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Description: Duchamp in Context: Science and Technology in the Large Glass and Related Works
Bibliography
PublisherPrinceton University Press
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Bibliography
I. WRITINGS BY AND ABOUT MARCEL DUCHAMP
Essays in the two primary Duchamp anthologies (Marcel Duchamp: Artist of the Century, ed. Kuenzli and Naumann; and The Definitively Unfinished Marcel Duchamp, ed. de Duve) are not cited individually in the bibliography. The 3d edition of Arturo Schwarz’s The Complete Works of Marcel Duchamp (1997) provides the most detailed bibliography of writings on Duchamp to date. Because that volume appeared after the completion of this book, all citations of that title herein refer to the 2d edition (1970), unless otherwise indicated.
A. WRITINGS
Duchamp, Marcel. A l’infinitif (The White Box). Trans. Marcel Duchamp and Cleve Gray. New York: Cordier & Ekstrom, 1966. Deluxe edition of “Manuscript Notes of Marcel Duchamp 1912–1920.”
_________. The Bride Stripped Bare by Her Bachelors, Even: A Typographic Version by Richard Hamilton of Marcel Duchamp’s Green Box. Trans. George Heard Hamilton. New York: George Wittenborn, 1960.
_________. Duchamp du signe. Ed. Michel Sanouillet. Paris: Flammarion, 1975.
_________. From the Green Box. Trans. George Heard Hamilton. New Haven: Readymade Press, 1957.
_________. “Une Lettre de Marcel Duchamp [to André Breton].” Medium, n.s., no. 4 (Oct. 4, 1954), 33.
_________. Manual of Instructions for “Etant Donnés: 1. la chute d’eau, 2. le gaz d’éclairage . . . ” Philadelphia: Philadelphia Museum of Art, 1987.
_________. Marcel Duchamp: Notes. Ed. and trans. Paul Matisse. Paris: Centre National d’Art et de Culture Georges Pompidou, 1980.
_________. Marcel Duchamp: Notes. Ed. and trans. Paul Matisse. Boston: G. K. Hall, 1983.
_________. La Mariée mise à nu par ses célibataires, même (The Green Box). Paris: Editions Rrose Sélavy, 1934.
_________. Notes and Projects for the Large Glass. Ed. Arturo Schwarz. Trans. George Heard Hamilton, Cleve Gray, and Arturo Schwarz. London: Thames & Hudson, 1969.
_________. Salt Seller: The Writings of Marcel Duchamp (Marchand du sel). Ed. Michel Sanouillet and Elmer Peterson. New York: Oxford University Press, 1973. Reprinted as The Writings of Marcel Duchamp. New York: Da Capo Press, 1989.
_________. [Rrose Sélavy]. Preface. In Tableaux, aquarelles, et dessins par Francis Picabia appartenant à M. Marcel Duchamp. Auction catalogue. Paris: Hôtel Drouot, 1926.
Duchamp, Marcel, and Vitaly Halberstadt. L’Opposition et lescases conjugées sont réconcilées. Paris: L’Echiquier, 1932.
Jean, Marcel, ed. Marcel Duchamp: Letters to Marcel Jean. Munich: Verlag Silke Schreiber, 1987.
Naumann, Frances M., ed. “Affectueusement, Marcel: Ten Letters from Marcel Duchamp to Suzanne Duchamp and Jean Crotti.” Archives of American Art Journal 22, no. 4 (1982), 2–19.
_________. “Amicalement, Marcel: Fourteen Letters from Marcel Duchamp to Walter Pach.” Archives of American Art Journal 29, nos. 3–4 (1989), 36–50.
_________. “Marcel Duchamp’s Letters to Walter and Louise Arensberg, 1917–1921.” In Marcel Duchamp: Artist of the Century, ed. Rudolf E. Kuenzli and Francis M. Naumann, pp. 203–27. Cambridge: MIT Press, 1989.
Stauffer, Serge, ed. Marcel Duchamp: Die Schriften. Zurich: Regenbogen-Verlag, 1981.
B. INTERVIEWS
“The Art of Assemblage: A Symposium” (1961). In Essays on Assemblage, ed. John Elderfield, pp. 118–59. Studies in Modern Art 2. New York: Museum of Modern Art, 1992.
Ashton, Dore. “An Interview with Marcel Duchamp.” Studio International 171 (June 1966), 244–47.
Cabanne, Pierre. Dialogues with Marcel Duchamp (1967). Trans. Ron Padgett. New York: Viking Press, 1971.
Charbonnier, Georges. Entretiens avec Marcel Duchamp. Paris: André Dimanche, 1994. Text with compact disc recording.
“A Complete Reversal of Art Opinions by Marcel Duchamp, Iconoclast.” Arts and Decoration 5 (Sept. 1915), 427–28, 442.
Crehan, Herbert. “Dada.” Evidence, no. 3 (Fall 1961), 36–38.
Eglington, Laurie. “Marcel Duchamp, Back in America, Gives Interview.” Art News 32 (Nov. 18, 1933), 3, 11.
“The European Art Invasion.” Literary Digest 51 (Nov. 27, 1915), 1224–25.
“French Artists Spur On an American Art.” New York Tribune, Oct. 24, 1915, sec. 4, pp. 2–3.
Greeley-Smith, Nixola. “Cubist Art Depicts Love in Brass and Glass: ‘More Art in Rubbers than in a Pretty Girl.’” New York Evening World, Apr. 4, 1916, p. 3.
Hahn, Otto. “Passport No. G255300.” Art and Artists 1 (July 1966), 7–11.
Hamilton, Richard and George Heard Hamilton. 1959 BBC interview. “Third Programme,” Nov. 13, 1959. Based on interviews in New York (Jan. 19, 1959) and London (Sept. 14, 1959).
Rerecorded on cassette as Marcel Duchamp: An Interview by Richard Hamilton in London and George Heard Hamilton in New York (1959). Audio Arts Magazine 2 (1975).
Transcript of Jan. 19, 1959, session with George Hamilton published as “A Radio Interview,” in Duchamp: Passim (A Marcel Duchamp Anthology), ed. Anthony Hill, pp. 76–79 (London: Gordon Breach Arts International). Includes some variation in wording and a final segment missing from Audio Arts Magazine tape. Same text published as “Mr. Duchamp, If Only You’d Known Jeff Koons Was Coming,” Art Newspaper, no. 15 (Feb. 1992), 13.
Recording of Jan. 19, 1959, session included in Marcel Duchamp: The Creative Act (compact disc recording), ed. Marc Dachy (Brussels: Sub Rosa Records, 1994). Includes transcript of Jan. 19, 1959, session, the wording of which has been corrected to match the Audio Arts tape; also includes final segment missing from the Audio Arts recording.
“The Iconoclastic Opinion of M. Marcel Duchamps [sic] Concerning Art and America.” Current Opinion 59 (Nov. 1915), 346–47.
Jouffroy, Alain. “Conversations avec Marcel Duchamp.” In Une Revolution du regard: A propos de quelques peintres et sculpteurs contemporains, ed. Jouffroy, pp. 107–24. Paris: Gallimard, 1964.
_________. “Marcel Duchamp: L’Idée du jugement devrait disparaître.” Arts-Spectacles, no. 491 (Nov. 24–30, 1954), 13.
Kreymborg, Alfred. “Why Marcel Duchamps [sic] Calls Hash a Picture.” Boston Evening Transcript, Sept. 18, 1915, sec. 3, p. 12.
Kuh, Katherine. The Artist’s Voice: Talks with Seventeen Artists. New York: Harper & Row, 1962.
Lebel, Robert. “Marcel Duchamp, maintenant et ici.” L’Oeil, no. 149 (May 1967), 18–23, 77.
“Marcel Duchamp Visits New York.” Vanity Fair 5 (Sept. 1915), 57.
“Mr. Duchamp, If Only You’d Known Jeff Koons Was Coming.” Art Newspaper, no. 15 (Feb. 1992), 13.
Norman, Dorothy. “Interview by Dorothy Norman.” Art in America 57 (July-Aug. 1969), 38.
“The Nude-Descending-a-Staircase Man Surveys Us.” New York Tribune, Sept. 12, 1915, sec. 4, p. 2.
Parinaud, André. “André Breton: Interview with Marcel Duchamp.” In Ommagio André Breton, pp. 19–46. Milan: Galleria Schwarz, 1967.
Roberts, Colette. “Interview with Colette Roberts.” Art in America 57 (July-Aug. 1969), 39.
Roberts, Francis. “I Propose to Strain the Laws of Physics.” Art News 67 (Dec. 1968), 46–47, 62–64.
Russell, John. “Exile at Large.” Sunday Times (London), June 9, 1968, p. 54.
Sanouillet, Michel. “Dans l’atelier de Marcel Duchamp.” Les Nouvelles Littéraires, Dec. 16, 1954, p. 5.
Schuster, Jean. “Marcel Duchamp, vite.” Le Surréalisme, même, no. 2 (Spring 1957), 143–45.
Seitz, William, “What’s Happened to Art? An Interview with Marcel Duchamp on Present Consequences of New York’s 1913 Armory Show.” Vogue 141 (Feb. 15, 1963), 110–13, 129–31.
Siegel, Jeanne. “Some Late Thoughts of Marcel Duchamp.” Arts Magazine 43 (Dec. 1968–Jan. 1969), 21–22.
Stauffer, Serge, ed. Marcel Duchamp: Interviews und Statements. Stuttgart: Edition Cantz, 1992.
Steegmuller, Francis. “Duchamp: Fifty Years Later.” Show 3 (Feb. 1963), 28–29.
Sweeney, James Johnson. “A Conversation with Marcel Duchamp” (interview broadcast on NBC series “Wisdom,” 1956). Transcript published as “Marcel Duchamp.” In Wisdom: Conversations with the Elder Wise Men of Our Day, ed. James Nelson, pp. 89–99. New York: W. W. Norton, 1958. Edited version reprinted as “Regions which are not ruled by time and space…..” in Salt Seller, ed. Sanouillet and Peterson, pp. 127–37.
_________. “Eleven Europeans in America: Marcel Duchamp.” Museum of Modern Art Bulletin 13 (1946), 19–21. Reprinted as “The Great Trouble with Art in This Country,” in Salt Seller, ed. Sanouillet and Peterson, pp. 123–26.
C. EXHIBITIONS
Arts Council of Great Britain. Marcel Duchamp’s Traveling Box. London, 1982. Essay by Dawn Ades.
L. & R. Entwistle and Co., London, The Portable Museums of Marcel Duchamp: De ou par marcel duchamp ou RROSE SELAVY. May 22–July 27, 1996. Curated by Ronny and Jessy Van de Velde; essay by Francis M. Naumann.
Framart Studio, Naples. Su Marcel Duchamp. Nov. 22, 1975–Jan. 28, 1976. Essays by several authors.
Fundación Caja de Pensiones, Madrid, and Fundació Joan Miró, Barcelona. Marcel Duchamp. May-June 1984. Essays by several authors.
Galerie Dina Vierny, Paris. Marcel Duchamp et ses frères. Oct.-Nov. 1988. Essays by Frances M. Naumann, Bertrand Lorquin, and Pierre Cabanne.
Galleria Schwarz, Milan. Marcel Duchamp: Ready-mades, etc. (1913–1964). Paris: Le Terrain Vague, 1964. Essays by Walter Hopps, Ulf Linde, and Arturo Schwarz.
_________. Marcel Duchamp: 66 Creative Years. Dec. 12, 1972–Feb. 28, 1973. Catalogue by Arturo Schwarz.
Musée des Beaux Arts, Rouen. Les Duchamps: Jacques Villon, Raymond Duchamp-Villon, Marcel Duchamp, Suzanne Duchamp. Apr. 15–June 7, 1967.
Musée National d’Art Moderne, Centre National d’Art et de Culture Georges Pompidou, Paris. L’Oeuvre de Marcel Duchamp. Ed. Jean Clair. 4 vols. Jan. 31–May 2, 1977. Vol. 1 : Plan pour écrire une vie de Marcel Duchamp, by Jennifer Gough-Cooper and Jacques Caumont; vol. 2: Marcel Duchamp: Catalogue raisonné, ed. Jean Clair; vol. 3: Marcel Duchamp: Abécédaire, ed. Jean Clair; vol. 4: Victor, by Henri-Pierre Roché.
Palazzo Grassi, Venice. Marcel Duchamp. Ed. Pontus Hulten. Apr. 4–July 18, 1993. Milan: Bompiani, 1983. Includes Jennifer Gough-Cooper and Jacques Caumont, “Ephemerides on and about Marcel Duchamp and Rrose Sélavy, 1887–1968” (chronology). Catalogue reprinted as Marcel Duchamp: Work and Life. Ed. Pontus Hulten. Cambridge: MIT Press, 1993.
Palazzo Reale, Naples. La Delicata Scacchiera: Marcel Duchamp, 1902–1968. Ed. Achille Bonito Oliva. June-July 1973. Essays by Arturo Schwarz and Archille Bonito Oliva.
Philadelphia Museum of Art and Museum of Modern Art, New York. Marcel Duchamp. Ed. Anne d’Harnoncourt and Kynaston McShine. Sept. 22–Nov. 11, 1973.
Rose Fried Gallery, New York. Duchamp Frères & Soeur: Oeuvres d’Art. Feb. 25–Mar. 1952. Essay by Walter Pach.
Staatlichen Museum, Schwerin. Marcel Duchamp Respirateur. Aug. 27–Nov. 19, 1995. Essays by Kornelia von Berswordt-Wallrabe, Gerhard Graulich, and Herbert Molderings.
Szeemann, Harald, ed. Junggesellenmaschinen/Les Machinecélibataires. Kunsthalle Bern and other locations. Venice: Alfieri, 1975. Essays by several authors.
Tate Gallery, London. The Almost Complete Works of Marcel Duchamp. June 18–July 31, 1966. London: Arts Council of Great Britain, 1966. Catalogue by Richard Hamilton.
Zabriskie Gallery, New York. Conspiratorial Laughter/A Friendship: Marcel Duchamp and Man Ray. Feb. 18–Apr. 15, 1995. Essay by Mason Klein.
D. BOOKS AND ARTICLES
Adcock, Craig. “Conventionalism in Henri Poincaré and Marcel Duchamp.” Art Journal 44 (Fall 1984), 249–58.
_________. “Geometrical Complication in the Art of Marcel Duchamp.” Arts Magazine 58 (Jan. 1984), 105–9.
_________. “Marcel Duchamp’s Approach to New York: ‘Find an Inscription for the Woolworth Building as a Ready-Made.’” In New York Dada, ed. Rudolf E. Kuenzli, pp. 52–65. New York: Willis Locker & Owens, 1986.
_________. “Marcel Duchamp’s Gap Music: Operations in the Space Between Art and Noise.” In Wireless Imagination: Sound, Radio, and the Avant-Garde, ed. Douglas Kahn and Gregory Whitehead, pp. 105–38. Cambridge: MIT Press, 1992.
_________. “Marcel Duchamp’s ‘Instantanés’: Photography and the Event Structure of the Ready-Mades.” In “Event” Art and Art Events, ed. Stephen C. Foster, pp. 239–66. Ann Arbor: UMI Research Press, 1988.
_________. Marcel Duchamp’s Notes from the “Large Glass”: An N-Dimensional Analysis. Ann Arbor: UMI Research Press, 1983.
_________. “Why Marcel Duchamp’s Old Hat Still Addresses the Situation to the Nines.” Arts Magazine, 59 (Mar. 1985), 72–77.
Ades, Dawn. “Duchamp’s Masquerades.” In The Portrait in Photography, ed. Graham Clarke, pp. 94–114. London: Reaktion, 1992.
Alexandrian, [Sarane]. Marcel Duchamp. New York: Crown, 1977.
Anastasi, William. “Duchamp on the Jarry Road.” Artforum 30 (Sept. 1991), 86–90.
Bailly, Jean-Christophe. Duchamp. Trans. Jane Brenton. New York: Universe, 1986.
Beier, Lucia. “The Time Machine: A Bergsonian Approach to ‘The Large Glass.’” Gazette des Beaux-Arts, ser. 6 (Nov. 1976), 194–200.
