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List of illustrations

  • Mount Adams, Washington
  • The Last Man
  • View of a Manor House on the Harlem River, New York
  • Scène de brûlis
  • Engenho da Caxoeira, Sugar Cane Cutting—17 October 1848
  • The Selector's Hut (Whelan on the Log)
  • Fight for the Waterhole
  • Brace's Rock, Eastern Point
  • The Rocks at Nahant
  • Rocks at Nahant
  • Near Newport, Rhode Island
  • Nahant and Swampscott, Massachusetts Bay
  • Photographs of paintings by J. F. Kensett
  • Moyes Bay, Beaumaris
  • Slumbering Sea, Mentone
  • A View of Sydney Cove—Port Jackson March 7th 1792
  • Chart of Part of the Coast of New South Wales
  • Views of the South Coast of Terra Australis
  • Crossing the Stream
  • The Hunter, A Self-Portrait
  • Fur Traders Descending the Missouri (French Trader and Half-Breed Son)
  • Kindred Spirits
  • View of the Wingecarribbee River, New South Wales
  • Amateur Whaling, or A Tale of the Pacific
  • Wounded Buffalo, Strewing His Blood over the Prairies
  • View on the Upper Mitta Mitta
  • A Kangaroo Hunt under Mount Zero, The Grampians, Victoria, Australia
  • Untitled (Hunting Scene with Aboriginal Tracker)
  • A Corroboree of Natives in Mills Plains
  • Landscape with Narcissus and Echo
  • Swilker Oak
  • View of Mills Plains, Van Diemen's Land
  • A View of the Artist's House and Garden, in Mills Plains, Van Diemen's Land
  • Golding Constable's Flower Garden
  • My Harvest Home
  • Summer
  • Harvest Landscape, Victoria
  • Castle Rock, Cape Schanck
  • Am Heiligenstein 11 September 1843
  • Rocky Coast at Étretat
  • Castle Rock, Cape Schanck
  • Mount William from Mount Dryden, Victoria
  • Mount William from Mount Dryden North Grampians 7 June 1856
  • Crater of Mount Eccles, West from Mount Napier
  • Apollo and the Seasons
  • Snowdon from Llyn Nantlle
  • Herdsmen with Cows
  • Mercury and Argus
  • Landscape with Figures: A Scene from The Last of the Mohicans
  • View toward Castle Rock from Forty Steps Beach
  • Standing on the Base Ground...I Become a Transparent Eyeball
  • Almy Pond, Newport
  • View of Tower Hill
  • Tower Hill Reserve
  • Herrick's Blossoms
  • Pastoral
  • An Autumn Morning, Milson's Point, Sydney
  • Sirius Cove
  • Cremorne Pastoral
  • The Purple Noon's Transparent Might
  • View across a Mountain Range
  • The Mushroom Gatherers
  • Aboriginal Head—Charlie Turner
  • Minang Boodjar—Surveying King George Sound
  • Le Havre aux Huitres, dans le Port du Roi Georges (N'elle. Hollande) (Oyster Bay—King George Sound)
  • Sanitary and Topographical Map of the City and Island of New York
  • Earth's Eye
  • Handshake
  • Home in the Wilderness
  • Home in the Woods
  • Swan River—View from Fraser's Point
  • Panoramic View of King George's Sound, Part of the Colony of Swan River
  • Panoramic View of King George's Sound, Part of the Colony of Swan River
  • Swan River 50 miles up
  • Panoramic View of Minang Boojar Minang Land
  • Piasetsky Demonstrating a Panorama
  • Mespat
  • TwoRow II
Free
Richard Read (Editor), Kenneth Haltman (Editor)
Description: Colonization, Wilderness, and Spaces Between: Nineteenth-Century Landscape Painting...
Contents
Author
Richard Read (Editor), Kenneth Haltman (Editor)
PublisherTerra Foundation for American Art
Free
Description: Colonization, Wilderness, and Spaces Between: Nineteenth-Century Landscape Painting...
The Terra Foundation for American Art is proud to copublish this volume with the University of Western Australia’s School of Design...
PublisherTerra Foundation for American Art
Description: Colonization, Wilderness, and Spaces Between: Nineteenth-Century Landscape Painting...
~This volume of essays frames a comparative history of Australian and American landscape painting through recent considerations of the Anthropocene, arguing that careful and deep analysis of specific nineteenth-century artworks reveals issues of environmental concern then and now. Our authors tend to use two main senses of the term...
PublisherTerra Foundation for American Art
Related print edition pages: pp.14-32
https://doi.org/10.37862/aaeportal.00293.1

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Description: Colonization, Wilderness, and Spaces Between: Nineteenth-Century Landscape Painting...
~The first and enduring impression of Brace’s Rock, Eastern Point (1864; fig. 1) by the New England marine painter Fitz Henry Lane is one of stillness and emptiness. In part, this impression is the result of the emphatic horizontality of the composition. A series of parallel divisions rises above the strikingly heavy...
PublisherTerra Foundation for American Art
Related print edition pages: pp.34-48
https://doi.org/10.37862/aaeportal.00293.2

Access to this content is only available to subscribers. If you are at an institution that currently subscribes to the A&AePortal, please login to your VPN before accessing the site. If you have already purchased an individual subscription, please sign in to your account to access the content. Learn more about subscriptions.

