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Description: Cézanne’s Gravity
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PublisherYale University Press
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ILLUSTRATIONS
The photographers and the sources of visual material other than the owners indicated in the captions are as follows. Every effort has been made to supply complete and correct credits; if there are errors or omissions, please contact Yale University Press so that corrections can be made in any subsequent edition.
Figs. 1, 52: Courtesy National Gallery of Art, Washington.
Fig. 2: Courtesy Saint Louis Art Museum.
Figs. 3, 81: © Sotheby’s.
Figs. 4, 14, 18, 46, 48, 87: Image © RMN-Grand Palais / Art Resource, NY. Photograph: Hervé Lewandowski.
Fig. 5: Image © RMN-Grand Palais / Art Resource, NY. Photograph: Daniel Arnaudet.
Figs. 6, 13, 53, 64, 65, 69, 79, 120: Erich Lessing / Art Resource, NY.
Fig. 7: Image © RMN-Grand Palais / Art Resource, NY. Photograph: Patrice Schmidt.
Fig. 8: Image: Gallica, Bibliothèque nationale de France, Paris.
Figs. 9, 91, 113: Image © 2017 The Barnes Foundation.
Fig. 10: Image © RMN-Grand Palais / Art Resource, NY. Photograph: Benoît Touchard / Mathieu Rabeau.
Figs. 11, 45, 51: Courtesy the Getty’s Open Content Program.
Figs. 12, 67, 108, 112: Courtesy of a private collection.
Fig. 15: © RMN-Grand Palais / Agence Bulloz / Art Resource, NY.
Fig. 16: Bridgeman Images.
Fig. 17: Photograph: Gérard Blot / Christian Jean. © RMN-Grand Palais / Art Resource, NY.
Fig. 19: Digital Image © The Museum of Modern Art. Licensed by SCALA / Art Resource, NY.
Fig. 20: © ARS, NY. Image: Erich Lessing / Art Resource, NY.
Fig. 21: © Reproduced by the kind permission of the Provost and Fellows of Kings College, Cambridge.
Fig. 22: Richard Shone, The Art of Bloomsbury (London: Tate Gallery; Princeton, NJ: Princeton University Press, 1999), plate 4, p. 60. © Estate of Vanessa Bell, courtesy Henrietta Garnett.
Fig. 23: © Estate of Vanessa Bell, courtesy Henrietta Garnett. Image © The Cheltenham Trust and Cheltenham Borough Council/Bridgeman Images.
Fig. 24: © Estate of Vanessa Bell, courtesy Henrietta Garnett. Image © Museums Sheffield/Bridgeman Images.
Fig. 25: © Estate of Duncan Grant. All rights reserved, DACS, London / ARS, New York. Image: courtesy National Galleries Scotland.
Fig. 28: © Estate of Vanessa Bell, courtesy Henrietta Garnett. Image courtesy Beinecke Rare Book and Manuscript Library, Yale University.
Fig. 29: Courtesy Bridgestone Museum of Art, Ishibashi Foundation.
Fig. 30: Courtesy of the author.
Fig. 31: © 2017 Estate of Pablo Picasso / Artists Rights Society (ARS), New York. Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY.
Fig. 32: © 2017 Estate of Pablo Picasso / Artists Rights Society (ARS), New York. Image courtesy Kunst-museum Basel.
Fig. 33: Image copyright © The Metropolitan Museum of Art. Image: Art Resource, NY.
Fig. 34: © 2017 Estate of Pablo Picasso / Artists Rights Society (ARS), New York. Image: courtesy Columbus Museum of Art, Ohio.
Figs. 38, 94, 101: © RMN-Grand Palais / Art Resource, NY.
Figs. 39, 41: © 1971 Erle Loran, published by the University of California Press.
Fig. 40: © British Library Board/Robana/Art Resource, NY.
Figs. 42, 56, 96: Courtesy The Samuel Courtauld Trust, The Courtauld Gallery, London.
Fig. 43: Courtesy Beyeler Foundation, Riehen/Basel. Photograph: Robert Bayer.
Fig. 44: Photograph © 2018 Museum of Fine Arts, Boston.
Fig. 47: © 2004 by Brian R. Greene. Used by permission of Alfred A. Knopf, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved.
Fig. 49: Photograph © National Gallery in Prague, 2017.
Fig. 50: © RMN-Grand Palais / Art Resource, NY. Photograph: Bulloz.
Fig. 54: © Virginia Museum of Fine Arts. Photograph: Katherine Wetzel.
Fig. 55: Courtesy Columbus Museum of Art, Ohio.
Fig. 57: © McNay Art Museum / Art Resource, NY.
Fig. 58: © Tate, London 2017.
Fig. 59: © National Gallery, London / Art Resource, NY.
Figs. 60, 80: Courtesy the Phillips Collection, Washington, DC.
Figs. 61, 90, 93: Courtesy the Metropolitan Museum of Art, New York.
Fig. 62: Courtesy Fondation Beyeler, Riehen/Basel. Photograph: Robert Bayer.
Fig. 63: © RMN-Grand Palais / Art Resource, NY. Photograph: Tony Querrec.
Fig. 66: © RMN-Grand Palais / Art Resource, NY. Photograph: Jean-Gilles Berizzi.
Fig. 68: Photograph © 2018 Museum of Fine Arts Boston.
Fig. 70: © RMN-Grand Palais / Art Resource, NY. Photograph: Michel Urtado.
Fig. 71: Image: bpk Bildagentur / Hamburger Kunsthalle / Art Resource, NY.
Fig. 72: Courtesy Paula-Modersohn-Becker Stiftung, Bremen.