Bloch, Susi. “Marcel Duchamp’s Green Box.” Art Journal 34 (Fall 1974), 25–29.
Bonk, Eke. Marcel Duchamp: The Box in a Valise. New York: Rizzoli, 1989.
Breton, André. “Lighthouse of the Bride.” View, ser. 5, no. 1 (Mar. 1945), 6–9. Translation of “Phare de La Mariée.”
_________. “Marcel Duchamp.” Littérature, n.s., no. 5 (Oct. 1, 1922), 7–10.
_________. “Phare de La Mariée.” Minotaure 2 (Winter 1935), 45–49.
_________. “The Point of View: Testimony 45.” View, ser. 5, no. 1 (Mar. 1945), 5.
Bryars, Gavin. “Notes on Marcel Duchamp’s Music.” Studio International 192 (Nov. 1976), 274–79.
Buffet, Gabrielle. “Coeurs volants.” Cahiers d’Art 9 (1936), 34–44.
_________. “Magic Circles.” View, ser. 5, no. 1 (Mar. 1945), 14–16, 23. Translation of “Coeurs volants.”
Burnham, Jack. “Duchamp’s Bride Stripped Bare.” Arts Magazine 46 (Mar. 1972), 28–32; 46 (Apr. 1972), 41–45; 46 (May 1972), 58–61.
_________. The Structure of Art, rev. ed. New York: George Braziller, 1973.
_________. “Unveiling the Consort.” Artforum 9 (Mar. 1971), 55–60; 9 (Apr. 1971), 42–51.
Buskirk, Martha. “Thoroughly Modern Marcel.” October, no. 70 (Fall 1994), 113–25.
Buskirk, Martha, and Mignon Nixon, eds. The Duchamp Effect. Cambridge: MIT Press, 1996. Reprint of October, no. 70 (Fall 1994), with material added.
Cabanne, Pierre. The Brothers Duchamp: Jacques Villon, Raymond Duchamp-Villon, Marcel Duchamp. Trans. Helga and Dinah Harrison. Boston: New York Graphic Society, 1976.
Calas, Nicolas. “The Large Glass.” Art in America 57 (July-Aug. 1969), 34–35.
Calder, Alexander. “A Conversation with Alexander Calder.” Art in America 57 (July-Aug. 1969), 31.
Calvesi, Maurizio. Duchamp invisible: La costruzione del simbolo. Rome: Officina Edizioni, 1975.
Camfield, William A. Marcel Duchamp: Fountain. Houston: Menil Collection, 1989. Accompanied exhibition of the same name at the Menil Collection, Dec. 23, 1987–Oct. 2, 1988.
Carrouges, Michel. Les Machines célibataires. Paris: Arcanes, 1954.
Chalupecký, Jindrĭch. “Nothing but an Artist.” Studio International 189 (Jan.-Feb. 1975), 30–47.
Chateau, Dominique. “Langue philosophique, et théorie de l’art dans les écrits de Marcel Duchamp.” Les Cahiers du Musée National d’Art Moderne, no. 33 (Fall 1990), 40–53.
Clair, Jean, “Duchamp and the Classical Perspectivists.” Art-forum 16 (Mar. 1978), 40–49.
_________. Duchamp et la photographie. Paris: Editions du Chêne, 1977.
_________. “La Fortune critique de Marcel Duchamp: Petite Introduction à une herméneutique du Grand Verre.” Revuede l’Art, no. 34 (1976), 92–100.
_________. Marcel Duchamp, ou le grand fictif. Paris: Editions Galilée, 1975.
_________. “Opticeries.” October, no. 5 (Summer 1978), 101–15.
_________. “Les Vapeurs de la mariée.” L’Arc 59 (1974), 44–51.
_________. “De quelques métaphores automobiles.” Revue de l’Art, no. 77 (1987), 77–79.
Clair, Jean, ed. Marcel Duchamp: Tradition de la rupture ou rupture de la tradition. Colloquium held at the Centre Culturel de Cerisy-la-Salle, July 25–Aug. 1, 1977. Paris: Union Générale d’Editions, 1979. Essays by several authors.
Clearwater, Bonnie, ed. West Coast Duchamp. Miami Beach: Grassfield Press (with Shoshana Wayne Gallery, Santa Monica), 1991. Essays by several authors.
Copley, William. “The New Piece.” Art in America 37 (July-Aug. 1969), 36.
Cramer, Charles. “Duchamp from Syntax to Bride: Sa Langue dans Sa Joue.” Word & Image 13 (Apr.-June 1997), 1–26.
Crary, Jonathan. “Marcel Duchamp’s “The Passage from Virgin to Bride.’” Arts Magazine 51 (Jan. 1977), 96–99.
Dali, Salvador. “The King and Queen Traversed by Swift Nudes.” Art News 58 (April 1959), 22–25.
Daniels, Dieter. Duchamp und die anderen: Die Modellfall einer künstlerischen Wirkungsgescichte in der Moderne. Cologne: DuMont Buchverlag, 1992.
Davies, Ivor. “New Reflections on the Large Glass: The Most Logical Sources for Duchamp’s Irrational Work.” Art History 2 (Mai. 1979), 85–94.
de Duve, Thierry. “Echoes of the Readymade: Critique of Pure Modernism.” October, no. 70 (Fall 1994), 61–97.
_________. Kant After Duchamp. Cambridge: MIT Press, 1996.
_________. “Marcel Duchamp, or the Phynancier of Modern Life.” October, no. 52 (Fall 1990), 61–77.
_________. Nominalisme pictural: Marcel Duchamp, la peinture et la modernité. Paris: Editions de Minuit, 1984. Trans, by Dana Polan as Pictorial Nominalism: On Marcel Duchamp’s Passage from Painting to the Readymade, Theory and History of Literature, vol. 51 (Minneapolis: University of Minnesota Press, 1991).
_________. “The Readymade and the Tube of Paint.” Artforum 24 (May 1986), 110–21.
_________. Resonances du Readymade: Duchamp entre avant-garde et tradition. Nîmes: Editions Jacqueline Chambon, 1989.
de Duve, Thierry, ed. The Definitively Unfinished Marcel Duchamp. Cambridge: MIT Press, 1991. Essays by several authors.
Dee, John. “A Geographic Landscapism: Duchamp’s View of Nature.” Aspects 4 (Fall 1978), n.p.
d’Harnoncourt, Anne, and Walter Hopps. “Etant Donnés: 1. la chute d’eau, 2. le gaz d’éclairage: Reflections on a New Work by Marcel Duchamp.” Philadelphia Museum of Art Bulletin 64 (Apr.-Sept. 1969), 6–64; rev. ed., Philadelphia: Philadelphia Museum of Art, 1987.
Doepel, Rory T. “An Iconographical Analysis of Duchamp’s Bride Image in the Large Glass.” In Pillars of Smoke and Fire: The Holy Land in History and Thought, ed. Moshe Sharon, pp. 187–222. Johannesburg: Southern Book Publishers, 1996.
Dollens, Dennis. “Interview: Denise Brown Hare on Duchamp’s New York Studio.” SITES 19 (1987), 7–16.
Dreier, Katherine S., and Matta Echaurren. Duchamp’s Glass (“La mariée mise à nu par ses célibataires, même”): An Analytical Reflection. New York: Société Anonyme, Inc., 1944.
Duplessis, Rachel Blau. “Sub Rrosa.” Sulfur 21 (Winter 1988), 152–64.
Feshbach, Sidney. “Marcel Duchamp on Being Taken for a Ride: Duchamp Was a Cubist, a Mechanomorphist, a Dadaist, a Surrealist, a Conceptualist, a Modernist, a Post-Modernist—and None of the Above.” James Joyce Quarterly 26 (Summer 1989), 541–60.
Gervais, André. La Raie alitée d’effets: Apropos of Marcel Duchamp. Ville La Salle: Editions Hurtubise HMH, 1984.
_________. “Roue de bicyclette: Epitexte, texte et intertexte.” Les Cahiers du Musée National d’Art Moderne, no. 30 (Winter 1989), 59–80.
Gibson, Michael. Duchamp Dada. Paris: Casterman, 1991.
Golding, John. Marcel Duchamp: The Bride Stripped Bare by Her Bachelors, Even. New York: Viking, 1973.
Gottlieb, Carla. “Something Else: Duchamp’s Bride and Leonardo.” Konsthistorisk Tidskrift 45 (June 1976), 52–57.
Gough-Cooper, Jennifer, and Jacques Caumont. “Kiesler und ‘Die Braut von ihren Junggesellen rackt entblösst sogar.’” In Museum des 20. Jahrhunderts, Vienna, Friedrich Kiesler Architekt, Maler, Bildhauer, 1890–1965, ed. Dieter Bogner, pp. 287–96. Vienna: Löcker Verlag, 1988. Reprinted in translation in Duchamp: Passim (A Marcel Duchamp Anthology), ed. Anthony Hill, pp. 99–109. London: Gordon and Breech Arts International, 1994.
_________. “Friedrich Kiesler and The Bride Stripped Bare…” In Friedrich Kiesler, ed. Yehuda, Safran, pp. 62–71. London: Architectural Association, 1989.
Gray, Cleve. “The Great Spectator.” Art in America 57 (July-Aug., 1969), 20–27.
Hamilton, George Heard. “In Advance of Whose Broken Arm?” Art and Artists 1 (July 1966), 30–31.
Hamilton, Richard. “Son of the Bride Stripped Bare” (interview by Mario Amaya). Art and Artists 2 (July 1966), 22–27.
Hare, Denise Browne. “Photographic Portfolio: Marcel Duchamp’s Etant Donnés in His New York Studio.” SITES 19 (1987), 17–31.
Henderson, Linda Dalrymple. “Etherial Bride and Mechanical Bachelors: Science and Allegory in Marcel Duchamp’s ‘Large Glass.’” Configurations: A Journal of Literature, Science, and Technology 4 (Winter 1996), 91–120.
_________. “Farewell from the Fourth Dimension: A Painter Renders the New Physics.” The Sciences 24 (Sept.-Oct. 1984), 42–43.
_________. “Marcel Duchamp’s The King and Queen Surrounded by Swift Nudes (1912) and the Invisible World of Electrons.” Weber Studies 14 (Winter 1997), 83–101.
_________. “Reflections of and/or on Marcel Duchamp’s Large Glass.” In Whitney Museum of American Art, New York, Making Mischief: Dada Invades New York, pp. 229–37. Nov. 21, 1996–Feb. 23, 1997.
Hill, Anthony, ed. Duchamp: Passim (A Marcel Duchamp Anthology). London: Gordon and Breech Arts International, 1994.
Hopkins, David. “Hermeticism, Catholicism and Gender as Structure: A Comparative Study of Themes in the Work of Marcel Duchamp and Max Ernst.” Ph.D. diss., University of Essex, 1989.
_________. “Questioning Dada’s Potency: Picabia’s ‘La Sainte Vierge’ and the Dialogue with Duchamp.” Art History 15 (Sept. 1992), 317–33.
Hulten, Pontus. Marcel Duchamp: Work and Life. Cambridge: MIT Press, 1993. Reprint of 1993 Palazzo Grassi exhibition catalogue.
Janis, Harriet, and Sidney Janis. “Marcel Duchamp, Anti-Artist.” View, ser. 5, no. 1 (Mar. 1945), 18–19, 21, 23–24, 53–54.
Jean, Marcel. The History of Surrealist Painting (1959). Trans. Simon Watson Taylor. New York: Grove Press, 1960.
Johnson, Ronald. “Poetic Pathways to Dada: Marcel Duchamp and Jules Laforgue.” Arts Magazine 50 (May 1976), 82–89.
Jones, Amelia. Postmodernism and the En-gendering of Marcel Duchamp. Cambridge: Cambridge University Press, 1994.
Joselit, David. “Marcel Duchamp’s Monte Carlo Bond Machine.” October, no. 59 (Winter 1992), 9–26.
Judowitz, Dalia. Unpacking Duchamp: Art in Transit. Berkeley: University of California Press, 1995.
Kiesler, Friedrich. “Design Correlation.” Architectural Record, 81 (May 1937), 53–60.
Kiesler, Frederick J. [Friedrich]. “Les Larves d’Imagie d’Henri Robert Marcel Duchamp.” View, ser. 5, no. 1 (Mar. 1945), 24–30.
Klein, Mason. “Embodying Sexuality: Marcel Duchamp in the Realm of Surrealism.” In Modern Art and Society: An Anthology of Social and Multicultural Readings, ed. Maurice Berger, pp. 139–57. New York: HarperCollins, 1994.
Kotte, Wouter. Marcel Duchamp als Zeitmaschine. Cologne: Walther König, 1987.
Krauss, Rosalind E. “The Blink of an Eye.” In The States of Theory: History, Art and Critical Discourse, ed. David Carroll, pp. 175–99. New York: Columbia University Press, 1990.
_________. “Notes on the Index: Seventies Art in America.” October, no. 3 (Spring 1977), 68–81. Reprinted as “Notes on the Index, Part 1,” in Krauss, The Originality of the Avant-Garde and Other Modernist Myths, pp. 196–209. Cambridge: MIT Press, 1986.
Kuenzli, Rudolf E., and Francis M. Naumann, eds. Marcel Duchamp: Artist of the Century. Cambridge: MIT Press, 1989.
Landy, Leigh. “Duchamp, Dada Composer, and His Vast Influence on Post-World War II Avant-Garde Music.” Avant-Garde 2 (1989), 131–44.
Lebel, Robert. Marcel Duchamp. Trans. George Heard Hamilton. New York: Grove Press, 1959. Originally published as Sur Marcel Duchamp (Paris: Trianon, 1959).
_________. Marcel Duchamp. Paris: Pierre Belfond, 1985.
_________. “Marcel Duchamp and Electricity at Large: The Dadaist Vision of Electricity.” In Musée d’Art Moderne de la Ville de Paris, Electra: L’Electricité et l’électronique dans l’art au XX siècle, pp. 164–73. Dec. 10, 1983–Feb. 5, 1984.
_________. “Dernière Soirée avec Marcel Duchamp.” L’Oeil, no. 167 (Nov. 1968), 19–21.
Leiris, Michel. “Arts et métiers de Marcel Duchamp.” Fontaine, no. 54 (Summer 1946), 188–93.
Levy, Julien. “Glass Sparks.” Art News 57 (Sept. 1958), 36, 64.
Lindamood, Peter. “I Cover the Cover.” View, ser. 5, no. 1 (Mar. 1945), 3.
Linde, Ulf. Marcel Duchamp. Stockholm: Rabén & Sjögren, 1986.
Lyotard, Jean-François. Les TRANSformateurs DUchamp. Paris: Editions Galilée, 1977. Trans, by Ian McLeod as Duchamp’s TRANS/formers (Venice, Calif.: Lapis Press, 1990).
Marquis, Alice Goldfarb. Marcel Duchamp: ‘Eros, cest la vie, ‘a Biography. Troy, N.Y.: Whitston, 1981.
Masheck, Joseph, ed. Marcel Duchamp in Perspective. Englewood Cliffs, N.J.: Prentice-Hall, 1975.
_________. “Readymades: Art accompli.” In Modernités: Art-Matters in the Present, ed. Masheck, pp. 73–80. University Park: Pennsylvania State University Press, 1993.
Matisse, Paul. “The Opening Doors of Etant Donnés.” sites 19 (1987), 4–6.
_________. “Some More Nonsense about Duchamp.” Art in America 48 (Apr. 1980), 76–83.
McEvilley, Thomas, “empyrrhical thinking (and why kant can’t).” Artforum 27 (Oct. 1988), 120–27.
Michelson, Annette. ‘“Anemic Cinema’: Reflections on an Emblematic Work.” Artforum 12 (Oct. 1973), 64–69.
Mink, Janis. Marcel Duchamp, 1887–1968: Art as Anti-Art. Cologne: Benedikt Taschen, 1995.
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Molderings, Herbert. “Film, Fotographe und ihr Einfluss auf dié Malerei in Paris um 1910: Marcel Duchamp—Jacques Villon—Frank Kupka.” Wallraf-Richartz-Jahrbuch 37 (1975), 247–86.
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_________. “The Bride Stripped Bare by her Bachelors, Even and Related Works on Glass by Marcel Duchamp.” Glass, no. 60 (Fall 1995), 34–41.