Description: Colonization, Wilderness, and Spaces Between: Nineteenth-Century Landscape Painting...
~In Rocks at Nahant (1864; fig. 1) William Stanley Haseltine depicts the...
PublisherTerra Foundation for American Art
Related print edition pages: pp.50-68
https://doi.org/10.37862/aaeportal.00293.3

Access to this content is only available to subscribers. If you are at an institution that currently subscribes to the A&AePortal, please login to your VPN before accessing the site. If you have already purchased an individual subscription, please sign in to your account to access the content. Learn more about subscriptions.

Description: Colonization, Wilderness, and Spaces Between: Nineteenth-Century Landscape Painting...
~The tremendous and ongoing popularity of representations of non-Indigenous hunters in both the United States and Australia first arose in the early and late decades of the nineteenth century, respectively. These images ranged from small narrative vignettes in the margins of wilderness landscapes to sporting scenes proper featuring...
PublisherTerra Foundation for American Art
Related print edition pages: pp.70-86
https://doi.org/10.37862/aaeportal.00293.4

Access to this content is only available to subscribers. If you are at an institution that currently subscribes to the A&AePortal, please login to your VPN before accessing the site. If you have already purchased an individual subscription, please sign in to your account to access the content. Learn more about subscriptions.

Description: Colonization, Wilderness, and Spaces Between: Nineteenth-Century Landscape Painting...
~Ever since naturalist John Lhotsky (1795–1866) wrote in 1839 that Anglo-Tasmanian colonial landscape painter John Glover was “not a...
PublisherTerra Foundation for American Art
Related print edition pages: pp.88-102
https://doi.org/10.37862/aaeportal.00293.5

Access to this content is only available to subscribers. If you are at an institution that currently subscribes to the A&AePortal, please login to your VPN before accessing the site. If you have already purchased an individual subscription, please sign in to your account to access the content. Learn more about subscriptions.

Description: Colonization, Wilderness, and Spaces Between: Nineteenth-Century Landscape Painting...
~With his sketchbook in hand, the Düsseldorf-trained painter Eugene von Guérard spent the day of April 11, 1863, climbing over the rocks at Cape Schanck, a spectacular headland of eroded volcanic rock that juts out into the open seas of Bass Strait from the southern coast of the Australian mainland, about...
PublisherTerra Foundation for American Art
Related print edition pages: pp.104-122
https://doi.org/10.37862/aaeportal.00293.6

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Description: Colonization, Wilderness, and Spaces Between: Nineteenth-Century Landscape Painting...
~In his July 17, 1814, review “Wilson’s Landscape, at the British Institution,” English Romantic art critic and essayist William Hazlitt (1778–1830) applauded Apollo and the Seasons (18th c.; fig. 1), an Italianate landscape painting by Richard Wilson (in the manner of Claude Lorrain):
PublisherTerra Foundation for American Art
Related print edition pages: pp.124-144
https://doi.org/10.37862/aaeportal.00293.7

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Description: Colonization, Wilderness, and Spaces Between: Nineteenth-Century Landscape Painting...
~The 1888 centenary of settlement in Australia marked one hundred years since the British had sailed into Botany Bay under Captain Arthur Phillip (1738–1814) to set up a...
PublisherTerra Foundation for American Art
Related print edition pages: pp.146-162
https://doi.org/10.37862/aaeportal.00293.8

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Description: Colonization, Wilderness, and Spaces Between: Nineteenth-Century Landscape Painting...
~Christopher Pease (Noongar, b. 1960) and Alan Michelson (Mohawk, b. 1953) are artists whose work directly engages the visual cultures of the settler states of Australia and the United States. In their work, each artist addresses how imagery serves to erase Indigenous presence on and relationships to the land, though in different ways. Pease is a painter. He...
PublisherTerra Foundation for American Art
Related print edition pages: pp.164-185
https://doi.org/10.37862/aaeportal.00293.9

Access to this content is only available to subscribers. If you are at an institution that currently subscribes to the A&AePortal, please login to your VPN before accessing the site. If you have already purchased an individual subscription, please sign in to your account to access the content. Learn more about subscriptions.

Free
Richard Read (Editor), Kenneth Haltman (Editor)
Description: Colonization, Wilderness, and Spaces Between: Nineteenth-Century Landscape Painting...
Index
Author
Richard Read (Editor), Kenneth Haltman (Editor)
PublisherTerra Foundation for American Art
Free
Richard Read (Editor), Kenneth Haltman (Editor)
Description: Colonization, Wilderness, and Spaces Between: Nineteenth-Century Landscape Painting...
Contributors
Author
Richard Read (Editor), Kenneth Haltman (Editor)
PublisherTerra Foundation for American Art
Free
Richard Read (Editor), Kenneth Haltman (Editor)
Description: Colonization, Wilderness, and Spaces Between: Nineteenth-Century Landscape Painting...
Image Credits
Author
Richard Read (Editor), Kenneth Haltman (Editor)
PublisherTerra Foundation for American Art
Free
Richard Read (Editor), Kenneth Haltman (Editor)
Description: Colonization, Wilderness, and Spaces Between: Nineteenth-Century Landscape Painting...
~Since 1978, the Terra Foundation for American Art has been committed to engaging audiences around the globe in lively discussions on the visual arts of the United States. This publication offers an original platform for international exchange, complementing the foundation’s existing programs.
Author
Richard Read (Editor), Kenneth Haltman (Editor)
PublisherTerra Foundation for American Art
Colonization, Wilderness, and Spaces Between: Nineteenth-Century Landscape Painting in Australia and the United States
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