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Description: Manet and the Family Romance
Index
PublisherPrinceton University Press
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Index
Alpers, Svetlana, 78, 194n.153
Althusser, Louis, 2, 180n.3
Ambryet, Xavier, 141
Anzieu, Didier, 141
Armstrong, Carol, 157–58, 163, 170, 202n.2
Astruc, Zacharie, 60, 97
Aupick, General Jacques, 142
Auzouy, Theodore, 31
Bacherich, Martine, 5
Bagnères, Arthur, 133
Baillarger, Jules, 24, 26
Balleroy, Albert de, 74
Balzac, Honoré de, 114, 177
works by: La Comédie humaine, 114
La Fille aux yeux d’or, 96–97
La Muse du département, 109–12
Bareau, Juliet. See Wilson-Bareau, Juliet
Barrell, John, 10, 12, 14, 32
Barthes, Roland, 70
bathing regulations, 22, 38, 182n.20
Bathsheba, 81–82, 84
Baudelaire, Charles: and dreams, theory of, 14, 29, 32
and family relations, 32
and friendship with E. Manet, 1, 18–19, 22, 57, 201n.77
on hallucinations, 28
on hashish, 28, 29, 32–33, 185n.63
and influence on Manet, 16, 40, 170
works by: Les Fleurs du mal, 18, 33, 70, 156
“Les Promesses d’un visage,” 167
“A une passante,” 70–71
“Le voyage,” 33
Les paradis artificiels, 13–14, 19, 28, 32–33
Petits Poëmes en prose (Le Spleen de Paris); “Assommons les pauvres,” 184n.54
“La Corde,” 1, 11–12, 161, 178–79
“Les Dons des fees,” 19
“Le gâteau,” 178
“Le vieux saltimbanque,” 70
“Les vocations,” 178
“The Painter of Modern Life,” 176
Bazille, Frédéric, 57, 175, 178, 204n.5
works by: The Family Gathering, 174 (fig. 95), 175
Study for The Family Gathering, 174 (fig. 96)
Summer Scene, 175, 178 (fig. 97)
Beauvoir, Simone de, 8
Bécquer, José Dominguez, 128
Benjamin, Walter, 16, 197n.22
Berkeley, George, 4
Bernadotte, Charles, 45–46
Bertall, 112–13
caricature of Olympia “La Queue du chat, ou la charbonnière des Batignolles,” 112 (fig. 53)
Blanc, Charles, 47, 72
Blanche, Jacques-Émile, 189n.56
Boime, Albert, 192n.124, 200n.35
Bolswert, Schelte Adam: and Landscape with Rainbow, 72 (fig. 32)
Bonaparte, Louis-Napoleon. See Napoleon III
Bonheur, Rosa, 169
Bowie, Malcolm, 15
Brierre de Boismont, Alexandre-Jacques-François, 25–27, 183n.43
Brillat-Savarin, Anthelme, 13
Brombert, Beth Archer, 190n.87, 193n.146
Brown, Marilyn, 68
Brunet, Eugène, 74
Burty, Philippe, 145, 189n.49
Byron, George Gordon, 85, 195n.182
Cabanis, Pierre-Jean-Georges, 23
Café Guerbois, 4
Campbell, Christopher, 193n.132
Caravaggio, 18
Carpeaux, Jean Baptiste, 123
Carrier, David, 181n.29
Castagnary, Jules-Antoine, 132–33
Cézanne, Hortense (Mme Paul). See Fiquet, Hortense
Cézanne, Paul, 22, 118, 136
and Delacroix, 37
and Manet, 37, 166
works by: Le Déjeuner sur l’herbe, 21, 22 (fig. 7), 36–37
Pastorale (Idylle), 36 (fig. 10)
Chaix d’Est-Ange, Louis-Adolphe, 188n.40, 189n.41
Champa, Kermit, 175, 204n.4
Chanel advertisement, 71 (fig. 31)
Chardin, Jean-Baptiste-Siméon, 119, 123, 129
works by: Boy Blowing Bubbles, 153
Chavette, Eugène, 79
Chesneau, Ernest, 39
Christ, Jesus, in Manet’s work, 3, 115, 134, 136–39, 141, 145