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_________. “Robert Smithson on Duchamp: An Interview.” Artforum 12 (Oct. 1973), 47.
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_________. “Rrose Sélavy, alias Marchand de [sic] sel alias Belle Haleine.” L’Arc 74 (1974), 29–35.
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E. UNPUBLISHED MATERIALS
Arts Council of Great Britain, interview with Marcel Duchamp conducted by Sir William Coldstream, Richard Hamilton, R. B. Kitaj, Robert Melville, and David Sylvester, London, June 19, 1996.
Duchamp, Marcel. “Apropos of Myself.” Lecture given at the City Art Museum of St. Louis, Nov. 24, 1964.
Gold, Laurence S. “Interview with Marcel Duchamp.” Appendix to “A Discussion of Marcel Duchamp’s on the Nature of Reality and Their Relation to the Course of His Artistic Career.” Senior thesis, Princeton University, 1958. (Gold paraphrases Duchamp’s remarks.)
Janis, Sidney, Harriet Janis, and Carroll Janis. Interview with Marcel Duchamp, New York, 1953. Manuscript in the possession of Carroll Janis.
II. SOURCES ON MODERN ART, OTHER ARTISTS, AND ART AND SCIENCE; STUDIES OF PHOTOGRAPHY AND FILM
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Tucker, Paul Hayes. “Picasso, Photography, and the Development of Cubism.” Art Bulletin 64 (June 1982), 288–99.
Vallier, Dora. Jacques Villon: Oeuvres de 1897 à 1956. Paris: Editions “Cahiers d’Art,” 1957.
_________. “La Vie fait l’oeuvre de Fernand Léger.” Cahiers d’Art 29 (1954), 133–72.
Vitz, Paul C, and Arnold B. Glimcher. Modern Art and Modern Science: The Parallel Analysis of Vision. New York: Praeger, 1984.
Watts, Harriet. Chance: A Perspective on Dada. Ann Arbor: UMI Research Press, 1980.
Whitney Museum of American Art, New York. Frederick Kiesler. Ed. Lisa Phillips. New York: W. W. Norton, 1989. Essays by several authors.
_________. Making Mischief: Dada Invades New York. Nov. 21, 1996–Feb. 23, 1997. Curated by Francis Naumann. Essays by several authors.
C. STUDIES OF PHOTOGRAPHY AND FILM, INCLUDING THE WORK OF PHYSIOLOGIST ETIENNE-JULES MAREY
Braun, Marta. Picturing Time: The Work of Etienne-Jules Marey (1830–1904). Chicago: University of Chicago Press, 1992.
Buerger, Janet E. French Daguerreotypes. Chicago: University of Chicago Press, 1989.
Dagognet, François. Etienne-Jules Marey: A Passion for the Trace. New York: Zone, 1992.
Didi-Huberman, Georges. Invention de l’hystérie: Charcot et l’iconographie photographique de la Salpêtrière. Paris: Macula, 1982.
_________. “Photography—Scientific and Pseudo-Scientific.” In A History of Photography: Social and Cultural Perspectives, ed. Jean-Claude Lemagny and André Rouillé, trans. Janet Lloyd, pp. 71–75. Cambridge: Cambridge University Press, 1987.
Frizot, Michel. Avant le cinématographe—La Chronophotographie: Temps, photographie et mouvement autour de E.-J. Marey. La Chapelle de l’Oratoire, Beaune, May 27–Sept. 3, 1984.
Musée des Arts Décoratifs, Paris. Exposition commémorative du centennaire Georges Méliès. 1961.
Toulet, Emmanuelle. Cinématographe, invention du siècle. Paris: Gallimard, 1988.
D. UNPUBLISHED MATERIALS
František Kupka Manuscripts, courtesy of Margit Rowell, New York, and Karl Flinker, Paris. Notebook (1910–11?) and preparatory notes and drafts for Tvořeníν um ění výtvarném. The original versions of these manuscripts are now held by Pierre Brullé, Paris.
III. SCIENCE AND TECHNOLOGY
A. GENERAL
1. Contemporary Sources
Basin, Jules. Leçons de physique. 3 vols. Paris: Librairie Nony, 1902.
Böttcher, Anton. Cranes: Their Construction, Mechanical Equipment and Working. Trans. A. Tolhausen. London: Archibald, Constable, 1908.
Borel, Emile. Le Hasard. Paris: Félix Alcan, 1914.
Byrn, Edward W. The Progress of Invention in the Nineteenth Century. New York: Munn, 1900.
Cochrane, Charles Henry. The Wonders of Modern Mechanism. 3d ed. Philadelphia: J. B. Lippincott, 1900.
Conservatoire National des Arts et Métiers, Paris. Catalogue du Musée, Section GA: Physique Mécanique. Paris: C.N.A.M., 1955.
_________. Catalogue officiel des collections du Conservatoire National des Arts et Métiers. 6 vols. Paris: E. Bernard, 1905–10.
Deutsches Museum von Meisterwerken der Naturwissenschaft und Technik: Rundgang durch die Sammlungen. Munich: Deutsches Museum, n.d.
Dictionary of the History of Science. Ed. W. F. Bynum, E. J. Browne, and Roy Porter. Princeton: Princeton University Press, 1981.
Duncan, Robert Kennedy. The New Knowledge: A Popular Account of the New Physics and the New Chemistry in Their Relation to the New Theory of Matter. New York: A. S. Barnes, 1905.
Dupin, Charles. Géometrie et mécanique des arts et métiers et des beaux-arts. 3 vols. Paris: Bachelier, 1826.
Eiffel, G[ustave]. Recherches expérimentales sur la résistance de l’air executées à la Tour Eiffel. Paris: L. Maretheux, 1907.
_________. Travaux scientifiques. Paris: L. Maretheux, 1900.
Gage, Alfred Payson. The Elements of Physics. Rev. ed. Boston: Ginn, 1898.
Good, Arthur [Tom Tit]. La Science amusante, 1st, 2d, 3d ser. Paris: Librairie Larousse, 1890, 1892, 1906.
Graffigny, Henri de Graffigny. “Le Machinisme agricole.” Revue Scientifique, 4th ser., 19 (Apr. 4, 1903), 431–37.
Guarini, Emile. “La Crise agricole et l’électricité.” Revue Scientifique, 4th ser., 20 (July 4, 1903), 15–18; 20 (Aug. 22, 1903), 233–37.
Helmholtz, Hermann von. Popular Lectures on Scientific Subjects (1873). Trans. E. Atkinson. New York: D. Appleton, 1885.
_________. Popular Lectures on Scientific Subjects. Trans. E. Atkinson. 2d ser. New York: D. Appleton, 1881.
Kelvin, Lord [William Thomson]. Popular Lectures and Addresses. 3 vols. London: Macmillan, 1891.
Le Bon, Gustave. L’Evolution de la matière. Paris: Ernest Flammarion, 1905.
_________. L’Evolution des forces. Paris: Ernest Flammarion, 1907.
_________. “La Lumière noire.” L’Illustration 107 (May 23, 1896), 431–32.
_________. Les Opinions et les croyances: Genèse—Evolution. Paris: Ernest Flammarion, 1911.
_________. “La Renaissance de la magie.” Revue Scientifique 48 (Mar. 26, 1910), 391–97; 48 (Apr. 2, 1910), 426–35.
Lockyear, Sir Norman. L’Evolution inorganique. Trans. E. d’Hooghe. Paris: Félix Alcan, 1905.
_________. Inorganic Evolution as Studied by Spectrum Analysis. London: Macmillan, 1900.
Meyer, Wilhelm M. Die Naturkräfte. Leipzig: Bibliographisches Institut, 1903.
Millikan, Robert Andrews, and Henry Gordon Gale. Practical Physics. Boston: Ginn, 1920.
Poincaré, Henri. Calcul des probabilités. 2d ed. rev. Paris: Gauthier-Villars, 1912.
_________. Dernières Pensées. Paris: Ernest Flammarion, 1913.
_________. “L’Etat actuel et l’avenir de la physique mathématique.” Revue des Idées 1 (Nov. 15, 1904), 801–18.
_________. The Foundations of Science: Science and Hypothesis, the Value of Science, Science and Method. Trans. George B. Halsted. New York: Science Press, 1913.
_________. Mathematics and Science: Last Essays (Dernières Pensées). Trans. John W. Bolduc. New York: Dover, 1963.
_________. La Science et l’hypothèse. Paris: Ernest Flammarion, 1902.
_________. Science et méthode. Paris: Ernest Flammarion, 1908.
_________. La Valeur de la science. Paris: Ernest Flammarion, 1904.
Poincaré, Lucien. La Physique moderne: Son Evolution. Paris: Ernest Flammarion, 1906. Trans, as The New Physics and Its Evolution (London: Kegan, Paul, Trench, Trübner, 1907).
Scientific Instruments, Laboratory Apparatus and Supplies. Chicago: Central Scientific Co., 1936.
Smith, Oliver. Press-Working of Metals. New York: John Wiley, 1899.
Thomson, J. J. Recollections and Reflections. London: G. Bell, 1936.
Tracy, J. C. Introductory Course in Mechanical Drawing. New York: American Book Co., 1898.
Violle, J. Cours de physique. 4 vols. Paris: G. Masson, 1883–92.
Worthington, A. M. “The Splash of a Drop and Allied Phenomena.” In Annual Report of the Smithsonian Institution, 1894, pp. 197–211. Washington, D.C.: G.P.O., 1896.
_________. A Study of Splashes. London: Longmans & Green, 1908.
2. Secondary Sources
Beer, Gillian. “Wave Theory and the Rise of Literary Modernism.” In Realism and Representation: Essays on theProblem of Realism in Relation to Science, Literature, and Culture, ed. George Levine, pp. 193–213. Madison: University of Wisconsin Press, 1993.
Béguet, Bruno, ed. La Science pour tous: Sur la vulgarisation scientifique en France de 1850 à 1914. Paris: Bibliothèque du Conservatoire des Arts et Métiers, 1990.
Benson, Donald R. “Facts and Fictions in Scientific Discourse: The Case of the Ether.” Georgia Review 38 (Winter 1984), 825–37.
Bodmer, Rudolph T. The Book of Wonders. New York: Bureau of Industrial Education, 1916.
Bono, James J. “Science, Discourse, and Literature: The Role/Rule of Metaphor in Science.” In Literature and Science: Theory and Practice, ed. Stuart Peterfreund, pp. 59–89. Boston: Northeastern University Press, 1990.
Ferrand, L[ouis]. Histoire de la science et des techniques de l’aluminium et ses développements industriels. 2 vols. L’Argentière: Imprimerie Humbert & Fils, 1960.
Giedion, Siegfried. Mechanization Takes Command: A Contribution to Anonymous History (1948). New York: W. W. Norton, 1969.
Hacking, Ian. “Nineteenth Century Cracks in the Concept of Determinism.” Journal of the History of Ideas 44 (July-Sept. 1983), 455–75.
Harman, P. M. Energy, Force, and Matter. Cambridge: Cambridge University Press, 1982.
Heilbron, J. L., “Fin-de-siècle Physics.” In Science, Technology, and Society in the Time of Alfred Nobel, ed. Carl Gustaf Bernhard, Elisabeth Crawford, and Per Sörbom, pp. 51–73. London: Pergamon, 1982.
Hughes, Thomas P. American Genesis: A Century of Technological Enthusiasm, 1870–1970. New York: Penguin, 1989.
Keller, Alex. The Infancy of Atomic Physics: Hercules in His Cradle. Oxford: Clarendon, 1983.
Klein, Martin J. “Mechanical Explanation at the End of the Nineteenth Century.” Centaurus 17 (1972), 58–82.
Musée d’Orsay, Paris. La Science pour tous. Ed. Bruno Béguet. Mar. 14–June 12, 1994. Paris: Réunion des Musées Nationaux, 1994.
Nye, Mary Jo. “Gustave Le Bon’s Black Light: A Study in Physics and Philosophy in France at the Turn of the Century.” In Historical Studies in the Physical Sciences 4 (1974), 163–95.
_________. “N-rays: An Episode in the History and Psychology of Science.” In Historical Studies in the Physical Sciences 11 (1980), 125–56.
Ord-Hume, Arthur. Perpetual Motion: The History of an Obsession. New York: St. Martin’s Press, 1977.
Ruhla, Charles. The Physics of Chance: From Blaise Pascal to Niels Bohr. Trans. G. Barton. Oxford: Oxford University Press, 1992.
Spence, Clark C. God Speed the Plow: The Coming of Steam Cultivation to Great Britain. Urbana: University of Illinois Press, 1960.
Weart, Spencer R. Scientists in Power. Cambridge: Harvard University Press, 1979.
Wright, Lawrence. Clean and Decent: The Fascinating History of the Bathroom and the Water Closet. New York: Viking, 1960.
B. INDIVIDUAL SCIENTISTS
1. Sir William Crookes
a. Writings and Contemporary Sources
Brieu, Jacques. “Esotérisme et spiritisme” (review of Crookes’s Discours récents sur les recherches psychiques). Mercure de France 46 (May 1903), 513–14.
Crookes, Sir William. “Address by Sir William Crookes, F.R.S., V.P.C.S., President.” Report of the Sixty-Eighth Meeting of the British Association for the Advancement of Science, pp. 3–33. London: John Murray, 1899.
_________. “L’Atome électrique.” Revue Scientifique, 3d ser., 49 (Jan. 16, 1892), 80–81.
_________. “De la relativité des connaissances humaines.” Revue Scientifique, 4th ser., 7 (May 15, 1897), 609–13.
_________. Discours récents sur les recherches psychiques. Trans. M. Sage. Paris: P.-G. Leymarie, 1903. Reprinted as “Discours sur les recherches psychiques.” Les Nouveaux Horizons de la Science et de la Pensée 9 (Feb. 1904), 61–74; 9 (Mar. 1904), 106–11; 9 (Sept. 1904), 316–24; 9 (Oct. 1904), 348–56.
_________. “Modern Views on Matter: The Realization of a Dream.” Annual Report of the Smithsonian Institution, 1903, pp. 229–41. Washington, D.C.: G.P.O., 1904.
_________. “Les Progrès récents des sciences physiques.” Revue Scientifique, 4th ser., 10 (Oct. 8, 1898), pp. 449–57.
_________. Recherches sur les phénomènes du spiritualisme: Nouvelles Expériences sur la force psychique. Trans. J. Alidel. Paris: Librairie des Sciences Psychologiques, 1886.
_________. Researches in the Phenomena of Spiritualism. London: J. Burns, 1874.
_________. “Sir William Crookes on Psychical Research: I. Extract from Address Before the British Association for the Advancement of Science; II. Address before the Society for Psychical Research.” Annual Report of the Smithsonian Institution, 1899, pp. 185–205. Washington, D.C.: G.P.O., 1901.
_________. “Some of the Latest Achievements of Science.” Annual Report of the Smithsonian Institution, 1899, pp. 143–53. Washington, D.C.: G.P.O., 1901.
_________. “Some Possibilities of Electricity.” Fortnightly Review 57 (Feb. 1892), 173–81.
_________. “Les Théories modernes sur la matière: La Réalisation d’un rêve.” Revue Scientifique, 4th ser., 10 (Aug. 22, 1903), 224–33.
T., W. A. “Sir William Crookes, O.M., 1832–1919.” Proceedings of the Royal Society of London, ser. A, 96 (Feb. 1920), i-ix.
Zeeman, P. “Sir William Crookes, F.R.S.: The Apostle of Radiant Matter.” Scientific American Supplement, no. 1672 (Jan. 18, 1908), pp. 44–45.
b. Secondary Sources
De Kosky, Robert K. “William Crookes and the Fourth State of Matter.” Isis 67 (Mar. 1976), 36–60.
Fournier d’Albe, E. E. The Life of Sir William Crookes, O.M., F.R.S. London: D. Appleton, 1923.
Greenaway, Frank. “A Victorian Scientist: The Experimental Researches of Sir William Crookes (1832–1919).” Proceedings of the Royal Institution of Great Britain 39 (1962), 172–98.
Woodruff, A. E. “William Crookes and the Radiometer.” Isis 57 (Summer 1966), 188–98.
