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Bibliography
Carl R. Schmitz
Description: Richard Diebenkorn: The Catalogue Raisonné (Volume 1: Essays and References)
Richard Diebenkorn: The Catalogue Raisonné (Volume 1: Essays and References)
This bibliography is ordered chronologically by year, in three sections, for solo exhibitions; group exhibitions; and articles, books, and videos. Within the solo and group exhibitions sections, exhibitions are listed alphabetically by catalogue title or the name of the venue or organizing institution. Related articles are listed alphabetically by author or title. Every known exhibition catalogue...
Author
Carl R. Schmitz
PublisherYale University Press
Copyright© 2016 Richard Diebenkorn Foundation
Stable URL: https://aaeportal.com/?id=-21755
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Bibliography
Compiled by Carl R. Schmitz
This bibliography is ordered chronologically by year, in three sections, for solo exhibitions; group exhibitions; and articles, books, and videos. Within the solo and group exhibitions sections, exhibitions are listed alphabetically by catalogue title or the name of the venue or organizing institution. Related articles are listed alphabetically by author or title. Every known exhibition catalogue is included; articles are selected. Articles related to a given exhibition are grouped under that exhibition’s catalogue citation. When there are articles associated with exhibitions that did not produce attendant publications, they appear under headings that refer to the venue or organizing institution. This format serves to exactly cross-reference these articles with exhibition listings in the “Exhibitions” section in this volume. Monographs about the artist and related articles appear in their own sections in the years 1987 and 2005. A separate section exists for memorials. Brackets have been applied throughout whenever information is incomplete or has not been directly confirmed through viewing source material.
1941
ARTICLES
“Freshman Falls from 4th Floor Encina Window: Diebenkorn Tumbles 45 Feet, Suffers No Serious Injuries.” Stanford Daily (Calif.), 21 May 1941, 1.
“Injured Frosh ‘Out of Danger.’ ” Stanford Daily (Calif.), 27 May 1941, 4.
“Youth Escapes Serious Injury in 4-Story Fall.” Daily Palo Alto Times (Calif.), 21 May 1941, 7.
1946
GROUP EXHIBITIONS
Pat Wall Gallery, Monterey, Calif. (2 exhs.)
Alexander, Irene. “New Group Showing at Wall Gallery.” Monterey Peninsula Herald, 31 Aug. 1946, 5.
Lofton, Nancy. “Nothing Commonplace about New Pat Wall Gallery Show.” Monterey Peninsula Herald, 10 July 1946, 7.
Sixty-Sixth Annual Exhibition: Oil, Tempera and Sculpture. Foreword by Grace L. McCann Morley. San Francisco: San Francisco Art Association, 1946.
Tenth Annual Watercolor Exhibition. Foreword by Grace L. McCann Morley. San Francisco: San Francisco Art Association, 1946.
Frankenstein, Alfred. “Watercolors on Exhibit at Art Museum.” San Francisco Chronicle, 22 Apr. 1946, 13.
ARTICLES
“Announce Winners of Bender Awards.” Berkeley Daily Gazette (Calif.), 22 Oct. 1946, 4.
“Bender Grants-In-Aid Winners.” San Francisco Art Association Bulletin, Nov. 1946, n.p.
“Woodstock News.” Kingston Daily Freeman (N.Y.), 1 Nov. 1946, 7.
1948
SOLO EXHIBITIONS
California Palace of the Legion of Honor, San Francisco
Dungan, H. L. “Artist, 86, Holds First Exhibition.” Oakland Tribune, 27 June 1948, C5.
Schillerhaus, Sausalito, Calif.
“Marin Art Notes.” Sausalito News, 26 Aug. 1948, 2.
GROUP EXHIBITIONS
Schillerhaus, Sausalito, Calif. (2 exhs.)
“ ‘Modernists’ Show in Current Exhibit.” Sausalito News, 12 Aug. 1948, 3.
“Sausalito Artists Displaying Works.” Sausalito News, 25 Nov. 1948, 1.
67th Annual Exhibition: Oil, Tempera and Sculpture. Foreword by Richard B. Freeman. San Francisco: San Francisco Art Association, 1948.
Bietry-Salinger, Jehanne. “Notes on Art: Painting for Whom, If You Please?” Opera and Concert (San Francisco), Mar. 1948, 24–25.
Church, Robert M. “Sixty-Seventh Annual.” San Francisco Art Association Bulletin, Feb. 1948, n.p.
Twelfth Annual Drawing and Print Exhibition. Foreword by Richard B. Freeman. San Francisco: San Francisco Art Association, 1948.
Fried, Alexander. “Modern Art Held ‘Missing the People.’ ” San Francisco Examiner, Pictorial Review, 11 July 1948.
Twelfth Annual Watercolor Exhibition. Foreword by Richard B. Freeman. San Francisco: San Francisco Art Association, 1948.
Bietry-Salinger, Jehanne. “Art Notes: Two San Francisco Museums.” Opera and Concert (San Francisco), Nov. 1948, 22–25.
Frankenstein, Alfred. “Local Art Galleries in Review.” San Francisco Chronicle, This World, 31 Oct. 1948, 18.
ARTICLES
“News and Comment on Art.” Architect and Engineer (San Francisco), Mar. 1948, 9.
1949
GROUP EXHIBITIONS
California Centennials Exhibition of Art. Text by James B. Byrnes. Los Angeles: Los Angeles County Museum, 1949.
Millier, Arthur. “Art Trends Traced at Centennials Show.” Los Angeles Times, 2 Oct. 1949, D4.
Contemporary Gallery, Sausalito, Calif. (3 exhs.)
“Contemporary Art News.” Sausalito News, 29 Sept. 1949, 2:1.
“It Happens on Fifth Avenue.” Independent-Journal (San Rafael, Calif.), 23 July 1949, M11.
“New Sausalito Art Gallery to Open Next Sunday.” Independent-Journal (San Rafael, Calif.), 18 Apr. 1949, 2.
“ ‘Non-Objective’ Art Works to Be Viewed at Sausalito Gallery.” Independent-Journal (San Rafael, Calif.), 22 June 1949, 16.
“Sale of Art Works to Benefit Jewish Fund.” Sausalito News, 28 June 1949, 3.
“Stage Is Set for Annual Regatta September 24 and 25.” Sausalito News, 15 Sept. 1949, 6.
“Stage Set for Regatta, Pageant and Art Show.” Sausalito News, 22 Sept. 1949, 1.
Detroit Institute of Arts
Hakanson, Joy. “Sarkis—Midener Exhibit at Market.” Detroit News, 1 May 1949, II:22.
Los Angeles County Museum, Los Angeles
A. B. “Bay Region Artists’ Show at S.F. Museum.” San Francisco Call-Bulletin, 19 Aug. 1949, 20.
“Art Exhibit.” Sausalito News, 18 Aug. 1949, 3.
Frankenstein, Alfred. “Around the Local Art Galleries.” San Francisco Chronicle, This World, 14 Aug. 1949, 20.
Loran, Erle. “Art News from San Francisco.” Art News, Feb. 1950, 52.
Millier, Arthur. “Northern Californians Show Paintings Here.” Los Angeles Times, 10 July 1949, D6.
Sixty-Eighth Annual Oil, Tempera and Sculpture Exhibition of the San Francisco Art Association. Foreword by Richard B. Freeman. San Francisco: San Francisco Art Association, 1949.
ARTICLES
“New Art Explained by Sausalitans.” Independent-Journal, Marin Magazine (San Rafael, Calif.), 22 Jan. 1949, M8.
1950
GROUP EXHIBITIONS
Henry Art Gallery, University of Washington, Seattle
“S.F. Artists Shocking? Make Up Your Minds.” Seattle Post-Intelligencer American Weekly, 29 Jan. 1950, n.p.
Jonson Gallery, University of New Mexico, Albuquerque
Ermatinger, Jack. “Works of Eight University Artists Are on Exhibit at Jonson Gallery.” New Mexico Daily Lobo, 4 May 1950, n.p.
“May a Big Month for Art in Albuquerque Circles.” Albuquerque Journal, 4 May 1950, 8.
La Placita, Old Town Plaza, Albuquerque, N.Mex.
“Gallery Features 32 Local Artists.” New Mexico Lobo, 28 July 1950, n.p.
“Placita Exhibit Runs the Gamut.” Albuquerque Journal, 11 July 1950, 8.
“Large Scale Drawings by Modern Artists.” Cat. in Legion of Honor Bulletin 7, nos. 11 and 12 (1950). Introduction by Jermayne MacAgy.
Frankenstein, Alfred. “The Art Galleries.” San Francisco Chronicle, This World, 12 Mar. 1950, 27.
Loran, Erle. “Art News from San Francisco: Drawings for Backgrounds.” Art News, Apr. 1950, 50, 61–62.
Lucien Labaudt Art Gallery, San Francisco
Dungan, H. L. “Sculpture Exhibit on Radical Side.” Oakland Tribune, 19 Mar. 1950, C6.
Frankenstein, Alfred. “The Art Galleries.” San Francisco Chronicle, This World, 12 Mar. 1950, 27.
Fried, Alexander. “S.F. Museum Shows Works Typifying American Art Cycle.” San Francisco Examiner, Pictorial Review, 19 Mar. 1950, n.p.
White, Nan. “Free Form Abstractions Stir Up Controversy in This Area.” San Francisco News, 18 Mar. 1950, 10.
1951
SOLO EXHIBITIONS
Fine Arts Gallery, University of New Mexico, Albuquerque
“Diebenkorn’s Art Is Shown.” Albuquerque Journal, 2 May 1951, 8.
Peterson, Don. “Not ‘Aesthetic Wholes’—Diebenkorn Show Has 18 Art Objects.” New Mexico Daily Lobo, 1 May 1951, n.p.
GROUP EXHIBITIONS
Botts Memorial Hall, Albuquerque Public Library, N.Mex.
“Art Exhibit Opens Today.” Albuquerque Journal, 15 July 1951, 15.
E[vans], J[oan]. “Botts Art Show Has Vigorous New Quality.” Albuquerque Journal, 21 July 1951, 6.
Contemporary Painting in the United States: 1951 Annual Exhibition. Text by James B. Byrnes. Los Angeles: Los Angeles County Museum, 1951.
Millier, Arthur. “Contemporary Show Offers Rare Chance.” Los Angeles Times, 3 June 1951, D4.
———. “Rare Chance Offered to Compare Art Eras.” Los Angeles Times, 22 July 1951.
Texas Wildcat: 41 Paintings. Fort Worth: Fort Worth Art Museum, 1951.
Evans, Richard. “Gallery Tours: San Francisco Museum.” Counterpoint (San Francisco), Aug. 1952, 27.
ARTICLES AND BOOKS
E[vans], J[oan]. “Yunkers Opens Artists’ Workshop; Courses in Prints and Painting.” Albuquerque Journal, 29 Apr. 1951, 8.
Motherwell, Robert, and Ad Reinhardt, eds. Modern Artists in America. New York: Wittenborn Schultz, 1951.
1952
SOLO EXHIBITIONS
Paul Kantor Gallery, Los Angeles
“Diebenkorn Art Works Showing in California.” Champaign-Urbana Courier (Ill.), 11 Nov. 1952, 15.
Kantor, Paul. Gallery statement, Richard Diebenkorn Foundation Archives.
Langsner, Jules. “Art News from Los Angeles: Diebenkorn, Randall.” Art News, Nov. 1952, 60–61.
M[illier], A[rthur]. “Romantic-Abstract Work Well Integrated.” Los Angeles Times, 16 Nov. 1952, D6.
“UI Instructor Has Art Show in California.” News-Gazette (Champaign-Urbana, Ill.), 12 Nov. 1952, 8
GROUP EXHIBITIONS
Fine Arts Gallery, University of New Mexico, Albuquerque
“Art Panel Set for U Gallery.” Albuquerque Journal, 1 Apr. 1952, 8.
E[vans], J[oan]. “Eleven Artists Exhibit at UNM.” Albuquerque Journal, 26 Mar. 1952, 8.
Seventy-First Annual Painting and Sculpture Exhibition of the San Francisco Art Association. Foreword by Grace L. McCann Morley. San Francisco: San Francisco Art Association, 1952.
Loran, Erle. “Art News from San Francisco: Association Exclusive.” Art News, Mar. 1952, 50–51, 59–60.
ARTICLES
Evans, Joan. “Coast-to-Coast: Albuquerque.” Art Digest, 15 May 1952, 12–13.
———. “Montenegro’s New Exhibit Shows Change in His Work.” Albuquerque Journal, 27 Apr. 1952, 15.
“Paso por aquí.” New Mexican (Santa Fe), 1 June 1952, B1–B2.
1953
GROUP EXHIBITIONS
Architecture Building, University of Illinois, Urbana-Champaign
“Faculty Exhibit in Art Opens.” Daily Illini, 10 Jan. 1953, 1.
Funkhouser, Jane, and Shirley Robinson. “64 Exhibits Displayed by Members of Art Faculty at Annual Show.” Daily Illini, 15 Jan. 1953, 1.
Carnegie Institute, Pittsburgh
Washburn, Gordon Bailey. “A New Gallery of Contemporary Art.” Carnegie Magazine, May 1953, 153–55.
Contemporary American Drawings. Madison: Union Gallery, University of Wisconsin, 1953.
Exhibition Momentum Midcontinental, 1953. Texts by Adolph Gottlieb, Richard Lippold, and Ad Reinhardt. Chicago, 1953.
Jewett, Eleanor. “Accent Is on the Modern in Art Show.” Chicago Daily Tribune, 24 May 1953, F4.
Weller, Allen S. “Coast-to-Coast: Chicago.” Art Digest, June 1953, 14.
Paul Kantor Gallery, Los Angeles
“Coast-to-Coast: Los Angeles, Calif.” Art Digest, Aug. 1953, 15.
M[illier], A[rthur]. “Art Exhibit Brings Paris to Los Angeles.” Los Angeles Times, 2 Aug. 1953, D7.
BOOKS
Ley, Murray Hickey. A Is All: A Myth for a Time. San Francisco: Grabhorn Press, 1953.
1954
SOLO EXHIBITIONS
Paul Kantor Gallery, Los Angeles
Adams, Clinton. “California Shows.” Pictures on Exhibit (New York), May 1954, 50.
Langsner, Jules. “Art News from Los Angeles: Diebenkorn, Heerman.” Art News, May 1954, 47.
M[illier], A[rthur]. “Exhibition by Pierre Sicard Shows Sprawling City through New Eye.” Los Angeles Times, 28 Mar. 1954, D7.
GROUP EXHIBITIONS
Eighteenth Annual Watercolor Exhibition of the San Francisco Art Association. Foreword by Grace L. McCann Morley. San Francisco: San Francisco Art Association, 1954.
New Accessions USA. Foreword by James B. Byrnes. Colorado Springs, Colo.: Colorado Springs Fine Arts Center, 1954.
Paul Kantor Gallery, Los Angeles
M[illier], A[rthur]. “Burkhardt Paintings Shown in Three Successive Retrospects.” Los Angeles Times, 9 May 1954, D6.
Seventy-Third Annual Painting and Sculpture Exhibition of the San Francisco Art Association. Foreword by Grace L. McCann Morley. San Francisco: San Francisco Art Association, 1954.
Frankenstein, Alfred. “A New Abstraction Is Evident at the Art Association Annual.” San Francisco Chronicle, This World, 28 Feb. 1954, 25, 27.
Younger American Painters: A Selection. Text by James Johnson Sweeney. New York: Solomon R. Guggenheim Museum, 1954.
Coates, Robert M. “The Art Galleries: Lipchitz and Young America.” New Yorker, 29 May 1954, 74–77.
Hunter, Sam. “Guggenheim Sampler.” Art Digest, 15 May 1954, 9, 31.
Nordland, Gerald. “Los Angeles Exhibitions.” Frontier, Apr. 1956, 23–24.
“What’s New.” Glamour, June 1954, 70–71.
ARTICLES
“Berkeleyan Is Winner of Art Fellowship.” Berkeley Daily Gazette (Calif.), 18 Mar. 1954, 16.
“Diebenkorn Wins Fellowship.” New York Times, 16 Mar. 1954, 36.
[Morley, Grace L. McCann.] “Bay Region Art during Two Decades.” San Francisco Museum of Art Quarterly Bulletin 3, no. 3 (1954): 18–22.
“Richard Diebenkorn Wins Rosenberg Fellowship.” San Francisco Art Association Bulletin, Feb.–Mar. 1954, n.p.
“Rosenberg Fellowship: Diebenkorn Wins $2400 Art Prize.” San Francisco Chronicle, 15 Mar. 1954, 13.
1955
SOLO EXHIBITIONS
Art Department Building, University of California, Berkeley
Cross, Miriam Dungan. “ ‘Arts in Orient’ Exhibit Here Is Delightful—And Instructive.” Oakland Tribune, 2 Oct. 1955, C10.
“UC Presents Art Exhibit.” Berkeley Daily Gazette, 23 Sept. 1955, sec. 2, 11.
“Work of Abstract-Expressionist Currently Displayed on Campus.” Daily Californian, 23 Sept. 1955, 7.
GROUP EXHIBITIONS
Albuquerque Modern Museum, N.Mex.
“Modern Museum to Celebrate 2nd Anniversary.” Albuquerque Journal, 25 Aug. 1955, 8.
Art in the 20th Century. Foreword by E. Morris Cox; text by Grace L. McCann Morley. San Francisco: San Francisco Museum of Art, 1955.
Frankenstein, Alfred. “A Case Where Contemporary Art May Be Older Than You Think.” San Francisco Chronicle, This World, 10 July 1955, 23.
Contemporary American Painting and Sculpture. Text by Allen S. Weller. Urbana: University of Illinois, 1955.
“Festival to Feature Ex-U.I. Man’s Painting, 3 Staff Members’ Music.” Champaign-Urbana Courier, [Jan. 1955], 26.
Fifth Annual Exhibition: Oil and Sculpture. Richmond, Calif.: Richmond Art Center, 1955.
Graphic Gala: Seeing Art through the Eye. New York: Artists’ Gallery, 1955.
“Challenging the Naked Eye.” Arts Digest, 15 Sept. 1955, 15–17.
Museum of Modern Art, New York, and the Congress for Cultural Freedom, Washington, D.C.
Giovani pittori (text in English, French, and Italian). Rome: Congress for Cultural Freedom, 1955.
Jeunes peintres (text in English, French, and Italian). Brussels: Congress for Cultural Freedom, 1955.
Jeunes peintres (text in English, French, and Italian). Paris: Congress for Cultural Freedom, 1955.
Ashton, Dore. “Young Painters in Rome.” Arts Digest, 1 June 1955, 6–7.
1955 Annual Exhibition of Contemporary American Painting. New York: Whitney Museum of American Art, 1955.
Rice, Dustin. “The Whitney Annual.” Village Voice, 23 Nov. 1955, 5.
The 1955 Pittsburgh International Exhibition of Contemporary Painting. Foreword by Gordon Bailey Washburn. Pittsburgh: Carnegie Institute, 1955.
Pavilion of the Nations, Ibirapuera Park, São Paulo
III Bienal do Museu de arte moderna de São Paulo (text in Portuguese). Introduction by Sérgio Milliet; texts by Grace L. McCann Morley and Marvin C. Ross. São Paulo: Museu de arte moderna, 1955.
“Art: Westerners Up.” Time, 18 July 1955, 73.
Morley, Grace L. McCann. “The Pacific Coast Artists Brought Their Climate to Sao Paulo.” San Francisco Chronicle, This World, 2 Oct. 1955, 22.
“United States’ Delegation, IIIrd Biennial of Sao Paulo.” San Francisco Museum of Art Quarterly Bulletin 4, no. 3 (1955): 38–46 (exh. leaflet reprint).
Poindexter Gallery, New York (2 exhs.)
A[shton], D[ore]. “About Art and Artists: Show at the Poindexter Gallery Offers an Index to Contemporary Trends.” New York Times, 21 Dec. 1955, 59.
B[urrows], C[arlyle]. “Art Exhibition Notes.” New York Herald Tribune, 1 Oct. 1955, 9.
Harris, Paul. “Reviews and Previews: An Opening Show, Poindexter.” Art News, Oct. 1955, 52.
P[reston], S[tuart]. “About Art and Artists: Veterans and Newcomers Exhibit Here as Gallery Season Picks Up Speed.” New York Times, 1 Oct. 1955, 17.
Sawin, Martica. “Month in Review: Poindexter Group.” Arts Digest, 15 Sept. 1955, 27.
San Francisco Museum of Art
Frankenstein, Alfred. “ ‘Bay Region Painting’ on View at S.F. Museum.” San Francisco Chronicle, 22 May 1955, 4.
“Three Young Americans.” Cat. in. Allen Memorial Art Museum Bulletin, Spring 1955, 91–97. Text by Forbes Whiteside.
The Twenty-Fourth Biennial Exhibition of Contemporary American Oil Paintings. Preface by Hermann Warner Williams Jr. Washington, D.C.: Corcoran Gallery of Art, 1955.
Vanguard 1955: A Painter’s Selection of New American Paintings. Foreword by H. H. Arnason; introduction by Kyle Morris. Minneapolis: Walker Art Center, 1955.
Saarinen, Aline B. “Painter Explains Show He Picks.” New York Times, 1 Jan. 1956, X12.
Western Painters’ Annual Exhibition. Text by Paul Mills. Oakland, Calif.: Oakland Art Museum, 1955.
“Berkeleyan Is Top Winner.” Berkeley Daily Gazette, 9 Dec. 1955, 8.
Cross, Miriam Dungan. “Western Painters Annual Opens Here.” Oakland Tribune, 18 Dec. 1955, M12.
1956
SOLO EXHIBITIONS
Oakland Art Museum, Calif.
Cross, Miriam Dungan. “Museum Hails Garden Show with ‘Painted Flower’ Exhibit.” Oakland Tribune, 16 Sept. 1956, M4.
Poindexter Gallery, New York
Ashton, Dore. “Art.” Arts & Architecture, Apr. 1956, 11.
B[urrows], C[arlyle]. “Art: One-Man Shows Fill Galleries.” New York Herald Tribune, Book Review, 11 Mar. 1956, 11.
Preston, Stuart. “Painting on View: One Who Followed Goya—Recent Abstraction.” New York Times, 4 Mar. 1956, X14.
R. R. “In the Galleries: Richard Diebenkorn.” Arts, Mar. 1956, 56–57.
Tyler, Parker. “Reviews and Previews: Richard Diebenkorn, Poindexter.” Art News, Mar. 1956, 51.
GROUP EXHIBITIONS
California Painting: 40 Painters. Long Beach, Calif.: Municipal Art Center, 1956.
Contemporary American Painters, 1950–55. Stanford, Calif.: Committee for Art at Stanford, 1956.
41 aquarellistes américains d’aujourd’hui (text in French). Introduction by Frank O’Hara. Laon, France: International Council of the Museum of Modern Art/Association française d’action artistique, 1956; Nice, France: International Council of the Museum of Modern Art/Association française d’action artistique, 1957.
M. H. de Young Memorial Museum, San Francisco
“Art Group Announces Winners.” Daily Palo Alto Times, 10 Dec. 1956, 15.
“Art Teachers Win Awards.” Berkeley Daily Gazette, 17 Jan. 1957, 10.
Chipp, Herschel B. “Art News from San Francisco: Group-Show Winners.” Art News, Feb. 1957, 20, 60.
Cross, Miriam Dungan. “Oakland Art Museum Spruced Up for 40th Birthday ‘Party.’ ” Oakland Tribune, 16 Dec. 1956, B7.
Frankenstein, Alfred. “Two Refugees from Abstraction Took Top Prizes.” San Francisco Chronicle, This World, 16 Dec. 1956, 28.
“13 Artists of Berkeley in SF Art Show.” Berkeley Daily Gazette, 6 Dec. 1956, 14.
Museum of Modern Art Circulating Exhibitions, New York
Frankenstein, Alfred. “Museum Shows Work of Young U.S. Painters.” San Francisco Chronicle, 29 July 1957, 19.
Maul, John. “Young American Shown at Art Center.” Tucson Daily Citizen (Ariz.), 11 Jan. 1958, 13.
Oakland Art Museum, Calif.
Chipp, Herschel B. “Art News from San Francisco: California School Again.” Art News, Apr. 1956, 20.
Cross, Miriam Dungan. “Good Selection and Quality at Art Museum’s Rental Gallery.” Oakland Tribune, 19 Feb. 1956, B2.
Frankenstein, Alfred. “Oakland Shows There Was No ‘California School.’ ” San Francisco Chronicle, This World, 26 Feb. 1956, 28–29.
Polley, E. M. “Bay Area Abstractionists: 20 Artists Exhibit at Oakland Museum.” Vallejo Times-Herald, 19 Feb. 1956, 38.
———. “ ‘California School’: Controversial Topic Discussed by Panel.” Vallejo Times-Herald, 26 Feb. 1956, 42.
Pacific Coast Art: United States’ Representation at the Third Biennial of São Paulo. Text by Grace L. McCann Morley. San Francisco: San Francisco Museum of Art, 1956.
Chipp, Herschel B. “Art News from San Francisco: Pacific Coast Leaders.” Art News, Sept. 1956, 18, 57.
Cross, Miriam Dungan. “Coast Art Scores at S.F. Show.” Oakland Tribune, 3 June 1956, C10.
Pomona College, Claremont, Calif.
California Drawings. Text by Peter Selz. Claremont, Calif.: Pomona College, 1956.
California Drawings. Text by Peter Selz. Long Beach, Calif.: Long Beach Museum of Art, 1957.
Langsner, Jules. “Art News from Los Angeles: California Drawings.” Art News, Feb. 1957, 20, 62–63.
Williams, Vera. “Local Galleries Exhibit Works of Californians.” Independent-Press-Telegram (Long Beach, Calif.), 18 Aug. 1957, W9.
Seventy-Fifth Annual: Painting and Sculpture Exhibition of the San Francisco Art Association. Foreword by Grace L. McCann Morley; text by Hubert Crehan. San Francisco: San Francisco Art Association, 1956.
Chipp, Herschel B. “Summer Events: San Francisco: Artists Reject Old Jury System.” Art News, Summer 1956, 22, 61–62.
Genauer, Emily. “Our Regional Art.” House & Garden, June 1956, 57–59.
Sixth Annual Exhibition: Oil and Sculpture. Foreword by Hazel Salmi. Richmond, Calif.: Richmond Art Center, 1956.
Upstairs Gallery, Harris Hall, University of Southern California, Los Angeles
Nordland, Gerald. “Art: 6 x 5.” Frontier, Oct. 1956, 23–24.
ARTICLES
“Berkeley Painters Sell 11 Works to Art Collection.” Oakland Tribune, 21 June 1956, 1.
Crehan, Hubert. “Is There a California School?” Art News, Jan. 1956, 32–35, 64–65.
“Enquête sur la jeune peinture.” Preuves (Paris; text in French), Oct. 1956, 30–69 (questionnaire by Alain Jouffroy and K. A. Jelenski).
1957
SOLO EXHIBITIONS
Swetzoff Gallery, Boston
Driscoll, Edgar J. Jr. “This Week in the Art World: Individuality, New Faces Spice Old Familiar Places.” Boston Sunday Globe, 3 Feb. 1957, A55.
GROUP EXHIBITIONS
American Paintings, 1945–1957. Foreword by Richard S. Davis; introduction by Stanton L. Catlin. Minneapolis: Minneapolis Institute of Arts, 1957.
Contemporary Bay Area Figurative Painting. Text by Paul Mills. Oakland, Calif.: Oakland Art Museum, 1957.
Paintings by Richard Diebenkorn and David Park from the Collection of Walter P. Chrysler, Jr. Oakland: Oakland Art Museum, 1957 (catalogue supplement for the Dayton and Colorado Springs venues).
Chipp, Herschel B. “Art News from San Francisco: Bay Area Figurative Painting.” Art News, Dec. 1957, 50.
Cross, Miriam Dungan. “Retiring Churchill Honored.” Oakland Tribune, 15 Sept. 1957, C2.
“Figurative Painters in California.” Arts, Dec. 1957, 26–27.
Frankenstein, Alfred. “Oakland Displays New Figurative Paintings.” San Francisco Chronicle, 23 Sept. 1957, 21.
Millier, Arthur. “S.F. Bay Show on View Here.” Los Angeles Times, 24 Nov. 1957, E8.
Nordland, Gerald. “Art: Bay Area Painters.” Frontier, Jan. 1958, 20–21.
