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3. From Painter to Engineer, I: Depersonalization of Drawing Style and Adoption of Human-Machine Analogies, Fall 1912–1913
Linda Dalrymple Henderson
Description: Duchamp in Context: Science and Technology in the Large Glass and Related Works
Duchamp in Context: Science and Technology in the Large Glass and Related Works
~Duchamp returned to Paris in early October 1912, after an absence of nearly four months, during which time his ideas about making art had evolved substantially. “My stay in Munich was the scene of my complete liberation, when I established the...
Author
Linda Dalrymple Henderson
PublisherPrinceton University Press
Copyright© 1998 by Princeton University Press
Related print edition pages: pp.31-39
https://doi.org/10.37862/aaeportal.00306.4
Stable URL: https://aaeportal.com/?id=-22459
Chapter subject tags:Art and sciencePower (Mechanics)CubismAutomobilesDuchamp, Marcel, 1887-1968. Bride stripped bare by her bachelors, even

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3. From Painter to Engineer, I: Depersonalization of Drawing Style and Adoption of Human-Machine Analogies, Fall 1912–1913
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