2. Sir Oliver Lodge
a. Writings and Contemporary Sources
Jollivet Castellot, François. “Les Théories modernes de l’électricité” (review and summary of Sir Oliver Lodge’s Modern Views of Electricity). Les Nouveaux Horizons de la Sciences et de la Pensée 11 (July 1906), 290–93; 11 (Aug.-Sept.-Oct. 1906), 323–37.
Lodge, Sir Oliver. “Electric Theory of Matter.” Harper’s Monthly 109 (Aug. 1904), 383–89.
_________. “Electricité et matière.” Revue Scientifique, 4th ser., 19 (May 2, 1903), 554–59.
_________. Electrons, or the Nature and Properties of Negative Electricity (1906). 4th ed. London: G. Bell, 1913.
_________. The Ether of Space. London and New York: Harper & Bros., 1909.
_________. “The Ether of Space.” North American Review 187 (May 1908), 724–36.
_________. Lightning Conductors and Lightning Guards. London: Whittaker, 1892.
_________. Modern Views of Electricity (1889). 3d ed. London: Macmillan, 1907. First edition trans, by E. Meylan as Les Théories modernes de l’électricité: Essai d’une théorie nouvelle (Paris: Gauthier-Villars, 1891).
_________. “On Electrons.” Journal of the Proceedings of the Institution of Electrical Engineers 32 (1903), 1–71. Trans, by E. Nugues and J. Péridier as Sur les électrons (Paris: Gauthier-Villars, 1906).
_________. Signalling across Space without Wires: The Work of Hertz and His Successors. 4th ed. London: “The Electrician,” 1913. Originally published as The Work of Hertz and His Successors. London: “The Electrician,” 1894.
_________. “Thought Transference.” Forum 41 (Jan. 1909), 56–62.
b. Secondary Sources
Rowlands, Peter. Oliver Lodge and the Liverpool Physical Society. Liverpool: Liverpool University Press, 1990.
Wilson, David B. “The Thought of Late Victorian Physicists: Oliver Lodge’s Ethereal Body.” Victorian Studies 15 (Sept. 1971), 29–48.
3. Nikola Tesla
a. Writings and Contemporary Sources
d’Ault, J. “Les Merveilles électriques de M. Tesla.” La Revue des Revues 13 (May 1, 1895), 197–207.
Brisbane, Arthur. “Our Foremost Electrician.” New York World, July 22, 1894, p. 17. Reprinted in Electrical World 24 (Aug. 4, 1894), p. 97
Emerson, J. E. “Tesla at the Royal Institution.” Scientific American 69 (Mar. 12, 1892), 168.
Hospitalier, E. “Expériences de M. Tesla sur les courants alternatifs de grande fréquence.” La Nature 19 (Aug. 15, 1891), 162–67.
_________. “Expériences de M. Tesla sur les courants alternatifs de grande fréquence.” La Nature 20 (Mar. 5, 1892), 209–11.
_________. “Mr. Tesla’s Experiments on Alternating Currents of Great Frequency.” Scientific American 66 (Mar. 26, 1892), 195–96.
Laffargue, J. “Production d’effluves—Appareil à grande tension et à haute fréquence: Expériences faites au centennaire du Conservatoire des Arts et Métiers.” La Nature 26 (July 16, 1898), 103–6.
Martin, Thomas Commerford. The Inventions, Researches and Writings of Nikola Tesla. New York: Electrical Engineer, 1894.
_________. “Tesla’s Oscillator and Other Inventions.” Century Magazine 49 (Nov. 1894), 916–33.
“Nikola Tesla’s Latest Invention: Controls a Boat by Radio.” Scientific American 79 (Nov. 19, 1898), 326.
Tesla, Nikola. Experiments with Alternate Current of High Potential and High Frequency. New York: McGraw, 1904.
_________. Nikola Tesla: Lectures, Patents, Articles. Belgrade: Nikola Tesla Museum, 1956.
_________. “The Problem of Increasing Human Energy, with Special Reference to the Harnessing of the Sun’s Energy.” Century Magazine 60 (June 1900), 175–211.
_________, “Sur les courants de grande fréquence et de grande tension.” Bulletin de la Société Internationale des Electriciens 9 (1892), 67–69, 169–89, 228–48, 272–95.
_________. “Les Vibrations électriques fréquentes.” Revue Scientifique, 3d ser., 51 (June 17, 1893), 737–42.
“Tesla’s Experiments.” Electrical Engineer 14 (March 11, 1892), 242.
“Tesla’s Speculations Ridiculed—Severe Criticism of Electrical Inventor’s Divagations in Higher Fields—His Work in Fundamental Theories Questioned.” New York Sun, Sept. 29, 1900.
“Three Nobel Prizes for Americans.” Literary Digest 51 (Dec. 18, 1915), 1426.
Troller, A. “La Turbine à vapeur Tesla.” La Nature 39 (Nov. 4, 1911), 356–58.
Vigoreux, R. “Sur l’emploi thérapeutique des courants à haute fréquence (courants de Tesla).” L’Electricien, 2d ser., 10 (Nov. 14, 1896), 309–14.
Wetzler, Joseph. “Electric Lamps Fed from Space and Flames That Do Not Consume.” Harper’s Weekly 35 (July 11, 1891), 524.
b. Secondary Sources
Cheney, Margaret. Tesla: Man Out of Time. New York: Dell Co., 1981.
Nikola Tesla: Livre commémoratif à l’occasion de son 80ème anniversaire. Beograd: Edition de la Société pour la Fondation de l’Institut Nikola Tesla, 1936.
O’Neill, John J. Prodigal Genius: The Life of Nikola Tesla. New York: David McKay, 1944.
Popovic, Vojin, ed. Tribute to Nikola Tesla, Presented in Articles, Letters, Documents. Beograd: Nikola Tesla Museum, 1961.
Ratzlaff, John T., and Leland I. Anderson. Nikola Tesla Bibliography. Palo Alto: Ragusan Press, 1979.
Swezey, Kenneth M. “Nikola Tesla.” Science 127 (May 16, 1958), 1147–59.
4. Leonardo da Vinci
a. Writings and Turn-of-the-Century Sources
Duhem, Pierre. Etudes sur Léonard de Vinci: Ceux qu’il a lus et ceux qui l’ont lu. 1st ser. Paris: A. Hermann, 1906. Reprint, Paris: F. de Nobele, 1955.
_________. Etudes sur Léonard de Vinci: Ceux qu’il a lus et ceux qui l’ont lu. 2d ser. Paris: A. Hermann, 1909. Reprint, Paris: F. de Nobele, 1955.
_________. Etudes sur Léonard de Vinci: Les Précurseurs parisiens de Galilée. 3d ser. Paris: A Hermann, 1913. Reprint, Paris: F. de Nobele, 1955.
Gourmont, Remy de. “La Science de Léonard de Vinci.” La Revue des Idées 5 (Feb. 1908), 193–96.
MacCurdy, Edward, ed. and trans. The Notebooks of Leonardo da Vinci. New York: George Braziller, 1956.
Péladan. “Un Idéalisme expérimental: La Philosophie de Léonard de Vinci d’après ses manuscrits.” Mercure de France 71 (Jan. 16, 1908), 193–214; 71 (Feb. 1, 1908), 440–61.
Péladan, trans. and comment. Léonard de Vinci: Textes choisis—Pensées, théories, préceptes, fables, et facéties. Paris: Société du “Mercure de France,” 1908.
_________. Léonard de Vinci: Traité de la peinture. Paris: C. Delagrave, 1910.
Ravaisson-Mollien, Charles, ed. and trans. Les Manuscrits de Léonard de Vinci. 6 vols. Paris: A. Quantin, 1881–91.
Richter, Jean Paul, comp. and ed. The Literary Works of Leonardo da Vinci. London: Sampson Low, Marston, Searle & Rivington, 1883.
_________. The Notebooks of Leonardo da Vinci. 2 vols. New York: Dover, 1970.
Valéry, Paul. “Introduction à la méthode de Léonard de Vinci,” La Nouvelle Revue 95 (Aug. 15, 1895), 742–70.
_________. Introduction à la méthode de Léonard de Vinci. Paris: Librairie de la “Nouvelle Revue,” 1895.
b. Secondary Sources, Including Turn-of-the-Century Sources
Cooper, Margaret. The Inventions of Leonardo da Vinci. New York: Macmillan, 1965.
Hart, Ivor B. The Mechanical Investigations of Leonardo da Vinci. London: Chapman & Hall, 1925.
Kemp, Martin. Leonardo da Vinci: The Marvellous Works of Nature and Man. Cambridge: Harvard University Press, 1981.
Shattuck, Roger. “The Tortoise and the Hare: Valéry, Freud, and Leonardo da Vinci” (1965). In Shattuck, The Innocent Eye: On Modern Literature & the Arts, pp. 82–101. New York: Farrar Straus Giroux, 1984.
C. ELECTRICITY AND ELECTROMAGNETISM
1. Contemporary Sources
Bohn, Georges. “Le Mouvement scientifique” (review of Lucien Poincaré’s L’Electricité). Mercure de France 68 (July 1, 1907), 139–41.
Broca, André. “Le Spectre solaire et ce qui semble devoir s’y rattacher.” Revue Scientifique, 4th ser., 6 (July 4, 1896), 1–5.
Claude, Georges. L’Electricité à la portée de tout le monde (1901). 5th ed. Paris: Ch. Dunod, 1905.
Colwell, Hector A. An Essay on the History of Electrotherapy and Diagnosis. London: William Heinemann, 1922.
Ferrand, A. Les Dynamos et les transformateurs à l’Exposition Universelle de 1900. Paris: E. Bernard, 1902.
“The Foreign Power Section of the Paris Exposition.” Scientific American Supplement 50 (July 21, 1900), 20534–35.
Guillemin, Amédée. Electricity and Magnetism. Rev. and ed. Silvanus P. Thompson. London: Macmillan, 1891.
Houston, Edwin J. “Cerebral Radiation.” Journal of the Franklin Institute 133 (June 1892), 488–97.
Poincaré, Henri. “Light and Electricity According to Maxwell and Hertz.” Annual Report of the Smithsonian Institution, 1894, pp. 129–39. Washington, D.C.: G.P.O., 1896.
Poincaré, Lucien. L’Electricité. Paris: Ernest Flammarion, 1907.
“The Power-Generating Plant at the Paris Exposition.” Scientific American Supplement 49 (June 16, 1900), 20447–50.
“Simple Explanation of High Frequency Current.” Popular Electricity in Plain English 1 (Aug. 1908), 198–201.
Thompson, Silvanus P. Dynamo-Electric Machinery. 2 vols. New York: P. F. Collier, 1902.
_________. Elementary Lessons in Electricity and Magnetism (1881). Rev. ed. New York: Macmillan, 1894.
_________. Elementary Lessons in Electricity and Magnetism. Rev. and enl. ed. New York: Macmillan, 1915.
_________. Leçons élémentaires d’électricité et de magnétisme. Trans. L. Binet. Paris: J. Fritsch, 1898.
_________. Light Visible and Invisible. New York: Macmillan, 1897.
_________. Radiations visibles et invisibles. 2d ed. Paris: A. Hermann, 1914.
Weiler, Lazare. “Les Sources de l’électricité.” Revue des Deux Mondes 150 (1898), 856–74.
2. Secondary Sources
Benoit, Serge. “De l’hydro-mécanique à hydro-électricité: Le Role des sites hydrauliques anciens dans l’electrification de la France, 1880–1914.” In La France des électriciens, 1880–1980, ed. Fabienne Cardot, pp. 5–36. Paris: Presses Universitaires de France, 1986.
Bordeau, Sanford P. Volts to Hertz . . . The Rise of Electricity. Minneapolis: Burgess, 1982.
Burke, James. The Day the Universe Changed. Boston: Little, Brown, 1985.
Cardot, Fabienne, ed. L’Electricité dans l’histoire: Problèmes et méthodes. Colloque de l’Association pour l’Histoire de l’Electricité en France, Oct. 11–13, 1983. Paris: Presses Universitaires de France, 1985.
_________. La France des électriciens 1880–1980. Actes du deuxième colloque de l’Association pour l’Histoire de l’Electricité en France, Apr. 16–18 1985. Paris: Presses Universitaires de France, 1986.
Electro Importing Catalog 14. 2d. ed. New York: Electro Importing Co., 1914. Reprint, Bradley, Ill.: Lindsay, 1988.
Greenway, John L. “‘Nervous Disease’ and Electric Medicine.” In Pseudo-Science and Society in Nineteenth-Century America, ed. Arthur Wrobel, pp. 52–73. Lexington: University Press of Kentucky, 1987.
Hughes, Thomas P. Networks of Power: Electrification in Western Society, 1880–1930. Baltimore: Johns Hopkins University Press, 1983.
Hunt, Bruce J. The Maxwellians. Ithaca: Cornell University Press, 1991.
McCormmach, Russell. “H. A. Lorentz and the Electromagnetic View of Nature.” Isis 61 (Winter 1970), 459–97.
Meyer, Herbert W. A History of Electricity and Magnetism. Cambridge: MIT Press, 1971.
D. X-RAYS
1. Contemporary Sources
Aubert, L. La Photographie de l’invisible: Les Rayons X. Paris: Schleicher Frères, 1898.
Bixby, James T. “Professor Roentgen’s Discovery and the Invisible World around Us.” Arena 15 (May 1896), 871–85.
“The Cabaret du Néant.” Scientific American 74 (Mar. 1896), 152–53.
Caze, L. “La Photographie de la pensée.” La Revue des Revues 24 (Feb. 15, 1898), 438–42.
Dam, H. J. W. “The New Marvel in Photography.” McClure’s Magazine 6 (Apr. 1896), 403–15.
Dastre, A. “The New Radiations: Cathode Rays and Röntgen Rays.” In Annual Report of the Smithsonian Institution, 1901, pp. 271–86. Washington, D.C.: G.P.O., 1902.
_________. “Les Nouvelles Radiations: Rayons cathodiques et rayons Röntgen.” Revue des Deux Mondes, 5th ser., 6 (Dec. 1, 1901), 682–702.
Gradenwitz, Alfred. “A Novel System of X-Ray Cinematography.” Scientific American 103 (Sept. 24, 1910), 232, 247.
Guillaume, Charles-Edouard. Les Rayons X et la photographieà travers les corps opaques. 2d ed. Paris: Gauthier-Villars, 1896.
Henry, Charles. Les Rayons Röntgen. Paris: Société d’Editions Scientifiques, 1897.
Honoré, Fernand. “La Radiographie.” L’Illustration 54 (Mar. 7, 1896), 200–201.
Kaye, G. W. C. X Rays: An Introduction to the Study of Röntgen Rays. London: Longmans, Green, 1914.
L., J. “Etude expérimentale des ampoules utilisées en radiographie et fluoroscopic” La Nature 24 (Nov. 21, 1896), 585–87.
Moffett, Cleveland. “The Röntgen Rays in America.” McClure’s Magazine 6 (Apr. 1896), 415–20.
Niewenglowski, Gaston Henri. Techniques et applications des rayons X. Paris: Radiguet, 1898.
“La Photographie de l’invisible.” Revue Générale des Sciences Pures et Appliquées 1 (Jan. 30, 1896), 49–51.
Poincaré, Henri. “Les Rayons cathodiques et les rayons Röntgen.” Revue Générale des Sciences Pures et Appliquées 7 (Jan. 30, 1896), 52–59.
Rochas, Albert de, and X. Darieux. “Pourquoi les rayons de Röntgen sont invisibles,” Revue Scientifique, 4th ser., 5 (Feb. 22, 1896), 282.
Röntgen, W. C. “Upon a New Kind of Rays” (1895). Reprinted in Annual Report of the Smithsonian Institution, 1897, pp. 138–55. Washington, D.C.: G.P.O., 1898.
Snyder, Carl. “The World beyond Our Senses.” Harper’s Monthly 107 (June 1903), 117–20.
Speed, J. G. “The Brain, X-Rays, and the Cinematograph,” Westminister Review 175 (Mar. 1911), 269–73.
Thompson, Edward P. Roentgen Rays and Phenomena of the Anode and Cathode. New York: D. Van Nostrand, 1896.