Clark, T. J., 67, 130, 172, 186n.94, 200n.51
on modernism, 3–4, 42
on Olympia, 89, 97, 107, 112
on Paris, 9, 15, 91, 93, 125, 197n.22
Claus, Fanny. See Manet, Édouard: models used by
Clay, Jean, 163, 165–67
Clayson, Hollis, 196n.10
Clemenceau, Georges, 56
Colardet, 63
Colet, Louise, 22
College Rollin, 46
Commune, 56, 119, 148
Comte, Auguste, 4
Le Constitutionnel, 79
Copjec, Joan, 177
Corbin, Alain, 89, 91, 94, 108
Corradini, Giovanni, 81–82
Courbet, Gustave, 98, 139
and unconscious, 22, 35
works by: Bather Sleeping by a Brook, 35
Sleepers, 36
Stone Breakers, 17
Young Ladies of the Village Giving Alms to a Cowherd, 172 (fig. 92)
Young Ladies on the Banks of the Seine (Summer), 34 (fig. 8), 35, 43
Couture, Thomas, 47, 120, 192n.124
works by: Romans of the Decadence, 47
Curtiss, Mina, 56, 188n.32
D’Agoult, Marie (Daniel Stern), 48
Da Rosa, Raquel, 130
Darragon, Eric, 142
Daumier, Honoré, 67
Davis, Whitney, 6, 204n.5
Degas, Edgar, 61, 90
De Jouy, Denis François Claude, 44
De Jouy, Emilie (née Manet), 44
De Jouy, Jules, 47, 60, 68, 188n.40
De la Noue, Adélaïde (grandmother of Édouard Manet), 45
Délécluze, Étienne, 97
Denmark, 142
De Quincey, Thomas, 10–11, 29, 31–34, 178
and family relations, 13–14
works by: Confessions of an English Opium-Eater, 13
“Levana and Our Ladies of Sorrow,” 19, 21
Suspiria de Profundis, 13, 19
Destutt de Tracy, 4
Devéria, Achille, 128
Doncieux, Camille, 175
Driskel, Michael Paul, 201n.65
Le Droit, 134
Dumas, Alexandre, 97
Duranty, Edmond, 14, 22, 29–31, 169
and dreams, theory of, 24–25, 29–30, 132, 183n.43
and family relations, 29–30
Duret, Theodore, 17, 68, 100–101, 193n.132
Duval, Jeanne. See Manet, Édouard: models used by
Eakins, Thomas, 6
École des Beaux-Arts, 41, 47
Electra, 13, 33
Elkins, James, 7
England, 32, 142
Esquirol, Jean-Étienne-Dominique, 28, 31
Étienne, Louis, 86, 106–7
Euripides, 13, 32
exhibitionism, 38–39, 86, 181n.35
family romance, 34, 178
in Ferenczi’s theory, 64–65
in Freud’s theory, 1, 106–7
in Manet’s art, 7, 12, 41–42, 44, 87, 171, 179
Fantin-Latour, Henri, 147–48
Farwell, Beatrice, 39, 74, 81–82, 97, 160, 195n.179
Faure, Jean-Baptiste, 143, 145, 201n.70. See also Manet, Édouard:
models used by
Felman, Shoshana, 96–97
Fer, Briony, 6
Ferenczi, Sándor, 64–65
Le Figaro, 40, 79
Fiquet, Hortense, 118
Flaubert, Gustave, 2, 4, 22, 147
works by: L’Education sentimentale, 91–92
Madame Bovary, 111, 147
Förster, Ernst, 84
Foucault, Michel, 7, 92, 177
on Baudelaire, 176
on desire, 171, 177
on family, 7, 133–34, 177
on the self, 7, 107, 176
on sexuality, 95
works by: The History of Sexuality, 7, 95, 177
“What Is Enlightenment?,” 176
Fournier, Adolphe, 54
Fournier, Edmond, 46
Fournier, Jean-Antoine (grandfather of Édouard Manet), 45–46
Fournier, Jean-Louis (great-grandfather of Édouard Manet), 46
Fournier, Jean-Louis-Laurent-Casimir (great uncle of Édouard Manet), 54
Franco-Prussian War, 82, 119, 127, 148
Frémy, Arnould, 79
Freud, Sigmund, 2, 64, 92, 162, 178