Directions: Bay Area Painting, 1957. Richmond, Calif.: Richmond Art Center, 1957.
Chipp, Herschel B. “Art News from San Francisco: Directions at Richmond.” Art News, Apr. 1958, 48.
Cross, Miriam Dungan. “Jack London Show Draws 450 Artists.” Oakland Tribune, 11 Aug. 1957, C10.
———. “Last Day for Art Festival.” Oakland Tribune, 18 Aug. 1957, C8.
Ferus Gallery, Los Angeles
Nordland, Gerald. “Art: Innovation.” Frontier, May, 1957, 25–26.
Fourth International Art Exhibition of Japan (text in English and Japanese). Text by Chikao Honda. Tokyo: Mainichi Newspapers, 1957.
Modern Painting, Drawing and Sculpture: Collected by Louise and Joseph Pulitzer, Jr. Texts by Charles Scott Chetham and Joseph Pulitzer Jr. Cambridge, Mass.: Fogg Art Museum, 1957.
Driscoll Jr., Edgar J. “This Week in the Art World: Distinguished Exhibition of Modern at Fogg Museum.” Boston Sunday Globe, 19 May 1957, A27.
P[reston], S[tuart]. “Art: Pulitzer Collection.” New York Times, 10 Apr. 1957, 66.
Saarinen, Aline B. “Benefit for the Fogg Museum.” New York Times, 7 Apr. 1957, X17.
1957 California Painters’ Exhibition. Text by Paul Mills. Oakland, Calif.: Oakland Art Museum, 1957.
Paintings and Drawings by Living Americans: A Selection by Vincent Price. Foreword by Vincent Price. New York: Alan Gallery, 1957.
San Francisco Museum of Art
Frankenstein, Alfred. “Contemporary Styles in Painting, Sculpture.” San Francisco Chronicle, 8 May 1957, 25.
Second Pacific Coast Biennial Exhibition of Paintings and Watercolors. Text by Ala Story. Santa Barbara, Calif.: Santa Barbara Museum of Art, 1957.
Cross, Miriam Dungan. “Pacific Coast Biennial Is Tops.” Oakland Tribune, 24 Nov. 1957, C2.
Grissom, Sarah. “San Francisco.” Arts, Feb. 1958, 22.
Millier, Arthur. “West’s Artists Display Talent.” Los Angeles Times, 22 Sept. 1957, E5.
Seventh Annual Exhibition: Oil and Sculpture. Richmond, Calif.: Richmond Art Center, 1957.
Cross, Miriam Dungan. “Trend in Bay Art Surveyed.” Oakland Tribune, 17 Nov. 1957, C9.
Seventy-Sixth Annual Painting and Sculpture Exhibition of the San Francisco Art Association. Foreword by Grace L. McCann Morley. San Francisco: San Francisco Art Association, 1957.
Cross, Miriam Dungan. “S.F.’s 76th Annual Burgeons with Energetic Art, Sculpture.” Oakland Tribune, 10 Mar. 1957, C9.
Frankenstein, Alfred. “Sculpture Played No Second Fiddle at the Art Annual.” San Francisco Chronicle, This World, 10 Mar. 1957, 28, 31.
McCawley, Nancy. “Art News from San Francisco: Up and Down at the Annual.” Art News, May 1957, 50, 59.
LXII American Exhibition: Paintings, Sculpture. Foreword by Frederick A. Sweet. Chicago: Art Institute of Chicago, 1957.
Twenty-Fifth Biennial Exhibition of Contemporary American Oil Paintings. Text by Hermann Warner Williams Jr. Washington, D.C.: Corcoran Gallery of Art, 1957.
ARTICLES AND BOOKS
American Abstract Artists, eds. The World of Abstract Art. New York: George Wittenborn, 1957.
Ashton, Dore. “An Eastern View of the San Francisco School.” Evergreen Review 1, no. 2 (1957): 148–59 (includes letter from Hubert Crehan).
Byrnes, James B. “Some Recent Accessions of Twentieth Century Painting.” North Carolina Museum of Art Bulletin, Winter 1957–Spring 1958, 40–50.
Chipp, Herschel B. “Diebenkorn Paints a Picture.” Art News, May 1957, 44–47, 54–55.
“Look of the West Inspires New Art.” Life, 4 Nov. 1957, 65–69.
Schevill, James. “Richard Diebenkorn.” Frontier, Jan. 1957, 21–22.
1958
SOLO EXHIBITIONS
Poindexter Gallery, New York
Ashton, Dore. “Art.” Arts & Architecture, May 1958, 5, 28–29.
Campbell, Lawrence. “Reviews and Previews: Richard Diebenkorn, Poindexter.” Art News, Mar. 1958, 13.
Cross, Miriam Dungan. “Diebenkorn, Oakland Teacher, Making Art History in N.Y.” Oakland Tribune, 23 Mar. 1958, C8.
“Edging Away from Abstraction.” Time, 17 Mar. 1958, 64–65, 67.
Sawyer, Kenneth B. “Richard Diebenkorn.” Gallery statement, Richard Diebenkorn Foundation Archives.
Ventura, Anita. “In the Galleries: Richard Diebenkorn.” Arts, Mar. 1958, 56.
GROUP EXHIBITIONS
American Artists of Younger Reputation: Giovani pit-tori americani (text in English and Italian). Text by James Johnson Sweeney. Rome: Rome–New York Art Foundation, 1958.
Hadzi, Martha Leeb. “Report from Rome.” Pictures on Exhibit (New York), Summer 1958, 54–56, 63–64.
American Painting, 1958. Foreword by Leslie Cheek Jr.; text by Grace L. McCann Morley. Richmond: Virginia Museum of Fine Arts, 1958.
American Pavilion, Brussels Universal and International Exhibition
American Art: Four Exhibitions (text in Dutch, English, and French). Foreword by Harris K. Prior; texts by Grace L. McCann Morley et al. New York: American Federation of Arts, 1958.
Seventeen American Artists and Eight Sculptors. Text by Grace L. McCann Morley. London: U.S. Information Service Library with the American Federation of Arts, 1958.
Alloway, Lawrence. “London Chronicle.” Art International 92, nos. 9 and 10 [Dec. 1958–Jan. 1959]: 33–36, 101.
“At the Brussels World’s Fair: Paintings by 17 Americans.” Vogue, 15 Apr. 1958, 60–61.
Coates, Robert M. “The Art Galleries: Americans, All Sizes.” New Yorker, 27 Dec. 1958, 61–63.
Coleman, Roger. “Reinforcements.” Art News and Review (London), 22 Nov. 1958, 6.
Copplestone, Trewin. “Some London Moderns.” Pictures on Exhibit (New York), Dec. 1958, 51–53.
Genauer, Emily. “Our Brussels Art Show Absurd.” New York Herald Tribune, Book Review, 23 Mar. 1958, 14.
———. “U.S. Art Going to Brussels Called Scandal.” New York Herald Tribune, 17 Mar. 1958, 1, 13.
O’Flaherty, Terrence. “The Drawing-Board Generals.” San Francisco Chronicle, 24 Apr. 1958, sec. 3, 31.
Russell, John. “Transatlantic Fancies.” Sunday Times Magazine (London), 2 Nov. 1958, 21.
Stiles, George. “Gallery Previews in New York: Brussels ’58.” Pictures on Exhibit (New York), Jan. 1959, 10.
Sylvester, David. “London Views Advanced American Painting of Today.” New York Times, 30 Nov. 1958, X9.
Tillim, Sidney. “In the Galleries: Brussels ’58.” Arts, Feb. 1959, 55.
Annual Exhibition: Sculpture, Paintings, Watercolors, Drawings. New York: Whitney Museum of American Art, 1958.
Devree, Howard. “Whitney Round-Up.” New York Times, 23 Nov. 1958, X13.
Kramer, Hilton. “Month in Review.” Arts, Dec. 1958, 46–49.
Bolles Gallery, San Francisco
Cross, Miriam Dungan. “Gallery Has ‘Big Town’ Air.” Oakland Tribune, 2 Nov. 1958, C8.
Walker, Dorothy. “The Art World: Architecture, Art Wed in Jackson Square.” San Francisco News, 4 Oct. 1958, T12.
California Palace of the Legion of Honor, San Francisco
Painting and Sculpture in the San Francisco Art Association: A Catalog of the Art Bank of the SFAA. Text by Thomas Carr Howe. San Francisco: San Francisco Art Association, 1958.
The Collection of Mary and Vincent Price. Introduction by Kenneth Ross; foreword by Vincent Price. Los Angeles: Los Angeles Municipal Art Gallery, 1958.
M[illier], A[rthur]. “Price Show Has World Flavor.” Los Angeles Times, 6 July 1958, E5.
Contemporary American Art. Flint, Mich.: Enos A. & Sarah DeWaters Art Center, 1958.
Contemporary Art—Acquisitions, 1957–1958. Foreword by Gordon M. Smith. Buffalo: Albright Art Gallery, 1958.
Eighth Annual Oil and Sculpture Exhibition. Foreword by Hazel Salmi. Richmond, Calif.: Richmond Art Center, 1958.
Fresh Paint, 1958: A Selective Survey of Recent Western Painting. Stanford, Calif.: Committee for Art at Stanford, 1958.
“Exhibit Artists Picked.” San Francisco Examiner, 5 May 1958, sec. 3, 14.
“In the Galleries . . .” San Francisco Chronicle, This World, 17 Aug. 1958, 25.
Gump’s Gallery, San Francisco
Cross, Miriam Dungan. “U.C. Art Instructor Wins Invitational Exhibit Award.” Oakland Tribune, 18 May 1958, S10.
Jonson Gallery, University of New Mexico, Albuquerque
“Ex-Students Have Art Show.” Albuquerque Tribune, 17 Jan. 1958, 13.
“Jonson Gallery to Show Works of Ex-Students.” Albuquerque Journal, 12 Jan. 1958, 19.
“Painting Exhibition Is Now at Gallery.” New Mexico Lobo, 14 Jan. 1958, 4.
The 1958 Pittsburgh Bicentennial International Exhibition of Contemporary Painting and Sculpture. Introduction by Gordon Bailey Washburn. Pittsburgh: Carnegie Institute, 1958.
Reed College, Portland, Ore.
Renaker, D[avid]. “Abstract Expressionism Reconsidered: Festival Artists Move toward Realism.” Reed College Quest, 17 Feb. 1958, 3.
Seventy-Seventh Annual Painting and Sculpture Exhibition of the San Francisco Art Association. Foreword by Grace L. McCann Morley. San Francisco: San Francisco Art Association, 1958.
Chipp, Herschel. “This Summer in San Francisco: The Art Association Annual.” Art News, Summer 1958, 48.
Grissom, Sarah. “San Francisco.” Arts, May 1958, 20–21, 69.
ARTICLES
Ashton, Dore. “Rebel in the West.” New York Times, 25 Feb. 1958, 55.
Cross, Miriam Dungan. “California Painters Annual: Brave Men Pick Museum Art!” Oakland Tribune, 12 Jan. 1958, C2.
“Diebenkorn to Show at World’s Fair.” Berkeley Daily Gazette (Calif.), 7 Mar. 1958, 6.
Johnson, Ellen. “Diebenkorn’s ‘Woman by a Large Window.’ ” Allen Memorial Art Museum Bulletin (Oberlin College, Ohio), Fall 1958, 18–23.
Meyer, Luther. “Bay Artist ‘Has Situation in Hand’: Abstractionist Back on Track.” San Francisco Call-Bulletin, 28 Mar. 1958, 19.
Nickell, Judy. “Artists Win Recognition.” Albuquerque Tribune (N.Mex.), 20 Mar. 1958, 8.
Panza di Biumo, Giuseppe. “The Words of the Collector.” Cimaise (Paris; text in English and French), Dec. 1958, 30–31, 35–36.
Seckler, Dorothy Gees. “Problems of Portraiture: Painting.” Art in America, Winter 1958–59, 22–37.
Steif, William. San Francisco News, 2 Sept. 1958, 9.
1959
GROUP EXHIBITIONS
City Art Museum of St. Louis and the U.S. Information Agency, Washington, D.C.
Moderne amerikanische Malerei, 1930–1958 (text in German). Text by Dorothy Adlow. Darmstadt, West Germany, 1960.
Modernt amerikanskt måleri, 1932–1958 (text in Swedish). Introduction by Dorothy Adlow. Gothenburg, Sweden, 1960.
25 anni di pittura americana, 1933–1958 (text in Italian). Rome: De Luca editore, 1959.
Baldini, Umberto. “Pittori e incisori americani esposti a Palazzo Strozzi.” (Text in Italian.)
Fiftieth Anniversary Celebration: Art and Secondary Education. Texts by Robert Richman et al. Washington, D.C.: St. Albans School, 1959.
Masterpieces of Art: In Memory of William R. Valentiner, 1880–1958. Preface by James B. Byrnes; text by William R. Valentiner. Raleigh: North Carolina Museum of Art, 1959.
New Directions in Painting. Foreword by James V. McDonough. Tallahassee: Florida State University Gallery, 1959.
Peter Selz. New Images of Man. Preface by Paul Tillich. New York: Museum of Modern Art, 1959.
Canaday, John. “Art: New Images of Man.” New York Times, 30 Sept. 1959, 40.
Cross, Miriam Dungan. “New York’s ‘Images of Man’ Frightens Tribune Art Critic.” Oakland Tribune, 25 Oct. 1959, C10.
Farber, Manny. “New Images of (Ugh) Man.” Art News, Oct. 1959, 38–39, 58.
Genauer, Emily. “Our Age of Anxiety Shown at Museum.” New York Herald Tribune, 4 Oct. 1959, sec. 4, 10.
Kaufman, Betty. “A New Kind of ‘Humanism.’ ” Commonweal, 16 June 1961, 310–11.
Lanes, Jerrold. “Brief Treatise on Surplus Value; or, The Man Who Wasn’t There.” Arts, Nov. 1959, 28–33.
“ ‘The New Images of Man.’ ” Pictures on Exhibit (New York), Oct. 1959, 4–5.
“New Images of Man.” Studio, Feb. 1960, 51–53.
Porter, Fairfield. “Art.” Nation, 17 Oct. 1959, 240.
Rubin, William. “New Images of Man.” Art International 3, no. 9 [May–June 1959]: 1–5.
Sawyer, Kenneth B. “Art Notes: ‘New Images of Man’ at Museum.” Baltimore Sun, 17 Jan. 1960, A15.
Schwartz, Marvin D. “New York Notes.” Apollo, Mar. 1960, 79–81.
Paintings since 1945: A Collection in the Making, Lent by Richard Brown Baker. Introduction by Richard Brown Baker. Providence: Museum of Art, Rhode Island School of Design, 1959.
Seventy-Eighth Annual Painting and Sculpture Exhibition of the San Francisco Art Association. Foreword by George D. Culler. San Francisco: San Francisco Art Association, 1959.
Chipp, Herschel. “Art News from San Francisco: Art Association Annual.” Art News, Summer 1959, 24.
Eichelbaum, Stanley. “One Man Jury for Local Artists.” San Francisco Examiner, Highlight, 29 Mar. 1959, 6.
63rd American Exhibition: Paintings, Sculpture. Chicago: Art Institute of Chicago, 1959.
Weigle, Edith. “The Wonderful World of Art: What’s in Store for You at American Exhibit.” Chicago Tribune, 29 Nov. 1959, G6.
12th Annual Creative Arts Program: Exhibition of Paintings. Foreword by Alden F. Megrew. Boulder: University of Colorado, 1959.
Twenty-Sixth Biennial Exhibition of Contemporary American Painting. Foreword by Hermann Warner Williams Jr. Washington, D.C.: Corcoran Gallery of Art, 1959.
William Rockhill Nelson Gallery of Art, Kansas City, Mo.
Kelleher, Patrick J. “Aspects of Representation in Contemporary Art—An Exhibition.” Nelson Gallery and Atkins Museum Bulletin, Mar. 1959, 11–13.
ARTICLES AND BOOKS
Cross, Miriam Dungan. “Washburn to Judge S.F. Art.” Oakland Tribune, 15 Mar. 1959, C12.
Foushee, Ola Maie. “Art in North Carolina: Know Your Museum.” Rocky Mount Sunday Telegram (N.C.), 11 Jan. 1959, A5.
Goossen, E. C. “San Francisco Art as Seen from the Brooklyn Bridge.” San Francisco Examiner, Pictorial Living, 18 Jan. 1959, 8.
O’Flaherty, Terrence. “North Beach Invaded!” San Francisco Chronicle, 24 July 1959, 3:29.
Price, Vincent. I Like What I Know: A Visual Autobiography. Garden City, N.Y.: Doubleday, 1959.
Temko, Allan. “The Flowering of San Francisco.” Horizon, Jan. 1959, 4–23.
1960
SOLO EXHIBITIONS
Recent Paintings by Richard Diebenkorn. Text by Howard Ross Smith. San Francisco: California Palace of the Legion of Honor, 1960.
Bloomfield, A. J. “Little Blotches Look Like Pieces of Lint.” San Francisco News-Call Bulletin, Weekend Magazine, 5 Nov. 1960, TV19.
Chipp, Herschel B. “Art News from San Francisco: Diebenkorn and Other One-Man Shows.” Art News, Feb. 1961, 54.
F[rankenstein], A[lfred]. “Works of Reputable Moderns in the Current Exhibitions.” San Francisco Sunday Chronicle, This World, 30 Oct. 1960, 24–25.
Fried, Alexander. “Diebenkorn’s Art as Eyed by Some Women Painters.” San Francisco Examiner, Highlight, 13 Nov. 1960, 13.
Polley, E. M. “Diebenkorn Art Is Shown at Palace of Legion of Honor.” Vallejo Times-Herald, 30 Oct. 1960, 46.
Richard Diebenkorn. Introduction by Thomas W. Leavitt. Pasadena, Calif.: Pasadena Art Museum, 1960.
Dann, Frode N. “Art in Review: Show Spans Artist’s Transition.” Independent Star-News, Scene (Pasadena, Calif.), 18 Sept. 1960, 10.
Kessler, Charles S. “Los Angeles: The Seasonal Tide.” Arts, Nov. 1960, 19.
Millier, Arthur. “Californians’ Oils Impress.” Los Angeles Times, 11 Sept. 1960, G8.
Nordland, Gerald. “Art: Some Noteworthy Exhibitions.” Frontier, Oct. 1960, 18.
“Pasadena Art Museum: Three Shows Open Fall Season.” Independent Star-News, Scene (Pasadena, Calif.), 4 Sept. 1960, 7.
GROUP EXHIBITIONS
American Art, 1910–1960: Selections from the Collection of Mr. and Mrs. Roy R. Neuberger. New York: American Federation of Arts, 1960.
Richardson, John. “The Neuberger Collection.” Art in America, no. 2, 1960, 86–88.
American Federation of Arts, New York
Cooke, Regina. “Art Notes.” Taos News (N.Mex.), 22 June 1961, 9.
Pickette, Walter. “Art Reviews.” New Mexico Lobo, 7 July 1961, 4.
Art across America: A Selection of American Art from Collections Open to the Public in Communities of One Hundred Thousand or Less. Introduction by Howard Mumford Jones; text by Richard B. K. McLanathan. Utica, N.Y.: Munson-Williams-Proctor Institute, 1960.
Chapman Memorial Library, Milwaukee-Downer College, Milwaukee
Key, Donald. “The World of Art: Miniature Art Makes Imposing Exhibition at Downer College.” Milwaukee Journal, 2 Oct. 1960, 5, sec. 5.
The Image Lost and Found. Text by Thomas M. Messer. Boston: Institute of Contemporary Art, 1960.
Main Currents of Contemporary American Painting. Introduction by Frank Seiberling. Iowa City: State University of Iowa, 1960.
Modern Masters in West Coast Collections: An Exhibition Selected in Celebration of the Twenty-Fifth Anniversary of the San Francisco Museum of Art, 1935–1960. San Francisco: San Francisco Museum of Art, 1960.
Frankenstein, Alfred. “Modern Masters at the Museum.” San Francisco Chronicle, Bonanza, 13 Nov. 1960, 16–17.
Poindexter Gallery, New York
Munro, Eleanor C. “Review and Previews: Four Landscape Painters, Poindexter.” Art News, May 1960, 15.
Sculpture and Painting: Andrews, Diebenkorn, Wilson. Stanford, Calif.: Committee for Art at Stanford, 1960.
“3 Stanford Artists to Exhibit.” Daily Palo Alto Times, 12 May 1960, 15.
Seventieth Annual Exhibition. Lincoln: Nebraska Art Association, 1960.
79th Annual Painting and Sculpture Exhibition of the San Francisco Art Association. San Francisco: San Francisco Art Association, 1960.
Staempfli Gallery, New York
Burrows, Carlyle. “Realists and Allied Artists.” New York Herald Tribune, 13 Nov. 1960, sec. 4, 7.
Canaday, John. “Conducted Tour: Current Exhibitions Ask Questions on American Art and Offer Answers.” New York Times, 13 Nov. 1960, X13.
Sandler, Irving H. “Reviews and Previews: Elmer Bischoff, Richard Diebenkorn, and David Park; Staempfli.” Art News, Dec. 1960, 15.
Sawin, Martica. “In the Galleries: Park, Bischoff, Diebenkorn.” Arts, Dec. 1960, 50.
Twentieth Century Drawing. Text by Vincent Price. La Jolla, Calif.: Art Center in La Jolla, 1960.
25th Annual Midyear Show. Youngstown, Ohio: Butler Institute of American Art, 1960.
Winter Invitational. San Francisco: California Palace of the Legion of Honor, 1960.
Chipp, Herschel B. “Art News from San Francisco: Two Annuals, the Church.” Art News, Summer 1960, 58, 62.
ARTICLES AND BOOKS
Eichelbaum, Stanley. “An Abstract Artist’s Return to Landscapes and Figures.” San Francisco Examiner, Highlight, 23 Oct. 1960, 9.
Fenton, Terry. “Fine Arts in the Market Place.” Life, 19 Sept. 1960, 13.
Keating, Jeanne Markham. “Currently Speaking: Three Abstract Insurgents.” Valley News (Van Nuys, Calif.), 22 Nov. 1960, 2.
Kramer, Hilton. “Month in Review.” Arts, Jan. 1960, 42–45.
McCue, George. “Visit with Richard Diebenkorn: Californian Combines Figurative and Abstract Painting.” St. Louis Post-Dispatch, 15 May 1960, B5.
Mendelowitz, Daniel M. A History of American Art. New York: Holt, Rinehart, and Winston, 1960.
Munro, Eleanor C. “Figures to the Fore.” Horizon, July 1960, 16–24, 114–16.
1961
SOLO EXHIBITIONS
“One-Man Exhibitions Honoring Seven Artists Represented in the 1961 Pittsburgh International.” Cat. in The 1961 Pittsburgh International Exhibition of Contemporary Painting and Sculpture. Introduction by Gordon Bailey Washburn. Pittsburgh: Carnegie Institute, 1961.
Kramer, Hilton. “The Latest Thing in Pittsburgh.” Arts Magazine, Jan. 1962, 24–27.
Kuh, Katharine. “What Is an Exhibit For?” Saturday Review, 25 Nov. 1961, 35–[36].
Washburn, Gordon Bailey. “Seven One-Man Shows in the 1961 Pittsburgh International.” Carnegie Magazine, Oct. 1961, 261–67.
Poindexter Gallery, New York
Genauer, Emily. “Western Wind Is Still Fresh.” New York Herald Tribune, Lively Arts and Book Review, 19 Mar. 1961, sec. 4, 20.
Petersen, Valerie. “Reviews and Previews: Richard Diebenkorn, Poindexter.” Art News, Mar. 1961, 13.
Preston, Stuart. “Visual Grasps: California Realist.” New York Times, 19 Mar. 1961, X19.
Sandler, Irving Hershel. “New York Letter.” Art International, 1 May 1961, 52–54.
Tillim, Sidney. “Month in Review.” Arts, Apr. 1961, 46–49.
Richard Diebenkorn. Text by Gifford Phillips. Washington, D.C.: Phillips Collection, 1961.
Ahlander, Leslie Judd. “From Abstraction to the Image.” Washington Post, 4 June 1961, G6.
Getlein, Frank. “Painting Has Meaning Again in New Shows.” Sunday Star (Washington, D.C.), 4 June 1961, D20.
GROUP EXHIBITIONS
Annual Exhibition, 1961: Contemporary American Painting. New York: Whitney Museum of American Art, 1961.
Art of the Twentieth Century Collected by James S. and Dorothy Schramm. Amherst, Mass.: Amherst College, 1961.
Contemporary American Painting and Sculpture. Text by Allen S. Weller. Urbana: University of Illinois, 1961.
“3 UI Professors Picked to Judge Art Works in NY.” Daily Illini, 7 Oct. 1960, 13.
Eighty Works from the Richard Brown Baker Collection. Texts by Richard Brown Baker and Martin L. Friedman. Minneapolis: Walker Art Center, 1961.
The Emerging Figure. Text by Donald Barthelme. Houston: Contemporary Arts Museum, 1961.
VIIIème Exposition internationale des artistes peintres et amateurs d’art de Tunisie (text in French). Tunis: Association des artistes peintres et amateurs d’art de Tunisie, 1961.
The Logic of Modern Art: An Exhibition Tracing the Evolution of Modern Painting from Cezanne to 1960. Text by Ralph T. Coe. Kansas City, Mo.: Nelson Gallery and Atkins Museum, 1961.
The 1961 Pittsburgh International Exhibition of Contemporary Painting and Sculpture. Introduction by Gordon Bailey Washburn. Pittsburgh: Carnegie Institute, 1961.
Adlow, Dorothy. “Vanguard Vogues in Art in Pittsburgh—The Return of Yves Montand.” Christian Science Monitor, 30 Oct. 1961, 10.
“Art Spectacle in Pittsburgh.” Life, 1 Dec. 1961, 125–30.
Van Trump, James D. “Images of a Mirror: The 1961 Pittsburgh International.” [Charette (Pittsburgh), Nov. 1961.]
Painting from the Pacific: Japan, America, Australia, New Zealand. Texts by George D. Culler et al. Auckland, New Zealand: Auckland City Art Gallery, 1961.
K[enny], J. N[elson]. “Pacific Paintings Show Common Characteristics.” The Press (Christchurch, New Zealand), 5 Aug. 1961, 15.
Pasadena Art Museum, Calif.
Dann, Frode N. “Spiritual Force Found in Sister Corita’s Work.” Independent Star-News, Scene (Pasadena, Calif.), 7 Jan. 1962, 2.
Roland de Aenlle Gallery, New York
Kroll, Jack. “Reviews and Previews: ‘The Figure,’ de Aenlle.” Art News, Sept. 1961, 16.
Second Winter Invitational. San Francisco: California Palace of the Legion of Honor, 1961.
VI Bienal do Museu de arte moderna, São Paulo: Estados Unidos (text in English and Portuguese). Text by William C. Seitz. São Paulo: Museu de arte moderna, 1961.
“Third Winter Invitational.” Cat. in Bulletin (California Palace of the Legion of Honor), Nov.–Dec. 1961.
Seldis, Henry J. “Worthy S.F. Show Offers Lesson for L.A.” Los Angeles Times, 14 Jan. 1962, B28.
Twenty-Seventh Biennial Exhibition of Contemporary American Paintings. Introduction by Hermann Warner Williams Jr. Washington, D.C.: Corcoran Gallery of Art, 1961.
Two Hundred Years of American Painting. Foreword by E. Maurice Bloch. Santa Barbara, Calif.: Santa Barbara Museum of Art, 1961.
Solomon R. Guggenheim Foundation and the U.S. Information Agency, Washington, D.C.
Abstrakte amerikanische Malerei (text in German). Introduction by H. Harvard Arnason. Darmstadt, West Germany, 1962.
Amerikanische Maler der Gegenwart (text in German). Text by H. Harvard Arnason. Salzburg, Austria, 1961.
Savremena američka umetnost (text in Serbo-Croatian). Text by H. Harvard Arnason. Yugoslavia, 1961.
Vanguard American Painting. Introduction by H. H. Arnason. London, 1962.
Donson, Jerome A. “The American Vanguard Exhibitions in Europe.” Art Journal, Summer 1963, 242–45.
Works of Art from the Collections of the Harvard Class of 1936. Cambridge, Mass.: Fogg Art Museum, 1961.
ARTICLES
Baker, Richard Brown. “Notes on the Formation of My Collection.” Art International, 20 Sept. 1961, 40–47.
Fulford, Robert. “World of Art: Kline and Co.” Toronto Daily Star, 15 July 1961, 24.