“Tubes for the Production of Roentgen Rays.” Nature 55 (Jan. 28, 1897), 296–97.
Tutton, B. E. H. “Crystal Structure Revealed by Röntgen Rays: A Glimpse of the Molecular Architecture of Solids.” Scientific American Supplement 74 (Dec. 21, 1912), 391.
2. Secondary Sources
Glasser, Otto. Wilhelm Conrad Röntgen and the Early History of the Roentgen Rays. Springfield, Ill.: Charles C. Thomas, 1934.
_________. Wilhelm Conrad Röntgen und sie Geschichte der Röntgenstrahlen. 2d ed. Berlin: Springer-Verlag, 1959.
Kevles, Bettyann Holtzmann. Naked to the Bone: Medical Imaging in the Twentieth Century. New Brunswick, N.J.: Rutgers University Press, 1997.
Knight, Nancy. “The New Light’: X Rays and Medical Futurism.” In Imagining Tomorrow: History, Technology, and the American Future, ed. Joseph J. Corn, pp. 10–34. Cambridge: MIT Press, 1986.
Nitske, W. Robert. The Life of Wilhelm Conrad Röntgen, Discoverer of the X Ray. Tucson: University of Arizona Press, 1971.
Sarton, George. “The Discovery of X-Rays.” Isis 26 (Mar. 1937), 349–64.
E. WIRELESS TELEGRAPHY AND COMMUNICATION TECHNOLOGY
1. Contemporary Sources
Arnò, Riccardo. “Rivelatore di onde hertzienne a campo Ferraris.” Atti Elettrotechnica Italiana 8 (1904), 354–59.
Bottone, S. R. Wireless Telegraphy. London: Whittaker, 1900.
Boulanger, J., and G. Ferrié. La Télégraphie sans fil et les ondes électriques. Paris: Berger-Levrault, 1909.
Brenot, P. “La Télégraphie sans fil.” La Revue des Idées 4 (Apr. 15, 1907), 289–313.
Broca, André. La Télégraphie sans fils. Paris: Gauthier-Villars, 1904.
“Comment installer chez soi un poste récepteur de télégraphie sans fil.” La Science et la Vie 1 (May 1913), 266–67.
Curtis, Thomas Stanley. High Frequency Apparatus: Its Construction and Practical Application. New York: Everyday Mechanics, 1916.
Dosne, P. “La Télégraphie sans fil à la portée de tout le monde.” La Nature 40 (June 15, 1912), 42–43; 40 (July 13, 1912), 99–101.
“Dr. Branly’s Apparatus for Control of Distant Mechanical Effects.” Scientific American 97 (Dec. 28, 1907), 478–80.
Dragoumis, D. J. “Note on the Use of Geissler’s Tubes for Detecting Electrical Oscillations.” Nature 39 (April 4, 1889), 548–49.
Erskine-Murray, James. A Handbook of Wireless Telegraphy: Its Theory and Practice. New York: D. Van Nostrand, 1909.
Ferrié, G. “La Télégraphie sans fil et le problème de l’heure.” Revue Scientifique 51 (July 19, 1913), 70–75.
Fleming, J. A. The Principles of Electric Wave Telegraphy. London: Longmans, Green, 1906.
_________. The Principles of Electric Wave Telegraphy and Telephony. 3d ed. London: Longmans, Green, 1916.
Fournier, Lucien. “Télégraphie, téléphonie et télégraphie sans fil en 1905.” La Nature 34 (Apr. 14, 1906), 305–7.
Gradenwitz, Alfred. “The Operation of Mechanical Devices at a Distance by Means of the Wireless Transmission of Energy.” Scientific American Supplement 43 (June 8, 1907), 26276–77.
_________. “La Première Solution réelle du problème de la télévision.” Revue Générale des Sciences Pures et Appliquées 20 (Sept. 15, 1909), 727–28.
_________. “La Transmission à distance des écritures et dessins.” Revue Générale des Sciences Pures et Appliquées 16 (Nov. 15, 1905), 924–25.
Guarini, Emile. “Les Ondes électriques et le cerveau humain.” La Nature 30 (Aug. 25, 1902), 177–78.
_________. “La Télégraphie sans fil en France.” Revue Scientifique, 4th ser., 19 (May 9, 1903), 590–96.
_________. “Wireless Telegraphy Experiments at the Eiffel Tower.” Scientific American Supplement 59 (Feb. 25, 1905), 24365–66.
Honoré, F. “La Télégraphie sans fil à la Tour Eiffel.” L’Illustration 137 (Mar. 18, 1911), 200–201.
Laffargue, J. “La Télégraphie sans fils.” La Nature 26 (June 4, 1898), 1–2.
Maver, William. Maver’s Wireless Telegraphy: Theory and Practice. New York: Maver, 1904.
Merle, René. “Enregistrement des ondes hertziennes par la patte de grenouille.” La Nature 40 (Sept. 21, 1912), 259–60.
“Les Merveilles du télégraphie sans fil.” Je Sais Tout 1 (July 1905), 63–72 (falsely signed as by “Dr. Branly”).
Monier, E. La Télégraphie sans fil, la télémécanique, et la téléphonie sans fil à la portée de tout le monde (1906). 9th ed., Paris: H. Dunod & E. Pinat, 1917.
Poincaré, Henri, and Frederick K. Vreeland. Maxwell’s Theory and Wireless Telegraphy. New York: McGraw, 1904.
Stanley, Rupert. Text Book on Wireless Telegraphy. London: Longmans, Green, 1914.
Tissot, C. “Détecteurs d’ondes électriques à gaz ionisés.” Journal de Physique Théorique et Appliquée 4 (Jan. 1907), 25–31.
_________. “L’Etat actuel de la télégraphie sans fil.” Revue Générale des Sciences Pures et Appliquées 14 (Oct. 15, 1903), 973–90.
Toché, Lt. Carlo. “Ondes qui passent, étincelles qui chantent.” Je Sais Tout 8 (May 15, 1912), 645–54.
Torquet, Charles. “La TSF étend son règne sur le monde.” Je Sais Tout 6 (Dec. 15, 1910), 589–98.
Varigny, Henry de. “La Vision à distance.” L’Illustration 134 (Dec. 11, 1909), 451.
2. Secondary Sources
Aitken, Hugh G. J. The Continuous Wave: Technology and American Radio, 1900–1932. Princeton: Princeton University Press, 1985.
_________. Syntony and Spark: The Origins of Radio. New York: John Wiley, 1976.
Dalton, W. M. The Story of Radio. 3 vols. London: Adam Hilger, 1975.
Jolly, W. P. Marconi. London: Constable, 1972.
Lewis, Tom. Empire of the Air: The Men Who Made Radio. New York: HarperCollins, 1991.
Marvin, Carolyn. When Old Technologies Were New: Thinking About Electric Communication in the Late Nineteenth Century. New York: Oxford University Press, 1988.
F. ATOM THEORY, ELECTRONS, AND RADIOACTIVITY
1. Contemporary Sources
Bohn, Georges. “Le Radium et la radioactivité de la matière.” La Revue des Idées 1 (Jan. 15, 1904), 3–15.
Boys, Ch. Vernon. “Les Corps radio-actifs et la queue des comètes.” Revue Scientifique, 4th ser., 20 (Oct. 10, 1903), pp. 449–59.
De Launay, L. “Les Ions et les électrons.” La Nature 37 (Jan. 2, 1909), 70–71.
_________. “La Matière et l’éther.” La Nature 36 (Nov. 21, 1908), 390–91.
Dubois, Raphael. “La Radio-activité et la vie.” La Revue des Idées 1 (May 15, 1904), 338–48.
Duncan, Robert Kennedy. “The Whitherward of Matter.” Harper’s Monthly 116 (May 1908), 877–84.
“The Garden of Eden in the Light of the New Physics.” Current Literature 47 (July 1909), 91–92.
Gibson, Charles Robert. The Autobiography of an Electron. London: Seeley, 1911.
Heisenberg, Werner. “The Quantum Theory: A Formula Which Changed the World.” Trans/formation: Arts, Communication, Environment 1 (1952), 129–34.
Le Bon, Gustave. “L’Energie intra-atomique.” Revue Scientifique, 4th ser., 20 (Oct. 17, 1903), 481–99; 20 (Oct. 24, 1903), 513–19; 20 (Oct. 31, 1903), 551–59.
_________. “La Dematérialisation de la matière.” Revue Scientifique, 5th ser., 2 (Nov. 19, 1904), 641–51; 2 (Dec. 10, 1904), 737–40.
_________. “Intra-Atomic Energy.” Annual Report of the Smithsonian Institution, 1903, pp. 263–93. Washington, D.C.: G.P.O., 1904.
_________. “Naissance et évolution de la matière.” La Revue des Idées 4 (Oct. 15, 1907), 861–80.
Leblanc, Maurice. “Aspect de la décharge électrique dans les gaz rarifiés.” La Nature 39 (Dec. 3, 1910), 7–10.
Matisse, G. “Histoire extraordinaire des Electrons.” Mercure de France 75 (Oct. 16, 1908), 744–46.
Merritt, Ernest. “The New Element Radium.” Century Magazine 67 (Jan. 1904), 451–60.
Rutherford, Ernest. “Disintegration of the Radioactive Elements,” Harper’s Monthly 108 (Jan. 1904), 279–84.
_________. Radio-activity. Cambridge: Cambridge University Press, 1904.
_________. “The Scattering of α and β Particles by Matter and the Structure of the Atom.” Philosophical Magazine and Journal of Science, 6th ser., 21 (May 1911), 669–88.
Soddy, Frederick. “The Energy of Radium.” Harper’s Monthly 120 (Dec. 1909), 52–59.
_________. The Interpretation of Radium (Being the Substance of Six Free Popular Lectures Delivered at the University of Glasgow, 1908). London: John Murray, 1909.
_________. Matter and Energy. New York: Henry Holt, 1912.
Williams, Henry Smith. “Exploring the Atom.” Harper’s Monthly 127 (June 1913), 112–20.
Wilson, C. T. R. “On a Method of Making Visible the Paths of Ionising Particles through a Gas.” Proceedings of the Royal Society of London, ser. A, 85 (Nov. 1911), 85–88.
_________. “On an Expansion Apparatus for Making Visible the Tracks of Ionising Particles in Gases and Some Results Obtained by Its Use.” Proceedings of the Royal Society of London, ser. A, 87 (Dec. 1912), 277–93.
2. Secondary Sources
Anderson, David L. The Discovery of the Electron: The Development of the Atomic Concept of Electricity. Princeton: D. Van Nostrand, 1964.
Badash, Lawrence. “How the ‘Newer Alchemy’ Was Received.” Scientific American 215 (Aug. 1966), 88–95.
_________. Radioactivity in America: Growth and Decay of a Science. Baltimore: Johns Hopkins University Press, 1979.
_________. “Radium, Radioactivity, and the Popularity of Scientific Discovery.” Proceedings of the American Philosophical Society 122 (June 1978), 145–54.
Caufield, Catherine. Multiple Exposures: Chronicles of the Radiation Age. New York: Harper & Row, 1989.
Galison, Peter, and Alexei Assmus. “Artificial Clouds, Real Particles.” In The Uses of Experiment: Studies in the Natural Sciences, ed. David Gooding, Trevor Pinch, and Simon Schaffer, pp. 225–74. Cambridge: Cambridge University Press, 1989.
Hoffmann, Banesh. The Strange Story of the Quantum. New York: Harper and Bros., 1947.
Malley, Marjorie. “The Discovery of Atomic Transmutation: Scientific Styles and Philosophies in France and Britain.” Isis 70 (June 1979), 213–23.
Miller, Arthur I. “Visualization Lost and Regained: The Genesis of the Quantum Theory in the Period 1913–27.” In On Aesthetics in Art and Science, ed. Judith Wechsler, pp. 73–102. Cambridge: MIT Press, 1978.
Weart, Spencer. Nuclear Fear: A History of Images. Cambridge: Harvard University Press, 1988.
Wilson, David. Rutherford: Simple Genius. Cambridge: MIT Press, 1983.
G. THERMODYNAMICS, THE KINETIC THEORY OF GASES, PHYSICAL CHEMISTRY, AND THE WORK OF JEAN PERRIN
1. Contemporary Sources
Bohn, Georges. “Le Mouvement scientifique” (on Perrin-Le Bon exchange). Mercure de France 71 (Jan. 1, 1908), 122.
_________. “Le Mouvement scientifique—J. Perrin: Les Atomes.” Mercure de France 103 (May 1, 1913), 159–63.
Duhem, P[ierre]. Thermodynamics and Chemistry. Trans. George K. Burgess. New York: John Wiley, 1903.
Matisse, Georges. “La Théorie moléculaire et la science contemporaine.” Mercure de France 103 (June 1, 1913), 520–25.
Perrin, Jean. “A propos de ‘L’Evolution des forces.’” Revue du Mois 4 (Nov. 10, 1907), 606–10.
_________. “Les Arguments de M. Gustave Le Bon.” Revue du Mois 4 (1907), 729–32.
_________. Les Atomes. Paris: Félix Alcan, 1913. 5th rev. ed. Paris: Félix Alcan, 1914.
_________. Atoms. Trans. from 4th rev. ed. by D. L. Hammick. London: Constable, 1916.
_________. Brownian Movement and Molecular Reality. Trans. Frederick Soddy. London: Taylor and Francis, 1910.
_________. “Mouvement brownien et réalité moléculaire.” Annales de Chimie et de Physique, 8th ser., 18 (Sept. 1909), 1–114.
_________. Les Principes: Traité de chimie physique. Paris: Gauthier-Villars, 1903.
_________. “La Réalité des molécules.” Revue Scientifique 49 (Dec. 16, 1911), 774–84.
Perkins, Henry A. An Introduction to General Thermodynamics. New York: John Wiley, 1912.
Shenstone, William. “Matter, Motion, and Molecules.” Living Age 30 (Mar. 1906), 591–98.
Vigneron, H. “Les Preuves de la réalité moléculaire.” La Nature 40 (Dec. 2, 1911), 3–4.
2. Secondary Sources
Brush, Stephen G. The Kind of Motion We Call Heat: A History of the Kinetic Theory of Gases in the 19th Century. 2 vols. Amsterdam: North-Holland Physics Publishing, 1976.
_________. The Temperature of History: Phases of Science and Culture in the Nineteenth Century. New York: Burt Franklin, 1978.
Cardwell, D. S. L. From Watt to Clausius: The Rise of Thermodynamics in the Early Industrial Age. Ithaca: Cornell University Press, 1971.
Emswiler, J. E. Thermodynamics. New York: McGraw-Hill, 1927.
Hatsopoulos, George N., and Joseph H. Keenan. Principles of General Thermodynamics. New York: John Wiley, 1965.
Loeb, Leonard B. Kinetic Theory of Gases. New York: McGraw-Hill, 1927.
Nye, Mary Jo. Molecular Reality: A Perspective on the Scientific Work of Jean Perrin. London: Macdonald, 1972.
Servos, John W. Physical Chemistry from Ostwald to Pauling. Princeton: Princeton University Press, 1990.
H. CHEMISTRY AND THE LIQUEFACTION OF GASES
1. Contemporary Sources
B[ohn], G[eorge]. “Revue Scientifique: La Découverte de nouveaux gaz dans l’atmosphère, par Sir William Ramsey (19 septembre).” La Revue des Idées 5 (Oct. 1908), 378–79.
Bresch, G. “Les Gaz liquéfiés (l’air, l’hélium).” La Nature 39 (Dec. 10, 1910), 22–27.
Claude, Georges. “L’Oxygène industriel.” Revue Générale des Sciences Pures et Appliquées 20 (Nov. 30, 1909), 923–25.
_________. “Sur la liquéfaction de l’air et ses applications.” Société Française de Physique lecture, Dec. 15, 1905. Reported in Revue Générale des Sciences Pures et Appliquées 17 (Jan. 15, 1906), 52–53.
Dewar, James. “History of Cold and Absolute Zero.” In Annual Report of the Smithsonian Institution, 1902, pp. 207–40. Washington, D.C.: G.P.O., 1903.