and dreams, theory of, 10, 14, 29, 31, 38–39
and dream-work, 26
and family romance, 1, 106–7
and id, notion of, 25
and narcissism, 164, 203n.40
and negation, idea of, 43, 64, 191n.111
and Oedipal complex, 10, 22, 105–7, 115, 133–34, 141–42, 182
and primal fantasy, 109
and screen memories, 182n.2
and uncanny, notion of, 29, 132
and unconscious, 10
works by: Interpretation of Dreams, 5, 184, 186
Jokes and Their Relation to the Unconscious, 5
“Leonardo Da Vinci and a Memory of His Childhood,” 5
“Moses of Michelangelo,” 5
“The Most Prevalent Form of Degradation in Erotic Life,” 108–9
“A Note on the Mystic Writing-Pad,” 29
Fried, Michael, 3–4, 87, 95–98, 100, 106, 176
Galerie Martinet, 18, 68
Gambetta, Léon, 56
Gautier, Théophile, 142
Gavarni, Paul, works by:
Lorette in a Dressing Gown with a Parrot, 155 (fig. 84), 157
Gazette des Tribunaux, 48
Gebler, Marie-Josèphe, 115
Gedo, John E., 5
Gedo, Mary Mathews, 5
Gennevilliers, 44, 65, 72, 78, 81, 85–86, 134
and property sale, 78, 117
Gilman, Sander, 107
Giorgione, 39, 84–85, 87
works by: Concert champêtre, 21, 39, 86
La Tempesta, 84 (fig. 42), 87, 195nn.177, 178, 183. See also Titian
Girard, Rene, 9
Goldstein, Jan, 23–24
Gonzales, Eva, 128, 148. See also Manet, Édouard: models used by
Gonzales, Jeanne. See Manet, Édouard: models used by
Goya, Francisco de, 40, 112, 119–21, 126, 156
works by: Majas on a Balcony, 126, 153 (fig. 82)
Granveau, Antoine, 93
Green, Andre, 133–34
Grenoble, 46
Guillemet, Antoine. See Manet, Édouard: models used by
Guizot, François, 142
Gutmann, Annie, 35, 203n.40
hallucinations, 22–28, 30
Halperin, David, 176
Hamlet: in Manet’s art, 115, 139, 141–43, 145, 201n.77
Haussmann, Baron von, 15–16, 18, 67
Hegel, Georg Wilhelm Friedrich, 8–9
Heibel, Yule, 186n.94, 202n.1
Hesse, Eva, 6
Higonnet, Anne, 54–55, 114, 160–61, 188n.33, 189n.61
Hoffman, E.T.A., 97
Hofmann, Werner, 39
Houssaye, Henry, 143
Hugo, Francois Victor, 142
Hugo, Victor, 142
Hunt, Lynn, 5
Hurel, Abbe, 134
L’Illustration, 112–13
Ingres, works by:
Apotheosis of Homer, 17–18
Valpinçon Bather, 83–84
James, Henry, 168
Joigneaux, 79
Joubert, Pierre-Charles, 79
Jouffroy, Theodore, 25–26
Le Journal des Débats, 79
Kant, Immanuel, 176
Kaye, Richard A., 204n.5
Kessler, Marni Reva, 160–61, 167
Koëlla, Léon. See Leenhoff, Léon Koëlla
Kojève, Alexandre, 8–9, 88
Krauss, Rosalind, 81–83, 120
Krumrine, Mary Louise, 36
Labiche, Eugène, 157
Lacan, Jacques, 8–9
and desire, theory of, 9, 88, 158
and identification, theory of, 9, 88, 158
and imaginary, construction of, 93
and mirror stage, theory of, 8
and “other,” construction of, 8
and subject, construction of, 8
and Symbolic, construction of, 6
and voyeurism, analysis of, 162
Lagrène, Jean. See Manet, Édouard: models used by
Lajer-Burcharth, Ewa, 62–64, 191nn.103, 110
Lecour, C. J., 94–95, 97
Lecouvé, Alice. See Manet, Édouard: models used by
Leenhoff, Ferdinand, 55, 57, 85, 130. See also Manet, Édouard: models used by
Leenhoff, Léon Koëlla, 47, 54–55, 57, 62, 78, 115–18