Fig. 73: Photograph © Rheinisches Bildarchiv Köln.
Fig. 74: Courtesy Galerie St. Etienne, New York.
Fig. 75: Courtesy the Stedelijk Museum, Amsterdam.
Fig. 76: Photograph © National Gallery of Ireland, Dublin.
Figs. 77, 86, 89, 97, 99: Courtesy the Philadelphia Museum of Art.
Fig. 78: Courtesy Kunstmuseum Basel.
Fig. 82: © Ashmolean Museum, University of Oxford.
Fig. 83: Princeton University Art Museum / Art Resource, NY.
Fig. 84: © RMN-Grand Palais / Art Resource, NY. Photograph: Franck Raux.
Fig. 85: bpk Bildagentur / Museum Berggruen / Jens Ziehe / Art Resource, NY.
Fig. 88: Courtesy The Museum of Fine Arts, Houston.
Figs. 92, 117: Image: The Art Institute of Chicago / Art Resource, NY.
Fig. 95: Photograph © The State Hermitage Museum. Photo: Vladimir Terebenin.
Fig. 98: © National Galleries of Scotland / Art Resource, NY.
Fig. 100: © Musée du Louvre / RMN-Grand Palais / Angèle Dequier / Art Resource, NY.
Fig. 102: © The Museum of Modern Art / Licensed by SCALA / Art Resource, NY.
Fig. 103: Digital image © The Museum of Modern Art / Licensed by SCALA / Art Resource, NY.
Figs. 104, 109: © RMN-Grand Palais / Art Resource, NY. Photograph: Jean-Gilles Berizzi.
Fig. 105: © Ellsworth Kelly. Image: The Art Institute of Chicago / Art Resource, NY.
Fig. 106: © Museum Folkwang Essen—ARTOTHEK.
Fig. 107: The Henry and Rose Pearlman Collection / Art Resource, NY.
Fig. 110: © Abegg-Stiftung, CH-3132 Riggisberg, 2011. Photograph: SIK-ISEA Zürich.
Fig. 111: © The State Hermitage Museum. Photograph: Yuri Molodkovets.
Figs. 114, 123: © 2017 Helen Frankenthaler Foundation, Inc. / Artists Rights Society (ARS), New York. Image: National Gallery of Art, Washington, DC.
Fig. 115: © Ernst Haas Estate / Getty Images.
Fig. 116: © 2017 Helen Frankenthaler Foundation, Inc. / Artists Rights Society (ARS), New York. Image courtesy Detroit Institute of Arts, USA/Bridgeman Images.
Fig. 118: © Ellsworth Kelly. Image courtesy Fondation Beyeler, Riehen/Basel.
Fig. 119: © 2017 Helen Frankenthaler Foundation, Inc. / Artists Rights Society (ARS), New York. Image courtesy University of California, Berkeley Art Museum and Pacific Film Archive.
Fig. 121: © 2017 Helen Frankenthaler Foundation, Inc. / Artists Rights Society (ARS), New York. Image: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution. Photograph: Cathy Carver.
Fig. 122: © 2017 Helen Frankenthaler Foundation, Inc. / Artists Rights Society (ARS), New York. Image: André Emmerich Gallery records, circa 1929–2009. Archives of American Art, Smithsonian Institution.
Figs. 124, 125: © 2017 Helen Frankenthaler Foundation, Inc. / Artists Rights Society (ARS), New York. Image courtesy the Helen Frankenthaler Foundation.
TEXT
Excerpts from Joachim Gasquet’s Cézanne by Joachim Gasquet, translated by Christopher Pemberton. Copyright © 1991 by Thames & Hudson.
Excerpts from The Divided Self by R. D. Laing. Copyright © The R. D. Laing Estate: www.rdlaingofficial.com
Excerpts from Cézanne’s Composition: Analysis of His Form with Diagrams and Photographs of His Motifs by Erle Loran, © 1971 Erle Loran. Published by the University of California Press.
Excerpts from Basic Writings by Maurice MerleauPonty, edited by Thomas Baldwin. Copyright © 2004 Routledge, reproduced by permission of Taylor & Francis Books UK.
Excerpts from Phenomenology of Perception by Maurice Merleau-Ponty, translated by Colin Smith. Copyright © 2002 Routledge, translation copyright © 1958 Routledge & Kegan Paul, reproduced by permission of Taylor & Francis Books UK.
Excerpts from Letters on Cézanne by Rainer Maria Rilke, translated by Joel Agee. Translation copyright © 1985, 2002 by Farrar, Straus and Giroux. Reprinted by permission of North Point Press, a division of Farrar, Straus and Giroux.
“Blue Hydrangea” from New Poems [1907] by Rainer Maria Rilke, a bilingual edition translated by Edward Snow. Translation copyright © 1984 by Edward Snow. Reprinted by permission of North Point Press, a division of Farrar, Straus and Giroux.
“The Dog” from New Poems [1908]: The Other Part by Rainer Maria Rilke, translated by Edward Snow. Translation copyright © 1987 by Edward Snow. Reprinted by permission of North Point Press, a division of Farrar, Straus and Giroux.
Excerpts from The Waves by Virginia Woolf. Copyright © 1931 by Houghton Mifflin Harcourt Publishing Company. Copyright © renewed 1959 by Leonard Woolf. Reprinted by permission of Houghton Mifflin Harcourt Publishing Company. All rights reserved.
Excerpts from To the Lighthouse by Virginia Woolf. Copyright © 1927 by Houghton Mifflin Harcourt Publishing Company. Copyright © renewed 1959 by Leonard Woolf. Reprinted by permission of Houghton Mifflin Harcourt Publishing Company. All rights reserved.
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