_________. “Liquid Gases.” Encyclopaedia Britannica, 11th ed. (1910), vol. 16, pp. 744–59.
_________. “La Science du froid.” Revue Scientifique, 4th ser., 18 (Oct. 4, 1902), 417–26; 18 (Oct. 11, 1902), 456–64; 18 (Oct. 18, 1902), 487–94.
_________. “Solid Hydrogen,” Annual Report of the Smithsonian Institution, 1901, pp. 251–61. Washington, D.C.: G.P.O., 1902.
Lamelin, Pierre. “Les Recherches industrielles de l’air.” La Science et la Vie 2 (Sept. 1913), 383–93.
Ramsay, Sir William. The Gases of the Atmosphere: The History of Their Discovery (1896). 3d ed. London: Macmillan, 1905.
Troller, A. “Production industrielle de l’azote [nitrogen] et de l’oxygène par l’air liquide: La Machine G. Claude.” La Nature 40 (Dec. 16, 1911), 41–45.
Troost, L[ouis-Joseph]. Précis de chimie. 25th ed. Paris: G. Masson, 1893.
Whymper, R. Cocoa and Chocolate: Their Chemistry and Manufacture. Philadelphia: P. Blakiston’s, 1912.
2. Secondary Sources
Brock, William H. The Norton History of Chemistry. New York: W. W. Norton, 1992.
Gavroglu, Kostas, and Yorgos Goudaroulis, eds. Through Measurement to Knowledge: The Selected Papers of Heike Kamerlingh Onnes, 1853–1926. Dordrecht: Kluwer, 1991.
Ihde, Aaron J. The Development of Modern Chemistry. New York: Harper and Row, 1964.
Strong, Ralph K., ed. Kingzett’s Chemical Encyclopaedia. 8th ed. New York: D. Van Nostrand, 1952.
Tilden, Sir William A. Sir William Ramsay: Memorials of His Life and Work. London: Macmillan, 1918.
Travers, Morris W. A Life of Sir William Ramsay, K.C.B., F.R.S. London: Edward Arnold, 1956.
I. WILHELM OSTWALD AND ENERGETICS
1. Contemporary Sources
Bohn, Georges. “Le Mouvement scientifique—W. Ostwald: L’Energie.” Mercure de France 82 (Dec. 1, 1909), 506–8.
“Les Idées qui passent” (anonymous critique of W. Ostwald). La Revue des Idées 10 (June 1913), 349–53.
Matisse, Georges. “Essai philosophique sur l’énergétique.” La Revue des Idées 4 (Apr. 15, 1907), 353–71.
Ostwald, Wilhelm. “La Déroute de l’atomisme contemporain.” Revue Générale des Sciences Pures et Appliquées 6 (Nov. 15, 1895), 953–58.
_________. L’Energie. Trans. E. Philippi. Paris: Félix Alcan, 1909.
_________. “Machines and Living Creatures: Lifeless and Living Transformers of Energy.” Scientific American Supplement, no. 1803 (July 23, 1910), 55.
_________. “The Modern Theory of Energetics.” Monist 17 (Oct. 1907), 481–515.
_________. Outline of General Chemistry. Trans. James Walker. London: Macmillan, 1890.
_________. “The Philosophical Meaning of Energy.” International Quarterly 1 (June-Sept. 1903), 300–15.
2. Secondary Sources
Hiebert, Erwin N. “Developments in Physical Chemistry at the Turn of the Century.” In Science, Technology, and Societyin the Time of Alfred Nobel, ed. Carl Gustaf Bernhard, Elisabeth Crawford, and Per Sörbom, pp. 97–115. London: Pergamon, 1982.
_________. “The Energetics Controversy and the New Thermodynamics.” In Perspectives in the History of Science and Technology, ed. Duane H. D. Roller, pp. 67–86. Norman: University of Oklahoma Press, 1971.
J. OPTICS, COLOR, AND THE OPTOPHONE
1. Contemporary Sources
Bourdon, B. La Perception visuelle de l’espace. Paris: Schleicher Frères, 1902.
Helmholtz, Hermann von. Helmholtz’s Treatise on Physiological Optics. Ed. James P. C. Southall. 3 vols. Rochester, N.Y.: Optical Society of America, 1924.
Minnaert, Marcel. Light and Colour in the Open Air. Trans. H. M. Kremer-Priest. London: G. Bell, 1940. Reprint, New York: Dover, 1954.
Mottelay, P. F. “Light Made Audible.” Scientific American 107 (Sept. 21, 1912), 240.
Preston, Thomas. The Theory of Light. London: Macmillan, 1890.
Rood, Ogden. Modern Chromatics. London: C. Kegan Paul, 1879.
“The Type-Reading Optophone.” Scientific American 123 (Nov. 6, 1920), 463.
Vuibert, H. Les Anaglyphes géométriques. Paris: Librairie Vuibert, 1912.
Wright, Maj. Fred E. “Wartime Development of the Optical Industry.” Journal of the Optical Society of America 2–3 (Jan.–Mar. 1919), 1–7.
2. Secondary Sources
Baltrusaitis, Jurgis. Anamorphoses, ou magie artificielle des effets merveilleux. Paris: Olivier Perrin, 1969.
Cantor, G. N. Optics After Newton: Theories of Light in Britain and Ireland 1704–1840. Manchester: Manchester University Press, 1983.
Kemp, Martin. The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat. New Haven: Yale University Press, 1990.
Silliman, Robert H. “Fresnel and the Emergence of Physics as a Discipline.” Historical Studies in the Physical Sciences 4 (1974), 137–62.
K. RELATIVITY THEORY
1. Contemporary Sources
Bloch, Eugène. “Revue d’électromagnétisme.” Revue Générale des Sciences Pures et Appliquées 24 (Apr. 30, 1913), 309–19.
Vigneron, H. “Les Grains d’électricité et la dynamique électrodynamique.” La Nature 40 (Dec. 16, 1911), 45–47.
2. Secondary Sources
Goldberg, Stanley. Understanding Relativity: Origin and Impact of a Scientific Revolution. Boston: Birkhäuser, 1984.
Hoffmann, Banesh. Relativity and Its Roots. New York: Scientific American, 1983.
Miller, Arthur I. Albert Einstein’s Special Theory of Relativity: Emergence (1905) and Early Interpretation (1905–1911). Reading, Mass.: Addison-Wesley, 1981.
L. THE FOURTH DIMENSION AND THE HISTORY OF GEOMETRY
1. Contemporary Sources
Boucher, Maurice. Essai sur l’hyperespace: Le Temps, la matière et l’énergie. Paris: Félix Alcan, 1903.
Bragdon, Claude. Man the Square: A Higher Space Parable. Rochester, N.Y.: Manas Press, 1912.
_________. A Primer of Higher Space (The Fourth Dimension). Rochester, N.Y.: Manas Press, 1913.
Hinton, C[harles] Howard. The Fourth Dimension. London: Swan Sonnenschein, 1904.
_________. A New Era of Thought. London: Swan Sonnenschein, 1888.
Manning, Henry P., ed. The Fourth Dimension Simply Explained: A Collection of Essays Selected from Those Submitted in the Scientific American’s Prize Competition. New York: Munn & Co., 1910. Reprint, New York: Dover, 1960.
2. Secondary Sources
Gardner, Martin. The Ambidextrous Universe: Mirror Asymmetry and Time-Reversed Worlds. 2d ed. rev. New York: Scribner’s, 1979.
Kline, Morris. Mathematics: A Cultural Approach. Reading, Mass.: Addison-Wesley, 1962.
Rucker, Rudy. The Fourth Dimension: Toward a Geometry of Higher Reality. Boston: Houghton Mifflin, 1984.
_________. Geometry, Relativity and the Fourth Dimension. New York: Dover, 1977.
M. METROLOGY
1. Contemporary Sources
“La Cinquième Conférence générale des Poids et Mesures.” Revue Générale des Sciences Pures et Appliquées 24 (Nov. 30, 1913), 828–29.
Guillaume, Charles-Edouard. “Métrologie et législation.” Revue Générale des Sciences Pures et Appliquées 23 (Oct. 15, 1912), 733–41.
Hartmann, Lt-Colonel. “La Crise du Conservatoire des Arts et Métiers.” La Revue des Idées 4 (May 15, 1907), 385–99.
2. Secondary Sources
Danloux-Dumesnils, Maurice. The Metric System: A Critical Study of Its Principles and Practice. Trans. Anne Garrett and J. S. Rowlinson. London: Athlone Press, 1969.
Hallock, William, and Herbert T. Wade. Outlines of the Evolution of Weights and Measures and the Metric System. New York: Macmillan, 1906.
Wise, M. Norton, ed. The Values of Precision. Princeton: Princeton University Press, 1995.
N. METEOROLOGY
1. Contemporary Sources
Shaw, W[illiam] N[apier]. Air Currents and the Laws of Ventilation. Cambridge: Cambridge University Press, 1907.
_________. Selected Meteorological Papers of Sir Napier Shaw. London: Macdonald, 1955.
Mathias, E. Review of Air Currents and the Laws of Ventilation, by W. N. Shaw. Revue Générale des Sciences Pures et Appliquées 19 (June 30, 1908), 507–8.
2. Secondary Sources
Middleton, W. E. Knowles. The History of the Barometer. Baltimore: Johns Hopkins University Press, 1964.
O. LIFE SCIENCES (BIOLOGY, PHYSIOLOGY, ENTOMOLOGY)
1. Contemporary Sources
Amar, Jules. Le Moteur humain et les bases du travail professionel. Paris: H. Dunod et E. Pinat, 1914. Translated as The Human Motor, or the Scientific Foundations of Labour and Industry (London: George Routledge, 1920).
Berthelot, D. “Les Mécanismes biologiques et les phénomènes électriques.” Revue Scientifique 51 (July 12, 1913), 33–38.
Bohn, Georges. “Le Mouvement scientifique” (on Jacques Loeb). Mercure de France 71 (Jan. 1, 1908), 118–21.
Drzewina, Anna. “Néo-vitalistes et mécanistes.” La Revue des Idées 9 (Apr. 1912), 215–19.
Fabre, J[ean]-H[enri]. The Hunting Wasps. Trans. Alexander Teixiera de Mattos. New York: Dodd, Mead, 1915.
_________. Les Merveilles de l’instinct chez les insectes: Morceaux choisis. Paris: Librairie Delagrave, 1913.
_________. Moeurs des insectes: Morceaux choisis. Paris: Librairie Delagrave, 1911.
_________. Souvenirs entomologiques: Etudes sur l’instinct et les moeurs des insects. 10 vols. 6th ed. Paris: Librairie Delagrave, 1913.
_________. La Vie des insectes: Morceaux choisis. Paris: Librairie Delagrave, 1910.
Gourmont, Remy de. The Natural Philosophy of Love. Trans. Ezra Pound. New York: Boni and Liveright, 1922. New ed. New York: Willey Book Co., 1940.
_________. Physique de l’amour: Essai sur l’instinct sexuel (1903). 30th ed. Paris: Mercure de France, 1924.
Loeb, Jacques. The Dynamics of Living Matter. New York: Columbia University Press, 1906.
_________. The Mechanistic Conception of Life: Biological Essays. Chicago: University of Chicago Press, 1912.
Maeterlinck, Maurice. La Vie des abeilles. Paris: Eugène Fasquelle, 1901.
Marey, Etienne-Jules. La Machine animale: Locomotion terrestre et aérienne. Paris: Masson, 1873.
Richer, Paul. Physiologie artistique de l’homme en mouvement. Paris: Octave Douin, 1895.
Solvay, Ernest. “Physico-chimie et psychologie.” Revue Générale des Sciences Pures et Appliquées 20 (Dec. 30, 1909), 982–85.
Teale, Edwin Way, ed. The Insect World of J. Henri Fabre. New York: Dodd, Mead, 1949.
2. Secondary Sources
Boring, Edwin. Sensation and Perception in the History of Experimental Psychology. New York: Appleton-Century-Crofts, 1942.
Mendelsohn, Everett. “The Biological Sciences in the Nineteenth Century: Some Problems and Sources.” History of Science 3 (1964), 39–54.
Uvnas, Börje. “The Rise of Physiology during the Nineteenth Century.” In Science, Technology, and Society in the Time of Alfred Nobel, ed. Carl Gustaf Bernhard, Elisabeth Crawford, and Per Sörbom, pp. 135–45. London: Pergamon, 1982.
P. AUTOMATONS AND HUMAN-MACHINE ANALOGIES
1. Contemporary Sources (see other categories, including those immediately above)
La Mettrie, Julian Offray de. Man a Machine (1784). La Salle, Ill.: Open Court, 1912.
2. Secondary Sources
Bailly, Christian. L’Age d’or des automates, 1848–1914. Paris: Editions Scala, 1987.
Cohen, John. Human Robots in Myth and Science. London: George Allen and Unwin, 1966.
Channell, David. The Vital Machine: A Study of Technology and Organic Life. Oxford: Oxford University Press, 1991.
Chapuis, Alfred, and Edmond Droz. Les Automates (figures artificielles d’hommes et d’animaux): Histoire et technique. Neuchâtel: Editions du Griffon, 1949.
Crary, Jonathan, and Sanford Kwinter, eds. Incorporations. Zone 6. Cambridge: MIT Press, 1992.
Rabinbach, Anton. The Human Motor: Energy, Fatigue, and the Origins of Modernity. New York: Basic Books, 1990.
Metken, Günter, “De l’homme-machine à la machine-homme: Anthropomorphie de la machine au XIXe siècle.” In Junggesellenmaschinen/Les Machines célibataires, ed. Harald Szeemann, pp. 50–63. Venice: Alfieri, 1975.
Tichi, Cecelia. Shifting Gears: Technology, Literature, Culture in Modernist America. Chapel Hill: University of North Carolina Press, 1987.
Q. TRANSPORTATION
1. Contemporary Sources
“Automobile Electric Light Plant,” Scientific American 103 (July 2, 1910), 6.
Baudry de Saunier, L. “L’Electricité à bord des automobiles.” L’Illustration 142 (Dec. 27, 1913), 531–35.
Courquin, A., and G. Dubedat. Technique et pratique de la magnéto à haute tension. Paris: Gauthier-Villars, 1920.
Dyke, A. L. Dyke’s Automobile and Gasoline Engine Encyclopedia. 12th ed. St. Louis: A. L. Dyke, 1920.
“Novelties at the Paris Air Show.” Scientific American Supplement 74 (Nov. 30, 1912), 344–47; 74 (Dec. 7, 1912), 360–63; 74 (Dec. 14, 1912), 372–74.
“The Paris Automobile Show.” Scientific American Supplement 71 (Jan. 14, 1911), 24–25.
Renard, Paul. L’Aéronautique. Paris: Ernest Flammarion, 1909.
_________. Le Vol mécanique: Les Aéroplanes. Paris: Ernest Flammarion, 1912.
Renaud, D. Cours complet d’automobilisme. Paris: Librairie R. Chapelot, 1909.
Slauson, Harold Whiting. “Lights for the Automobile” Outing Magazine 59 (Oct. 1911), 118–22.
_________. “The Motor Car’s Spark of Life.” Outing Magazine 58 (Apr. 1911), 92–96.
2. Secondary Sources
Bishop, Charles W. La France et l’automobile. Paris: Librairies Techniques, 1971.
Dodge, Pryor. The Bicycle. New York: Flammarion, 1996.
Richard, Yves. Renault 1898, Renault 1965. Paris: Pierre Tisné, 1965.
Wohl, Robert. A Passion for Wings: Aviation and the Western Imagination. New Haven: Yale University Press, 1994.
R. LIGHTING
1. Contemporary Sources
Claude, Georges. “The Development of Neon Tubes.” Engineering Magazine 46 (Nov. 1913), 271–74.
Dibdin, W. J. Public Lighting by Gas and Electricity. London: Sanitary Publishing Co., 1902.
“Frosting, Etching, and Coloring of Incandescent Lamps: Hints for the Manufacturer and Amateur.” Scientific American Supplement 71 (Apr. 22, 1911), 255.
Leblanc, Maurice. “La Lumière au néon.” La Nature 39 (Jan. 28, 1911), 145–46.
“Le Néon, gaz d’éclairage.” La Revue des Idées 8 (Jan. 1911), 75.
Lukiesh, M. Artificial Light: Its Influence upon Civilization. New York: Century, 1920.