Nordland, Gerald. “Art: San Francisco.” Frontier, Sept. 1961, 19–22.
1962
GROUP EXHIBITIONS
Art of the Americas. New York: Trabia-Morris Gallery, 1962.
Art USA Now: The Johnson Collection of Contemporary American Paintings. [Lucerne, Switzerland: C. J. Bucher, 1962.]
Adlow, Dorothy. “A View of American Art.” Christian Science Monitor, 22 Sept. 1962, 8.
“Art: USA—The Johnson Collection.” Arts Magazine, Apr. 1965, 22–25.
B. P. F. “Magnificent Exhibition of U.S. Paintings.” [Irish Times (Dublin), 16 Apr. 1964, 8.]
“Here: Now.” Time, 7 Sept. 1962, 36, 43.
Nordness, Lee, ed. Art USA Now. Text by Allen S. Weller. New York: Viking Press, 1962.
The Artist’s Environment: West Coast. Text by Frederick S. Wight. Fort Worth: Amon Carter Museum of Western Art, 1962.
Churchill, Albert G. “Museum Show Presents Work of ‘Arresting Distinction.’ ” Oakland Tribune (El Dorado, Calif.), 24 Mar. 1963, EL4.
Coplans, John, and Philip Leider. “West Coast Art: Three Images.” Artforum, June 1963, 21–25.
Cross, Miriam Dungan. “Show Surveys Western Art.” Oakland Tribune (El Dorado, Calif.), 17 Mar. 1963, EL1, EL4.
Hopkins, Henry T. “Reviews: The Artist’s Environment: West Coast, UCLA Art Galleries.” Artforum, Apr. 1963, 42.
Continuity and Change: 45 American Abstract Painters and Sculptors. Foreword by Samuel Wagstaff Jr. Hartford, Conn.: Wadsworth Atheneum, 1962.
Parker, T. H. “The Lively Arts: Atheneum Show.” Hartford Courant, 15 Apr. 1962, B2.
Fifty California Artists. San Francisco: San Francisco Museum of Art, 1962.
Ashton, Dore. “West Coast Artists Score in Painting.” Studio International, Feb. 1963, 64–67.
Bogat, Regina. “Fifty California Artists.” Artforum, Dec. 1962, 23–26.
Canaday, John. “Visitors from the West.” New York Times, 28 Oct. 1962, X15.
Cross, Miriam Dungan. “Critics View California Artists.” Oakland Tribune (El Dorado, Calif.), 4 Nov. 1962, EL5.
Roberts, Colette. “Lettre de New York.” Aujourd’hui (text in French), Nov. 1962, 50–52.
Tillim, Sidney. “Month in Review.” Arts Magazine, Dec. 1962, 38–41.
Van Der Marck, Jan. “The Californians.” Art International, 25 May 1963, 28–31.
Fine Arts Pavilion, Seattle World’s Fair
Art since 1950, American and International. Introduction by Sam Hunter. Seattle World’s Fair, 1962.
Art since 1950: A Loan Exhibition Sponsored by the Poses Institute of Fine Arts, Brandeis University and the Institute of Contemporary Art, Boston. Text by Sam Hunter. Waltham, Mass.: Poses Institute of Fine Arts, Brandeis University, 1962.
“Art since 1950: American.” Artforum, Sept. 1962, 30–36.
Driscoll Jr., Edgar J. “This Week in the Art World: Lehman to Seattle—From Yesterday to Today.” Boston Globe, 25 Nov. 1962, 64.
Korman, Seymour. “Crowds Jam Seattle Fair Art Exhibits: See Famous Paintings in Cultural Center.” Chicago Daily Tribune, 25 Apr. 1962, A3.
“Fourth Winter Invitational.” Cat. in Bulletin (California Palace of the Legion of Honor), Nov.–Dec. 1962.
Monte, James. “Reviews: Winter Invitational, California Palace of the Legion of Honor.” Artforum, Feb. 1963, 46.
The Gifford and Joann Phillips Collection. Text by Frederick S. Wight. Los Angeles: UCLA Art Galleries, University of California, Los Angeles, 1962.
Langsner, Jules. “Los Angeles Letter.” Art International, 20 Dec. 1962, 38.
Seldis, Henry J. “Phillips Art Collection on Display.” Los Angeles Times, 4 Nov. 1962, A10.
Wight, Frederick. “The Phillips Collection—Diebenkorn, Woelffer, Mullican: A Discussion.” Artforum, Apr. 1963, 23–28.
Hirschl and Adler Modern, New York
Tillim, Sidney. “In the Galleries: Realism in American Art.” Arts Magazine, May–June 1962, 95–96.
The One Hundred and Fifty-Seventh Annual Exhibition of American Painting and Sculpture. Philadelphia: Pennsylvania Academy of the Fine Arts, 1962.
Canaday, John. “Philadelphia American.” New York Times, 14 Jan. 1962, X17.
Painting and Sculpture in Florida Collections: Sources and Documents of Twentieth Century Art. Introduction by James B. Byrnes. Gainesville: University of Florida, 1962.
Recent American Paintings: A Loan Exhibition Sponsored by Art Today. Memphis: Brooks Memorial Art Gallery, 1962.
A Selection of East Coast and West Coast American Painters. London: Gimpel Fils, 1962.
Lynton, Norbert. “London Letter.” Art International, May 1962, 95–97.
Selections, 1934–1961: American Artists from the Collection of Martha Jackson. New York: Martha Jackson Gallery, 1962.
“Gallery Previews in New York.” Pictures on Exhibit (New York), Mar. 1962, 23–24.
Roberts, Colette. “La collection Martha Jackson.” France-Amérique (New York; text in French), 4 Mar. 1962, 15.
Some Points of View—’62. Foreword by George D. Culler. Stanford, Calif.: Committee for Art at Stanford, 1962.
Polley, E. M. “Reviews: Some Points of View—’62, Stanford University Art Gallery.” Artforum, [Dec. 1962], 41.
Tenth Annual Exhibition. Ogunquit, Maine: Museum of Art of Ogunquit, 1962.
Treasures from East Bay Collections. Oakland, Calif.: Oakland Art Museum, 1962.
Cross, Miriam Dungan. “Art Treasures Shine at Oakland Museum.” Oakland Tribune (El Dorado, Calif.), 18 Nov. 1962, EL5.
ARTICLES
“Culture Center Maps $4.5 Million Drive.” Independent (Pasadena, Calif.), 12 June 1962, 15.
Greenberg, Clement. “After Abstract Expressionism.” Art International, 25 Oct. 1962, 24–32.
“The Human Figure Returns in Separate Ways and Places.” Life, June 8, 1962, 54–61.
Laddey, Virginia. “Symposia Appraise 20th Century Art.” Independent Press-Telegram (Long Beach, Calif.), 25 Nov. 1962, W8.
“Richard Diebenkorn: Four Drawings.” Artforum, Oct. 1962, 35.
Tillim, Sidney. “The Fine Art of Acquiring Fine Art.” Playboy, Jan. 1962, 60–66, 90, 146, 153–54.
1963
SOLO EXHIBITIONS
M. H. de Young Memorial Museum, San Francisco
Frankenstein, Alfred. “Ethical Feeling in Diebenkorn Art.” San Francisco Chronicle, 12 Sept. 1963, 39.
Magloff, Joanna. “Art News from San Francisco: American Trends.” Art News, Jan. 1964, 51–52.
M[onte], J[ames]. “Reviews: Richard Diebenkorn, de Young Museum.”Artforum, Nov. 1963, 43.
Polley, E. M. “S.F. Museum Shows Diebenkorn’s Work.” Vallejo Times-Herald, 29 Aug. 1963, 31.
Rexroth, Kenneth. “Figurative Art Revival.” San Francisco Examiner, 15 Sept. 1963, sec. 3, 2.
Poindexter Gallery, New York
“Art Tour: The Galleries—A Critical Guide.” New York Herald Tribune, 2 Nov. 1963, 9.
Ashton, Dore. “New York Report.” Das Kunstwerk, Jan. 1964, 27–28, 34.
Canaday, John. “Art: A Look at Soviet Display of Graphic Works.” New York Times, 5 Nov. 1963, 28.
Kozloff, Max. “New York Letter.” Art International, 16 Jan. 1964, 33–34.
Kramer, Hilton. “Pure and Impure Diebenkorn.” Arts Magazine, Dec. 1963, 46–53.
Petersen, Valerie. “Reviews and Previews: Richard Diebenkorn, Poindexter.” Art News, Dec. 1963, 54.
GROUP EXHIBITIONS
Annual Exhibition 1963: Contemporary American Painting. New York: Whitney Museum of American Art, 1963.
Cross, Miriam Dungan. “ ‘Current Creation’ Seen in N.Y. Show.” Oakland Tribune (El Dorado, Calif.), 12 Jan. 1964, EL7.
Art Institute of Chicago
Frumkin, Allan. “The Wonderful World of Art: An Exhibit Full of Surprises.” Chicago Tribune, 9 June 1963, E4.
Art Today. Memphis: Brooks Memorial Art Gallery, 1963.
California Palace of the Legion of Honor, San Francisco
Monte, James. “Reviews: Drawings by Elmer Bischoff, Richard Diebenkorn and Frank Lobdell; California Palace of the Legion of Honor.” Artforum, July 1963, 7–8.
De A à Z, 1963: 31 peintres américains choisis par the Art Institute of Chicago (text in French). Paris: Centre culturel américain, 1963.
Ashbery, John. “Paris Notes.” Art International, 25 June 1963, 77.
82nd Annual Exhibition of the San Francisco Art Institute. San Francisco: San Francisco Museum of Art, 1963.
Coplans, John. “Notes from San Francisco.” Art International, 25 May 1963, 73–74.
Coplans, John, and Philip Leider. “West Coast Art: Three Images.” Artforum, June 1963, 21–25.
Monte, James. “Reviews: 82nd Annual Exhibition of the San Francisco Art Institute, San Francisco Museum of Art.” Artforum, Apr. 1963, 11.
Ventura, Anita. “The Prospect over the Bay.” Arts Magazine, May–June 1963, 19–21.
International Exhibition and Sale of Works of Art in Aid of the Bertrand Russell Peace Foundation. London: Bertrand Russell Peace Foundation, 1963.
Mr. and Mrs. Max Zurier Collection. Text by Thomas W. Leavitt. Pasadena, Calif.: Pasadena Art Museum, 1963.
Seldis, Henry J. “Tastemakers Defied in Pasadena Museum Exhibit.” Los Angeles Times, 3 May 1963, C6.
19th Artists West of the Mississippi: The Realistic Image. Colorado Springs, Colo.: Colorado Springs Fine Arts Center, 1963.
Realism: An American Heritage. New York: IBM Gallery, 1963.
The Richard Brown Baker Collection of Contemporary Art. Wellesley, Mass.: Wellesley College, 1963.
The VII Tokyo Biennale 1963. Tokyo: Mainichi Newspapers, 1963.
66th Annual Exhibition: Directions in Contemporary Painting and Sculpture. Chicago: Art Institute of Chicago, 1963.
Nordland, Gerald. “Art.” Frontier, Mar. 1963, 19–21.
Twenty-Eighth Biennial Exhibition of Contemporary American Painting. Introduction by Hermann Warner Williams Jr. Washington, D.C.: Corcoran Gallery of Art, 1963.
Ahlander, Leslie Judd. “Corcoran Biennial Has New Look.” Washington Post, 20 Jan. 1963, G9.
Two Modern Collectors: Susan Morse Hilles, Richard Brown Baker. Texts by Richard Brown Baker and Susan Morse Hilles. New Haven, Conn.: Yale University Art Gallery, 1963.
Works on Paper: Avery, Bigelow, Diebenkorn, Feininger, Graves. London: Waddington Galleries, 1963.
ARTICLES
“Artist-in-Residence Won’t ‘Putter’ for Public.” San Jose Mercury (Calif.), 10 Oct. 1963, NC5.
“Diebenkorn Resident Artist.” WestArt, Mar. 1963, 1.
Kramer, Hilton. “Art Chronicle.” Hudson Review, Spring 1963, 96–101.
Leider, Philip. “California after the Figure.” Art in America, Oct. 1963, 73–83.
MacKenzie, Bob. “Stanford Artist Pleased with Post.” Oakland Tribune, 24 Mar. 1963, 4.
Peer, Ralph. “Painter Residing Here Gets Critical Acclaim.” Stanford Daily (Calif.), 21 Oct. 1963.
“Richard Diebenkorn Named Stanford Resident Artist.” Palo Alto Times (Calif.), 28 Feb. 1963, 15.
Sanford, Robert K. “Friends of Art Debate and Buy.” Kansas City Times (Mo.), 25 Jan. 1963, 1, 6.
“Stanford Names Berkeleyan as First Artist in Residence.” Oakland Tribune, 28 Feb. 1963, 52.
Tillim, Sidney. “Realism and ‘The Problem.’ ” Arts Magazine, Sept. 1963, 48–52.
1964
SOLO EXHIBITIONS
Richard Diebenkorn. London: Waddington Galleries, 1964.
Ball, John. “Men at War.” Peace News (London), 23 Oct. 1964, 4.
Gosling, Nigel. “A New Realist.” Observer (London), 4 Oct. 1964, 25.
“Mr. Diebenkorn’s Paintings.” Times (London), 3 Oct. 1964, 12.
Sheldon-Williams, P. M. T. “London News and Views.” Pictures on Exhibit (New York), Oct. 1964, 41, 44.
Wallis, Nevile. “Round the London Galleries: Autumn Flowering.” Apollo, Oct. 1964, 324.
Whittet, G. S. “Figurative Abstraction—or Abstracted Figuration?” Studio International, Dec. 1964, 272–75.
Williams, Sheldon. “London Features Diebenkorn Show.” New York Herald Tribune (Paris), 6 Oct. 1964, 5.
Richard Diebenkorn. Text by Gerald Nordland. Washington, D.C.: Washington Gallery of Modern Art, 1964.
“Art Tour: The Galleries—A Critical Guide.” New York Herald Tribune, 16 Jan. 1965, 9.
Campbell, Lawrence. “Reviews and Previews: Richard Diebenkorn, Jewish Museum.” Art News, Mar. 1965, 12.
Getlein, Frank. “Two Privacies.” New Republic, 5 Dec. 1964, 25–26.
Halbfinger, Andrea S. “Diebenkorn Presents Excellent One-Man Show.” Washington Post, 15 Nov. 1964, G10.
Kaufman, Betty. “Art: Diebenkorn.” Commonweal, 5 Mar. 1965, 744–45.
Laddey, Virginia. “Diebenkorn Exhibit Proves His Stature.” Independent Press-Telegram (Long Beach, Calif.), 28 Mar. 1965, W7.
Lippard, Lucy R. “New York Letter.” Art International, Apr. 1965, 51–52.
[O’Doherty, Brian.] “Art: Ethics of Adversity.” Newsweek, 30 Nov. 1964, 97.
Preston, Stuart. “Art History’s Many Turning Points.” New York Times, 17 Jan. 1965, X19.
Raynor, Vivien. “In the Galleries: Richard Diebenkorn.” Arts Magazine, Mar. 1965, 54.
Seldis, Henry J. “The Development of Richard Diebenkorn.” Los Angeles Times, 11 Apr. 1965, M32–M33.
Stanford University Art Gallery, Calif.
“Diebenkorn Show at Stanford.” Oakland Tribune (El Dorado, Calif.), 19 Apr. 1964, EL5.
Leider, Philip. “Diebenkorn Drawings at Stanford.” Artforum, May 1964, 41–43.
GROUP EXHIBITIONS
American Drawings. Introduction by Lawrence Alloway. New York: Solomon R. Guggenheim Museum, 1964.
American Painting, 1910 to 1960: A Special Exhibition Celebrating the 50th Anniversary of the Association of College Unions. Introduction by Henry R. Hope. [Bloomington, Ind.: Association of College Unions, 1964.]
American Painting III. Cincinnati: Cincinnati Art Museum, 1964.
Art Gallery, University of New Mexico, Albuquerque
“Alumni Exhibition Showing at UNM.” Albuquerque Tribune, 27 Feb. 1964, A8.
“Alumni of University Featured in Exhibit for 75th Anniversary.” Albuquerque Journal, 23 Feb. 1964, B4.
Art since 1889. Albuquerque: University of New Mexico Press, 1964.
Artists for CORE: Third Annual Art Exhibition and Sale. New York: Congress of Racial Equality, 1964.
Between the Fairs: 25 Years of American Art, 1939–1964. Introduction by John I. H. Baur. New York: Whitney Museum of American Art, 1964.
Eighty-Third Annual Exhibition of the San Francisco Art Institute. San Francisco: San Francisco Art Institute, 1964.
Eleventh Annual Exhibition of Contemporary American Painting: Trends in Painting—1964. Bayonne, N.J.: Bayonne Jewish Community Center, 1964.
“Festival of the Creative Arts Exhibition.” Cat. in Poiēsis: The Magazine of the Festival of Creative Arts. Hamilton, N.Y.: Colgate University, 1964.
The Friends Collect. New York: Whitney Museum of American Art, 1964.
From the Sterling Holloway Collection. Text by Henri Dorra. Los Angeles: UCLA Art Galleries, University of California, Los Angeles, 1964.
Man, Glory, Jest, and Riddle: A Survey of the Human Form through the Ages. Introduction by S. Lane Faison Jr. San Francisco: M. H. de Young Memorial Museum, 1964.
The 1964 Pittsburgh International Exhibition of Contemporary Painting and Sculpture. Foreword by Gustave von Groschwitz. Pittsburgh: Museum of Art, Carnegie Institute, 1964.
One Hundred and Fifty-Ninth Annual Exhibition of American Painting and Sculpture. Philadelphia: Pennsylvania Academy of the Fine Arts, 1964.
Painting and Sculpture of a Decade, 54–64. London: Calouste Gulbenkian Foundation, 1964.
Painting and Sculpture Today. Indianapolis: Herron Museum of Art, 1964.
Paintings from the Fifties: From the Contemporary Collection of the Museum of Art, Carnegie Institute. Pittsburgh: Museum of Art, Carnegie Institute, 1964.
II Bienal americana de arte (text in English and Spanish). Text by Paul Mills et al. Cordoba, Argentina: Ciudad universitaria, 1964.
Seven California Painters. New York: Staempfli Gallery, 1964.
Kay, Jane H. “Seven California Painters: West Coast School Making an Impact.” Christian Science Monitor, 31 July 1964, 2.
Six Americans. Little Rock: Arkansas Arts Center, 1964.
ARTICLES AND BOOKS
Coplans, John. “Circle of Styles on the West Coast.” Art in America, June 1964, 24–41.
Darack, Arthur. “Museum Buys Modern Art.” Cincinnati Enquirer, 17 May 1964, B10.
Eitner, Lorenz. “Diebenkorn: A Living Artist’s Example . . .” Stanford Today, Summer 1964, 8–11.
Mills, Paul. “Bay Area Figurative.” Art in America, June 1964, 42–45.
Neumeyer, Alfred. The Search for Meaning in Modern Art. Englewood Cliffs, N.J.: Prentice-Hall, 1964.
Nordland, Gerald. “Collecting in Los Angeles.” Artforum, Summer 1964, 12–18.
Ostermann, Robert. “Fame and Fortune for Today’s Painters: Men Who Lead an American Art Revolution.” National Observer, 17 Feb. 1964, 18.
Rose, Barbara. “New York Letter.” Art International, Apr. 1964, 54.
Seldis, Henry J. “Diebenkorn: BMOC at Stanford.” Los Angeles Times, Calendar, 2 Feb. 1964, 4, D4.
White, Jean M. “Russian Bear Hugs Test U.S. Visitors’ Mettle.” Washington Post, 20 Dec. 1964, A39.
1965
GROUP EXHIBITIONS
American Paintings from the Bloedel Collection. Introduction by John W. McCoubrey. Leeds, U.K.: Leeds City Art Gallery, 1965.
Art of the 50’s and 60’s: Selections from the Richard Brown Baker Collection. Text by Richard Brown Baker. Ridgefield, Conn.: Larry Aldrich Museum, 1965.
Artists for CORE: Fourth Annual Exhibition and Sale. New York, 1965.
Critics’ Choice: Art since World War II. Texts by Thomas B. Hess, Hilton Kramer, and Harold Rosenberg. Providence, R.I.: Providence Art Club, 1965.
“The Drawing Society–Regional Exhibition.” Cat. in Bulletin (California Palace of the Legion of Honor), Mar.–Apr. 1965.
The Newspaper in American Art. San Diego: Fine Arts Gallery of San Diego, 1965.
1965 Annual Exhibition: Contemporary American Painting. New York: Whitney Museum of American Art, 1965.
One Hundred Contemporary American Drawings. Introduction by Dore Ashton. Ann Arbor: University of Michigan Museum of Art, 1965.
Portraits from the American Art World. New York: New School Art Center, 1965.
Representative Paintings from the American Collection of the Phoenix Art Museum. Phoenix: Phoenix Art Museum, 1965.
Sam Francis, Richard Diebenkorn: Two American Painters, Abstract and Figurative. Edinburgh: Scottish National Gallery of Modern Art, 1965.
The San Francisco Collector. San Francisco: M. H. de Young Memorial Museum, 1965.
The Seashore: Paintings of the 19th and 20th Centuries. Introduction by Gustave von Groschwitz. Pittsburgh: Museum of Art, Carnegie Institute, 1965.
Selections from the Work of California Artists. San Antonio: San Antonio Art League; Witte Memorial Museum, 1965.
The White House Festival of the Arts. Washington, D.C., 1965.
ARTICLES AND BOOKS
Drawings by Richard Diebenkorn. Text by Lorenz Eitner. Stanford, Calif.: Stanford University, 1965.
Hudson, Andrew. “Viewpoint on Art: ‘Tourist’ Finds an Art Feast in Galleries of Washington.” Washington Post, 15 Aug. 1965, G5.
Neumeyer, Alfred. “Neue Gegenständlichkeit—Neuer Stil: Richard Diebenkorn weist einen Weg.” Die Kunst und das schöne Heim (text in German), Apr. 1965, 284–85.
“Richard Diebenkorn maakte een ommezwaai van abstracte naar figuratieve schilderkunst.” [Haarlems Dagblad] (text in Dutch), [16 Jan. 1965].
U.S. Information Agency, “Ричард Дибенкорн: Мастер Поющих Красок” Америка (text in Russian; distributed in the Soviet Union), no. 110, [Nov. 1965], 10–14.
U.S. Information Agency. “Richard Diebenkorn: Symfonia koloru i nastrój zadumy” (The singing colors and evocative scenes of Richard Diebenkorn).” Ameryka (text in Polish; distributed in Poland), no. 82, [Nov. 1965], 44–48.
Ventura, Anita. “San Francisco: The Aloof Community.” Arts Magazine, Apr. 1965, 70–73.
1966
SOLO EXHIBITIONS
Poindexter Gallery, New York
Kramer, Hilton. “The Diebenkorn Case.” New York Times, 22 May 1966, D29.
U.S. Information Agency. “Обозрение (Reviews).” Америка (text in Russian; distributed in the Soviet Union), Feb. 1967, 59–60.
GROUP EXHIBITIONS
American Art of the Fifties and Sixties. Foreword by Ronald Alley. Belfast: Arts Council of Northern Ireland Gallery, 1966.
American Landscape: A Changing Frontier. Text by David W. Scott. Washington, D.C.: Smithsonian Institution, 1966.
Art of the United States, 1670–1966. Text by Lloyd Goodrich. New York: Whitney Museum of American Art, 1966.
Artists for CORE Scholarship, Education and Defense Fund: Fifth Annual Exhibition and Sale. New York: Artists for CORE, 1966.
Contemporary Urban Visions. New York: New School Art Center, 1966.
Drawings &. Introduction by Mercedes Matter. Austin: University Art Museum, University of Texas, 1966.
Fifty Years of Modern Art, 1916–1966. Text by Edward B. Henning. Cleveland: Cleveland Museum of Art, 1966.
The First Flint Invitational: An Exhibition of Contemporary Painting and Sculpture. Foreword by G. Stuart Hodge. Flint, Mich.: Flint Institute of Arts, 1966.
The Howard S. Wilson Memorial Collection. Introduction by Norman A. Geske. Lincoln: Sheldon Memorial Art Gallery, University of Nebraska, 1966.
A Point of View: Selected Paintings and Drawings from the Richard Brown Baker Collection. Introduction by Richard Brown Baker. Rochester, Mich.: University Art Gallery, Oakland University, 1966.
Realism Revisited: Fifty Years of American Realistic Painting since the Armory Show. Text by G. Stuart Hodge. Flint, Mich.: Flint Institute of Arts, 1966.
Recent Still Life. Introduction by Daniel Robbins. Providence: Museum of Art, Rhode Island School of Design, 1966.
Seven Decades, 1895–1965: Crosscurrents in Modern Art. Text by Peter Selz. New York: Public Education Association, 1966.
Summer Exhibition: 19th Annual Creative Arts Program. Boulder: University of Colorado, 1966.
26th Annual Exhibition by the Society for Contemporary American Art. Chicago: Art Institute of Chicago, 1966.
200 Years of Watercolor Painting in America: An Exhibition Commemorating the Centennial of the American Watercolor Society. New York: Metropolitan Museum of Art, 1966.
ARTICLES AND BOOKS
“Art Mailbag: Concerning the Diebenkorn Case.” New York Times, 12 June 1966, D22.
Baigell, Matthew. “American Abstract Expressionism and Hard Edge: Some Comparisons.” Studio International, Jan. 1966, 10–15.
Hudson, Andrew. “Avery Has Influenced Abstract in Still-Life.” Washington Post, 16 Jan. 1966, G9.
———. “Nordland Browsed His Way from Political Science into the Art World.” Washington Post, 28 Aug. 1966, G7.
Mendelowitz, Daniel M. Drawing. New York: Holt, Rinehart and Winston, 1966.
“ ‘Nudes Now’—Ten Painters: Contemporary Approaches to the Figure.” Art Voices, Summer 1966, 41.
“Woman Collects First Paintings.” Progress-Bulletin (Pomona, Calif.), 12 May 1966, sec. 2, 1.
1967
SOLO EXHIBITIONS
Waddington Galleries, London
[Brett, Guy.] “The Diebenkorn Nudes.” Times (London), 19 Jan. 1967, 6.
“In the Galleries.” Illustrated London News, 21 Jan. 1967, 24.
Lucie-Smith, Edward. “The Primitive and Exotic.” Studio International, Jan. 1967, 34–39.
GROUP EXHIBITIONS
American Paintings since 1900 from the Permanent Collection. Raleigh: North Carolina Museum of Art, 1967.
American Still-Life Painting, 1913–1967. Text by William H. Gerdts. New York: American Federation of Arts, 1967.
California Art Festival: Lytton Center for the Visual Arts Selects California Art from American Museums. Text by Irving Stone. Los Angeles: Lytton Center of the Visual Arts, 1967.
Drawings by Americans: Recent Work by Thirteen Contemporary Artists. Seattle: Henry Gallery, University of Washington, 1967.
The Last Twenty Years in Contemporary Painting: Selections from the Collection of Richard Brown Baker. Introduction by Richard Brown Baker. Milwaukee: University of Wisconsin-Milwaukee, 1967.
Mid-Twentieth Century Drawings and Collages: A Selection from the Collection of Richard Brown Baker. Introduction by Richard Brown Baker. Tampa: University of South Florida, 1967.
1967 Annual Exhibition of Contemporary Painting. New York: Whitney Museum of American Art, 1967.
Ninety-Four Works from the Collection of Sterling Holloway. Text by Sterling Holloway. Portland, Ore.: Portland Art Museum, 1967.
A Selection of Paintings and Sculptures from the Collections of Mr. and Mrs. Robert Rowan. Irvine: University of California, Irvine, 1967.
Three Young Collections: Selections from the Collections of Donald and Lynn Factor, Dennis and Brooke Hopper, André and Dory Previn. Introduction by Thomas W. Leavitt. Santa Barbara, Calif.: Santa Barbara Museum of Art, 1967.
20th Century American Painting. Text by Anne E. Warnock. Grand Rapids, Mich.: Grand Rapids Art Museum, 1967.
ARTICLES AND BOOKS
Masters, Ann V. “Elinor Poindexter Guides Her Art Gallery to Top in Highly Competitive New York City.” Bridgeport Post (Conn.), 9 Apr. 1967, E3.
Roditi, Edouard. “Border Art: California Meets the ‘Real Thing.’ ” Arts Magazine, Mar. 1967, 50–51.