birth of, 56, 60–62, 116, 123. See also Manet, Édouard: models used by
Leenhoff, Rudolph, 57
Leenhoff, Suzanne, 21, 47, 54–57, 60–62, 71–72, 74–75, 78, 81–85, 87, 104, 115–20, 123, 127, 130, 145
and family relations, 47, 60, 85, 193n.146
and Manet family, relations with, 189n.61. See also Manet, Édouard: models used by
Leiris, Michel, 167
Le Lorgnon, 114
Lélut, Louis-François, 26
Le Nain, 16, 18
Levine, Steven Z., 6
Lewin, Bertram D., 182n.2
Limet, Charles, 48
Lipton, Eunice, 192n.125, 197n.42
Liszt, Blandine, 48
Littré, Émile, 4, 8
Louis-Philippe, 45
Magdalen, Mary, 138
Maison de rendez-vous, 89 (fig. 44). See also prostitution
Maisonneuve, Jacques Gilles Thomas, 48
Mallarmé, Stéphane, 42, 98, 145, 163–64, 203n.39
Manet, Auguste, 44, 46–48, 51, 54, 57, 71, 74–75, 104, 115–18, 133–34, 177, 187nn.14, 20, 188n.22, 189n.40
as judge, 41, 45, 65–68, 113
presence of in Manet’s art, 64, 78, 82–84, 142. See also Manet, Édouard: models used by
Manet, Clement, 44
Manet, Clement Jean-Baptiste, 44
Manet, Édouard: and art of past, 15, 84, 177
and Baudelaire, friendship with, 18, 19, 201n.77
and Berthe Morisot, friendship with, 148, 154–56, 160–61, 164, 166, 168, 171, 202n.5, 203n.27
birth of, 187nn.8, 45
death of, 54, 60, 189n.49
and dream images, 10, 16–18, 22, 84, 86
estate of, 116–17
and family relations, 54, 168, 190n.79
figure painting of, 14
and marriage to Suzanne Leenhoff, 56–60, 71, 78, 190n.76
and models used by:
     Alexandre, 11, 19, 115
     Claus, Fanny, 126, 153–54
     Colardet, 63
     Duval, Jeanne, 101, 104
     Faure, Jean-Baptiste, 143
     Gonzalès, Eva, 128, 130, 148
     Gonzalès, Jeanne, 128
     Guillemet, Antoine, 126, 153–54
     Lagrène, Jean, 62, 87
     Lecouvé, Alice, 128
     Leenhoff, Ferdinand, 55, 85, 130
     Leenhoff, Léon Koëlla, 44, 61, 71–72, 74–75, 78, 81, 114–15, 118–21, 123, 125–33, 141, 148, 153
     Leenhoff, Suzanne, 54
     Manet, Auguste, 48, 51
     Manet, Eugène, 55, 62, 69, 74–75, 78, 85, 115, 130
     Manet, Eugénie-Désirée, 48, 51, 69, 74–75, 78, 81, 101, 104–5, 109, 167–68
     Manet, Gustave, 55–56, 62, 101
     Meurent, Victorine, 10, 12, 21, 44, 62, 68–69, 71, 84–87, 89, 95–97, 100–101, 104–6, 108–9, 115, 119–20, 128, 130, 148, 154, 157–58, 160–62, 168
     Morisot, Berthe, 44, 126, 145, 147–48, 153–71
     Roudier, Paul, 128
     Rouvière, Philibert, 141–42, 201n.77
self-portraiture of, 62, 71–72, 74, 78, 81, 147, 154, 164, 166, 169, 194n.154
voyage to Italy of, 47, 54–55, 84, 195n.178
voyage to Netherlands of, 47, 55, 188n.36
voyage to Rio de Janeiro of, 46–47, 156, 188n.31
     works by: The Absinthe Drinker, 17 (fig. 4), 19, 21, 62–64, 153
     The Balcony, 74, 76 (fig. 35), 119, 123, 126, 132, 148, 153–54, 156, 167
     A Bar at the Folies-Bergere, 9, 125
     Before the Mirror, 161 (fig. 86), 163
     Berthe Morisot in a Veil, 148, 151 (fig. 80), 162, 167
     Berthe Morisot in Pink Slippers, 148, 152 (fig. 81), 162, 167