Neumark, A. S. “Coloring and Frosting Incandescent Lamps.” Scientific American Supplement 73 (May 11, 1912), 295.
“Une Nouveauté dans l’éclairage: La Lumière de néon.” Revue Générale des Sciences Pures et Appliquées 21 (Dec. 10, 1910), 1003–4.
2. Secondary Sources
Bright, Arthur A. The Electric-Lamp Industry: Technological Change and Economic Development from 1800–1947. New York: Arno, 1972.
Friedel, Robert, and Paul Israel. Edison’s Electric Light: Biography of an Invention. New Brunswick: Rutgers University Press, 1986.
Miller, Henry A. Luminous Tube Lighting. London: George Newnes, 1945.
Miller, Samuel C., and Donald G. Fink. Neon Signs: Manufacture—Installation—Maintenance. New York: McGraw-Hill, 1935.
Solomon, Maurice. Electric Lamps. London: Archibald Constable, 1908.
Stern, Rudi. Let There Be Neon. New York: Harry N. Abrams, 1979.
IV. OTHER FIELDS
A. GENERAL CULTURAL HISTORY
1. Contemporary Sources
Adams, Henry. The Education of Henry Adams: An Autobiography. Boston: Houghton Mifflin, 1918.
Baedeker, Karl. Paris and Environs. Leipzig: Karl Baedeker, 1900.
Desbonnet, Professeur. La Force physique: Culture rationnelle—Méthode Attila—Méthode Sandow—Méthode Desbonnet. 7th ed. Paris: Berger-Levrault, 1910.
_________. Les Rois de la force. Paris: Librairie Berger-Levrault, 1911.
Harrison, Jane. Prolegomena to the Study of Greek Religion. Cambridge: Cambridge University Press, 1903.
Mâle, Emile. The Gothic Image: Religious Art in France of the Thirteenth Century (1913). Trans. Dora Nussey. New York: Harper & Row, 1958.
Merz, John Theodore. A History of European Thought in the Nineteenth Century. 4 vols. Edinburgh: William Blackwood, 1903–14.
Monmarché, Marcel. Paris et ses environs (Les Guides bleus). Paris: Hachette, 1921.
Sandow, Eugen. Strength, and How to Obtain It (1897). 3d ed. London: Gale & Polden, 1905.
Trousset, Jules, ed. Les Merveilles de l’Exposition de 1900. 2 vols. Paris: Librairie Illustrée Montgredien, 1899–1900.
2. Secondary Sources
Allen, T. W., W. R. Halliday, and E. E. Sykes, eds. The Homeric Hymns. 2d ed. Oxford: Clarendon Press, 1936.
Barthes, Roland. The Eiffel Tower and Other Mythologies. Trans. Richard Howard. New York: Hill and Wang, 1979.
Benveniste, Emile. Problems in General Linguistics. Trans. Mary Ellen Meek. Coral Gables: University of Miami Press, 1971.
Boden, Margaret A. The Creative Mind: Myths and Mechanisms. New York: Basic Books, 1991.
Burkert, Walter. Greek Religion. Trans. John Raffan. Cambridge: Harvard University Press, 1985.
Cate, Phillip Dennis, ed. The Eiffel Tower, a Tour de Force: Its Centennial Exhibition. The Grolier Club, N.Y., Apr. 19–June 3, 1989.
Derrida, Jacques. Margins of Philosophy. Chicago: University of Chicago Press, 1982.
Gallagher, Catherine, and Thomas Laqueur, eds. The Making of the Modern Body: Sexuality and Society in the Nineteenth Century. Berkeley: University of California Press, 1987.
Harriss, Joseph. The Tallest Tower: Eiffel and the Belle Epoque. Boston: Houghton Mifflin, 1975.
Jay, Martin. Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought. Berkeley: University of California Press, 1993.
Jordy, William H. Henry Adams: Scientific Historian. New Haven: Yale University Press, 1952.
Kern, Stephen. The Culture of Time and Space. Cambridge: Harvard University Press, 1983.
Kurtz, Donna, and John Boardman. Greek Burial Customs. Ithaca: Cornell University Press, 1971.
Landon, François. La Tour Eiffel Superstar. Paris: Editions Ramsay, 1981.
Loyrette, Henri. Gustave Eiffel. Trans. Rachel Gomme and Susan Gomme. New York: Rizzoli, 1985.
Maines, Rachel. “Socially Camouflaged Technologies: The Case of the Electromechanical Vibrator.” IEEE Technology and Society Magazine 8 (June 1989), 3–11, 23.
Mandell, Richard D. Paris 1900: The Great World’s Fair. Toronto: University of Toronto Press, 1967.
Ory, Pascal. Les Expositions Universelles de Paris. Paris: Editions Ramsay, 1982.
Rose, H. J. A Handbook of Greek Mythology. New York: E. P. Dutton, 1959.
Schiebinger, Londa. “Feminine Icons: The Face of Early Modern Science.” Critical Inquiry 14 (Summer 1988), 661–91.
Skinner, Quentin. The Return of Grand Theory in the Human Sciences. Cambridge: Cambridge University Press, 1985.
Warner, Marina. Alone of All Her Sex: The Myth and Cult of the Virgin Mary (1976). New York: Vintage, 1983.
_________. Monuments & Maidens: The Allegory of the Female Form. New York: Atheneum, 1985.
B. OCCULTISM
1. General Occultism
a. Contemporary Sources
Baraduc, Hippolyte. L’Ame humaine: Ses Mouvements, ses lumières; et L’Iconographie de l’invisible fluidique. Paris: Georges Carré, 1896.
Besant, Annie, and C[harles] W[ebster] Leadbeater. Thought-Forms (1901). London: Theosophical Publishing Society, 1905.
Blavatsky, Helena Petrovna. Isis Unveiled: A Master-Key to the Mysteries of Ancient and Modern Science and Theology. 2 vols. New York: J. W. Bouton, 1877.
_________. The Secret Doctrine. London: Theosophical Publishing, 1888; New York: W. Q. Judge, 1888.
Bosc, Ernest. “La Clairvoyance.” La Vie Mystérieuse, no. 68 (Oct. 25, 1911), pp. 308–9.
Brieu, Jacques. “Esotérisme et spiritisme.” Mercure de France 75 (Sept. 1, 1908), 141–46.
Darget, Commandant. Exposé des différentes méthodes pour l’obtention de photographies fluido-magnétiques et spirites. Rayons V (Vitaux). Paris: Editions de l’Initiation, 1909.
Delanne, Gabriel. “Le Spiritisme est une science.” La Vie Mystérieuse, no. 79 (Apr. 1912), 485.
Denis, Léon. Dans l’invisible: Spiritisme et médiumnité (Traité de spiritualisme expérimental). Paris: Librairie des Sciences Psychiques, 1904.
Durville, Hector. “Théories et procédés du magnétisme.” La Vie Mystérieuse, no. 40 (Aug. 25, 1910), 244–46.
Encausse, Gérard [Papus]. “Comment est constitué l’Etre Humain.” La Vie Mystérieuse, no. 65 (Sept. 10, 1911), 260–61; no. 66 (Sept. 25, 1911), pp. 275–76; no. 68 (Oct. 25, 1911), 30; no. 70 (Nov. 25, 1911), n.p.; no. 73 (Jan. 10, 1912), n.p.; no. 76 (Feb. 25, 1912), 436–37.
_________. Essai de physiologie synthétique. Paris: Georges Carré, 1891.
_________. L’Occulte à l’Exposition. Paris: Librairie Paul Ollendorf, 1901.
Flammarion, Camille. Death and Its Mystery before Death (1920). New York: Century, 1921.
_________. L’Inconnu et les problèmes psychiques. Paris: Ernest Flammarion, 1900. Trans, as The Unknown (New York: Harper & Bros., 1900).
G[irod], F[ernand]. “Analogie des phénomènes médiumniques avec certains phénomènes électriques.” La Vie Mystérieuse, no. 85 (July 10, 1912), 584.
Leadbeater, C[harles] W[ebster]. Clairvoyance (1899). 2d ed. London: Theosophical Publishing Society, 1903. Trans. as De la clairvoyance (Paris: Publications Théosophiques, 1910).
Lombroso, Cesare. After Death—What? Spiritistic Phenomena and Their Interpretation. Trans. William Sloane Kennedy. Boston: Small, Maynard, 1909.
_________. Hypnotisme et spiritisme. Trans. Rossigneux. Paris: Ernest Flammarion, 1910. Originally published as Ricerche sui fenomeni ipnotici e spiritici (Turin: Unione Tipografico-Editrice Torinese, 1909).
Mareschal, G. “Photographie d’effluves humain et magnétique. La Nature 25 (Oct. 30, 1897), 349–50.
Péladan. Origine et esthétique de la tragédie. Paris: E. Sansot, 1905.
_________. “Le Radium et l’hyperphysique.” Mercure de France 50 (June 1904), 608–37.
Piobb, Pierre. L’Année occultiste et psychique. 2 vols. Paris: H. Daragon, 1908.
Revel, P[ierre] Camille. Le Hasard, sa loi et ses conséquences dans les sciences et en philosophie; suivi d’un essai sur La Métempsychose, basée sur les principes de la biologie et du magnétisme physiologique. Paris: Bibliothèque Chacornac/H. Durville, 1909.
Rochas, Albert de. Les Etats profonds de l’hypnose (1892). 3d ed. Paris: Chamuel, 1896.
_________. L’Extériorisation de la motricité. Paris: Chamuel, 1896.
_________. L’Extériorisation de la sensibilité: Etude expérimentale et historique (1895). 6th ed. Paris: Bibliothèque Chacornac, 1909.
“La Télépathie.” Le Radium, no. 1 (Jan. 1904), 15–16.
Varlet, Théo. “Télépathie.” Les Bandeaux d’Or, ser. 2, fasc. 5 (1908), 31–48.
Wilfred, G. “La Transmission de la pensée: Théorie et pratique.” La Vie Mystérieuse, no. 8 (Apr. 25, 1909), 115–16.
b. Secondary Sources
Darnton, Robert. Mesmerism and the End of the Enlightenment in France. Cambridge: Harvard University Press, 1968.
Fodor, Nandor. Encyclopaedia of Psychic Science. With a preface by Sir Oliver Lodge. London: Arthurs Press, 1933.
Greenway, John L. ‘“Nervous Disease’ and Electric Medicine.” In Pseudo-Science and Society in Nineteenth-Century America, ed. Arthur Wrobel, pp. 46–73. Lexington: University of Kentucky Press, 1987.
_________. “Strindberg and Suggestion in Miss Julie.” South Atlantic Review 51 (1986), 21–33.
Leahey, Thomas Hardy, and Grace Evans Leahey. Psychology’s Occult Doubles: Psychology and the Problem of Pseudoscience. Chicago: Nelson-Hall, 1983.
Oppenheim, Janet. The Other World: Spiritualism and Psychical Research in England, 1850–1914. Cambridge: Cambridge University Press, 1985.
2. Alchemy
a. Contemporary Sources
Berthelot, Marcellin. Les Origines de l’alchimie. Paris: Georges Steinheil, 1885.
Bolton, H. Carrington. “The Revival of Alchemy.” In Annual Report of the Smithsonian Institution, 1897, pp. 207–17. Washington, D.C.: G.P.O., 1898.
Canseliet, Eugène. Alchimie: Etudes diverses de symbolisme hermétique et de pratique philosophale. Paris: Jean-Jacques Pauvert, 1964.
Chanac, Guy de. “L’Alchimie au Moyen-Age.” La Vie Mystérieuse, no. 87 (Aug. 10, 1912), 615–17.
Coates, Joseph Hornor. “The Renaissance of the Alchemists.” North American Review 183 (July 1906), 82–93.
Delobel, Em., trans. “Radio-activité (de E. Rutherford)” (excerpts from Rutherford’s 1904 Radio-activity). Les Nouveaux Horizons de la Science et de la Pensée 11–13 (Dec. 1906–Jan. 1908).
Dubus, Edouard. “La Théorie alchimiste au XIXe siècle.” Mercure de France 1 (Oct. 1890), 372–76.
Jollivet Castelot, François. “L’Alchimie.” Mercure de France 15 (Nov. 1895), 205–15.
_________. Comment on devient alchimiste. Paris: Chamuel, 1897.
_________. L’Hylozöisme: L’Alchimie, les chimistes unitaires. Paris: Chamuel, 1896.
_________. Sociologie et Fourierisme. Paris: H. Daragon, 1908.
_________. La Synthèse d’or: L’Unité et la transmutation de la matière. Paris: H. Daragon, 1909.
_________. La Vie et l’âme de la matière: Essai de physiologie chimique. Paris: Société des Editions Scientifiques, 1894.
“The Old and the New Alchemy.” Edinburgh Review 205 (Jan. 1907), 28–47.
Poisson, Albert. Théories & symboles des alchimistes. Paris: Bibliothèque Chacornac, 1891.
Porte du Trait des Ages, A[imé]. F. Jollivet Castelot: L’Ecrivain—le poète—le philosophe. Paris: Eugène Figuière, 1914.
“La Transmutation des éléments chimiques” (on the work of Sir William Ramsay). Les Nouveaux Horizons de la Science et de la Pensée 12 (Nov. 1907), 375.
Valentin, Frère Basile. Les Douze Clefs de la philosophie. Paris: Chamuel, 1899.
_________. Les Douze Clefs de la philosophie. Trans. and intro. Eugène Canseliet. Paris: Editions de Minuit, 1956.
b. Secondary Sources Including Those on Alchemy and Artists Other than Duchamp
Darrow, Floyd L. The Story of Chemistry. Indianapolis: Bobbs-Merrill, 1927.
Dixon, Laurinda S. Alchemical Imagery in Bosch’s Garden of Delights. Ann Arbor: UMI Research Press, 1981.
_________. “Textual Enigma and Alchemical Iconography in Nicholas Flamel’s Exposition of the Hieroglyphicall Figures.” Cauda Pavonis, n.s., 10 (Spring 1991), 5–9.
Fisk, Dorothy M. Modern Alchemy. New York: D. Appleton-Century, 1936.
Lennep, Jacques van. Alchimie: Contribution à l’histoire de l’art alchimique. 2d ed. rev. Brussels: Crédit Communale de Belgique, 1985.
Read, John. Prelude to Chemistry: An Outline of Alchemy, Its Literature, and Relationships. London: G. Bell, 1936.
Redgrove, H. Stanley. Alchemy: Ancient and Modern (1911). 2d ed. rev. London: William Rider, 1922.
Warlick, M. E. “Max Ernst’s Collage Novel, Une Semaine de bonté: Feuilleton Sources and Alchemical Interpretation.” Ph.D. diss.. University of Maryland, 1984.
C. PHILOSOPHY
1. Contemporary Sources
Bergson, Henri. The Creative Mind. Trans. Mabelle L. Andison. New York: Philosophical Library, 1946.
_________. Essai sur les données immédiates de la conscience. Paris: Félix Alcan, 1889. Trans, by F. L. Pogson as Time and Free Will (New York: Macmillan, 1910).
_________. L’Evolution créatice. Paris: Félix Alcan, 1907. Trans. by Arthur Mitchell as Creative Evolution (New York: Henry Holt, 1911).
_________. Le Rire: Essai sur la signification du comique. Paris: Félix Alcan, 1900. Trans. by Cloudesley Brereton and Fred Rothwell as Laughter: An Essay on the Meaning of the Comic (New York: Macmillan, 1911).
Dunne, J. W. An Experiment with Time. London: A. & C. Black, 1927.
_________. The Serial Universe. London: Faber & Faber, 1934.
Lucrèce [Titus Lucretius Carus]. De la nature des choses. Trans. LaGrange. 2 vols. Paris: Chez Bleuet Père, 1794.
_________. De la nature des choses. Trans. André Lefèvre. Paris: Société des Editions Littéraires, 1899.
Peirce, Charles Sanders. Collected Papers of Charles Sanders Peirce. Ed. Charles Hartshorne and Paul Weiss. 8 vols. Cambridge: Harvard University Press, 1960.
Plato. Statesman. Ed. and trans. J. B. Skemp. London: Routledge and Kegan Paul, 1952.