Rose, Barbara. American Art since 1900: A Critical History. New York: Frederick A. Praeger, 1967.
1968
SOLO EXHIBITIONS
Poindexter Gallery, New York (2 exhs.)
B. F. D. “Richard Diebenkorn: ‘Recent Paintings.’ ” Aufbau (New York City; text in German), 31 May 1968, 22.
Campbell, Lawrence. “Reviews and Previews: Richard Diebenkorn, Poindexter.” Art News, Summer 1968, 14.
Canaday, John. “Richard Diebenkorn: Still Out of Step.” New York Times, 26 May 1968, D37.
Kramer, Hilton. “Diebenkorn Marries Skill to Feeling.” New York Times, 4 Jan. 1969, 23.
Last, Martin. “Reviews and Previews: Richard Diebenkorn, Poindexter.” Art News, Feb. 1969, 13.
Mellow, James R. “New York Letter.” Art International, 20 Mar. 1969, 56–59.
R. N. “In the Galleries: Richard Diebenkorn.” Arts Magazine, June/Summer 1968, 60.
Richard Diebenkorn. Richmond, Calif.: Richmond Art Center, 1968.
Allman, Paul. “Diebenkorn in Local Show.” Richmond Independent, New Vistas, 11 Jan. 1969, 16.
Frankenstein, Alfred. “Richmond’s Good Exhibits.” San Francisco Chronicle, 19 Dec. 1968.
McCann, Cecile N. “Diebenkorn and Kalamaras.” WestArt, 17 Jan. 1969, 6.
GROUP EXHIBITIONS
Allen County Museum, Lima, Ohio
Strong, Hope. “Art Makes News.” Lima News (Ohio), 26 Jan. 1968, 16.
American Art since 1850. Text by F. M. Hinkhouse. San Francisco: Maxwell Galleries, 1968.
The American Landscape: A Living Tradition. Text by Alan Gussow. New York: Peridot Gallery, 1968.
Kramer, Hilton. “Where Landscape Painting Has Gone.” New York Times, 4 Feb. 1968, D33.
Documentation—Sculpture, Painting, Drawing. Text by Elayne H. Varian. New York: Finch College Museum of Art, 1968.
East Coast–West Coast Paintings. Oklahoma Art Exhibition Board, 1968.
5 Museums Come to Fordham University. New York: Fordham University, 1968.
The Humanist Tradition in Contemporary American Painting. New York: New School Art Center, 1968.
International Art Program, National Collection of Fine Arts, Smithsonian Institution, Washington, D.C.
La nouvelle figuration americaine: Peinture, sculpture, film, 1963–1968/Nieuwe amerikaanse figuratie: Schilderkunst, beeldhouwkunst, film, 1963–1968 (text in Dutch and French). Texts by F. De Lulle et al. Brussels, 1969.
La nouvelle figuration américaine: Peinture, sculpture, film, 1963–1968 (text in French). Texts by Constance M. Perkins and Maurice Pianzola. Geneva, 1969.
Neue Figuration USA: Malerei, Plastik, Film, 1963–1968 (text in German). Texts by Edward F. Fry et al. Baden-Baden, West Germany, 1969; Cologne, West Germany, 1969.
Novi Pravac: Figura, 1963–1968; Slikarstvo i skulptura u sad (text in English and Serbo-Croatian). Texts by Edward F. Fry et al. Belgrade, Yugoslavia, 1968.
Nuova figurazione USA: Pittura, scultura, cinema (text in Italian). Texts by Edward F. Fry et al. Milan, 1970.
Perkins, Constance M. “La nuova figurazione americana in una mostra a Milano.” Le arti (text in Italian), Jan.–Feb. 1970, 2–11.
Late Fifties at the Ferus. Text by James Monte. Los Angeles: Los Angeles County Museum of Art, 1968.
Bengston, Billy Al. “Late Fifties at the Ferus: A Participant Refuses to Take the Show Lying Down.” Artforum, Jan. 1969, 33–35.
Modern Art from Midwestern Collections. Lawrence: Museum of Art, University of Kansas, 1968.
The One Hundred and Sixty-Third Annual Exhibition: American Painting and Sculpture. Philadelphia: Pennsylvania Academy of the Fine Arts, 1968.
Canaday, John. “Too Bad on One Hand, Pretty Good on the Other.” New York Times, 21 Jan. 1968, D27.
Painting and Sculpture from the Collection of Mr. and Mrs. Louis Sosland. Lincoln: Sheldon Memorial Art Gallery, University of Nebraska; Topeka, Kans.: Mulvane Art Center, Washburn University, 1968.
Painting as Painting. Introduction by Dore Ashton; texts by Louis Finkelstein and George McNeil. Austin: Art Museum, University of Texas, 1968.
San Francisco Museum of Art
Albright, Thomas. “Looking Back on Bay Area Art.” San Francisco Chronicle, This World, 18 Aug. 1968, 25–26.
A Selection of Paintings from the 50’s and 60’s from the Collection of Gifford and Joann Phillips. Text by Gifford Phillips. [Santa Barbara: Art Galleries, University of California, Santa Barbara, 1968.]
Untitled, 1968*. San Francisco: San Francisco Museum of Art, 1968.
Seldis, Henry J. “A Broad but Rare Contemporary View.” Los Angeles Times, 17 Nov. 1968, D56.
Stiles, Knute. “ ‘Untitled ’68’: The San Francisco Annual Becomes an Invitational.” Artforum, Jan. 1969, 50–52.
U.S. Pavilion, Venice
XXXIV Venezia/Venice 34 (text in English and Italian). Text by Norman Geske. Washington, D.C.: Smithsonian Institution Press, 1968.
Venice 34: The Figurative Tradition in Recent American Art. Text by Norman A. Geske. Washington, D.C.: Smithsonian Institution Press, 1968.
“Ex-Stanford Artist’s Work in Smithsonian Exhibition.” [Palo Alto Times (Calif.), 27 Dec. 1968.]
Feldman, Anita. “The Figurative, the Literary, the Literal: American Figurative Tradition at the Venice Biennale.” Arts Magazine, June/ Summer 1968, 22–27.
Richard, Paul. “Biennale Entry Is Confusing.” Washington Post, 22 Dec. 1968, G4, G10.
Russell, John. “Venice Is a Battlefield: Art the Loser.” Sunday Times (London), 23 June 1968.
Seldis, Henry J. “Venice Biennale Opens in Midst of Student Crisis.” Los Angeles Times, 23 June 1968, R42.
Works of Art of the Nineteenth and Twentieth Centuries, Collected by Louise and Joseph Pulitzer Jr. St. Louis: City Art Museum of St. Louis, 1968.
ARTICLES AND BOOKS
Arnason, H. Harvard. History of Modern Art: Painting, Sculpture, Architecture. New York: Harry N. Abrams, 1968.
Davis, Douglas M. “Art Doesn’t Have to Be ‘New’: Representational Artists Find a Growing Demand.” National Observer, 22 Apr. 1968, 20.
1969
SOLO EXHIBITIONS
New Paintings by Richard Diebenkorn. Text and transcript of Richard Diebenkorn interview by Gail R. Scott. Los Angeles: Los Angeles County Museum of Art, 1969.
Garver, Thomas H. “Los Angeles: Richard Diebenkorn, Los Angeles County Museum.” Artforum, Sept. 1969, 66–67.
Wilson, William. “Diebenkorn Paintings in Show.” Los Angeles Times, 9 June 1969, sec. 4, 8.
Richard Diebenkorn: “The Ocean Park” Series. New York: Poindexter Gallery, 1969.
“Art in New York: Uptown.” Time, 28 Nov. 1969, 1.
Atirnomis. “In the Galleries: Richard Diebenkorn.” Arts Magazine, Dec. 1969–Jan. 1970, 64.
Edgar, Natalie. “Reviews and Previews: Richard Diebenkorn, Poindexter.” Art News, Nov. 1969, 14.
Fenton, Terry. “New York: Richard Diebenkorn, Poindexter Gallery.” Artforum, Jan. 1970, 63–65.
Glueck, Grace. “New York Gallery Notes: Open Season.” Art in America, Sept.–Oct. 1969, 116–18.
Kramer, Hilton. “Art: 28 Soutines Are Better Than None.” New York Times, 15 Nov. 1969, 31.
Ratcliff, Carter. “New York Letter.” Art International, 20 Jan. 1970, 87–97.
GROUP EXHIBITIONS
American Drawings of the Sixties: A Selection. New York: New School Art Center, 1969.
Inaugural Exhibition: New School Graduate Faculty Center. New York: New School Art Center, 1969.
1970 National Drawing Exhibition. San Francisco: San Francisco Museum of Art, 1969.
1969 Annual Exhibition: Contemporary American Painting. New York: Whitney Museum of American Art, 1969.
“Painting and Sculpture Today—1969.” Cat. in Bulletin (Indianapolis Museum of Art) 55, no. 3 (1969).
The Poindexter Collection of American Abstract Expressionism. Text by Frank O’Hara. Calgary: A.C.A. Gallery, Alberta College of Art, 1969.
Tenth Anniversary Exhibition: Recent Trends in American Art. Greensburg, Pa.: Westmoreland County Museum of Art, 1969.
Van Abbemuseum, Eindhoven, Netherlands
Kompas 4: Westkust USA/West Coast USA (text in Dutch and English). Foreword by Zdenek Felix, Jean Leering, and Eugen Thiemann; introduction by Jean Leering. Eindhoven, 1969.
Kompass: West Coast USA (text in German). Foreword by Zdenek Felix, Jean Leering, and Eugen Thiemann; introduction by Jean Leering. Dortmund, West Germany; Bern, 1970.
Coumans, Willem K. “Vierde kompas aan de muffe kant.” Het Vrije Volk (Eindhoven; text in Dutch), 20 Dec. 1969.
Staber, Margit. “Does Geographical Borderline for Art Really Exist?” Los Angeles Times, 14 June 1970, C54.
West Coast, 1945–1969. Introduction by John Coplans. Pasadena, Calif.: Pasadena Art Museum, 1969.
ARTICLES
“Halfway House.” Time, 1 Aug. 1969, 50–51.
Nordland, Gerald. “Gift of Diebenkorn Painting to Stanford Museum.” Committee for Art at Stanford Newsletter (Calif.), Winter 1969–70, 1–4.
Palmer, Larry. “Top World Critics Eye Art Museum Opening.” Star-News (Pasadena, Calif.), 22 Nov. 1969, 1.
Tillim, Sidney. “The Reception of Figurative Art: Notes on a General Misunderstanding.” Artforum, Feb. 1969, 30–33.
———. “A Variety of Realisms.” Artforum, Summer 1969, 42–47.
1970
GROUP EXHIBITIONS
Peter Selz. American Painting, 1970. Richmond: Virginia Museum, 1970.
The American Scene, 1900–1970. Introduction by Henry Radford Hope. Bloomington: Indiana University Art Museum, 1970.
A Century of California Painting, 1870–1970. Text by Alfred Frankenstein. Los Angeles: Crocker-Citizens Bank, 1970.
Drawings by Nine West Coast Painters. Lawrence: University of Kansas Museum of Art, 1970.
Excellence: Art from the University Community. Berkeley: University Art Museum, University of California, 1970.
L’art vivant aux États-Unis (text in French). Text by Dore Ashton. Saint Paul de Vence, France: Fondation Maeght, 1970.
Looking West 1970. Introduction by LeRoy Butler. Omaha: Joslyn Art Museum, 1970.
1970 Pittsburgh International Exhibition of Contemporary Art. Pittsburgh: Museum of Art, Carnegie Institute, 1970.
Stanford University Art Gallery, Calif.
“Stanford Art Gallery Showing Off New Canvases Including Diebenkorn.” Palo Alto Times (Calif.), 2 Feb. 1970, 2.
The Thomas Edward Benesch Memorial Collection. Introduction by Charles Parkhurst. Baltimore: Baltimore Museum of Art, 1970.
Trends in Twentieth Century Art: A Loan Exhibition from the San Francisco Museum of Art. Introduction by Ala Story. Santa Barbara: Art Galleries, University of California, Santa Barbara, 1970.
ARTICLES
“Art Grant Aids Iowa Museum.” Cedar Rapids Gazette (Iowa), 31 Aug. 1970, 5.
Baker, Kenneth. “The Home Forum.” Christian Science Monitor, 14 Jan. 1970, 8.
1971
SOLO EXHIBITIONS
Irving Blum Gallery, Los Angeles
Plagens, Peter. “Los Angeles: Richard Diebenkorn, Irving Blum Gallery.” Artforum, Apr. 1971, 84–87.
Poindexter Gallery, New York
Baker, Kenneth. “New York: Richard Diebenkorn, Poindexter Gallery.” Artforum, May 1971, 74–75.
Edgar, Natalie. “Reviews and Previews: Richard Diebenkorn, Poindexter.” Art News, Apr. 1971, 10.
Hancock, Marianne. “New York Gallery Reviews: Richard Diebenkorn.” Arts Magazine, Apr. 1971, 89.
Kramer, Hilton. “Art: Diebenkorns that Speak Softly.” New York Times, 20 Mar. 1971, 25.
Richard Diebenkorn: The Ocean Park Series; Recent Work. Text by Gerald Nordland. New York: Marlborough Gallery, 1971.
“Art: Gallery-Hopping in New York.” Newsweek, 27 Dec. 1971, 36.
Ashton, Dore. “Richard Diebenkorn’s Paintings.” Arts Magazine, Dec. 1971–Jan. 1972, 35–37.
Ratcliff, Carter. “New York Letter.” Art International, 20 Feb. 1972, 52.
Rosenstein, Harris. “Reviews and Previews: Richard Diebenkorn, Marlborough.” Art News, Dec. 1971, 14.
Shirey, David L. “From Diebenkorn, Exhilarating Show.” New York Times, 4 Dec. 1971, 27.
Wolmer, Denise. “In the Galleries: Diebenkorn.” Arts Magazine, Feb. 1972, 58.
Zinnes, Harriet. “Gallery Previews in New York.” Pictures on Exhibit (New York), Feb. 1972, 8–9.
GROUP EXHIBITIONS
Accessions, 1970–1971. Iowa City: University of Iowa Museum of Art, 1971.
American Painting since World War II. Text by Rowland Elzea. Wilmington: Delaware Art Museum, 1971.
A Decade in the West: Painting, Sculpture and Graphics from the Anderson Collection. Text by Albert E. Elsen. Stanford, Calif.: Stanford University, 1971.
11 Los Angeles Artists. Text by Jane Livingston and Maurice Tuchman. London: Hayward Gallery, 1971.
Pictures: Lent by Mr. and Mrs. Frederick Rudolph, Miss Marta Rudolph, Miss Lisa Rudolph. Williamstown, Mass.: Williams College Museum of Art, 1971.
Seibu Department Store, Tokyo
Martha Jackson Gallery Collection. Texts by Takahiko Okada and Makoto Ōoka. Tokyo: Seibu Department Stores Co., 1972.
Two Directions in American Painting. [West Lafayette, Ind.: Purdue University, 1971.]
1972
SOLO EXHIBITIONS
Martha Jackson Gallery, New York
Mellow, James R. “Diebenkorn Art Shows Special Facet.” New York Times, 2 Dec. 1972, 31.
Richard Diebenkorn: Paintings from the Ocean Park Series. Text by Gerald Nordland. San Francisco: San Francisco Museum of Art, 1972.
Frankenstein, Alfred. “Reconstruction of a Museum.” San Francisco Chronicle, This World, 15 Oct. 1972, 37–38.
McCann, Cecile N. “The Ocean Park Series.” Artweek, 21 Oct. 1972, 7.
Seldis, Henry J. “Renaissance at S.F. Museum of Art.” Los Angeles Times, 29 Oct. 1972, P1, P64.
GROUP EXHIBITIONS
Abstract Expressionism: The First and Second Generations in the Albright-Knox Art Gallery. Buffalo: Albright-Knox Art Gallery, 1972.
Abstract Painting in the 70’s: A Selection. Introduction by Kenworth Moffett. Boston: Museum of Fine Arts, 1972.
Drysdale, Susan. “Abstract ‘Artmaking’ in the ’70’s.” Christian Science Monitor, 24 Apr. 1972, sec. 2, 9–10.
Kramer, Hilton. “The Return of ‘Handmade’ Painting.” New York Times, 30 Apr. 1972, D23.
Acres of Art. Philadelphia: Pennsylvania Academy of the Fine Arts, 1972.
The American Artist and Water Reclamation. Introduction by Douglas MacAgy. Washington, D.C., 1973.
Richard, Paul. “Art Notes: Evocative Wooden Form.” Washington Post, 25 Mar. 1972, B7.
Looking West. Foreword by Andrew J. Crispo. New York: ACA Galleries, 1972.
1972 Annual Exhibition: Contemporary American Painting. New York: Whitney Museum of American Art, 1972.
A Selection of European and American Watercolors and Drawings. New York: Marlborough Gallery, [1972].
Seventieth American Exhibition. Chicago: Art Institute of Chicago, 1972.
Canaday, John. “Win, Draw, or Lose at Chicago’s All-American Show.” New York Times, 25 June 1972, D19.
Schulze, Franz. “U.S. Art Today: Healthy, Lusty and Many-Colored.” Chicago Daily News Panorama, 24–25 June 1972, 4–5.
Speyer, James. “To Keep in Touch.” Art Gallery, June 1972, 33–36.
The State of California Painting. Text by Michael Walls. New Plymouth, New Zealand: Govett-Brewster Art Gallery, 1972.
ARTICLES AND BOOKS
Elderfield, John. “Diebenkorn at Ocean Park.” Art International, 20 Feb. 1972, 20–25.
Lanes, Jerrold. “Richard Diebenkorn: Cloudy Skies over Ocean Park.” Artforum, Feb. 1972, 61–63.
Mills, Paul C. “Richard Diebenkorn: Painting against the Tide.” Saturday Review, 4 Nov. 1972, 55–59.
Price, Vincent. The Vincent Price Treasury of American Art. Waukesha, Wis.: Country Beautiful Corporation, 1972.
1973
SOLO EXHIBITIONS
Richard Diebenkorn: The Ocean Park Series; Recent Work (text in English and German). Text by John Russell. London: Marlborough Fine Art, 1973.
Anthony, Evan. “Art: Taking the Pith.” Spectator (London), 15 Dec. 1973, 791.
Burgauer, Arnold. “Galerie Marlborough: Richard Diebenkorns Himmelswiesen.” [Zürcher Unterländer] (Zurich; text in German), [7 Mar. 1974].
Burr, James. “Round the Galleries: Every Wrinkle, Crease, and Flaw.” Apollo, Dec. 1973, 506.
Denvir, Bernard. “London Letter.” Art International, Feb. 1974, 32–33.
Feaver, William. “Art: Diebenkorn.” Listener (London), 27 Dec. 1973, 898.
[Israelitisches Wochenblatt für die Schweiz] (Zurich; text in German), [15 Mar. 1974].
“Kunst in Zürich: Richard Diebenkorn.” [Die Tat] (text in German), [19 Mar. 1974].
Marle, Judy. “UK Reviews: Richard Diebenkorn.” Studio, Jan. 1974, 39.
“Richard Diebenkorn: Marlborough-Galerie.” [Neue Zürcher Zeitung] (text in German), [27 Feb. 1974].
Roberts, Keith. “Current and Forthcoming Exhibits: London.” Burlington Magazine, Jan. 1974, 55–56.
Russell, John. “Personal Statements: Art.” Sunday Times (London), 9 Dec. 1973, 37.
Stone, Peter. “Art: Abstract of Nature.” [Jewish Chronicle (London), 28 Dec. 1973.]
Vaizey, Marina. “The Arts: Richard Diebenkorn.” Financial Times, 5 Jan. 1974, 10.
Wright, Barbara. “Diebenkorn.” Arts Review, 15 Dec. 1974, 867.
“Zeitgenössische Landschaftsmalerei ans den USA.” [Tages-Anzeiger] (Zurich; text in German), [16 Mar. 1974].
GROUP EXHIBITIONS
American Artists: An Invitational. Introduction by Richard E. Leet. Mason City, Iowa: Charles H. MacNider Museum, 1973.
Elke M. Solomon. American Drawings, 1963–1973. New York: Whitney Museum of American Art, 1973.
Roger D. Clisby. 19th and 20th Century Prints and Drawings from the Baltimore Museum of Art. Introduction by Victor I. Carlson. Sacramento: E. B. Crocker Art Gallery, 1973.
Oakland Museum, Calif.
Albright, Thomas. “ ‘Period of Exploration’—at Oakland Museum.” San Francisco Sunday Examiner and Chronicle, This World, 9 Sept. 1973, 49, 59.
Dunham, Judith L. “A Period of Exploration.” Artweek, 15 Sept. 1973, 1, 15.
McChesney, Mary Fuller. A Period of Exploration: San Francisco, 1945–1950. Oakland: Oakland Museum, 1973.
Plagens, Peter. “Reviews: A Period of Exploration: San Francisco, 1945–50; The Oakland Museum.” Artforum, Dec. 1973, 91–92.
Shere, Charles. “Exhibit Requires Two Visits.” Oakland Tribune, Entertainment Week, 23 Sept. 1973, EN30.
The Private Collection of Martha Jackson. Introduction by Elayne H. Varian. College Park: University of Maryland Art Gallery, 1973.
A Selection of American and European Paintings from the Richard Brown Baker Collection. Text by Suzanne Foley. San Francisco: San Francisco Museum of Art, 1973.
A Sense of Place: The Artist and the American Land, Volume II. Introduction by Alan Gussow. Lincoln: Sheldon Memorial Art Gallery, University of Nebraska; Omaha: Joslyn Art Museum, 1973.
Small Works: Selections from the Richard Brown Baker Collection of Contemporary Art. Text by J. Patrice Marandel. Providence: Museum of Art, Rhode Island School of Design, 1973.
Twenty-Five Years of American Painting, 1948–1973. Introduction by Max Kozloff. Des Moines: Des Moines Art Center, 1973.
The Way of Color: Thirty-Third Biennial Exhibition of Contemporary American Painting. Introduction by Gene Baro. Washington, D.C.: Corcoran Gallery of Art, 1973.
Forgey, Benjamin. “The Biennial: Color as Poetry.” Sunday Star and Daily News (Washington, D.C.), 25 Feb. 1973, G1, G8.
Martin, Judith. “Nice, Predictable, Pleasant, and Chic.” Washington Post, 24 Feb. 1973, D1, D3.
Richard, Paul. “A Luscious Color Feast.” Washington Post, 24 Feb. 1973, D1, D3.
1974
SOLO EXHIBITIONS
Richard Diebenkorn; Drawings, 1944–1973. Foreword by Don Weygandt; text by Philip Brookman and Walter Melion. Santa Cruz: Mary Porter Sesnon Gallery, University of California, Santa Cruz, 1974.
Sacred Heart Schools, Menlo Park, Calif.
Loach, Roberta. “Richard Diebenkorn Surveyed.” Artweek, 20 Apr. 1974, 3.
Maves, C. E. “Menlo Exhibit Shows Big Range of Artist.” [Palo Alto Times, 1974.]
GROUP EXHIBITIONS
Contemporary American Painting and Sculpture, 1974. Introduction by James R. Shipley and Allen S. Weller. Urbana: University of Illinois Press, 1974.
Davis, James W. “A Revival in the Slumbering Cornfield: A Review of the Krannert Museum Biennial.” Art Journal, Fall 1974, 36–37.
15 Abstract Artists: Los Angeles. Text by Ronald A. Kuchta. Santa Barbara, Calif.: Santa Barbara Museum of Art, 1974.
McDonald, Robert H. “Contemporary Abstraction—South.” Artweek, 23 Feb. 1974, 1.
New Accessions USA. Colorado Springs, Colo.: Colorado Springs Fine Arts Center, 1974.
Painting: Color, Form and Surface. Text by Martha Alf. Claremont, Calif.: Lang Art Gallery, Scripps College, 1974.
Twelve American Painters. Richmond: Virginia Museum, 1974.
Twentieth Century Art from Fort Worth Dallas Collections. Fort Worth: Fort Worth Art Museum, 1974.
ARTICLES AND BOOKS
Diebenkorn, Richard. “Statements.” Studio International. July–Aug. 1974, 14.
Livingston, Jane. “Matisse’s ‘Tea.’ ” Bulletin (Los Angeles County Museum of Art) 20, no. 2 (1974): 46–57.
Plagens, Peter. Sunshine Muse: Contemporary Art on the West Coast. New York: Praeger, 1974.
Wilson, William. “Simonizing of the Pasadena Art Museum.” Los Angeles Times, 29 Apr. 1974, C1, C8.
1975
SOLO EXHIBITIONS
Gump’s Gallery, San Francisco
Albright, Thomas. “Graphic Proof of Diebenkorn’s Stardom.” San Francisco Chronicle, 9 Sept. 1975, 39.
Fried, Alexander. “Drawings that Speak Prose.” San Francisco Examiner, 5 Sept. 1975, 20.
Richard Diebenkorn: Early Abstract Works, 1948–1955. Los Angeles: James Corcoran Gallery; San Francisco: John Berggruen Gallery, 1975.
Albright, Thomas. “S.F.’s Gradual ‘Revolutionary.’ ” San Francisco Chronicle, 25 Mar. 1975, 38.
———. “San Francisco: Spin-Off.” Art News, Summer 1975, 113–14.
Marmer, Nancy. “Los Angeles: Richard Diebenkorn at James Corcoran.” Art in America, July–Aug. 1975, 110.
Perrone, Jeff. “Reviews: Richard Diebenkorn, John Berggruen Gallery.” Artforum, Summer 1975, 78–79.
Wilson, William. “Art Review: Diebenkorn at Corcoran Gallery.” Los Angeles Times, 19 Feb. 1975, H10.
Wortz, Melinda. “Richard Diebenkorn, 1948–1955.” Artweek, 22 Feb. 1975, 1, 16.
Richard Diebenkorn: The Ocean Park Series, Recent Work. New York: Marlborough Gallery, 1975.
Alloway, Lawrence. “Art.” Nation, 3–10 Jan. 1976, 29–30.
Kingsley, April. “Ocean Park Is Dead.” Soho Weekly News, 25 Dec. 1975, 18.
Ratcliff, Carter. “New York Letter.” Art International, Feb.–Mar. 1976, 26, 40.
Raynor, Vivien. “On Art: Operating on Instinct.” New Leader, 19 Jan. 1976, 25–26.
Russell, John. “Art: The Radiance in Diebenkorn Paintings.” New York Times, 6 Dec. 1975, 25.
Wahl, Kenneth. “Richard Diebenkorn.” 57th Street Review, Dec. 1975, 11–12.
Sacramento City College Gallery
Dalkey, Victoria. “Prints by a Masterly Hand.” Sacramento Bee, 1 Oct. 1975, A16.
GROUP EXHIBITIONS
“Current Concerns.” Cat. in Journal, Los Angeles Institute of Contemporary Art, Feb. 1975, 54–65.
Seldis, Henry J. “LAICA Exhibit Still in Mainstream.” Los Angeles Times, 9 Feb. 1975, 70.
A Decade of Collecting, 1965–1975. Los Angeles: Los Angeles County Museum of Art, 1975.
Drawings: Techniques and Types. Storrs: William Benton Museum of Art, University of Connecticut, 1975.
An Evolution of American Works, Honoring Art Today. Memphis: Brooks Memorial Art Gallery, 1975.
Figure and Field in America. Arlington: University of Texas at Arlington, 1975.
Hansen-Fuller Gallery, San Francisco
Frankenstein, Alfred. “Hansen-Fuller Commemorating the Birth of Avant Garde in the Bay Area.” San Francisco Chronicle, 30 Oct. 1975, 45.
L.A.: An Exhibition of 15 Artists from the Greater Los Angeles Area. Introduction by Charles Cowles. Miami: Miami-Dade Community College, 1975.
The Martha Jackson Collection at the Albright-Knox Art Gallery. Text by Linda L. Cathcart. Buffalo: Albright-Knox Art Gallery, 1975.
Pittsburgh Corporations Collect: Inaugural Exhibition of the Heinz Galleries. Pittsburgh: Museum of Art, Carnegie Institute, 1975.
Richard Brown Baker Collects! A Selection of Contemporary Art from the Richard Brown Baker Collection. Texts by Susan P. Casteras et al. New Haven, Conn.: Yale University Art Gallery, 1975.
The Seattle Show. Santa Barbara, Calif.: Santa Barbara Museum of Art, 1975.