     Berthe Morisot Reclining, 168, 169 (fig. 91)
     Berthe Morisot with a Bouquet of Violets (etching), 147 (fig. 75)
     Berthe Morisot with a Bouquet of Violets (lithograph), 148 (fig. 76), 147
     Berthe Morisot with a Bouquet of Violets (Paris), 147–48, 149 (fig. 77), 158, 167–68
     Berthe Morisot with a Fan, 159 (fig. 85), 160, 163, 167
     Berthe Morisot with a Fan (three-quarter view), 163 (fig. 88)
     Berthe Morisot with a Muff, 148, 151 (fig. 79)
     Berthe Morisot with Hat, in Mourning, 165 (fig. 89)
     Bouquet of Violets and Fan, 168 (fig. 90)
     Boy Blowing Soap Bubbles, 122 (fig. 57), 123, 153
     Boy with a Sword, 73 (fig. 33), 74, 120–21, 123, 129, 131
     Boy with Dog, 62 (fig. 27), 121
     The Boy with the Cherries, 11, 12 (fig. 2), 18, 121, 153, 181n.37
     Christ as a Gardener, 136 (fig. 68)
     Le Christ aux anges, 3, 137 (fig. 69), 139
     Christ with a Reed, 136 (fig. 67)
     Corner of the Tuileries, 77 (fig. 36)
     The Croquet Party, 100, 103 (fig. 49), 126, 128
     The Croquet Party at Boulogne-sur-Mer, 126 (fig. 60), 128
     Le Déjeuner dans l’atelier, 128, 129 (fig. 65), 130–32
     Le Déjeuner sur l’herbe, 10, 11 (fig. 1), 21–22, 37–40, 42–44, 54–56, 62, 71, 78, 83–86, 87, 100, 120, 130–31, 157, 172, 176
     Eva Gonzales Painting in Manet’s Studio, 128 (fig. 63)
     Faure as Hamlet (Essen), 143 (fig. 73), 145
     Faure as Hamlet (Hamburg), 143 (fig. 72), 145
     The Guzzler, 121 (fig. 56)
     The Gypsies, 18–19, 68, 121
     Hamlet Confronting the Ghost of His Father, 141 (fig. 71), 142
     Les Hirondelles, 53 (fig. 17), 54
     Interior at Arcachon, 127 (fig. 61)
     In the Bellevue Garden, 53 (fig. 18), 54
     Jesus Mocked by the Soldiers, 3, 134, 135 (fig. 66), 139, 141
     La Lecture, 61 (fig. 26), 72, 123
     The Little Cavaliers, 74, 75 (fig. 34), 120–21
     Mlle V.. in the Costume of an Espada, 56, 59 (fig. 23), 62, 81, 100, 104, 119, 128
     Mme Manet at the Piano, 61 (fig. 25)
     Moses Saved from the Waters (Oslo), 80 (fig. 39), 81
     Moses Saved from the Waters (Paris), 80 (fig. 40), 81
     La Musique aux Tuileries, 42, 55 (fig. 19), 62, 71, 74–75, 77, 83, 87, 120–21, 126–27, 145
     La Musique aux Tuileries, study, (oil), 75, 77 (fig. 37)
     La Musique aux Tuileries, study, (wash drawing), 75, 77 (fig. 38)
     Nana, 162 (fig. 87), 163
     La Nymphe surprise, 42, 60 (fig. 24), 61, 71–72, 81–85, 87, 120
     The Old Musician, 15 (fig. 3), 19, 21, 62, 68, 87, 100, 121, 178
     Oloron-Sainte-Marie, 127 (fig. 62)
     Olympia, 3–4, 9, 38, 43 (fig. 11), 44, 69, 82, 88–91, 93–97, 100–101, 104–13, 110, 112, 120, 129, 132, 134, 145, 157, 163, 176–77
     On the Beach, 56 (fig. 21), 125
     La Pêche, 42, 65, 66 (fig. 30), 71–72, 74, 78–79, 82–83, 87, 121, 145
     Philosopher, 56 (fig. 20), 62
     Portrait of Jeanne Duval, 101, 103 (fig. 51)
     Portrait of the Artist’s Father (drawing), 51, 52, 64, 69, 81, 101, 104–5