Stirner, Max. The Ego and His Own. Trans. Steven Byington. London: A. C. Fifield, 1915.
_________. L’Unique et sa propriété. Trans. Robert L. Reclaire. Paris: P. V. Stock, 1899.
Valin, Pierre. “L’Evolution de la philosophie du 19e au 20e siècle,” La Phalange 6 (June 20, 1909), 159–77; 7 (July 20, 1909), 235–50; 7 (Aug. 20, 1909), 375–83; 7 (Sept. 20, 1909), 385–404.
2. Secondary Sources
Edwards, Paul, ed. The Encylopedia of Philosophy. 8 vols. New York: Macmillan & Free Press, 1972.
Greenlee, Douglas. Peirce’s Concept of the Sign. The Hague: Mouton, 1973.
Murphey, Murray G. The Development of Peirce’s Philosophy. Cambridge: Harvard University Press, 1961.
Rescher, Nicholas. “Choice without Preference: A Study of the History and Logic of the Problem of ‘Buridan’s Ass.’” Kant-Studien 51 (1959–60), 142–75.
D. LITERATURE
1. Avant-Garde Writers and Periodicals
a. Contemporary Writings
Apollinaire, Guillaume. Calligrammes. Paris: Mercure de France, 1918.
_________. “L’Esprit nouveau et les poètes.” Mercure de France 130 (Dec. 1, 1918), 385–96.
_________. L’Hérésiarque et Cie. Paris: Editions Stock, 1910.
_________. “Jean Royère.” La Phalange no. 19 (Jan. 1908), 596–600.
_________. Le Poète assassiné (1916). Paris: Gallimard, 1947.
_________. Selected Writings of Guillaume Apollinaire. Trans. Roger Shattuck. New York: New Directions, 1971.
Balakian, Anna. André Breton: Magus of Surrealism. New York: Oxford University Press, 1971.
Breton, André. Anthologie de l’humour noir. Paris: Edition du Sagittaire, 1950.
_________. Manifestos of Surrealism. Trans. Richard Seaver and Helen R. Lane. Ann Arbor: The University of Michigan Press, 1972.
Cendrars, Blaise. Oeuvres complètes. Ed. Nino Frank. 15 vols. Paris: Le Club Français du Livre, 1968.
_________. Selected Writings of Blaise Cendrars. Ed. Walter Albert. New York: New Directions, 1966.
Carrouges, Michel. André Breton and the Basic Concepts of Surrealism (1950). Trans. Maura Prendergast. Tuscaloosa, Ala.: University of Alabama Press, 1974.
_________. “Surréalisme et occultisme.” Les Cahiers d’Hermès, no. 2 (1947), 194–218.
Desnos, Robert. “Rrose Sélavy.” Littérature, n.s., no. 7 (Dec. 1, 1922), 14–22.
Eliot, T. S. Selected Essays. New York: Harcourt, Brace, 1932.
Flaubert, Gustave. Bouvard and Pécuchet (1881). Trans. T. W. Earp and G. W. Stonier. New York: New Directions, 1954.
_________. Oeuvres complètes de Gustave Flaubert. Paris: Club de l’Honnête Homme, 1971.
Gourmont, Remy de. “Epilogues: XXIIe Lettre à l’amazone.” Mercure de France 102 (Mar. 16, 1913), 353–56.
_________. Lettres à l’amazone. Paris: G. Crès, 1914. 20th ed., Paris: Mercure de France, 1924.
Huysmans, Joris-Karl. Certains. Paris: Tresse & Stock, 1889.
_________. Là-bas (1891). Paris: Librairie Plon, 1911.
Maeterlinck, Maurice. Le Double Jardin. Paris: Eugène Fasquelle, 1904.
Marinetti, Filippo Tommaso. Marinetti: Selected Writings. Ed. R. W. Flint. New York: Farrar Straus and Giroux, 1972.
Mercereau, Alexandre. La Littérature et les idées nouvelles. Paris: Eugène Figuière, 1912.
Mirbeau, Octave. La 628–E8. Paris: Charpentier, 1907.
Pound, Ezra. “The Approach to Paris, I.” New Age 13 (Sept. 11, 1913), 577–79.
_________. Literary Essays of Ezra Pound. Ed. T. S. Eliot. London: Faber & Faber, 1960.
_________. Selected Prose 1909–1965. Ed. William Cookson. London: Faber & Faber, 1973.
Romains, Jules. La Vie unanime. Paris: Abbaye de Créteil, 1908.
Stéphane, Marc. “Esotérisme et Théosophie.” Pan 5 (July-Sept. 1912), 550–58.
Varlet, Théo. “Nouvelles Découvertes de Sir Electrod….” Les Bandeaux d’Or, 2d ser., fasc. 8 (1908), 174–82.
b. Secondary Sources
Balakian, Anna. “Apollinaire and the Modern Mind.” Yale French Studies 2 (1949), 79–90.
Bates, Scott. Guillaume Apollinaire. Rev. ed. Boston: Twayne, 1989.
Bell, Ian F. A. Critic as Scientist: The Modernist Poetics of Ezra Pound. London: Methuen, 1981.
Bergman, Par. “Modernolatria” et “Simultanéité.” Studia Litterarum Upsaliensia 2. Stockholm: Bonniers, 1962.
Bohn, Willard. The Aesthetics of Visual Poetry, 1914–1928. Cambridge: Cambridge University Press, 1986.
_________. “Thoughts That Join like Spokes: Pound’s Image of Apollinaire.” Paideuma 18 (Spring-Fall 1989), 129–45.
Boudar, Gilbert, and Pierre Caizergues. Catalogue de la bibliothèque de Guillaume Apollinaire II. Paris: Editions du Centre National de la Recherche Scientifique, 1987.
Boudar, Gilbert, and Michel Décaudin. Catalogue de la bibliothèque de Guillaume Apollinaire. Paris: Editions du Centre National de la Recherche Scientifique, 1983.
Clarke, Bruce. Allegories of Writing: The Subject of Metamorphosis. Albany: State University of New York Press, 1995.
Davenport, Guy. The Geography of the Imagination. San Francisco: North Point Press, 1981.
Donato, Eugenio. “The Museum’s Furnace: Notes toward a Contextual Reading of Bouvard and Pécuchet.” In Textual Strategies: Perspectives in Post-Structuralist Criticism, ed. Josué V. Harari, pp. 213–38. Ithaca: Cornell University Press, 1979.
Doolittle, James. “Hieroglyph and Emblem in Diderot’s Lettre sur les sourds et les muets.” Diderot Studies 2 (1952), 148–67.
Erkkila, Betsy. Walt Whitman among the French: Poet and Myth. Princeton: Princeton University Press, 1980.
Fletcher, Angus. Allegory: The Theory of a Symbolic Mode. Ithaca: Cornell University Press, 1964.
Kahn, Douglas, and Gregory Whitehead, eds. Wireless Imagination: Sound, Radio, and the Avant-Garde. Cambridge: MIT Press, 1992.
Mackworth, Cecily. Guillaume Apollinaire and the Cubist Life. New York: Horizon Press, 1963.
Meyer, Michael. Strindberg. London: Secker & Warburg, 1985.
Motte, Warren F, Jr. “Clinamen Redux.” Comparative Literature Studies 23 (Winter 1986), 263–81.
Motte, Warren F, Jr., ed. and trans. Oulipo: A Primer of Potential Literature. Lincoln: University of Nebraska Press, 1986.
Nänny, Max. Ezra Pound: Poetics for an Electric Age. Bern: Francke Verlag, 1973.
Perloff, Marjorie. The Futurist Moment: Avant-Garde, Avant Guerre, and the Language of Rupture. Chicago: University of Chicago Press, 1986.
Schneidau, Herbert N. Waking Giants: The Presence of the Past in Modernism. Oxford: Oxford University Press, 1991.
Shattuck, Roger. “Apollinaire’s Great Wheel.” In The Innocent Eye: On Modern Literature & the Arts, pp. 240–62. New York: Farrar Straus Giroux, 1984.
Steegmuller, Francis. Apollinaire, Poet among the Painters (1963). New York: Viking Penguin, 1986.
Wood, Douglas Kellogg. Men against Time: Nicolas Berdyaev, T. S. Eliot, Aldous Huxley, & C. G. Jung. Lawrence: University of Kansas Press, 1982.
2. Alfred Jarry
a. Writings
Jarry, Alfred. Alfred Jarry: Oeuvres complètes. 3 vols. Vol. 1, ed. Michel Arrivé. Vols. 2, 3, ed. Henri Bordillon et al. Paris: Gallimard, 1972–88.
_________. Gestes et opinions du docteur Faustroll, pataphysicien (roman néo-scientifique), suivi de Spéculations. Paris: Eugène Fasquelle, 1911; Paris: Fasquelle Editeurs, 1955.
_________. Selected Works of Alfred Jarry. Ed. Roger Shattuck and Simon Watson Taylor. New York: Grove Press, 1965.
_________. Le Surmâle: Roman moderne. Paris: Charpentier, 1902. Trans. by Ralph Gladstone and Barbara Wright as The Supermale (New York: New Directions, 1977).
Jarry, Alfred [Dr. Faustroll]. “Commentaire pour servir à la construction pratique de la machine à explorer le temps.” Mercure de France 29 (Feb. 1899), 387–96.
b. Secondary Sources
Beaumont, Keith. Alfred Jarry: A Critical and Biographical Study. New York: St. Martin’s Press, 1984.
Behar, Henri, and Brunella Eruli, eds. Jarry et Cie: Communications du Colloque International. Tournées: L’Etoile-Absinthe, 1985.
Bordillon, Henri, ed. Alfred Jarry. Colloque de Cerisy, 1981. Paris: Pierre Belfond, 1985.
Carrouges, Michel. “Machines pataphysiques pour l’au-delà.” Les Etudes Philosophiques, no. 1 (1985), 77–89.
Lie, S. “De Lord Kelvin à Jarry.” Cahiers du Collège de ‘Pataphysique, nos. 22–23 (1956), 111–14.
Petitfaux, G. “Des bulles de savon de Boys à l’as de Faustroll.” Cahiers du Collège de ‘Pataphysique, nos. 22–23 (1956), 45–49.
Shattuck, Roger, and Simon Watson Taylor, eds. Evergreen Review 4 (May-June 1960), 24–192. Issue devoted to the Collège de ‘Pataphysique.
Stehlin, Catherine. “Jarry, le cours Bergson et la philosophie.” Europe 59 (Mar.-Apr. 1981), 34–51.
Stillman, Linda Klieger. Alfred Jarry. Boston: Twayne, 1983.
_________. “Machinations of Celibacy and Desire.” L’Esprit Créateur 24 (Winter 1984), 20–35.
_________. “Physics and Pataphysics: The Sources of Faustroll.” Kentucky Romance Quarterly 26 (1979), 81–92.
3. Raymond Roussel
a. Writings
Roussel, Raymond. How I Wrote Certain of My Books (1935). Trans. Trevor Winkfield. New York: Sun, 1977.
_________. Impressions d’Afrique. Paris: Librairie Lemerre, 1910; Paris: Jean-Jacques Pauvert, 1963. Trans. by Lindy Foord and Rayner Heppenstall as Impressions of Africa (Berkeley: University of California Press, 1967).
_________. Locus Solus. Paris: Librairie Lemerre, 1914; Paris: Gallimard, 1963. Trans. by Rupert Copeland Cuningham as Locus Solus (Berkeley: University of California Press, 1970).
b. Secondary Sources
Amiot, Anne-Marie. “L’Idéologie rousselienne dans Locus Solus: Raymond Roussel et Camille Flammarion.” In Actes du 2e colloque de lexicologie politique, Sept. 15–20, 1980, ed. Danielle Bonnaud-Lamotte, pp. 115–23. Paris: Librarie Klincksieck, 1982.
_________. Un Mythe moderne: “Impressions d’Afrique” de Raymond Roussel. Archives de Lettres Modernes, no. 176. Paris: Minard, 1977.
Amiot, Anne-Marie, ed. Raymond Roussel en gloire. Mélusine, no. 6. Lausanne: L’Age d’Homme, 1984.
Angremy, Annie. “La Malle de Roussel: Du bric-à-brac au décryptage.” Revue de la Bibliothèque Nationale 43 (Spring 1992), 37–49.
Ashberry, John. “Les Versions scéniques d’Impressions d’Afrique et de Locus Solus. Bizarre, no. 34–35 (1964), 19–30.
Caradec, François. “Images, visages, et voyages de Raymond Roussel.” Revue de la Bibliothèque Nationale 43 (Spring 1992), 24–35.
_________. Vie de Raymond Roussel (1877–1933). Paris: Jean-Jacques Pauvert, 1972.
Ferry, Jean. L’Afrique des impressions: Petit Guide pratique àl’usage du voyager. Paris: Jean-Jacques Pauvert, 1967.
_________. Une Etude sur Raymond Roussel. Paris: Arcanes, 1953.
Foucault, Michel. Death and the Labyrinth: The World of Raymond Roussel (1963). Trans. Charles Ruas. New York: Doubleday, 1986.
Goodman, Lanie. “Le Corps-Accord Rousselian: Machines à composer.” L’Esprit Créateur 26 (Winter 1986), 48–59.
Heppenstall, Rayner. Raymond Roussel: A Critical Study. Berkeley: University of California Press, 1967.
Leiris, Michel. “Conception and Reality in the Work of Raymond Roussel.” Art & Literature, no. 2 (Summer 1964), 12–26.
_________. Roussel l’ingénu. Paris: Editions Fata Morgana, 1987.
Plottel, Jeanine Parisier. “Machines de langage: Impressions d’Afrique et La Mariée mise à nu par ses célibataires, même.” In Le Siècle éclaté 2: Théorie, tableau, texte de Jarry à Artaud, ed. Mary Ann Caws, pp. 13–23. Paris: Minard, 1978.
Ringger, Kurt. “Le Jeu des appareils et des mots chez Raymond Roussel.” Etudes Philosophiques, no. 1 (1985), 91–100.
Tani, Masachika. “Le Mort et le temps: Raymond Roussel et Camille Flammarion.” Europe 66 (Oct. 1988), 96–105.
4. Science Fiction
a. Contemporary Writings
Flammarion, Camille. Stella. Paris: Ernest Flammarion, 1897.
Pawlowski, Gaston de. Voyage au pays de la quatrième dimension. Paris: Eugène Fasquelle, 1912.
_________. Voyage au pays de la quatrième dimension. Rev. ed. Paris: Eugène Fasquelle, 1923; Paris: Denoël, 1971.
Robida, A[lbert]. Le Vingtième Siècle. Paris: Montgredien, 1883.
_________. Le Vingtième Siècle: La Vie électrique. Paris: Librairie Illustrée, 1890.
Villiers de l’Isle-Adam. L’Eve future (1886). Paris: Jean-Jacques Pauvert, 1960. Trans. Robert Martin Adams as Tomorrow’s Eve. Urbana: University of Illinois Press, 1982.
Wells, H. G. The Invisible Man. London: C. A. Pearson, 1897.
_________. The World Set Free: A Story of Mankind (1913). New York: E. P. Dutton, 1914.
b. Secondary Sources
Brun, Philippe, Preface to Robida: Fantastique et science-fiction. Paris: Pierre Horay, 1980.
Domino, Chistophe. “Villiers de l’Isle-Adam et Jarry: L’Eve future et Le Surmâle.” In Alfred Jarry, ed. Henri Bordillon, pp. 85–101. Paris: Pierre Belfond, 1985.
Durr, Michael. “Jules Verne et l’électricité.” In La France des électriciens, 1880–1980, ed. Fabienne Cardot, pp. 335–58. Paris: Presses Universitaires de France.
Fumaroli, Marc. “Histoire de la litérature et histoire de l’électricité.” In L’Electricité dans l’histoire: Problèmes et méthodes, ed. Fabienne Cardot, pp. 225–36. Paris: Presses Universitaires de France, 1985.
Stillman, Linda. “Le Vivant et l’artificiel: Jarry, Villier de l’Isle Adam, Robida.” In Jarry et Cie: Communications du Colloque International, ed. Henri Behar and Brunella Eruli, pp. 107–16. Tournées: L’Etoile Absinthe, 1985.