Selections from the Martha Jackson Gallery Collection. Albany: University Art Gallery, State University of New York at Albany, 1975.
34th Biennial of Contemporary American Painting. Introduction by Roy Slade. Washington, D.C.: Corcoran Gallery of Art, 1975.
Young America: A Selection of Paintings from the Collection of the Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania. Introduction by Richard J. Boyle and Louise W. Lippincott. Philadelphia: Pennsylvania Academy of the Fine Arts, 1975.
ARTICLES
Coffelt, Beth. “The Big Wave Was Rising.” San Francisco Sunday Examiner and Chronicle, California Living Magazine, 9 Nov. 1975, 24–28.
Giesen, Sara. “Richard Diebenkorn: Before and Behind the Eye.” Arts Magazine, June 1975, 79–81.
1976
SOLO EXHIBITIONS
Richard Diebenkorn Monotypes. Text by Gerald Nordland. Los Angeles: Frederick S. Wight Art Gallery, University of California, Los Angeles, 1976.
Burkhart, Dorothy. “Diebenkorn’s Monotypes.” Artweek, 12 Feb. 1977, 5.
Draznin, Katherine. “Museum Showing: Diebenkorn and the Monotype.” Stanford Daily (Calif.), 21 Jan. 1977, 4.
McIntyre, Mary. “Graphics Compared.” American-Statesman (Austin, Tex.), [Sept. 1976].
Pieszak, Devonna. “Reviews: Richard Diebenkorn Monotypes.” New Art Examiner, [June 1976].
Seldis, Henry J. “Diebenkorn Monotypes at Wight Gallery.” Los Angeles Times, 17 Feb. 1976, E1, E12.
Richard Diebenkorn: Paintings and Drawings, 1943–1976. Texts by Robert T. Buck Jr., Linda L. Cathcart, Gerald Nordland, and Maurice Tuchman. Buffalo: Albright-Knox Art Gallery, 1976; rev. ed. 1980.
Albright, Thomas. “Diebenkorn’s ‘Ocean Park’—A New World.” San Francisco Sunday Examiner and Chronicle, This World, 20 Nov. 1977, 48–49.
“Art’s In, Invitations Out, Museum Preparing an Opening.” Cincinnati Enquirer, 14 Jan. 1977, B3.
Bannon, Anthony. “Diebenkorn Art Defies Search for Conformity.” Buffalo Evening News, 13 Nov. 1976, sec. 4, 70.
Berg, Helene. “Artist Retains Old Lines.” Staten Island Sunday Advance (N.Y.), 10 July 1977.
Bourdon, David. “In the Realm of Sensuous Color.” Village Voice, 27 June 1977, 85.
Brown, Ellen. “West Coast Influence Shows in Diebenkorn Art.” Cincinnati Post, 5 Feb. 1977, 16.
Busche, Ernst. “Richard Diebenkorn.” Das Kunstwerk (text in German), Oct. 1977, 43–44, 49.
“Champagne Reception Opens Exhibit in Albright-Knox Art Gallery.” Buffalo Evening News, 13 Nov. 1976, A10.
Curtis, Cathy. “Diebenkorn—Fields of Color.” Daily Californian, Friday Magazine (Berkeley), 11 Nov. 1977, 13–17.
Danz, Linda. “Diebenkorn at Whitney.” [Eastside Courier (New York), 16 June 1977], 5.
Findsen, Owen. “Diebenkorn: A Rebel against Rebellion.” Cincinnati Enquirer, 6 Feb. 1977, F6.
Foran, Jack. “Art: There Are No Illusions about Diebenkorn’s Art.” Niagara Gazette, 21 Nov. 1978, 12.
Forgey, Benjamin. “Three Different Diebenkorns.” Washington Star, 17 Apr. 1977, G20, G21.
Frankenstein, Alfred. “Diebenkorn Retrospective of Evolution, Enrichment and Specialization.” San Francisco Sunday Examiner and Chronicle, 23 Oct. 1977, 42.
Gheno, Dan. “Art: Richard Diebenkorn Retrospective Warmly Received in LA County.” Santa Barbara News and Review (Calif.), 25 Aug. 1977, 37.
Gold, Ann. “Art: Diebenkorn Magic Returns to the Oakland Museum.” San Francisco, Oct. 1977, 108–10.
Hazlitt, Gordon J. “Diebenkorn: The Painter’s Painter.” Hughes Airwest Sundancer, Sept. 1977, 42–45.
———. “Problem Solving in Solitude.” Art News, Jan. 1977, 76–79.
Hopkins, Budd. “Diebenkorn Reconsidered.” Artforum, Mar. 1977, 37–41.
Howell, Betje. “Diebenkorn on Display.” Los Angeles Herald-Examiner, 14 Aug. 1977, F7.
Hughes, Robert. “California in Eupeptic Color.” Time, 27 June 1977, 58–59.
Joysmith, Toby. “Gallery Goer: Greatness of Diebenkorn.” News (Mexico City), 21 Aug. 1977, 12.
Kingsley, April. “Real Alternatives: Richard Diebenkorn and Stephen Greene.” Soho Weekly News (New York), 20 Jan. 1977, 20, 25.
Kramer, Hilton. “Diebenkorn’s Mastery.” New York Times, 12 June 1977, D25.
Krieg, Marjorie. “Just a Peek of Diebenkorn at Art Museum Reception.” Star-News (Pasadena, Calif.), 10 Aug. 1977, A6.
Larsen, Susan C. “Richard Diebenkorn’s Retrospective.” Artweek, 27 Aug. 1977, 1, 20.
Leopold, Michael. “SRO Sing to Light Up for Diebenkorn Showing.” Society West, Oct. 1977, 13.
Marmer, Nancy. “Richard Diebenkorn: Pacific Extensions.” Art in America, Jan.–Feb. 1978, 95–99.
McGuire, Tom. Richard Diebenkorn (video). Los Angeles: Los Angeles County Museum of Art and TVTV, 1977. VHS, 23 min.
Mumma, Phil. “A Quiet Californian Is U.S.’ Hottest Artist.” Museum of California (Oakland Museum), Oct. 1977, 13–15.
Olson, Roberta J. M. “Thus Spake Diebenkorn.” Soho Weekly News (New York), 23 June 1977, 20, 47.
Orr, Robin. Oakland Tribune, 18 Oct. 1977, E13.
Raynor, Vivien. “Diebenkorn’s Shifting Styles.” New Leader, 18 July 1977, 25–26.
Russell, John. “Diebenkorn’s Stunning Achievement.” New York Times, 5 Dec. 1976, D33.
Seed, John. “Diebenkorn: Oakland Retrospective for Ex-Stanford Painter.” Stanford Daily (Calif.), 13 Oct. 1977, 14.
Seldis, Henry J. “Diebenkorn’s Triumphant Retrospective.” Los Angeles Times, 21 Aug. 1977, N1, N78.
———. “A Look at Diebenkorn, Past and Present.” Los Angeles Times Home Magazine, 7 Aug. 1977, 18–19.
Shere, Charles. “The Geometry of Richard Diebenkorn.” Oakland Tribune, Entertainment, 16 Oct. 1977, E1, E20.
Simon, Jeff. “Uncommon Concern for Truth in Art Is Shown by Diebenkorn.” Buffalo Evening News, 16 Nov. 1976, sec. 4, 69.
St. John, Terry. “Diebenkorn: A Retrospective Exhibition.” Art (Art Guild of the Oakland Museum Association), Sept.–Oct. 1977, 2–3.
Stevens, Mark. “Amazing Grace.” Newsweek, 20 June 1977, 83, 85.
Tallmer, Jerry. “Diebenkorn: Painter against the Grain.” New York Post, 11 June 1977, 20.
Wallach, Amei. “Translating Anguished Energy into High Art.” Newsday, [19 June 1977].
Willig, Nancy Tobin. “The Albright-Knox Presents: The Spatial Abstractions of Richard Diebenkorn.” Buffalo Courier-Express, 5 Dec. 1976, 31, 61.
Zimmer, William. “Diebenkorn: Conquered Territories.” Soho Weekly News (New York), 23 June 1977, 20.
GROUP EXHIBITIONS
Acquisition Priorities: Aspects of Postwar Painting in America. New York: Solomon R. Guggenheim Foundation, 1976.
American Drawings from Private Collections of the Friends of the Corcoran. Washington, D.C.: Corcoran Gallery of Art, 1976.
American Painting, 1900–1976. Text by John I. H. Baur. Katonah, N.Y.: Katonah Gallery, 1976.
Corcoran. Washington, D.C.: Corcoran Gallery of Art, 1976.
Heritage and Horizon: American Painting, 1776–1976. Toledo, Ohio: Toledo Museum of Art, 1976.
In This Academy: The Pennsylvania Academy of the Fine Arts, 1805–1976. Texts by Doreen Bolger et al. Philadelphia: Pennsylvania Academy of the Fine Arts, 1976.
The Last Time I Saw Ferus, 1957–1966. Text by Betty Turnbull. Newport Beach, Calif.: Newport Harbor Art Museum, 1976.
The Lyon Collection: Modern and Contemporary Works on Paper. Long Beach: Art Galleries, California State University, Long Beach, 1976.
Wise, Don. “The Lyon Collection—Art for Enjoyment.” Artweek, 24 Apr. 1976, 2.
Painting and Sculpture in California: The Modern Era. Text by Henry T. Hopkins. San Francisco: San Francisco Museum of Modern Art, 1976.
Albright, Thomas. “California Art since the ‘Modern Dawn.’ ” Art News, Jan. 1977, 68–72.
Butterfield, Jan. “Made in California. American Art Review, July 1977, 118–44.
Davis, Douglas. “The Two Faces of California.” Newsweek, 6 Sept. 1976, 52.
Seldis, Henry J. “Way Out West: Landscape to Urbanity.” Los Angeles Times, 12 Sept. 1976, V1, V72.
Tarshis, Jerome. “Far West’s 20th-Century Art in East Coast Review.” Smithsonian Magazine, May 1977, 56–61.
Seventy-Second American Exhibition. Text by Anne Rorimer. Chicago: Art Institute of Chicago, 1976.
Three Decades of American Art Selected by the Whitney Museum (text in English and Japanese). Tokyo: Seibu Museum of Art, 1976.
Three Generations of American Painting: Motherwell, Diebenkorn, Edlich. Text by Jeffrey Hoffeld. New York: Gruenebaum Gallery, 1976.
Three Hundred Years of American Art in the Chrysler Museum. Text by Dennis R. Anderson. Norfolk, Va.: Chrysler Museum at Norfolk, 1976.
ARTICLES, BOOKS, AND VIDEOS
Cowart, Jack. “Acquisitions: Contemporary American Paintings.” Bulletin (St. Louis Art Museum), Sept.–Oct. 1976, 74–76.
Hazlitt, Gordon J. “ ‘An Incredibly Beautiful Quandary.’ ” Art News, May 1976, 36–38.
Johnson, Ellen H. Modern Art and the Object: A Century of Changing Attitudes. London: Thames and Hudson, 1976.
Logue, Joan. Video Portrait: Richard Diebenkorn (video) 1976. U-matic, 20 minutes.
1977
SOLO EXHIBITIONS
“Artist of the Month: Richard Diebenkorn.” Cat. in Gallery Notes (Santa Barbara Museum of Art, Calif.), Oct. 1977. Text by Penny Knowles.
GROUP EXHIBITIONS
Art Alliance Collects. Pasadena, Calif.: Baxter Art Gallery, California Institute of Technology, 1977.
Collectors, Collecting, Collection: American Abstract Art since 1945. San Francisco: San Francisco Museum of Modern Art, 1977.
Gifts to Mark a Century: An Exhibition Celebrating the Centennial of the Philadelphia Museum of Art. Philadelphia: Philadelphia Museum of Art, 1977.
Henry Gallery/Five Decades. Texts by Carl F. Gould et al. Seattle: Henry Gallery Association, 1977.
Invitational American Drawing Exhibition. San Diego: Fine Arts Gallery of San Diego, 1977.
Photonotations II. New York: Rosa Esman Gallery, 1977.
Promised Gifts ’77. Texts by Eugene A. Carroll et al. Poughkeepsie, N.Y.: Vassar College Art Gallery, 1977.
20th-Century American Art from Friends’ Collections. New York: Whitney Museum of American Art, 1977.
Vault Show I: Selections from the Museum of Art at the University of Arizona. Tucson: Museum of Art at University of Arizona, 1977.
Watercolors and Related Media by Contemporary Californians. Pasadena: Baxter Art Gallery, California Institute of Technology, 1977.
Works on Paper: American Art, 1945–1975. Text by Rosalind Krauss. Washington Art Consortium, 1977.
Works on Paper 1900–1960 from Southern California Collections. Introduction by Frederick S. Wight. Claremont, Calif.: Galleries of the Claremont Colleges, Pomona College and Scripps College, 1977.
ARTICLES AND BOOKS
Ayers, Gene. “Daring Oakland Art Theft.” Oakland Tribune, [16 Oct. 1977].
Coffelt, Beth. “Doomsday in the Bright Sun.” San Francisco Sunday Examiner and Chronicle, California Living Magazine, 16 Oct. 1977, 22–28.
“Cops Puzzled: Art Theft Mystery.” Oakland Tribune, 17 Oct. 1977, 1, 12.
Glueck, Grace. “Art People: Swirl of the Golden West.” New York Times, 10 June 1977, C20.
Hudson, Andrew. “Washington: Matisse’s Influence.” Artmagazine, Dec. 1977–Feb. 1978, 12–17.
Larsen, Susan C. “A Conversation with Richard Diebenkorn.” Journal, Los Angeles Institute of Contemporary Art, July–Aug. 1977, 24–30.
“Oakland’s Bold Museum Thief.” San Francisco Chronicle, 17 Oct. 1977, 2.
The Twenty-Second Annual Corcoran Ball/Richard Diebenkorn: Paintings and Drawings, 1943–1976. Texts by Jane Livingston and Roy Slade. Washington, D.C.: Corcoran Gallery of Art, 1977.
Wallace, Kevin. “Art Thieves Paint Themselves into Corner.” San Francisco Chronicle, 19 Oct. 1977, 5.
“When Diebenkorn Paints a Picture, It’s a Lengthy, Careful, Sensitive Process.” Museum of California (Oakland Museum), Nov. 1977, 16.
1978
SOLO EXHIBITIONS
U.S. Pavilion, Venice
La biennale di Venezia, 1978: From Nature to Art, from Art to Nature (text in English and Italian). Introduction by Carlo Ripa di Meana; texts by Robert T. Buck Jr. et al. Milan: Gruppo editoriale electa, 1978.
Richard Diebenkorn: 38th Venice Biennial, 1978 (text in English and Italian). Preface by Thomas M. Messer; introduction by Robert T. Buck Jr.; text by Linda L. Cathcart. New York: International Exhibitions Committee of the American Federation of Arts, 1978.
Bannon, Anthony. “Albright-Knox to Organize Art Show for U.S.” Buffalo Evening News, [15 Dec. 1977].
Bourdon, David. “Art.” Vogue, July 1978, 32.
Carluccio, Luigi. “Arte.” [Panorama] (text in Italian), [25 July 1978, 15].
Erickson, Jeffrey S. “Books.” Leonardo, Spring 1980, 169 (exh. cat. review).
Feaver, William. “The Biennale’s Romp with Nature.” New York Times, 6 Aug. 1978, D20.
Hughes, Robert. “Art: It’s Biennale Time Again.” Time, 17 July 1978, 84–85.
Ianco-Starrels, Josine. “Art News: Diebenkorn in Venice Biennale.” Los Angeles Times, 8 Jan. 1978, J69.
Iden, Peter. “Leichtfertig und sehr am Rande: Die Biennale 78 in Venedig eröffnet.” Frankfurter Rundschau (text in German), 4 July 1978, 8.
Jeppson, Gabriella. “Lots of Nature, Little Art at 38th Venice Biennale.” Boston Globe, 3 Sept. 1978, A14.
Martin, Henry. “The Venice Biennale: Back to Nature.” Art International, Oct. 1978, 71.
Vaizey, Marina. “Venice: Vast and Various.” Sunday Times (London), 2 July 1978, 37.
van der Marck, Jan. “The Venice Biennale: Can It Rise Again?” Artforum, Sept. 1978, 74–77.
Wilson, William. “Digging for Roots at Venice’s Biennale.” Los Angeles Times, Calendar, 9 July 1978, 92–93.
———. “Excellence in the Middle of the Road.” Los Angeles Times, 2 Apr. 1978, M98.
GROUP EXHIBITIONS
American Painting of the 1970s. Text by Linda L. Cathcart. Buffalo: Albright-Knox Art Gallery, 1978.
The Vice President’s House. Washington, D.C., 1978.
Charlton, Linda. “ ‘Joan of Art’ Gives Tour of Her ‘Gallery.’ ” New York Times, 13 Apr. 1978, C17.
ARTICLES AND BOOKS
“Celebrations on MacDowell Day.” Petersborough Transcript (N.H.), 24 Aug. 1978, 1, 12.
“Colony Honor to Painter.” Monadnock Ledger (N.H.), 16 Aug. 1978, 1, 18.
“MacDowell Medal Awarded to ‘Best American Painter.’ ” Monadnock Ledger (N.H.), 23 Aug. 1978, 3.
Murphy, Richard. “A Painting Should Have Flex.” Horizon, July 1978, 66–71.
Sandler, Irving. The New York School: The Painters and Sculptors of the Fifties. New York: Harper & Row, 1978.
Wilson, William. “The Year of the Buck.” Los Angeles Times, 31 Dec. 1978, 76–77.
1979
SOLO EXHIBITIONS
Richard Diebenkorn. New York: M. Knoedler and Co., 1979.
Hale, Nick. “Diebenkorn’s Ocean Park.” Art/World, 18 May–18 June 1979, 1, 15.
Keeffe, Jeffrey. “Reviews: Richard Diebenkorn, M. Knoedler.” Artforum, Sept. 1979, 78–79.
Raynor, Vivien. “Art: Diebenkorn Refines His Vision.” New York Times, 25 May 1979, C24.
Richard Diebenkorn: Intaglio Prints, 1961–1978. Texts by Kathan Brown and Phyllis Plous. Santa Barbara: UCSB Art Museum, University of California, Santa Barbara, 1979.
Muchnic, Suzanne. “Diebenkorn Show in Santa Barbara.” Los Angeles Times, 20 Aug. 1979, E12.
Westfall, Stephen. “Richard Diebenkorn: Forms and Feelings in Line.” Artweek, 14 July 1979, 1, 16.
GROUP EXHIBITIONS
American Painting, 1955 to 1976: Twenty-Five Selections from the Collection of the Albright-Knox Gallery, Buffalo, New York. Text by Robert T. Buck Jr. Regina, Sask.: Norman Mackenzie Art Gallery, University of Regina, 1979.
Art Inc.: American Paintings from Corporate Collections. Introduction by Mitchell Douglas Kahan. Montgomery, Ala.: Montgomery Museum of Fine Arts, 1979.
Aspects of Abstract: Recent West Coast Abstract Painting and Sculpture. Text by Roger D. Clisby. Sacramento: Crocker Art Museum, 1979.
Master Drawings and Watercolors of the Nineteenth and Twentieth Centuries. New York: American Federation of Arts, 1979.
Works on Paper U.S.A. Text by Stephen Greene. West Nyack, N.Y.: Rockland Center for the Arts, 1979.
ARTICLES AND BOOKS
Arte en la embajada (text in Spanish). Introduction by William H. Luers. Caracas, Venezuela: Embassy of the United States of America, 1979.
Art in the Residence of the American Ambassador to Sweden (text in English and Swedish). Stockholm: Embassy of the United States of America, 1979.
Castro, Roberto Montero. “Una proposición para compartir valores en el lenguaje más universal que existe.” El universal (Caracas, Venezuela; text in Spanish), 20 May 1979, 1:24–25.
Hughes, Robert. “10 Years that Buried the Avant-Garde.” Sunday Times Magazine (London), 30 Dec. 1979, 16–21, 41, 45, 47.
Iden, Peter. “Die blauen Bäume von L.A.” Frankfurter Rundschau (text in German), 7 July 1979, 3.
Nadelman, Cynthia. “New Editions: Richard Diebenkorn.” Art News, Sept. 1979, 38, 40.
Pecins, Baiba. “Richard Diebenkorn among U.S. Artists Visiting Venezuela.” Daily Journal (Caracas, Venezuela), 20 May 1979, 13.
Pérez, María Josefa. “Traté de averiguar qué pasa en la sociedad Mirando el Arte.” El nacional (Caracas, Venezuela; text in Spanish), 19 May 1979, C15.
Russell, John. “Critic’s Notebook: Art in a City of Angels.” New York Times, 10 Dec. 1979, C15.
Smaus, Robert. “A Garden Lover’s Garden.” Los Angeles Times Home Magazine, 9 Sept. 1979, 60–61 (garden at the Diebenkorn Santa Monica residence).
1980
SOLO EXHIBITIONS
Richard Diebenkorn. New York: M. Knoedler and Co., 1980.
Foster, Hal. “Reviews: Richard Diebenkorn, Knoedler Gallery.” Artforum, Feb. 1981, 74–75.
Murry, Jesse. “New York: Richard Diebenkorn.” Flash Art, Jan.–Feb. 1981, 50–51.
GROUP EXHIBITIONS
American Drawing in Black and White, 1970–1980. Brooklyn: Brooklyn Museum, 1980.
Thomas W. Styron. American Figure Painting, 1950–1980. Norfolk, Va.: Chrysler Museum, 1980.
Mitchell Douglas Kahan. American Painting of the Sixties and Seventies, The Real/The Ideal/The Fantastic: Selections from the Whitney Museum of American Art. Montgomery, Ala.: Montgomery Museum of Fine Arts, 1980.
Aspects of the 70’s: Painterly Abstraction. Text by Marilyn Friedman Hoffman. Brockton, Mass.: Brockton Art Museum–Fuller Memorial, 1980.
Blum-Helman Gallery, New York
Rickey, Carrie. “Reviews: ‘Three by Four,’ Blum/Helman Gallery.” Artforum, Mar. 1981, 85.
The Collector’s Eye. Laguna Beach, Calif.: Laguna Beach Museum of Art, 1980.
The Figurative Tradition and the Whitney Museum of American Art: Paintings and Sculpture from the Permanent Collection. Text by Patricia Hills and Roberta K. Tarbell. New York: Whitney Museum of American Art, 1980.
La pintura de los Estados Unidos de museos de la ciudad de Washington (text in Spanish). Introduction by Milton W. Brown. Mexico City: Museo del palacio de bellas artes, 1980.
Hartman, Carl. “U.S. Art Travels South of Border.” Los Angeles Times, 6 Nov. 1980, H2.
Joysmith, Toby. “Gallery Goer: North American Painting in Review.” News (Mexico City), 21 Dec. 1980, 19.
The Vice President’s House. Washington, D.C., 1980.
ARTICLES AND BOOKS
Arthur, John. Contemporary American Works on Paper: Realist Drawings and Watercolors. Boston: New York Graphic Society, 1980.
Brown, Kathan. “Wasting and Wasting Not: How (and Why) Artists Work at Crown Point Press.” Art Journal, Spring 1980, 176–79.
Hinson, Tom E. “Recent Paintings by Richard Diebenkorn and Jack Tworkov.” Bulletin of the Cleveland Museum of Art, Feb. 1980, 31–40.
Lavatelli, Mark. “Richard Diebenkorn: The Albuquerque Years.” Artspace, June 1980, 20–25.
Rose, Barbara. American Painting: The Twentieth Century. New York: Rizzoli International, 1980.
Stutzin, Leo. “Big Names in Cal State Show.” Modesto Bee (Calif.), [1980].
Wilson, William. “Norton Simon’s Plan to Sell Art Works Hit.” Los Angeles Times, 10 May 1980, F1, F12.
1981
SOLO EXHIBITIONS
Richard Diebenkorn: Etchings and Drypoints, 1949–1980. Foreword by Phyllis Plous; texts by Kathan Brown and Mark Stevens; catalogue raisonné by Chantal Guillemin. Houston: Houston Fine Art Press, 1981.
Baldwin, Nick. “A Fine Show by Diebenkorn.” Des Moines Register, 19 Sept. 1982, C5.
Boorsch, Suzanne. “Books in Review.” Print Collector’s Newsletter, Nov.–Dec. 1981, 155–56 (exh. cat. review).
Kalil, Susie. “Art: ‘Richard Diebenkorn: Etchings and Drypoints.’ ” Houston Post, 13 Feb. 1983, F18.
Paul, Susan. “Current Show at Museum Firmly Establishes Painter in the Print Medium.” Phoenix (Brooklyn), [1982].
Shere, Charles. “Diebenkorn Looks Back and Ahead.” Oakland Tribune, Calendar, 29 May 1983, 5–7.
Richard Diebenkorn: Matrix/Berkeley 40. [Text by Connie Lewallen.] Berkeley: University Art Museum, University of California, Berkeley, 1981.
Lewallen, Connie. “Richard Diebenkorn: ‘Berkeley’ Landscapes.” University Art Museum Berkeley Calendar, Feb. 1981, 2.
GROUP EXHIBITIONS
Maurice Tuchman, ed. Art in Los Angeles: Seventeen Artists in the Sixties. Los Angeles: Los Angeles County Museum of Art, 1981.
Plagens, Peter. “Art in Los Angeles: Seventeen Artists in the Sixties.” Art Journal, Winter 1981, 375–79.
Wilson, William. “Art Museum’s ‘A’ Team of ’60s.” Los Angeles Times, 2 Aug. 1981, L1, L93.
California: The State of Landscape, 1872–1981. Introduction by Betty Turnbull. Newport Beach, Calif.: Newport Harbor Art Museum, 1981.
Wilson, William. “Art: Spectrum of California Landscape.” Los Angeles Times, 12 Apr. 1981, N91.
Decade: Los Angeles Painting in the Seventies. Texts by Walter Gabrielson, Michael Kurcfeld, and Peter Plagens. Pasadena, Calif.: Art Center College of Design, 1981.
Drawing Acquisitions, 1978–1981. Text by Paul Cummings. New York: Whitney Museum of American Art, 1981.
Peter Morrin and Eric Zafran. Drawings from Georgia Collections: 19th and 20th Centuries. Atlanta: High Museum of Art, 1981.
The Image in American Painting and Sculpture, 1950–1980. Preface by I. Michael Danoff; introduction by Carolyn Kinder Carr. Akron, Ohio: Akron Art Museum, 1981.
The Lawrence H. Bloedel Collection: A Loan Exhibition from the Whitney Museum of American Art and the Williams College Museum of Art. Introduction by Rick Stewart. Washington, D.C.: International Exhibitions Foundation, 1980.
Master Paintings from the Phillips Collection. Foreword by Milton W. Brown; text by Laughlin Phillips. Fort Lee, N.J.: Penhurst Books, 1981.
1981 Biennial Exhibition. New York: Whitney Museum of American Art, 1981.
Of Time and Place: American Figurative Art from the Corcoran Gallery. Texts by Peter C. Marzio and Edward J. Nygren. Washington, D.C.: Smithsonian Institution Traveling Exhibition Service and Corcoran Gallery of Art, 1981.
Southern California Artists, 1940–1980. Introduction by Maudette Ball. Laguna Beach, Calif.: Laguna Beach Museum of Art, 1981.
The 37th Biennial Exhibition of Contemporary American Painting. Text by Jane Livingston. Washington, D.C.: Corcoran Gallery of Art, 1981.
Forgey, Benjamin. “Art: The Clarity of the Corcoran Biennial.” Washington Star, 22 Feb. 1981, E1, E2.
Richard, Paul. “Abstract Audacity: The Corcoran’s Provocative American Biennial.” Washington Post, 19 Aug. 1981, D1, D7.
ARTICLES AND BOOKS
Albright, Thomas et al. Reflections: Alumni Exhibitions, January 1981. San Francisco: San Francisco Art Institute, 1981.
Andrews, Colman. “Vision City.” Ambassador (TWA), July 1981, 41–45.
Ashton, Dore. “Richard Diebenkorn.” Flash Art, Mar.–Apr. 1981, 8–13.
Bordeaux, Jean-Luc. “Los Angeles: A New Center for Contemporary Art.” Connaissance des arts, Nov. 1981, 98–105.
Forgey, Benjamin. “The Odyssey of Duncan Phillips.” Portfolio, Nov.–Dec. 1981, 66–71.
Hopkins, Henry. 50 West Coast Artists: A Critical Selection of Painters and Sculptors Working in California. San Francisco: Chronicle Books, 1981.