     Portrait of the Artist’s Father (etching), 51, 52 (fig. 16), 64, 69, 81, 101, 104–5
     Portrait of the Artist’s Mother, 50 (fig. 13), 69, 81, 101, 104, 167
     Portrait of the Artist’s Parents (drawing), 51, 52 (fig. 14), 64, 69, 105
     Portrait of the Artist’s Parents (painting), 48, 49 (fig. 12), 51, 64, 69, 81, 105
     Portrait of Theodore Duret, 193n.132
     Portrait of Victorine Meurent, 100, 101 (fig. 46), 148
     The Railroad, 100, 102 (fig. 48)
     The Reader, 153, 154 (fig. 83)
     Le Repos, 148, 150 (fig. 78), 160, 168, 171
     Self-Portrait with a Palette, 144 (fig. 74)
     Spanish Cavaliers and Boy with a Tray, 118 (fig. 54), 120
     The Street Singer, 19, 20 (fig. 6), 42, 62, 65, 68–69, 100, 104, 153, 157–58
     La Toilette, 80 (fig. 41), 194n.169
     The Tragic Actor, 140 (fig. 70), 141
     The Travelers, 65, 66 (fig. 29)
     A View of the Universal Exposition, 123, 125 (fig. 59), 126, 129
     Woman with a Parrot, 99 (fig. 45), 100, 104, 157–58, 162
     Woman with Guitar, 100, 102 (fig. 47), 104, 157
     Young Girl with Baby, 63 (fig. 28)
     Young Man in the Costume of a Majo, 56, 58 (fig. 22), 101
     Young Man in Toreador Costume, 128 (fig. 64)
     Young Man Peeling a Pear, 123, 124 (fig. 58)
     Young Woman Reclining, 101, 103 (fig. 50)
Manet, Eugène, 44, 47, 54–57, 60, 84, 148, 156, 160–61, 181n.37, 193n.145, 203n.27. See also Manet, Édouard: models used by
Manet, Eugénie-Désirée (née Fournier), 45–46, 51, 54, 60, 134, 188n.24. See also Manet, Édouard: models used by
Manet, Gustave, 48, 54–55, 60. See also Manet, Édouard: models used by
Manet, Julie, 104, 160, 193n.145, 203n.27
Manet, Suzanne (Mme Édouard). See Leenhoff, Suzanne
Mantz, Paul, 100
Martineau, Louis, 94–95
Martin-Fugier, Anne, 106
Mathieu, Gustave, 40
Matlock, Jann, 198n.65
Maupassant, Guy de, works by:
“Hautot pére et fils,” 114–15, 133, 201
Maury, Alfred, 14, 141, 201.72
and dreams, theory of, 23–28, 30–31, 34, 38–39, 183n.43
and family relations, 25
and involuntary, notion of, 23–24, 27–28, 31, 39
Meurent, Victorine. See Manet, Édouard: models used by
Mezzara, Joseph, 57
Mezzara, Mathilde (née Leenhoff), 57
Milner, Max, 10, 181n.35
Ministère de la Justice, 45, 68
Monet, Camille (Mme Claude). See Doncieux, Camille
Monet, Claude, 6, 42, 44, 57, 172, 175
works by: Le Déjeuner, 44, 172, 173 (fig. 94), 175
The Terrace at Ste.-Adresse, 172, 173 (fig. 93)
Monet, Jean, 175
Monginot, Charles, 129
Monselet, Charles, 40
Moreau de Tours, Jacques Joseph, 28–29
and Esquirol, 28, 31
on hashish, 28–29
Moreau-Nélaton, Étienne, 55, 153
Morisot, Berthe, 11, 44, 54–55, 61, 189n.61, 193n.145
and friendship with Édouard Manet, 148, 154–56, 160–61, 164, 166, 168, 171, 202n.5, 203n.27. See also Manet, Édouard: models used by
Morisot, Cornélie, 54, 61, 153–55, 164, 189n.61
Moulin, F. Jacques, 108 (fig. 52)
Mulvey, Laura, 161
Napoleon III, 67, 114, 123, 142, 199n.3, 201n.82
Napoleonic Code, 44, 47, 115–17
Narcissus, 6, 35
Nord, Philip, 56
