs. 33, 37, 40, 52, 79.
MM. Ch. Nodier, J. Taylor et Alp. De Cailleux, Voyages pittoresques et romantiques dans l’ancienne France, vol. 2, Ancienne Normandie (Paris, 1824): Fig. 38.
Ludwig Ross, Eduard Schaubert, and Christian Hansen, Die Akropolis von Athen nach den Neuesten Ausgrabungen. Erste Abtheilung: Der Temple der Nike Apteros (Berlin, 1839): Fig. 2.
Henry Rousseau, Catalogue sommaire des Moulages, illustré de nombreuses planches en simili-gravure (Brussels, 1926): Figs. 64, 72.
Matthew Digby Wyatt and J. B. Waring, A Hand Book to the Byzantine Court (London, 1854): Fig. 61.
Journals/Newspapers
Illustrated London News, courtesy of Mary Evans Picture Library: Figs. 6, 58.
New York Times: Fig. 89.
Individuals
Roy Berkeley, courtesy of Ellen Perry Berkeley: Fig. 97.
Adrian Forty, courtesy of Reaktion Books: Fig. 110.
Mari Lending: Figs. 24, 46, 57, 66, 94, 99, 106.
Christiane Pinatel: Jacket and fig. 29.
Jan Zahle: Fig. 47.
Institutions
Albany Institute of History & Art: Fig. 69.
AW Asia/Carnegie Museum of Art, Pittsburgh: Fig. 85.
bpk/Zentralarchiv, Staatliche Museen zu Berlin: Fig. 5.
Birmingham Museum Trust: Fig. 8.
British Library Board: Fig. 10.
British Museum, courtesy of the Trustees: Fig. 7.
Bromley Local Studies and Archives, UK: Figs. 41, 42.
Carnegie Museum of Art, Pittsburgh: Figs. 1, 23, 24, 74, 75, 76, 81, 82, 83, 84, 86, 87, 88.
Factum Arte: Figs. 118, 119.
Fondation Le Corbusier/BONO: Fig. 45.
Frances Loeb Library, Graduate School of Design, Harvard University: Fig. 91.
Getty Images: Figs. 115, 117.
Kunstbibliothek, Staatliche Museen zu Berlin: Fig. 11.
Luhring Augustine, New York, Lorcan O’Neill, Rome, and Gagosian Gallery (courtesy of Rachel Whiteread)/Carnegie Museum of Art, Pittsburgh: Fig. 77.
Manuscripts and Archives, Yale University Library: Figs. 90 (a/b).
Médiathèque de l’architecture et du patrimoine, Charenton-le-Pont/Fonds Henri Olivier: Fig. 67.
Metropolitan Museum of Art/Art Resource, NY: Figs. 26, 27, 28, 42, 43, 50, 51, 103.
Musée des Monuments français/Cité de l’architecture et du patrimoine: Figs. 44, 53.
Musée du Louvre, département des antiquités grecques, étrusques et romaines: Figs. 3, 9, 68.
Nasjonalmuseet for kunst, arkitektur og design, Oslo: Figs. 12, 29.
Paris Match Archive/Getty Images: Fig. 49.
RMN (École nationale supérieure des Beaux-Arts): Figs. 21, 22, 31.
RMN (Musée d’Orsay): Figs. 35, 98.
RMN (Musée du Louvre): Fig. 19.
Scala, Florence/Courtesy of the Ministero Beni e Att. Culturali: Fig. 15.
Sir John Soane’s Museum, London: Figs. 14, 16, 17, 18, 32.
Skylight Studios: Figs. 96, 104.
Sotheby’s, New York: Fig. 13.
Statens museum for kunst, København: Fig. 47.
Thomas J. Watson Library, Metropolitan Museum of Art, NY: Figs. 25, 78.
Universitetsmuseet i Bergen: Fig. 65.
Victoria and Albert Museum: Figs. 4, 20, 48, 54, 55, 56, 63, 73, and 120 (courtesy of Jorge Otero-Pailos).
Virginia Museum of Fine Arts: Fig. 95.
Yale School of Architecture: Figs. 93, 100, 102, 105, 107, 108, 109, 112, 113, 114.
Photographers
Peter Kelleher: Fig. 120.
Joseph W. Molitor, courtesy of the Joseph W. Molitor Photograph Collection, Avery Architectural and Fine Arts Library, Columbia University: Figs. 92, 101. Ezra Stoller © Esto: Fig. 111.
Illustration Credits
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