Hughes, Robert. The Shock of the New. New York: Alfred A. Knopf, 1981.
Namuth, Hans. Artists, 1950–1981: A Personal View. New York: Pace Gallery Publications, 1981.
Selz, Peter. Art in Our Times: A Pictorial History, 1890–1980. New York: Harry N. Abrams, 1981.
1982
SOLO EXHIBITIONS
Administrative Center, Occidental College, Los Angeles
Sinclair, Mike. “Abstract Artist Diebenkorn to Receive Honorary Degree.” Occidental, 28 May 1982, 5.
Diebenkorn: Etchings. Text by Kathan Brown. Oakland, Calif.: Crown Point Gallery, 1982.
C. M. “Richard Diebenkorn at Eason Gallery.” Artlines (Taos, N.Mex.), [Apr. 1982], 30.
L.A. Louver, Los Angeles
Brown, Betty. “Arts Reviews: Southern California.” Arts Magazine, Feb. 1983, 46–47.
Richard Diebenkorn. New York: M. Knoedler and Co., 1982
Frank, Peter. “New York Reviews: Richard Diebenkorn, Knoedler.” Art News, Apr. 1982, 220, 222.
Hale, Nick. “Diebenkorn Landscapes.” Art/ World, [22 Jan.–19 Feb. 1982, 1, 7].
Hughes, Robert. “Art: A Geometry Bathed in Light.” Time, 25 Jan. 1982, 46.
Kramer, Hilton. “Uptown: New Richard Diebenkorn Work.” New York Times, 15 Jan. 1982, C1, C18.
Wolff, Theodore F. “Two Impressive Painters at Opposite Ends of the Art.” Christian Science Monitor, 19 Jan. 1982, 19.
GROUP EXHIBITIONS
Abstract Drawings, 1911–1981: Selections from the Permanent Collection. Text by Paul Cummings. New York: Whitney Museum of American Art, 1982.
Linda L. Cathcart. The Americans: The Collage. Houston: Contemporary Arts Museum, 1982.
Artists Choose Artists. New York: CDS Gallery, 1982.
Drawings by Painters. Introduction by Richard Armstrong. Long Beach, Calif.: Long Beach Museum of Art, 1982.
The Michael and Dorothy Blankfort Collection. Foreword by Maurice Tuchman; text by Michael Blankfort. Los Angeles: Los Angeles County Museum of Art, 1982.
On Reflection: A Tribute to John Humphrey. San Francisco: San Francisco Museum of Modern Art, 1982.
A Private Vision: Contemporary Art from the Graham Gund Collection. Texts by Carl Belz et al. Boston: Museum of Fine Arts, 1982.
Realism and Realities: The Other Side of American Painting, 1940–1960. Texts by Greta Berman and Jeffrey Wechsler. New Brunswick, N.J.: Rutgers University Art Gallery, 1981.
Sawin, Martica. “Realism and Realities.” Art Journal, Summer 1982, 157–59.
The Spirit of Paper: Twentieth Century Americans. Text by Addison Parks. Miami: Frances Wolfson Art Gallery, Miami-Dade Community College, 1982.
The West as Art: Changing Perceptions of Western Art in California Collections. Text by Patricia Trenton. Palm Springs, Calif.: Palm Springs Desert Museum, 1982.
ARTICLES AND BOOKS
Ashton, Dore. American Art since 1945. New York: Oxford University Press, 1982.
California Artists Cookbook. New York: Abbeville Press, 1982.
Glueck, Grace. “The Artists’ Artists.” Art News, Nov. 1982, 90, 92–93.
Green, Lois Wagner. “Emphasizing Art: A San Francisco Setting Created for a Unique Collection.” Architectural Digest, July 1982, 38–47.
Halcomb, Ruth. “The Meaning of Mentor.” PSA, Oct. 1982, 84–87, 136, 139.
Mills, Kay. “A Talk with Painter Richard Diebenkorn.” Los Angeles Times, 10 Oct. 1982, sec. 4, 3.
Ponsold, Renate. Ritratti (text in English and Italian). Rome, 1982.
Wolff, Theodore F. “The Many Masks of Modern Art.” Christian Science Monitor, 9 Mar. 1982, 20.
1983
SOLO EXHIBITIONS
San Francisco Museum of Modern Art
Resource/Response/Reservoir—Pentimenti: Seeing and Then Seeing Again. Text and transcript of Richard Diebenkorn interview by Jan Butterfield. San Francisco: San Francisco Museum of Modern Art, 1983.
Resource/Response/Reservoir—Richard Diebenkorn: Paintings, 1948–1983. Text by George W. Neubert. San Francisco: San Francisco Museum of Modern Art, 1983.
Albright, Thomas. “Contradictions without Angst.” San Francisco Chronicle, Review, 29 May 1983, 12 (also refers to 1981 Etchings and Drypoints exh.).
Cebulski, Frank. “Richard Diebenkorn and the Humanly Abstract.” Artweek, 2 July 1983, 1 (also refers to 1981 Etchings and Drypoints exh.).
Martini, Chris. “California Letter: Richard Diebenkorn.” Studio International, Aug. 1983, 60–61.
GROUP EXHIBITIONS
Percy North. Abstractions from the Phillips Collection. Fairfax, Va.: George Mason University, 1983.
Linda L. Cathcart. American Still Life, 1945–1983. Houston: Contemporary Arts Museum, 1983.
American Works on Paper: 100 Years of American Art History. Text by Addison Parks. Kansas City, Mo.: Lowell Press, 1983.
Art for a Nuclear Weapons Freeze. Nuclear Weapons Freeze Campaign, 1983.
The Artist’s Studio in American Painting, 1840–1983. Introduction by Nicolai Cikovsky Jr. Allentown, Pa.: Allentown Art Museum, 1983.
Bay Area Collects: A Diverse Sampling. San Francisco: San Francisco Museum of Modern Art, 1983.
The California Connection: Sixteen Paintings from the Gifford and Joann Phillips Collection. Text by Anne Carnegie Edgerton. Santa Fe: Museum of New Mexico Press, 1983.
Changes. Text by Dorothy Mayhall. Ridgefield, Conn.: Aldrich Museum of Contemporary Art, 1983.
Glueck, Grace. “When an Artist Changes Styles.” New York Times, 29 May 1983, H25–H26.
Rose, Barbara. “Changes: the ’Sixties into the ’Eighties.” Vogue, July 1983, 113.
Directions in Bay Area Painting: A Survey of Three Decades, 1940s–1960s. Texts by Julia Armstrong et al. Davis: Richard L. Nelson Gallery and Fine Arts Collection, University of California, Davis, 1983.
Julia Brown and Bridget Johnson, eds. The First Show: Painting and Sculpture from Eight Collections, 1940–1980. Los Angeles: Museum of Contemporary Art; New York: Arts Publisher, 1983.
From Avery to Zurbarán: A New View of the Permanent Collection. Santa Barbara, Calif.: Santa Barbara Museum of Art, 1983.
Impressionism and the Modern Vision: Master Paintings from the Phillips Collection (text in English and Japanese). Foreword by Laughlin Phillips; texts by Michael J. Mansfield and Denys Sutton. Japan: Yomiuri Shimbun, 1983.
John Elderfield. The Modern Drawing: 100 Works on Paper from the Museum of Modern Art. New York: Museum of Modern Art, 1983.
Nine Contemporary American Masters. New York: Marisa del Re Gallery, 1983.
The Painterly Figure. Text by Klaus Kertess. Southampton, N.Y.: Parrish Art Museum, 1983.
Russell, John. “When Figure Paintings Capture the Energies of Life.” New York Times, 7 Aug. 1983, H21.
Resource/Reservoir—CCAC: 75 Years. Text by Philip E. Linhares. San Francisco: San Francisco Museum of Modern Art, 1983.
ARTICLES AND BOOKS
Bermingham, Peter, ed. Paintings and Sculpture in the Permanent Collection: With Selected Drawings and Watercolors. Tucson: University of Arizona Museum of Art, 1983.
Butterfield, Jan. “Diebenkorn: A Painter’s ‘Pentimento.’ ” United: The Magazine of the Friendly Skies, June 1983, 108–18.
Cecil, Sarah. “New Editions: Richard Diebenkorn.” Art News, Apr. 1983, 87.
“The First Show: Six Artists Look beyond Their Studios.” Contemporary (Museum of Contemporary Art, Los Angeles), Nov. 1983, 2.
Green, Blake. “Diebenkorn Reflects on Art and Fame.” San Francisco Chronicle, 18 May 1983, 35.
Knight, Christopher. “The American Scene: Strength in Reserve.” Express (Amtrak), Oct. 1983, 20–21.
Morch, Al. “Diebenkorn’s Figurative Straitjacket.” San Francisco Examiner, 16 May 1983, B15.
1984
SOLO EXHIBITIONS
Richard Diebenkorn. New York: M. Knoedler and Co., 1984.
Kuspit, Donald. “Reviews: New York; Richard Diebenkorn.” Artforum International, Nov. 1984, 102–103.
Raynor, Vivien. “Art: Paintings on Paper by Richard Diebenkorn.” New York Times, 18 May 1984, C18.
Wolff, Theodore F. “Diebenkorn’s Quiet Consistency Puts Him Above Art’s Changing Tides.” Christian Science Monitor, 21 May 1984, 25.
GROUP EXHIBITIONS
Art of the States: Works from a Santa Barbara Collection. Text by Robert McDonald. Santa Barbara, Calif.: Santa Barbara Museum of Art, 1984.
Frank Gettings. Drawings, 1974–1984. Washington, D.C.: Smithsonian Institution Press, 1984.
Forgey, Benjamin. “The Hirshhorn’s Big Draw: A Winning Exhibit from the Past Decade.” Washington Post, 15 Mar. 1984, D1.
The Figurative Mode: Bay Area Painting, 1956–1966. Texts by Christopher Knight and Paul Mills. New York: Grey Art Gallery and Study Center, New York University, 1984.
Ruth E. Fine, ed. Gemini G.E.L.: Art and Collaboration. Washington, D.C.: National Gallery of Art; New York: Abbeville Press, 1984.
Hirschl and Adler Modern, New York
Great American Artists: The Skowhegan Medal Recipients. Text by Calvin Tompkins. New York: Alpine Fine Arts Collection, 1984.
San Francisco Museum of Modern Art
Promised Gifts to the Collection. San Francisco: San Francisco Museum of Modern Art, 1984.
10 Painters and Sculptors Draw. Boston: Museum of Fine Arts, 1984.
Edwards Park. Treasures from the Smithsonian Institution. Washington, D.C.: Smithsonian Institution Press, 1984.
Paul Cummings. Twentieth-Century American Drawings: The Figure in Context. Washington, D.C.: International Exhibitions Foundation, 1984
Twentieth-Century American Drawings from the Arkansas Arts Center Foundation Collection. Little Rock: Arkansas Arts Center, 1984.
The Zurier Collection: An Exhibition of 20th Century American and European Paintings and Works on Paper. Introduction by Henry T. Hopkins. San Francisco: John Berggruen Gallery, 1984.
ARTICLES AND BOOKS
Geldzahler, Henry. “California as World Art Capital.” California Magazine, Apr. 1984, 78–85.
Naman, Mard. “Jackson Pollock’s Letter to a Friend.” San Francisco Chronicle, This World, 6 May 1984, 10–12.
Orr-Cahall, Christina. “Diebenkorn: Works by Richard Diebenkorn in the Collection of the Oakland Museum with the Howard E. Johnson Bequest.” Oakland, Calif.: Oakland Museum, 1984.
Robins, Corinne. The Pluralist Era: American Art, 1968–1981. New York: Harper & Row, 1984.
Shere, Charles. “Art a Key Element in California Life.” Oakland Tribune, Calendar 4 Nov. 1984, 5.
1985
SOLO EXHIBITIONS
Munson Gallery, Santa Fe, N.Mex.
Cortright, Barbara. “Photographer at Home on the Range; Abstracts at Munson Worth Savoring.” New Mexican, Pasatiempo (Santa Fe), 6 Dec. 1985, 17.
Deats, Suzanne. “Art: A Season of Excellence.” Santa Fe Reporter, 11 Dec. 1985, 21.
Kusel, Denise. “Diebenkorn at Munson.” Art-Talk (Scottsdale, Ariz.), Jan. 1986, 33.
Richard Diebenkorn. New York: M. Knoedler and Co., 1985.
Baker, Kenneth. “Diebenkorn Still Has Some Surprises Up His Sleeve.” San Francisco Chronicle, 10 Dec. 1985, 60.
Cusick, Margaret M. “Diebenkorn’s World.” [News (Paterson, N.J.), 27 Nov. 1985, 19.]
Heartney, Eleanor. “Reviews: Richard Diebenkorn, Knoedler.” Art News, Jan. 1986, 125.
Hultberg, John. “Richard Diebenkorn’s New Paintings at Knoedler.” Art/World, Nov. 1985, 1, 11.
Russell, John. “Close-Up on the Craftsmen of India.” New York Times, 22 Nov. 1985, C1, C24.
Shone, Richard. “New York: Selected Autumn Exhibitions.” Burlington Magazine, Jan. 1986, 59–63.
Wolff, Theodore F. “Original Voices in Art.” Christian Science Monitor, 25 Nov. 1985, 35, 40.
Sheldon Memorial Art Gallery, University of Nebraska, Lincoln
Richard Diebenkorn: Small Paintings from Ocean Park. Preface by George W. Neubert; text by Dore Ashton. Houston: Houston Fine Art Press; San Francisco: Hine, 1985.
Bahr, Jeff. “Cigar Box Paintings Gathered for Sheldon Show.” Lincoln Star, 20 June 1985, 21.
Creppel, Collette. “Artist Richard Diebenkorn Captures the Frontier Spirit: Once upon a Time in the West.” Phoenix (Brooklyn), 28 Nov. 1985, 13.
GROUP EXHIBITIONS
Alvin Martin. American Realism: Twentieth-Century Drawings and Watercolors from the Glenn C. Janss Collection. San Francisco: San Francisco Museum of Modern Art; New York: Harry N. Abrams, 1986.
Sally Yard. An Architect’s Eye: Selections from the Collection of Graham Gund. South Hadley, Mass.: Mount Holyoke College Art Museum, 1985.
Jan Rindfleisch, ed. Art Collectors in and around Silicon Valley, 1985. Cupertino, Calif.: De Anza College, 1985.
Black and White Drawings from the David Nellis Collection. Text by Abbas Daneshvari. Los Angeles: Fine Arts Gallery, California State University, Los Angeles, 1985.
Charcoal Drawings, 1880–1985. Houston: Janie C. Lee Gallery, 1985.
Magdalena Dabrowski. Contrasts of Form: Geometric Abstract Art, 1910–1980. Introduction by John Elderfield. New York: Museum of Modern Art, 1985.
Decades of Growth: American Painting, 1920–1970, from the Collection of the Whitney Museum of American Art. Text by Patterson Sims. Youngstown, Ohio: Butler Institute of American Art, 1985.
Desert Art Collections. Palm Springs, Calif.: Palm Springs Desert Museum, 1985.
The Educated Eye: Art Collections from State University of New York Campuses. Albany: State University of New York, 1984.
École nationale supérieure des beaux-arts, Paris
Amerikanische Zeichnungen, 1930–1980 (text in German). Houston: Menil Foundation, 1985.
Cinquante ans de dessins américains, 1930–1980 (text in French). Houston: Menil Foundation, 1985.
Fortissimo! Thirty Years from the Richard Brown Baker Collection of Contemporary Art. Text by Richard Brown Baker. Providence: Rhode Island School of Design, 1985.
Landscape and Abstract Art: A Continuing Dialogue. Text by Hearne Pardee. Waterville, Maine: Colby College Museum of Art, 1985.
Michigan’s Masterpieces: Art from Public Collections. Detroit: Detroit Institute of Arts, 1985.
XIX & XX Century Master Drawings and Watercolors. New York: Acquavella Galleries, 1985.
Oakland Museum, Calif.
Morch, Al. “Capturing 35 Years of Bay Area Art.” San Francisco Examiner, 17 June 1985, E6.
Pincus, Robert L. “Exhibit Captures the Glory, Now Past, of Bay Area Art.” San Diego Union-Tribune, 14 July 1985, E3.
Painterly Visions, 1940–1984: The Guggenheim Museum Collection and Major Loans. Text by Susan B. Hirschfeld. New York: Solomon R. Guggenheim Museum, 1985.
Painting as Landscape: Views of American Modernism, 1920–1984. Text by Klaus Kertess. Pasadena: Baxter Art Gallery, California Institute of Technology; Southampton, N.Y.: Parrish Art Museum, 1985.
Pincus, Robert L. “20th Century Artists Take New Approach to Old Genre.” San Diego Union-Tribune, 28 Mar. 1985, D14.
Santa Barbara Collects. Santa Barbara, Calif.: Santa Barbara Museum of Art, 1985.
Selections from the Collection of Marion and Gustave Ring. Washington, D.C.: Smithsonian Institution Press, 1985.
Susan C. Larsen. Sunshine and Shadow: Recent Painting in Southern California. Los Angeles: Fellows of Contemporary Art, 1985.
Vom Zeichnen: Aspekte der Zeichnung, 1960–1985 (text in German). Text by Ingrid Mössinger and Peter Weiermair. West Germany: [Benedict Press], 1985.
ARTICLES AND BOOKS
Albright, Thomas. Art in the San Francisco Bay Area, 1945–1980. Berkeley: University of California Press, 1985.
Diebenkorn, Richard. “David Park.” David Park, 1911–1960: Paintings and Drawings. New York: Salander-O’Reilly Galleries, 1985.
Gardner, Paul. “When Is a Painting Finished?” Art News, Nov. 1985, 89–99.
Karlstrom, Paul J. “Regional Reports: West Coast.” Archives of American Art Journal 25, no. 3, 1985, 37–40.
Rubin, Sylvia. “A School That’s Unique: It’s Devoted Exclusively to Fine Arts.” San Francisco Chronicle, 17 Dec. 1985, 38–39, 41.
Sims, Patterson. Whitney Museum of American Art: Selected Works from the Permanent Collection. New York: Whitney Museum of American Art, 1985.
1986
SOLO EXHIBITIONS
Crown Point Press, San Francisco
Leonard, Michael. “A Painter’s Prints.” Artweek, 13 Dec. 1986, 3–4.
Dolan Maxwell Gallery, Philadelphia
Donohoe, Victoria. “Diebenkorn’s Prints Are Ambivalent, Illuminating.” Philadelphia Inquirer, 27 Dec. 1986, C4.
GROUP EXHIBITIONS
After Matisse. Texts by Dore Ashton, Tiffany Bell, and Irving Sandler. New York: Independent Curators, 1986.
“Worcester Art Museum Hosts Show of Contemporary Art ‘After Matisse.’ ” [Fitchburg-Leominster Sentinel and Enterprise (Mass.), 11 Dec. 1987.]
Celeste Marie Adams. America: Art and the West. Texts by Franklin Kelly and Ron Tyler. New York: American-Australian Foundation for the Arts; Sydney: International Cultural Corporation of Australia, 1986.
Sam Hunter, ed. An American Renaissance: Painting and Sculpture since 1940. Fort Lauderdale, Fla.: Museum of Art; New York: Abbeville Press, 1986.
Collecting: A Texas Phenomenon. San Antonio: Marion Koogler McNay Art Museum, 1986.
Duncan Phillips: Centennial Exhibition. Texts by Eliza E. Rathbone and Law B. Watkins. Washington, D.C.: Phillips Collection, 1986.
The Golden Land. Text by Paul Chadbourne Mills. San Diego: San Diego Museum of Art, 1986.
Howard Singerman, ed. Individuals: A Selected History of Contemporary Art, 1945–1986. Los Angeles: Museum of Contemporary Art; New York: Abbeville Press, 1986.
Intuitive Line. New York: Hirschl and Adler Modern, 1986.
XIX & XX Century Master Drawings and Watercolors. New York: Acquavella Galleries, 1986.
101 Masterworks. Text by Robert Hobbs. Iowa City: University of Iowa Museum of Art, 1986.
Philadelphia Collects: Art since 1940. Philadelphia: Philadelphia Museum of Art, 1986.
The Window in Twentieth-Century Art. Texts by Shirley Neilsen Blum and Suzanne Delehanty. Purchase: Neuberger Museum, State University of New York at Purchase, 1986.
ARTICLES AND BOOKS
Gruen, John. “Artist’s Dialogue: Richard Diebenkorn; Radiant Vistas from Ocean Park.” Architectural Digest, Nov. 1986, 52, 56, 60.
———. “Richard Diebenkorn: The Idea Is to Get Everything Right.” Art News, Nov. 1986, 80–87.
Kirsch, J. L., and R. A. Kirsch. “The Structure of Paintings: Formal Grammar and Design.” Environment and Planning B: Planning and Design, Apr. 1986, 163–76.
Larsen, Susan C. “Cultivated Canvases.” Artforum International, Jan. 1986, 66–71.
Nadelman, Cynthia. “California on Canvas.” Elle, Sept. 1986, 159.
Peterson, Ivars. “Computing Art: Can a Computer Be Taught to Take a Painting’s Measure?” Science News, 1 Mar. 1986, 138–40.
Richard, Paul. “TV Preview: At Home at the Phillips.” Washington Post, 10 Oct. 1986, C4.
Robertson, Nan. “Academy Honors Creative Artists.” New York Times, 22 May 1986, C19.
Russell, John. “Art: British India, Some Poignant Views.” New York Times, 9 May 1985, C26.
Tuchman, Maurice. The Spiritual in Art: Abstract Painting, 1890–1985. Los Angeles: Los Angeles County Museum of Art; New York: Abbeville Press, 1986, 60–61.
1987
MONOGRAPHS
Richard Newlin. Richard Diebenkorn: Works on Paper. Houston: Houston Fine Art Press, 1987.
[Arthur, John. Art New England, Nov. 1987.]
Baker, Kenneth. “Art.” San Francisco Chronicle, Review, 29 Nov. 1987, 25.
Gerald Nordland. Richard Diebenkorn. New York: Rizzoli International, 1987; rev. ed. 2001.
James, Merlin Ingli. “Book Reviews: Richard Diebenkorn.” Burlington Magazine, Mar. 1989, 232.
Malen, Lenore. “High-Flying Modernist.” Art News, Oct. 1988, 94.
Natkin, Robert. “Book Reviews: Diebenkorn.” Modern Painters, [Autumn 1988], 90–91.
Russell, John. “Art.” New York Times Book Review, 6 Dec. 1987, 11, 86.
San Francisco Review of Books. Spring 1988.
SOLO EXHIBITIONS
Richard Diebenkorn. New York: M. Knoedler and Co., 1987.
Brenson, Michael. “Art: Gothic Sculpture of Giovanni Pisano at Met.” New York Times, 20 Nov. 1987, C36.
Grimes, Nancy. “Reviews: Richard Diebenkorn, Knoedler.” Art News, Feb. 1988, 137.
Stanford University Museum of Art, Calif.
Fryberger, Betsy G. “Richard Diebenkorn.” Stanford Magazine, Summer 1987, 24–31.
Ruppenthal, Stephen. “ArtScene: Stanford Exhibit Offers Different View of Diebenkorn.” Country Almanac (Calif.), 10 June 1987, 26.
GROUP EXHIBITIONS
Albright-Knox Art Gallery, Buffalo
Masterworks on Paper: From the Albright-Knox Art Gallery. Texts by Cheryl A. Brutvan, Anita Coles Costello, and Helen Raye. New York: Hudson Hills Press; Buffalo: Albright-Knox Art Gallery, 1987.
871 Fine Arts, San Francisco
Baker, Kenneth. “When Bay Area Art Turned to the Figure.” San Francisco Chronicle, 7 Oct. 1987, E4.
Van Proyen, Mark. “Nuances of the Particular.” Artweek, 7 Nov. 1987, 1.
[Holter Museum of Art Inaugural Exhibition. Text by Vivian A. Paladin. Mont.: State Publishing, 1987.]
The Howard S. Wilson Memorial Collection. Lincoln: Nebraska Wesleyan University, 1987.
Newport Harbor Art Museum, Newport Beach, Calif.
Jalon, Allan. “Eclectic Sampling: ‘California Art since ’45’ Comes to Newport.” Los Angeles Times, 22 July 1987, sec. 6, 1, 2.
Selected Works from the George and Elinor Poindexter Collection. Text by David Adams. Missoula: School of Fine Arts, University of Montana, 1987.
Joel Fisher. The Success of Failure. New York: Independent Curators, 1987.
Raynor, Vivien. “Art: Explanations for ‘Success of Failure.’ ” New York Times, 21 Dec. 1987, C32.
20th-Century Drawings from the Whitney Museum of American Art. Text by Paul Cummings. New York: Whitney Museum of American Art, 1987.
ARTICLES AND BOOKS
Burkhart, Dorothy. “The Collector on Display: ‘Hunk’ Anderson Scours the Land for New American Art.” San Jose Mercury News, Arts & Books (Calif.), 27 Sept. 1987, 16–17, 23.
Conrad, Barnaby III. “Los Angeles: The New Mecca.” Horizon, Jan.–Feb. 1987, 17–30.
Evren, Robert, Susan Krane, and Helen Raye. Albright-Knox Art Gallery: The Painting and Sculpture Collection; Acquisitions since 1972. New York: Hudson Hills Press, 1987.
Hofstadter, Dan. “Profiles: Almost Free of the Mirror.” New Yorker, 7 Sept. 1987, 54–55, 58–70, 72–73.
McCorduck, Pamela. “Science and Meanings in Art.” Whole Earth Review, Summer 1987, 44–51.
1988
SOLO EXHIBITIONS
John Elderfield. The Drawings of Richard Diebenkorn. New York: Museum of Modern Art; Houston: Houston Fine Art Press, 1988.
Baker, Kenneth. “Career Survey in New York: Diebenkorn Drawings Define Art.” San Francisco Chronicle, 24 Nov. 1988, E2.
———. “The Path to Abstraction.” San Francisco Chronicle, Review, 2 July 1989, 14.
Burchard, Hank. “Goh Fill Up at Phillips.” Washington Post, Weekend, 22 Sept. 1989, 53.
Burkhart, Dorothy. “Bay Area Artists Shine in New York.” San Jose Mercury News, Arts & Books (Calif.), 11 Dec. 1988, 17, 25.
———. “A Fitting Reward for Diebenkorn.” San Jose Mercury News, Arts & Books (Calif.), 2 July 1989, 3–4.
“Critics’ Picks.” Washington Post, 1 Oct. 1989, G8.
Cyphers, Peggy. “New York in Review.” Arts Magazine, Mar. 1989, 103 (also refers to 1988 Auchincloss exh.).
D. O. “Cominciò nel corpo dei marines la passione di Diebenkorn per Matisse; Da ‘Ocean Park’ a oggi.” Arte (Milan; text in Italian), Nov. 1989, 33.
Dalkey, Victoria. “Diebenkorn (with the Volume Turned Up).” Sacramento Bee, 2 July 1989, E3.
Dorsey, John. “Exhibit Traces the Development of Diebenkorn.” Baltimore Sun, 24 Sept. 1989, [M5].
Forgey, Benjamin. “Art: Diebenkorn’s Dynamic Perspective.” Washington Post, 23 Sept. 1989, C1, C13.
Gabriel, Mary. “Diebenkorn’s Rightful Return.” Museum and Arts Washington, [Sept.–Oct. 1989], 56.
Hughes, Robert. “The Decisive Line of a Master.” Time, 12 Dec. 1988, 97.
Iden, Peter. “Bilder des Großen Stils.” Frankfurter Rundschau (text in German), 11 Aug. 1989, 16.
Ketcham, Diana. “Drawings Vividly Outline Diebenkorn’s Achievement.” Oakland Tribune, 27 June 1989, C1, C2.
Killian, Michael. “2 West Coast Rebels Finally Get Their Due.” Chicago Tribune, 17 Nov. 1988, F14.
Kimmelman, Michael. “The Elegant, Playful Images of Diebenkorn.” New York Times, 18 Nov. 1988, C1, C32.
Margolis, Judith. “Wise and Personal Revelations.” Artweek, 15 Apr. 1989, 5.
Miller, Daryl H. “Diebenkorn’s California at County Art Museum.” Daily News (Woodland Hills, Calif.), L.A. Life, 10 Mar. 1989, 44.
Perl, Jed. “Autumn Alphabet: Richard Diebenkorn.” New Criterion, Mar. 1989, 45–48.