Ollivier, Émile, 48
Orestes, 13, 31–34, 185n.78
Orienti, Sandra, 136, 143
Palais de Justice, 41, 68, 104
Parent-Duchátelet, A.-J.-B., 90
Paris: Haussmannization of, 15–18
in Manet’s art, 9, 42, 44, 62, 74–75, 96–98, 126, 156
paternity law, 47, 115–18, 131, 188n.33
La Patrie, 79
Paul, Adrien, 39
Paulson, William, 111
Le Pays, 79
Pissarro, Camille, 57
Pissarro, Camille Mme (née Julie Vellay), 57
Pitman, Dianne, 175, 204n.5
Poe, Edgar Allan, 32, 42, 112, 145
Pollock, Griselda, 38, 197n.42
Positivism, 3–5, 8, 23
Poussin, works by:
Narcissus and Echo, 35 (fig. 9), 36
Prendergast, Christopher, 197n.22
La Presse, 79
prostitution, 88–91, 93–98, 105, 108, 112
Proust, Antonin, 18, 55, 71, 84, 169, 195n.178
Prussia, 142
psychoanalysis, 22, 109
in art history, 2, 5–7, 10
la psychologie nouvelle, 22
Raphael, 18
works by: Judgment of Paris, 87
Reff, Theodore, 16, 71, 74, 110
Renan, Ernst, 201n.65
and La Vie de Jésus, 134
Ricoeur, Paul, 4
Rio de Janeiro, 46, 126, 156, 188n.31
Riviere, Joan, 162
Roos, Jane Mayo, 138
Roudier, Paul. See Manet, Édouard: models used by
Rousselin, Auguste, 129
Rouvière, Philibert, 141–42, 145, 201nn.76, 77. See also Manet, Édouard: models used by
Rubens, Peter Paul, 72, 81, 83
works by: Château de Steen, 79
Landscape with Rainbow, 72
Rubin, James H., 98
Ryan, Michael, 90
Saint-Denys, Hervey de, 21
Sand, George, 134
Sandblad, Nils Gösta, 74
Sardanapalus, 37
Sartre, Jean-Paul, 41–42, 145
on Baudelaire, 32, 42, 145
on Mallarmé, 42
and “Other,” notion of, 8, 41, 87, 171
and subject, construction of, 8
works by: Being and Nothingness, 8, 41
Schapiro, Meyer, 5, 21
Schleswig-Holstein, 142
Schorske, Carl, 5
Sebastian, Saint, 174–75, 204n.5
Seibert, Margaret Mary Armbrust, 192n.125
Shakespeare, 142
studies of, 27, 145, 184n.54, 201n.82
Shennan, Margaret, 202n.5
Sheon, Aaron, 34–35
Le Siècle, 79, 132
Siege of Paris, 148
Silvestre, Armand, 132
Simpson, Margaret, 13
Société Médico-Psychologique, 23–24, 26–27
Spector, Jack J., 5
Spitz, Ellen Handler, 6
Spuller, Eugène, 56
Staffe, Baronne, 160, 170
Stevens, Alfred, 128
Stoler, Ann Laura, 107
Tabarant, Adolphe, 48, 55, 62, 78, 81, 128, 148, 187n.8
Taine, Hippolyte, 75
Tanner, Tony, 42, 65, 94
Le Temps, 4
Texier, Edmond, 67
Thomas, Ambroise, 143
Thoré, Théophile, 37
Titian, 88, 97, 119–20, 139
works by: Christ Derided, 139
Le Concert champêtre, 21, 86 (fig. 43). See also Giorgione
Girl with a Fruit Dish, 119
Tribunal de la Premiere Instance, 45, 67, 113
Valéry, Paul, 158
Velázquez, Diego, 16, 119–21, 123
works by: Las Meninas, 145
Water-Seller of Seville, 16
Venetian painting. See Giorgione; Titian
Vermeer, 61
La Vie a la Campagne, 79
Wagner, Anne M., 6, 44, 123, 175
Watteau, Antoine, 16, 18, 120
Wilson-Bareau, Juliet, 74, 81, 192n.114, 193n.146, 194n.169
Wollheim, Richard, 4, 17, 37, 182n.7
Yriarte, Charles, 153
Zerner, Henri, 191n.107
Zola, Émile, 3, 23, 38, 40, 88, 93, 118, 121, 195n.179
Zurbarán, Francisco de: works by: The Circumcision of Christ, 119 (fig. 55)