Perlman, Bennard. “Diebenkorn Exhibition Opens Phillips Collection’s New Wing.” Daily Record (Baltimore), 7 Nov. 1989, 24.
Pincus, Robert L. “Drawings Illustrate Diebenkorn’s Remarkable Talents.” San Diego Union, 8 Dec. 1988, E8.
Plagens, Peter. “California on His Mind.” Manhattan, Inc., Nov. 1988, 154–55.
Richard, Paul. “Art: From Hals to Bacon, Brazen Brush Strokes.” Washington Post, 10 Sept. 1989, G3.
Russell, John. “Art: California Abstract.” New York Times Magazine, 11 Sept. 1988, 54–55, 58, 60–61.
Sherrill, Martha. “Ready, Set, Goh!” Washington Post, 20 Sept. 1989, D1, D16.
Tuchman, Phyllis. “Diebenkorn’s Evolution as a Quiet Modernist.” Newsday, 2 Dec. 1988, 18.
Walters, David. “Looking at Diebenkorn: This Artist Goes His Own Way, and Others Follow.” Christian Science Monitor, 20 Jan. 1989.
Wilson, William. “Art Review: Geographic and Cosmopolitan Diebenkorn.” Los Angeles Times, 28 Nov. 1988, sec. 6, 1, 4.
Woodward, Richard B. “Reviews: Richard Diebenkorn, Museum of Modern Art.” Art News, Mar. 1989, 168.
Wooster, Ann-Sargent. “The American Scene: Visions under Native Light.” Amtrak Express, Dec. 1988–Jan. 1989, 28–29.
Richard Diebenkorn: Monotypes. Introduction by Pamela Auchincloss. New York: Pamela Auchincloss Gallery, 1988.
“Richard Diebenkorn.” Print Collector’s Newsletter, Nov.–Dec. 1988, 191.
GROUP EXHIBITIONS
Thomas M. Messer. Fifty Years of Collecting: An Anniversary Selection; Painting since World War II. New York: Solomon R. Guggenheim Foundation, 1987.
Hayward Gallery, London
Master Paintings from the Phillips Collection, Washington. London: South Bank Centre, 1988.
Meisterwerke aus der Phillips Collection, Washington (text in German). Frankfurt: Shirn Kunsthalle, 1988.
Obras maestras de la Colección Phillips, Washington (text in Spanish). Madrid: Ministerio de Cultura, 1988.
Sandra Leonard Starr. Lost and Found in California: Four Decades of Assemblage Art. Santa Monica, Calif.: James Corcoran Gallery, 1988.
Muchnic, Suzanne. “Art Review: Four Decades of Getting It Together in California.” Los Angeles Times, 2 Aug. 1988, sec. 6, 1, 8.
Master Drawings, 1877–1987. New York: Janie C. Lee Master Drawings, 1988.
1988: The World of Art Today. Texts by Russell Bowman, Dean Sobel, and Dawn von Wiegand. Milwaukee: Milwaukee Art Museum, 1988.
XIX & XX Century Master Drawings and Watercolors. New York: Acquavella Galleries, 1988.
Bev Harrington, ed. Painting from the San Francisco Bay Area. Oshkosh, Wis.: Paine Art Center and Arboretum, 1988.
“Paintings on Exhibition from San Francisco Bay Area.” Oshkosh Northwestern, 15 Sept. 1988, 15.
Revelations: Drawing/America. Texts by Missy Anderson, Michael Preble, and Townsend Wolfe. Little Rock: Arkansas Arts Center, 1988.
Twentieth-Century Drawings from the Anderson Collection: Auguste Rodin to Elizabeth Murray. Text by Caroline A. Jones. Stanford, Calif.: Stanford University Museum of Art, 1988.
Works on Paper. San Francisco: John Berggruen Gallery, 1988.
ARTICLES AND BOOKS
Danto, Arthur C. “Paint-ing in Ocean Park.” Times Literary Supplement (London), May 13–19, 1988, 537.
Gray, Madison. “How Magnificent Paint Is.” Christian Science Monitor, 23 May 1988, 30.
Leiser, Erwin. “Er malt Figuren wie Stilleben: Richard Diebenkorn.” Frankfurter Allgemeine Magazin (text in German), 21–27 May 1988, [10]–16.
Marrow, Marva. Inside the L.A. Artist. Layton, Utah: Peregrine Smith Books, 1988.
Mills, Paul. The New Figurative Art of David Park. Santa Barbara, Calif.: Capra Press, 1988.
1989
SOLO EXHIBITIONS
Richard Diebenkorn. Foreword by Toshio Hara; introduction by John R. Lane; text by Caroline A. Jones. Tokyo: Arc-en-Ciel Foundation, 1989.
Richard Diebenkorn: The “41 Etchings Drypoints” Portfolio. Text by George W. Neubert. New York: American Federation of Arts; Lincoln: Sheldon Memorial Art Gallery, University of Nebraska–Lincoln, 1988.
[Dorsey, John. “New and Old Make Diebenkorn Works Exciting.” Baltimore Sun, 23 Nov. 1990, 24.]
Jensen, James. “Richard Diebenkorn: The ‘41 Etchings Drypoints’ Portfolio and Paintings of the 1960s.” Calendar News (Honolulu Academy of Arts), Sept. 1989.
Richard Diebenkorn: Graphics, 1981–1988. Introduction by Donna M. Forbes; text by Gerald Nordland. Billings, Mont.: Yellowstone Art Center, 1989.
Booth, Greg. “There’s Something Familiar.” Grand Forks Herald (N.Dak.), 9 Feb. 1990, C1, C[?].
Kutner, Janet. “Same Wavelength: Two Artists’ Works Offer Insights into Creativity.” Dallas Morning News, 10 May 1990, C5, C14.
Plank, Joanne. “Artist’s Images Repeat Themselves in Spades.” Seattle Times, 19 Oct. 1990, [42].
Tyson, Janet. “Aloofness Heightens Diebenkorn Prints.” Fort Worth Star-Telegram, [24 Apr. 1990], 1, 5.
GROUP EXHIBITIONS
Albuquerque ’50s. Texts by Deborah Boll, Peter Walch, and MaLin Wilson. Albuquerque: University of New Mexico Art Museum, 1989.
Castro, Beth. “Exhibits Highlight UNM’s Artistic Heritage.” New Mexico Daily Lobo, 22 Sept. 1989, 6 (also refers to 1989 Illustrious Alumni exh.).
Clark, William. “Albuquerque in ’50s: Post-War Vibrancy Influenced Arts Scene.” Albuquerque Journal, 22 Sept. 1989, C1, C10.
Art in Place: Fifteen Years of Acquisitions. Texts by Tom Armstrong and Susan C. Larsen. New York: Whitney Museum of American Art, 1989.
Caroline A. Jones. Bay Area Figurative Art, 1950–1965. San Francisco: San Francisco Museum of Modern Art; Berkeley: University of California Press, 1989.
Allen, Jane Addams. “Back to the Figure: Diebenkorn, Bischoff, Park and the Bay Area Rebellion of 1950–65.” Washington Post, 17 June 1990, G1.
Baker, Kenneth. “A Redefinition of Bay Area Figurative Art.” San Francisco Chronicle, Sunday Review, 17 Dec. 1989, 14.
Burchard, Hank. “Left Their Art in San Francisco.” Washington Post, 22 June 1990, N71.
Burkhart, Dorothy. “A Family Gathering of Bay Area Figurists.” San Jose Mercury News (Calif.), 22 Dec. 1989, E20.
Gabriel, Mary. “The Reluctant Movement.” Museums and Washington, [May–June 1990], 52.
Gallagher, Maria. “Figuratively Speaking: Academy Show Highlights Bay Area Art Movement.” Philadelphia Daily News, 5 Oct. 1990, 54.
Gomez, Edward M. “The San Francisco Rebellion.” Time, 5 Feb. 1990, 74–75.
Kilian, Michael. “Figuratively Peaking: California School Leaves Its Mark in a Show That Captures a Postwar Era.” Chicago Tribune, 16 Aug. 1990, B15.
Knight, Christopher. “Figurative ’50s Works Whose Time Has Come.” Los Angeles Times, 15 Dec. 1989, F1, F34.
Morris, Gay. “Report from San Francisco: Figures by the Bay.” Art in America, Nov. 1990, 90–93, 95, 97.
Nixon, Bruce. “The Way Things Were.” Artweek, 11 Jan. 1990, 1, 18.
Smith, Roberta. “San Francisco Revolution in Style Recalled in a Traveling Exhibition.” New York Times, 29 Aug. 1990, C13, C16.
Sozanski, Edward J. “A Turn from the Abstract: A Show at the Pennsylvania Academy of the Fine Arts Offers a Look at the Bay Area Artists Who Dared to Paint the Figure in an Age of Abstraction.” Philadelphia Inquirer, 14 Oct. 1990, F1.
Stein, Ruthe. “A Makeshift Movement: Exhibit Showcases Work of Bay Area Figuratives.” San Francisco Chronicle, 13 Dec. 1989, B3, B5.
Stutzin, Leo. “Bay Area Figurative Art, 1950–1965: Pivotal Movement in SF Spotlight.” Modesto Bee (Calif.), 17 Dec. 1989, F6.
Tarshis, Jerome. “Art: A New Exhibition Proves That Even When Abstraction Dominates, the Figure Remains Irresistible.” Vogue, Dec. 1989, 210, 212, 214.
Illustrious Alumni. Introduction by Peter Walch. Albuquerque: Jonson Gallery, University Art Museum, University of New Mexico, 1989.
Made in America. Virginia Beach: Virginia Beach Center for the Arts, 1989.
Master Drawings, 1859–1989. New York: Janie C. Lee Master Drawings, 1989.
“The Private Eye: Selected Works from Collections of Friends of the Museum of Fine Arts, Houston.” Cat. in Bulletin (Museum of Fine Arts, Houston), Fall 1989.
Richard Diebenkorn, Jim Dine, Sam Francis. New York: Associated American Artists, 1989.
Three Universities Collect: 20th-Century Works on Paper. Bloomington: Indiana University Art Museum, 1989.
ARTICLES AND BOOKS
Arthur, John. Spirit of Place: Contemporary Landscape Painting and the American Tradition. Boston: Bullfinch Press, 1989.
Diebenkorn, Richard. Statement for “Willem de Kooning, on His Eighty-Fifth Birthday.” Art Journal, Fall 1989, 231.
Hurd, Ruth. “Abstract Expressionism.” Art of California, May 1989, 28–35.
Kessler, Julia Braun. “For the Love of an Island.” L.A. West, Nov. 1989, 42–44, 46, 48, 50–51.
Leonard, Michael. “The Golden Age of Bay Area Painting.” Art of California, Aug.–Sept. 1989, 12–19.
Lufkin, Liz. “Portrait of an Artist’s Return.” San Francisco Chronicle, 20 June 1989, B3, B5.
Updike, John. “Some Rectangles of Blue.” Art and Antiques, Feb. 1989, 62–63.
Ward, John L. American Realist Painting, 1945–1980. Ann Arbor, Mich.: UMI Research Press, 1989.
Wilson, William. “A Time to Brush Up on Life.” Los Angeles Times, Calendar, 5 Mar. 1989, 5, 89.
1990
GROUP EXHIBITIONS
Alumni and Friends Collections. Winter Park, Fla.: George D. and Harriet W. Cornell Fine Arts Museum, Rollins College, 1990.
American Masters of the 60’s: Early and Late Works. Text by Sam Hunter. New York: Tony Shafrazi Gallery, 1990.
California A–Z and Return. Text by John Fitz Gibbon. Youngstown, Ohio: Butler Institute of American Art, 1990.
Heland Wetterling Gallery Shows Knoedler Gallery Artists. Stockholm: Heland Wetterling Gallery, 1990.
Minimalism and Post-Minimalism: Drawing Distinctions. Texts by Lisa Anderson et al. Hanover, N.H.: Hood Museum of Art, Dartmouth College, 1990.
XIX & XX Century Master Paintings and Sculptures. New York: Acquavella Galleries, 1990.
ARTICLES AND BOOKS
Carlisle, Lynn. “The Santa Cruz Island Collection.” Art of California, Jan. 1990, 35–41.
Paulson, Ronald. Figure and Abstraction in Contemporary Painting. New Brunswick, N.J.: Rutgers University Press, 1990.
1991
SOLO EXHIBITIONS
Richard Diebenkorn. Foreword by Catherine Lampert; text by John Elderfield. London: Whitechapel Art Gallery, 1991.
Auty, Giles. “Unresolved Issue.” Spectator (London), 12 Oct. 1991, 40, 42.
Baker, Kenneth. “The Big Picture on Diebenkorn.” San Francisco Chronicle, 19 Nov. 1992, D1.
Barbatan, Marcos Ricardo. “Pintura que limpia el aire.” El mundo (Madrid; text in Spanish), [25 Jan. 1992], 33.
Beaucamp, Eduard. “Im Licht des Ozeans.” [Frankfurter Allgemeine Zeitung] (text in German), [18 July 1992].
Bonetti, David. “Diebenkorn in Overkill.” San Francisco Examiner, 27 Nov. 1992, E2.
Buck, Ernst. “Vieles bekannt.” [Offenbachpost] (text in German), [9 July 1992].
Caen, Herb. “Friday Fishtales.” San Francisco Chronicle, 20 Nov. 1992, B1.
Carroll, Jerry. “The Man behind the Matisse Show.” San Francisco Chronicle, 20 Nov. 1992, B1, B5.
Casado, David. “Primera retrospectiva Europea del Norteamericano Richard Diebenkorn.” El punto de las artes (Madrid; text in Spanish), 10–16 Jan. 1992, 1, [16.]
Danvila, Jose Ramon. “Llega a nuestro país la primera gran retrospectiva de Richard Diebenkorn.” El mundo (Madrid; text in Spanish), 10 Jan. 1992, 32.
[Donahue, Marlena. “MOCA Exhibit Pays Homage to Diebenkorn.” Daily Breeze (Torrance, Calif.), 4 Sept. 1992, E10.]
Dorment, Richard. “Pale Paintings That Go with the View.” [Daily Telegraph (London), 11 Nov. 1991, 17.]
Engelhard, Günter. “Unruhe in Sausalito.” [Rheinischer Merkur (Koblenz, Germany)] (text in German), [17 July 1992].
Feaver, William. “California Dreamin’, Way Out of Sight.” Observer (London), 20 Oct. 1991, 57.
Frank, Peter. “Art Pick of the Week: Richard Diebenkorn.” [LA Weekly, 23–29 Oct.] 1992.
Frick, Thomas. “Richard Diebenkorn.” MOCA Contemporary (Los Angeles), Aug.–Sept. 1992, 4–5.
Gállego, Julián. “La madurez de Richard Diebenkorn.” ABC de las artes (Madrid; text in Spanish), 10 Jan. 1992, 24–25.
Geiger, Ursula. “Art Portrait: Richard Diebenkorn.” Kunstmarkt (text in German), Aug. 1992, 16.
Goodwin, Betty. “MOCA Fetes Diebenkorn.” Los Angeles Times, 11 Sept. 1992, E5.
Graham-Dixon, Andrew. “Bay Watch.” Independent Magazine (London), 28 Sept. 1991, 48–51.
Hall, Charles. “Richard Diebenkorn: Whitechapel.” Arts Review (London), 15 Nov. 1991, 581, 583.
Hall, James. “Embodying Movement.” Times Literary Supplement (London), 25 Oct. 1991, 17.
Hierholzer, Michael. “Frauen, Landschaften und das kalifornische Licht.” Frankfurter Allgemeine Zeitung (text in German), 5 July 1992, 26.
Hilton, Tim. “Visions of California.” Guardian Weekly (London), 20 Oct. 1991, 25.
Huther, Christian. “Licht und Landschaft.” [Allgemeine Zeitung (Mainz, Germany)] (text in German), [10 July 1992].
Iden, Peter. “Von der Farbe, dem Licht und der Welt.” (Text in German).
James, Merlin Ingli. “London, Whitechapel: Richard Diebenkorn.” Burlington Magazine, Dec. 1991, 857–59.
Kamiya, Gary. “Diebenkorn: Master of Modernisms.” San Francisco Examiner, Image, 15 Nov. 1992, 26–30.
Kendall, Richard. “Painting against the Grain: Richard Diebenkorn at the Whitechapel Art Gallery.” Apollo, Dec. 1991, 429.
Kent, Sarah. “End Games.” [Time Out London, 30 Oct. 1991.]
Kimmelman, Michael. “Connections amid Diversity in 2 London Retrospectives.” New York Times, C15, C16, 19 Nov. 1991.
Kitchen, Paddy. “Fiendish Energy.” Country Life (London), 31 Oct. 1991, 69.
Knaff, Devorah L. “A Few Fine Rewards in ‘Diebenkorn’ Abstracts.” Press-Enterprise (Riverside, Calif.), [20 Sept. 1992].
Knight, Christopher. “Park Places.” Los Angeles Times, Calendar, 13 Sept. 1992, 3, 88.
“La Fundación March trae a España por primera vez al pintor Diebenkorn.” El sol (Madrid; text in Spanish), 10 Jan. 1992, 54.
Lepik, Andres. “Konstrukt und Improvisation.” [Neue Zürcher Zeitung] (text in German), [2 July 1992].
Llorente, Juan Antonio. “Retrospectiva de Diebenkorn en la Fundación Juan March.” La gaceta (Madrid; text in Spanish), 31 Jan. 1992.
Lubbock, Tom. “Restricted to a Clear View.” Independent (London), [6 Oct. 1991].
McEwen, John. “Better Going Up Than Sideways.” [Sunday Telegraph (London), 20 Oct. 1991.]
Merkin, Richard. “Fanfair: Diebenkorn’s Diebenkorns.” Vanity Fair, [Dec. 1991].
Moreno, Juan A. “Guía.” El médico (Madrid; text in Spanish), 1 Feb. 1992, 72.
Morley, Simon. “Richard Diebenkorn.” Art Monthly (London), [Nov. 1991], 21–22.
Nicol, Gabriele. “Kaliforniens Sommerlicht durchflutet Land und Meer.” [Frankfurter neue Presse] (text in German), [25 June 1992].
Packer, William. “An Artist Who Walks Alone.” Financial Times (London), 8 Oct. 1991, 19.
Pietsch, Hans. “London: Richard Diebenkorn; Spannung unter ruhiger Fläche.” Art–das Kunstmagazin (Hamburg; text in German), Nov. 1991, 138–39.
Roche, Harry. “Bringing It All Back Home.” Bay Guardian, 23 Dec. 1992, 29.
Röske, Thomas. “Richard Diebenkorn: Abheben.” Prinz (text in German), July 1992, 77.
Sagar, Ralph. “Canvases of Speculation.” [What’s On (London), 13 Nov. 1991.]
Sewell, Brian. “Out of All Proportion.” Evening Standard (London), [24 Oct. 1991].
Skelley, Jack. “The Matisse of Stucco.” Downtown News (Los Angeles), 19 Oct. 1992, 1, 20.
Sullivan, Meg. “Artist’s Abstract Works Finally Get California Home Audience.” Daily News (Los Angeles), L.A. Life, 13 Sept. 1992, 21.
Taylor, John Russell. “Unmatched Pair Play Winning Hand.” Times (London), 12 Nov. 1991, 11.
Winter, Peter. “Maler des kalifornischen Lichts.” Kunst und Antiquitäten (text in German), May 1992, 50–53.
Richard Diebenkorn: New Work. New York: Knoedler & Company, 1991.
Corn, Alfred. “Reviews: Richard Diebenkorn, Knoedler.” Art News, Feb. 1992, 119.
Kramer, Hilton. “Thanks, Mr. Diebenkorn: A Painter Who Paints.” [New York Observer], 18 Nov. 1991, [1, 23].
Peterson, William. “Caro/Diebenkorn: In a Scale Apart.” Artspace, Jan.–Apr. 1992, 76–77.
Zeaman, John. “Surveying the Colors of Money.” The Record (Hackensack, N.J.), Previews, 29 Nov. 1991, 11.
GROUP EXHIBITIONS
American Realism and Figurative Art, 1952–1990 (text in English and Japanese). Text by John Arthur. Sendai, Japan: Miyagi Museum of Art, 1991.
Jane Sweeney, ed. Art for the Nation: Gifts in Honor of the 50th Anniversary of the National Gallery of Art. Washington, D.C.: National Gallery of Art, 1991.
Campbell-Thiebaud Gallery, San Francisco
Baker, Kenneth. “Thiebaud, Diebenkorn in Tandem.” San Francisco Chronicle, 11 Apr. 1991, E3.
Dalkey, Victoria. “A World of Inspiration.” Sacramento Bee, Encore, 21 Apr. 1991, 9.
Image and Likeness: Figurative Works from the Permanent Collection of the Whitney Museum of American Art. Text by Kathleen Monaghan. New York: Whitney Museum of American Art, 1991.
Large Scale Works on Paper. San Francisco: John Berggruen Gallery, 1991.
Toward a New Museum: Recent Acquisitions in Painting and Sculpture, 1985–1991. San Francisco: San Francisco Museum of Modern Art, 1991.
Twenty-Five Treasures. San Francisco: Campbell-Thiebaud Gallery, 1991.
ARTICLES, BOOKS, AND VIDEOS
Baker, Kenneth. “Galleries: Painter Meets Poet.” Connoisseur, Jan. 1991, 22.
“D.C. Ceremony Honors Local Artist.” Press Democrat (Santa Rosa, Calif.), 10 July 1991, B1.
Di Piero, W. S. “On Modern Art and Artists.” Threepenny Review, Spring 1991, 30–32.
Fish, Tim. “Hues of a Humble Master.” Press Democrat (Santa Rosa, Calif.), 10 Mar. 1991, D1, D3.
Graham-Dixon, Andrew. “New World View.” Vogue (London), Sept. 1991, 254–259.
Kessler, Julia Braun. “Treasure Island.” Modern Maturity, June–July 1991, 42–47.
“On Thiebaud and Diebenkorn: Richard Wollheim Talks to Wayne Thiebaud.” Modern Painters, Autumn 1991, 64–68.
1992
SOLO EXHIBITIONS
Crown Point Press, San Francisco
Davenport, Seonaidh. “Prints: Richard Diebenkorn, Crown Point Press.” Art News, Dec. 1992, 41.
Jack Flam. Richard Diebenkorn: Ocean Park. New York: Gagosian Gallery/Rizzoli International, 1992.
“Goings On about Town, Art: Galleries—Uptown; Richard Diebenkorn/Andy Warhol.” New Yorker, 7 Dec. 1992, 28.
Kuspit, Donald. “Reviews: Richard Diebenkorn, Gagosian Gallery.” Artforum International, Jan. 1993, 82.
Mac Adam, Alfred. “Reviews: Richard Diebenkorn, Gagosian.” Art News, Mar. 1993, 109.
Napack, Jonathan. “Barnes Faces Student Revolt; Gagosian’s Latest Tack.” New York Observer, 25 Jan. 1993, [18].
GROUP EXHIBITIONS
Arte americana, 1930–1970 (text in Italian). Texts by Matthew Baigell et al. Milan: Fabbri editori, 1992.
California Painting: The Essential Modernist Framework. Text by Paul J. Karlstrom. Los Angeles: Fine Arts Gallery, California State University, Los Angeles, 1992.
Greg Kucera Gallery, Seattle
Hackett, Regina. “Etchings Reflect Two Artists Evolving in Their Unique Niches.” Seattle Post-Intelligencer, What’s Happening, 13 Nov. 1992, 21.
David L. Witt. Taos Moderns: Art of the New. Foreword by Gerald Nordland. Santa Fe, N.Mex.: Red Crane Books, 1992.
Transforming the Western Image in 20th Century American Art. Texts by Katherine Plake Hough and Michael Zakian. Palm Springs, Calif.: Palm Springs Desert Museum, 1992.
Twenty-Five Treasures. San Francisco: Campbell-Thiebaud Gallery, 1992.
ARTICLES
Baker, Kenneth. “Visit a Museum without a Set Purpose.” San Francisco Chronicle, Datebook, 7 June 1992, 49.
Kimmelman, Michael. “A Life Outside.” New York Times Magazine, 13 Sept. 1992, 58–64.
Kutner, Janet. “Diebenkorn’s Deft Brush: Same Artist, Different Styles in FW Museum’s Acquisitions.” Dallas Morning News, 8 Feb. 1992, C1, C2.
Machin, Julian. “Richard Diebenkorn: A Rare Interview.” San Francisco Chronicle, 17 Nov. 1992, D3, D5.
Wilson, William. “Richard Diebenkorn: Still Life with Emotion.” Los Angeles Times, 28 Oct. 1992, F8–F9.
1993
SOLO EXHIBITIONS
Richard Diebenkorn: Works on Paper from the Harry W. and Mary Margaret Anderson Collection. Foreword by Selma R. Holo; introduction by Susan C. Larsen; texts by Mariana Amatullo, Curtis Brown, Martha Neighbors, Max F. Schulz, Jennifer M. Wood, and Timothy B. Wride; bibliography by Deborah Barlow. Los Angeles: Fisher Gallery, University of Southern California, 1993.
Wilson, William. “Art Review: Two Masters Who Set California Creativity Apart.” Los Angeles Times, 20 Mar. 1993, F13.
Richard Diebenkorn Prints, 1948–1992. Text by Susan Sheehan. New York: Susan Sheehan Gallery, 1993.
Santa Barbara Museum of Art, Calif.
Crowder, Joan. “Museum of Art Exhibition a Memorial to Diebenkorn.” Santa Barbara News-Press, 4 Apr. 1993.
Stanford University Art Gallery, Calif.
“Diebenkorn to Be Recalled with Exhibit of His Works.” Stanford University Campus Report, 5 May 1993, 20.
“Tribute to Diebenkorn Includes Unusual Works.” Stanford University Campus Report, 14 July 1993, 19.
GROUP EXHIBITIONS
The Collectors’ Perspective: American and European Paintings and Drawings from Private Collections. San Francisco: John Berggruen Gallery, 1993.
Paper Trails: San Francisco Abstract Expressionist Prints, Drawings, and Watercolors. Text by Susan Landauer. Santa Cruz, Calif.: Art Museum of Santa Cruz County, 1993.
[The Passion of the Private Eye: Masterworks from Private Connecticut Collections. Hartford, Conn.: Wadsworth Atheneum, 1993.]
Picasso to Christo: The Evolution of a Collection. Santa Barbara, Calif: Santa Barbara Museum of Art, 1993.
Roy R. Neuberger: Patron of the Arts. Purchase: Neuberger Museum of Art, State University of New York at Purchase, 1993.
A Selective Eye: Paintings and Sculpture from the Collection of Susan Morse Hilles. New Haven, Conn.: Yale University Art Gallery, 1993.
The Two Hundred and Twenty-Fifth Royal Academy of the Arts Summer Exhibition, 1993. London: Royal Academy of Arts, 1993.
MEMORIALS
Andreae, Christopher. “Remembering Diebenkorn.” Christian Science Monitor, 5 Apr. 1993, 14.
Baker, Kenneth. “Diebenkorn: Master of Abstract.” San Francisco Chronicle, 31 Mar. 1993, D1, D3.
———. “The Pioneer of Ocean Park.” Art News, Summer 1993, 62.
Bonetti, David. “Painter Richard Diebenkorn Dies at 70.” San Francisco Examiner, 31 Mar. 1993, A1, A14.
Brown, Kathan. “Richard Diebenkorn (1922–1993).” Overview (Crown Point Press, San Francisco), Spring 1993, 1, 6–7.
Donohue, Marlena. “Late SM Artist Helped Melt Gap between West, East.” Santa Monica Outlook (Calif.), 1 Apr. 1993.
Gibson, Eric. “Death of Master of Space and Light.” Washington Times, 4 Apr. 1993, D3.
Giger, Romeo. “Oszillieren zwischen Figuration und Abstraktion.” Neue Zürcher Zeitung (text in German), 2 Apr. 1993, 24.
Gopnik, Adam. “Diebenkorn Redux.” New Yorker, 24 May 1993, 97–100.
Hodgins, Paul. “Appreciation: Richard Diebenkorn Is Remembered for His Quiet Strength.” Orange County Register, 1 Apr. 1993, 3, 6.
Kimmelman, Michael. “Richard Diebenkorn, Lyrical Painter, Dies at 70.” New York Times, 31 Mar. 1993, A1, B9.
Knight, Christopher. “The Challenging Art of Reinvention.” Los Angeles Times, 1 Apr. 1993, F1, F5.
Lynton, Norbert. “Appreciation: Richard Diebenkorn; The Good Guy Rode into the Gallery.” Guardian (London), 10 Apr. 1993.
MacMillan, Kyle. “Artists Miss Diebenkorn.” Omaha World-Herald, 14 Apr. 1993, 37.
Pincus, Robert L. “Abstract Artist Had Role in Putting Golden State on Canvas.” San Diego Union-Tribune, 4 Apr. 1993, E3.
“Richard Diebenkorn.” Times (London), 1 Apr. 1993, 21.
Richard, Paul. “Appreciation: The Unbearable Lightness of Painting; Richard Diebenkorn’s Luminous Vision.” Washington Post, 4 Apr. 1993, G4.
Smith, Colin. “Obituaries: Richard Diebenkorn.” Independent (London), [5 Apr. 1993], 22.
Thiebaud, Wayne. “Richard Diebenkorn, 1922–1993,” Proceedings of the American Academy of Arts and Letters 2, no. 45 (1995).
Wilson, William. “The Artist’s Quest for the Impossible.” Los Angeles Times, 1 Apr. 1993, F1, F5.
Wilson, William, and Myrna Oliver. “Richard Diebenkorn, Renowned Painter, Dies.” Los Angeles Times, 31 Mar. 1993, A1, A22.
Winter, Peter. “Fensterblick zum Ocean Park.” Frankfurter Allgemeine Zeitung (text in German), 2 Apr. 1993, 33.
ARTICLES, BOOKS, AND VIDEOS
Eitner, Lorenz, Betsy G. Fryberger, and Carol M. Osborne. The Drawing Collection. Stanford, Calif.: Stanford University Museum of Art, 1993.
1994
SOLO EXHIBITIONS
Richard Diebenkorn: Blue Surround; Evolution of a Print. Text by Robert Flynn Johnson. San Francisco: Achenbach Foundation for Graphic Arts, Fine Arts Museums of San Francisco, 1994.
Richard Diebenkorn: Ocean Park Paintings on Paper Never Before Exhibited. New York: Knoedler & Company, 1994.
Brock, Hovey. “Reviews: Richard Diebenkorn, Knoedler.” Art News, May 1994, 155.
“Goings On about Town, Art: Galleries—Uptown; Richard Diebenkorn.” New Yorker, 28 Feb. 1994, 26.
Richard Diebenkorn: Small Format Oil on Canvas; Figures, Still Lifes and Landscapes. New York: Knoedler & Company, 1994.
G[ibson], E[ric]. “Reviews: Richard Diebenkorn, Knoedler.” Art News, Mar. 1995, 126.
“Goings On about Town, Art: Galleries—Uptown; Richard Diebenkorn.” New Yorker, 28 Nov. 1994, 34.
Smith, Roberta. “Five Shows Focus on World War II Generation.” New York Times, 18 Nov. 1994, C24.
GROUP EXHIBITIONS
Southern California: The Conceptual Landscape. Madison, Wis.: Madison Art Center, 1994.
Lynch, Kevin. “Conceptual Landscapes.” Capital Times (Madison), 11 Aug. 1994, F1.
30 Years: Art in the Present Tense; The Aldrich’s Curatorial History, 1964–1994. Ridgefield, Conn.: Aldrich Museum of Contemporary Art, 1994.
ARTICLES AND BOOKS
Baker, Kenneth. “The Evolution of a Diebenkorn.” San Francisco Chronicle, 9 Apr. 1994, E1, E4.
Goldyne, Joseph R. “Observations on Richard Diebenkorn’s Later Drawings.” Drawing (N.Y.), Mar.–Apr. 1994, 124–27.
Lucie-Smith, Edward. American Realism. New York: Harry N. Abrams, 1994.
1995
SOLO EXHIBITIONS
Richard Diebenkorn: Abstraktionen (text in German). Text by Gabriele Lutz. Zurich: Galerie Lawrence Rubin, 1995.
Kraft, Martin. “Richard Diebenkorn: Sprung über den großen Teich.” Tages-Anzeiger, Züri-Tip (text in German), 15–21 Sept. 1995, 50–51.
Vögele, Christoph. “Zürich: Richard Diebenkorn in der Galerie Lawrence Rubin.” Das Kunst-Bulletin (text in German), Oct. 1995, 41.
“Von Landschaften inspirierte Visionen: Abstraktionen von Richard Diebenkorn.” Züri Spiegel (text in German), 22–28 Sept. 1995, 4.
GROUP EXHIBITIONS
American Art, 1940–1965: Traditions Reconsidered—Selections from the Permanent Collection of the Whitney Museum of American Art. Text by Beth Venn. San Jose, Calif.: San Jose Museum of Art, 1995.
A Bay Area Connection: Works from the Anderson Collection, 1954–1984. Texts by Katherine Church Holland et al. Santa Clara, Calif.: Triton Museum of Art, 1995.
Baker, Kenneth. “Peninsula Collectors’ ‘Bay Area Connection’—30-Year Panorama of Art at the Triton.” San Francisco Chronicle, 28 Nov. 1995, E1.
Collecting for Stanford: Selected Acquisitions, 1990–1995. Stanford, Calif.: Stanford University Museum of Art, 1995.
Steven A. Nash. Facing Eden: 100 Years of Landscape Art in the Bay Area. Texts by Bill Berkson et al. San Francisco: Fine Arts Museums of San Francisco; Berkeley: University of California Press, 1995.
Made in America: Ten Centuries of American Art. Texts by Henry Adams et al. New York: Hudson Hills Press, 1995.
Painting in Poetry, Poetry in Painting: Wallace Stevens and Modern Art. Text by Glen MacLeod. New York: Sidney Mishkin Gallery, Baruch College, 1995.
Cotter, Holland. “The Umbilical Kinship of Painters and Poets.” New York Times, 24 Mar. 1995, C28.
Perspectives from Texas Collections: California Light. Text by Alison de Lima Greene. Houston: Contemporary Arts Museum, 1995.
Johnson, Patricia C. “Essay on Obscurity: Exciting Collaboration Yields Disappointing Results.” Houston Chronicle, [21 Feb. 1995], D1, D8.
Treasures of the Achenbach Foundation for Graphic Arts. Texts by Karin Breuer, Joseph R. Goldyne, and Robert Flynn Johnson. San Francisco: Fine Arts Museums of San Francisco, 1995.
Twenty-Five Treasures. San Francisco: Campbell-Thiebaud Gallery, 1995.
XXV Years. San Francisco: John Berggruen Gallery, 1995.
Bonetti, David. “25 Years of Blue-Chip Work.” San Francisco Examiner, 20 Jan. 1995, C5, C14.
ARTICLES AND BOOKS
Boime, Albert, with Paul Arden. The Odyssey of Jan Stussy in Black and White: Anxious Visions and Uncharted Dreams. Los Angeles: Jan Stussy Foundation, 1995.
Curtis, Cathy. “Gallery’s Curtain-Closer Merits a Look.” Los Angeles Times, 1 Aug. 1995, F1, F3.
Gilbert-Rolfe, Jeremy. Beyond Piety: Critical Essays on the Visual Arts, 1986–1993. New York: Cambridge University Press, 1995.
McKenna, Kristine. “Scenes from a Family Gallery.” Los Angeles Times, Calendar, 22 Jan. 1995, 66, 92.
1996
SOLO EXHIBITIONS
Richard Diebenkorn: Drawing from the Model, 1954–1967. Los Angeles: L.A. Louver, 1996.
Muchnic, Suzanne. “Reviews: Richard Diebenkorn, L.A. Louver.” Art News, Mar. 1997, 115–16.
Pagel, David. “Drawing on the Tension Underlying Diebenkorn.” Los Angeles Times, 29 Nov. 1996, F30.
Richard Diebenkorn: Figure Drawings. New York: Acquavella Contemporary Art, 1996.
Greben, Deidre Stein. “Reviews: Richard Diebenkorn, Acquavella.” Art News, Sept. 1996, 130.
Russell, John. “Art Review: Of 60’s Self-Awareness and the Human Figure.” New York Times, 26 Apr. 1996, C28.
GROUP EXHIBITIONS
Abstract Expressionism (text in English and Japanese). Texts by Hitoshi Dehara et al. Nagoya, Japan: Aichi Prefectural Museum of Art, 1996.
American’s Smithsonian: Celebrating 150 Years. Washington, D.C.: Smithsonian Institution Press, 1996.
April Fools: Fakes, Copies and the Connoisseur. Text by Shary Costello. Milwaukee: privately printed, 1996.
California: One Hundred Forty Years of Art Produced in the State. New York: Richard York Gallery, 1996.
Forces of the Fifties: Selections from the Albright-Knox Art Gallery. Texts by Donna De Salvo and David Moos. Columbus: Wexner Center for the Arts, Ohio State University, 1996.
Generations: The Lineage of Influence in Bay Area Art. Richmond, Calif.: Richmond Art Center, 1996.
Dyrness, Christina. “The Lines Are Drawn.” Contra Costa Times, 10 Oct. 1996, F1, F2.
Thym, Jolene. “Celebrating an Artistic Legacy.” Oakland Tribune, 22 Sept. 1996, CUE1, CUE7.
Jonson Gallery, University of New Mexico, Albuquerque
Pulkka, Wesley. “Raymond Jonson Exhibit Reveals Mood Shifts.” Albuquerque Journal, 4 Aug. 1996, D3.
Pintura estadounidense, expresionismo abstracto (text in Spanish). Text by Irving Sandler. Mexico City: Fundación Cultural Televisa, 1996.
Susan Landauer. The San Francisco School of Abstract Expressionism. Introduction by Dore Ashton. Laguna Beach, Calif.: Laguna Art Museum; Berkeley: University of California Press, 1996.
Knight, Christopher. “An Enlightening Show of Abstract Expressionism.” Los Angeles Times, 2 Feb. 1996, F1, F12.
Walsh, Daniella B. “Catching the Essence of Expressionism.” Orange County Register, Show, 3 Mar. 1996, 39.
ARTICLES AND BOOKS
Brown, Kathan. Ink, Paper, Metal, Wood: Painters and Sculptors at Crown Point Press. San Francisco: Chronicle Books, 1996.
Finch, Christopher. “Art: Bay Area Figurative Painting.” Architectural Digest, Mar. 1996, 120–25.
MacLeod, Glen. “The Influence of Wallace Stevens on Contemporary Artists.” Wallace Stevens Journal, Fall 1996, 139–80.
Voices in New Mexico Art. Santa Fe: Museum of Fine Arts, Museum of New Mexico, 1996.
1997
SOLO EXHIBITIONS
Jane Livingston. The Art of Richard Diebenkorn. Foreword by David A. Ross; texts by John Elderfield and Ruth E. Fine. New York: Whitney Museum of American Art; Berkeley: University of California Press, 1997.
Baker, Kenneth. “New York City Revisits Richard Diebenkorn.” San Francisco Chronicle, 9 Oct. 1997, E1, E6.
———. “Radiance and Grandeur.” San Francisco Chronicle, 9 Oct. 1998, C1, C10.
———. “Richard Diebenkorn at the Whitney: Beyond Ocean Park.” Art Newspaper, Nov. 1997, 9.
Bonetti, David. “Delicious Diebenkorn.” San Francisco Examiner, 8 Oct. 1998, D1, D8.
Buchard, Hank. “Demystifying Diebenkorn.” Washington Post, Weekend, 15 May 1998, 77, 79.
Carrier, David. “New York: Richard Diebenkorn.” Burlington Magazine, Dec. 1997, 900–901.
Dalkey, Victoria. “Richard Diebenkorn: Master of Color and Space.” Sacramento Bee, Encore, 8 Nov. 1998, 10.
Danto, Arthur C. “Art: Richard Diebenkorn.” Nation, 5 Jan. 1998, 29–33.
Dorsey, John. “Elegantly Balanced in the 20th Century.” Baltimore Sun, 5 July 1998, E6.
Dresser, Marianne. “A Path of His Own.” Stanford, May–June 1998, 28–29 (exh. cat. review).
Esplund, Lance. “Richard Diebenkorn.” Modern Painters, Winter 1997, 86–87.
Gibson, Eric. “Reviews: Richard Diebenkorn, Whitney Museum of American Art.” Art News, Dec. 1997, 159.
Glueck, Grace. “A Painter Unafraid to Change Styles.” New York Times, 10 Oct. 1997, E33.
Hughes, Robert. “God Is in the Vectors: The Luminous Architecture of Richard Diebenkorn’s Paintings.” Time, 8 Dec. 1997, 98, 100–101.
Hurley, Patricia. “A Neglected Master.” Art Book, June 1998, 11–12 (exh. cat. review).
Kimball, Roger. “Rightness Rising.” Times Literary Supplement (London), 23 Jan. 1998, 19.
Kramer, Hilton. “Hail, Richard Diebenkorn! So Heroic, So Underrated.” New York Observer, 20 Oct. 1996, 1, 31.
Larson, Thomas. “Richard Diebenkorn and the Art of Crossing Borders.” Revue, Fall 1998, 33–34.
Loughery, John. “American Art: The Center and the Edge.” Hudson Review, Spring 1998, 182–88.
Lynch, Kevin. “A Sense of Place, with Ocean View.” Capital Times (Madison, Wis.), 16 Jan. 1998. D1.
Maclay, Catherine. “Lush California: Richard Diebenkorn Captured a State of Being.” San Jose Mercury News (Calif.), 1 Nov. 1998, G3.
May, Stephen. “Diebenkorn: A Different Drummer.” World and I, Feb. 1998, 112–17.
Michel, Karen, and Bob Edwards. “Diebenkorn Exhibit.” National Public Radio, 29 Dec. 1997 (radio broadcast).
Naves, Mario. “Richard Diebenkorn at the Whitney.” New Criterion, Jan. 1998, 39–41.
Nolasco, Sonia. “Diebenkorn, o manipulador das cores.” Gazeta mercantil (São Paulo; text in Portuguese), 24–26 Oct. 1997, 12.
O’Donovan, Leo J. “Coming Home.” Washingtonian, May 1998, 58–63.
Palin, Michael. “Art on the Road.” Ottawa Citizen, 18 Jan. 1998, D6.
Perl, Jed. “Transformations.” New Republic, 1 Dec. 1997, 33–38.
Peterson, Diane. “Art in the City: San Francisco Hosts a Wealth of Works by Modern Masters.” Press Democrat (Santa Rosa, Calif.), 22 Nov. 1998, Q14.
Plagens, Peter. “The Diebenkorn Debate.” San Francisco Chronicle, Datebook, 4–10 Oct. 1998, 38–39.
———. “Richard Diebenkorn; Whitney Museum of American Art.” Artforum International, Feb. 1998, 85.
Pops, Martin. “Diebenkorn in the Age of Rauschenberg.” Salmagundi, Fall 1998, 27–44.
Prose, Francine. “Diebenkorn’s Many-Layered Delights.” Wall Street Journal, 23 Oct. 1997, A17.
D. R. “Reviews: Richard Diebenkorn, Whitney Museum of American Art.” Artforum International, Sept. 1997.
Richard, Paul. “Diebenkorn’s Pacific Heights.” Washington Post, 10 May 1998, G1, G6.
Rodriguez, Juan. “Richard Diebenkorn at SFMOMA.” Artweek, Dec. 1998, 12.
Shaw-Eagle, Joanna. “Diebenkorn’s Perplexing and Powerful Light Touch.” Washington Times, 10 May 1998, D1.
Siciliano, Enzo. “L’arte di Diebenkorn: Dipingeva la luce americana.” La repubblica (Rome; text in Italian), 9 Feb. 1998, 22.
Sozanski, Edward J. “Retrospectives Affirm the Impact of Two Abstractionists.” Philadelphia Inquirer, 30 Nov. 1997, F15.
Stevens, Mark. “Tangled Up in Blue.” New York, 20 Oct. 1997, 73–74.
Szabo, Julia. “A Manipulator of Color.” Newsday, [9 Oct. 1997].
Tourigny, Maurice. “Le peintre de la côte ouest.” Le devoir (Montreal; text in French), 25–26 Oct. 1997.
Tyson, Janet S. “Claim to Greatness: The Diebenkorn Retrospective in Fort Worth Confirms His Importance to Modern Art.” Fort Worth Star-Telegram, 28 Mar. 1998.
Waddington, Chris. “Abstractionist’s Work Is Shown in New York, Travels to Fort Worth.” Times-Picayune, [20 Dec. 1997].
Winter, Peter. “Der weite Ozean ist immer nah.” Frankfurter Allgemeine Zeitung (text in German), 15 Dec. 1997, 45.
Wolff, Daniel. “Diebenkorn and the Cult of Originality.” Threepenny Review, Spring 1998, 23–24.
Yablonsky, Linda. “California Dreaming: The Whitney Surveys a Left-Coast Master.” Time Out New York, [23–30 Oct. 1997], 44.
Greg Kucera Gallery, Seattle
Hackett, Regina. “Once Singularly Heralded from Afar, Diebenkorn’s Stature Has Stumbled.” Seattle Post-Intelligencer, 20 June 1997, 23.
Updike, Robin. “Diebenkorn’s Broader Canvas.” Seattle Times, 2 June 1997, G26.
Susan Sheehan Gallery, New York
Mac Adam, Alfred. “Prints: Richard Diebenkorn, Rendering the Abstract Human.” Art News, Apr. 1998, 100.
GROUP EXHIBITIONS
American Works, 1945–1975. New York: C&M Arts, 1997.
Timothy Anglin Burgard. Bay Area Art from the Morgan Flagg Collection. San Francisco: Fine Arts Museums of San Francisco, 1997.
Homage to George Herriman. Text by Bill Berkson. San Francisco: Campbell-Thiebaud Gallery, 1997.
Baker, Kenneth. “The Lighter Side of Modern Art.” San Francisco Chronicle, 18 Jan. 1997, D1, D4.
Important Bay Area Paintings, 1954–1960. San Francisco: John Berggruen Gallery, 1997.
XIX & XX Century Master Paintings and Sculptures: An Exhibition. New York: Acquavella Galleries, 1997.
O’Keeffe’s New Mexico: 80th Anniversary Exhibition. Text by Joseph Traugott. Santa Fe: Museum of Fine Arts, Museum of New Mexico, 1997.
Sunshine and Noir: Art in L.A., 1960–1997. Texts by Anne Ayers et al. Humlebaek, Denmark: Louisiana Museum of Modern Art, 1997.
Twenty-Five Treasures. San Francisco: Campbell-Thiebaud Gallery, 1997.
Views from Abroad: European Perspectives on American Art 3—American Realities. Texts by Andrew Brighton et al. New York: Whitney Museum of American Art, 1997.
ARTICLE
Bonetti, David. “Triumph of the Middle Brow.” San Francisco Examiner, 15 June 1997, D7.
1998
GROUP EXHIBITIONS
The Edward R. Broida Collection: A Selection of Works. Text by Sue Scott. Orlando, Fla.: Orlando Museum of Art, 1998.
Henry Art Gallery, University of Washington, Seattle
Kofoed, Kristian F. “Go Figure: California’s Figurative Painters Brought the Body Back into Art.” Seattle Weekly, [27 Aug. 1998].
Making Marks: Drawing in the 20th Century from Picasso to Kiefer. Milwaukee: Milwaukee Art Museum, 1998.
Master Drawings of the Twentieth Century. New York: Mitchell-Innes and Nash, 1998.
XIX & XX Century Master Paintings and Sculptures: An Exhibition. New York: Acquavella Galleries, 1998.
Professor Jonson: Teacher of Art and Ideals. Texts by Tiska Blankenship and Robert Walters. Albuquerque: Jonson Gallery, University of New Mexico, 1998.
Selections from the Naomi Feldman Collection: Los Angeles Art, 1962–1988. Text by Sandra Leonard Starr. Studio City, Calif.: Feldman-Horn Center for the Arts, Harvard-Westlake School, 1998.
Twentieth Century American Drawings from the Arkansas Arts Center Foundation Collection. Texts by Gerald Nordland et al. Miami Beach, Fla.: Grassfield Press; Little Rock: Arkansas Arts Center Foundation Collection, 1998.
ARTICLES AND BOOKS
Baker, Kenneth. “A Window on a World of Shape and Color.” Smithsonian, Mar. 1998, 72–76, 78, 80–82.
Kuspit, Donald. “East Coast, West Coast: Robert Rauschenberg, Richard Diebenkorn.” Art New England. Feb.–Mar. 1998, [15].
Livingston, Jane. “Richard Diebenkorn.” American Art Review, May–June 1998, 144–51.
Lufkin, Liz. “The Untortured Artist.” San Francisco Chronicle, 4 Oct. 1998, B3, B5.
Moure, Nancy Dustin Wall. California Art: 450 Years of Painting and Other Media. Los Angeles: Dustin, 1998.
Nadaner, Dan. “Painting in an Era of Critical Theory.” Studies in Art Education, Winter 1998, 168–82.
R[ompalske], D[orothy]. “Art: Richard Diebenkorn.” Biography, Jan. 1998, 100–101.
Westfall, Stephen. “Richard Diebenkorn: A Reasoned Sensuality.” Art in America, Oct. 1998, 106–11.
1999
SOLO EXHIBITIONS
Richard Diebenkorn: 41 Etchings Drypoints. Text by Krista Brugnara. San Francisco: Anderson Gallery of Contemporary Graphic Art, Fine Arts Museums of San Francisco, 1999.
Richard Diebenkorn: From Nature to Abstraction. Introduction by Paul LeBaron Thiebaud; text by Steven Nash. San Francisco: Campbell-Thiebaud Gallery, 1999.
“Charles Campbell and Phyllis Diebenkorn—A Conversation.” Campbell-Thiebaud Newsletter, Fall 1999, 2, 4, 7.
Richard Diebenkorn: Ocean Park Paintings. New York: Lawrence Rubin Greenberg Van Doren Fine Art, 1999.
Baer, Josh. “Art Attack: An Instant Blue-Chip Gallery Takes 57th Street by Storm.” New York, 8 Mar. 1999, 22.
Prada, Paulo. “New Gallery for Diebenkorn Estate.” Wall Street Journal, 30 Oct. 1998, W12.
GROUP EXHIBITIONS
À rebours: La rebelión informalista, 1939–1968 (text in English and Spanish). Texts by Dore Ashton et al. Las Palmas de Gran Canaria, Spain: Centro atlántico de arte moderno; Madrid: Museo nacional centro de arte Reina Sofía, 1999.
Lisa Phillips. The American Century: Art and Culture, 1950–2000. New York: Whitney Museum of American Art/W. W. Norton, 1999.
The Art in Embassies Exhibition for the Residence of the United States Ambassador to Luxembourg. Washington, D.C., 1999.
California Classics: Highlights from the Collection of the San Francisco Museum of Modern Art (text in English and Japanese). Texts by Janet Bishop and Thomas Paul Sempérrér. Tokyo: APT International, 1999.
Erika D. Passantino and David W. Scott, eds. The Eye of Duncan Phillips: A Collection in the Making. Washington, D.C.: Phillips Collection, 1999.
Richard, Paul. “Recalibrating Duncan Phillips’s Eye.” Washington Post, 26 Sept. 1999, G1, G6.
John Arthur. Green Woods and Crystal Waters: The American Landscape Tradition. Tulsa, Okla.: Philbrook Museum of Art, 1999.
Homage to the San Francisco Art Institute: Artists Who Transformed American Culture. Text by Barbara Janeff. San Francisco: Hackett-Freedman Gallery, 1999.
Innovation and Influence: The Art of Richard Diebenkorn and Wayne Thiebaud. Text by Kristin Poole. Ketchum, Idaho: Sun Valley Center for the Arts, 1999.
Into the 21st Century: Selections from the Permanent Collection. Introduction by Cathy Kimball. San Jose, Calif.: San Jose Museum of Art, 1999.
Kupferstichkabinett, Berlin
[Alexander Dückers, et al., eds. Linie, Licht und Schatten: Meisterzeichnungen und Skulpturen der Sammlung Jan und Marie-Anne Krugier-Poniatowski (text in German). Berlin: G and H Verlag, 1999.]
The Timeless Eye: Master Drawings from the Jan and Marie-Anne Krugier-Poniatowski Collection. Preface by Jan Krugier; texts by Philip Rylands et al. Berlin: G and H Verlag, 1999.
Twenty-Five Treasures. San Francisco: Campbell-Thiebaud Gallery, 1999.
ARTICLES AND BOOKS
Broun, Elizabeth. “Personal Selection: Richard Diebenkorn’s ‘Ocean Park No. 6.’ ” American Art, Summer 1999, 80–83.
Dorn, Charles M. Mind in Art: Cognitive Foundations in Art Education. Mahwah, N.J.: Lawrence Erlbaum, 1999.
MacMillan, Kyle. “Acquisition Was Personal.” Omaha World-Herald, 26 May 1999, [49].
Price, Victoria. Vincent Price: A Daughter’s Biography. New York: St. Martin’s Press, 1999.
Wolgamott, L. Kent. “Diebenkorn Work to Join Sheldon’s Collection.” Lincoln Journal Star (Neb.), 27 Apr. 1999, [1].
2000
SOLO EXHIBITIONS
Galerie Lutz and Thalmann, Zurich
Arlitt, Sabine. “Reibungen: Figurative Bilder aus den Sechzigerjahren und Zeichnungen zeigen die meisterliche Sensibilität des Amerikaners Richard Diebenkorn.” Tages-Anzeiger, Züritipp (text in German), 23–29 June 2000, 67.
Richard Diebenkorn: Early Abstractions, 1949–1955. New York: Lawrence Rubin Greenberg Van Doren Fine Art, 2000.
“Goings On about Town, Art: Galleries—Uptown; Richard Diebenkorn.” New Yorker, 4 Dec. 2000, 21.
Katz, Vincent. “Richard Diebenkorn at Lawrence Rubin Greenberg Van Doren.” Art in America, Mar. 2001, 131–32.
Kunitz, Daniel. “Gallery Chronicle.” New Criterion, Jan. 2001, 51–53.
Naves, Mario. “Whispers of Diebenkorns to Come.” New York Observer, [4 Dec. 2000].
Richard Diebenkorn: Ocean Park; Paintings on Paper. Text by Gerald Nordland. San Francisco: Hackett-Freedman Modern, 2000.
Richard Diebenkorn: Representational Drawings. Milan: Galleria Lawrence Rubin, 2000.
Colombo, Paola. “Richard Diebenkorn: Lawrence Rubin, Milan.” Tema Celeste, [Summer] 2000, 96.
F. F. “Diebenkorn a sorpresa.” Il giornale dell’arte (text in Italian), May 2000.
GROUP EXHIBITIONS
Art for the Nation: Collecting for a New Century. Washington, D.C.: National Gallery of Art, 2000.
Celebrating Modern Art: The Anderson Collection. Texts by Neal Benezra et al. San Francisco: San Francisco Museum of Modern Art; Berkeley: University of California Press, 2000.
The Collector as Patron in the Twentieth Century. Texts by DeCourcey E. McIntosh and Irving Sandler. New York: Knoedler & Company, 2000.
The Lighter Side of Bay Area Figuration. Text by Susan Landauer. Kansas City, Mo.: Kemper Museum of Contemporary Art, 2000.
Stephanie Barron. Made in California: Art, Image, and Identity, 1900–2000. Texts by Sheri Bernstein et al. Los Angeles: Los Angeles County Museum of Art; Berkeley: University of California Press, 2000.
Material Transformations. San Francisco: A. T. Kearney, 2000.
On Paper: Selected Drawings of the 19th and 20th Centuries. New York: Marlborough, 2000.
Pasted Pictures: Collage and Abstraction in the Twentieth Century. Text by E. A. Carmean Jr. New York: Knoedler & Company, 2000.
Rhonda Lane Howard. Shifting Ground: Transformed Views of the American Landscape. Texts by Julie R. Johnson et al. Seattle: Henry Art Gallery, University of Washington, 2000.
Kofoed, Kristian F. “Changing Land Values.” Seattle Post-Intelligencer, 17 Feb. 2000, C4.
A Twentieth-Century Gathering: American Art from the Shey Collection. Text by Budd Harris Bishop. Gainesville: Harn Museum of Art, University of Florida, 2000.
ARTICLES AND BOOKS
Baker, Kenneth. “S.F.’s Fine Arts Museums Buy a Major Diebenkorn.” San Francisco Chronicle, 13 Apr. 2000, B3.
Bensinger, Ken. “EBay Painting Sale Stalls as Art World Questions Abstract Work’s Authenticity.” Wall Street Journal, 10 May 2000, C13.
Burgard, Timothy Anglin. “A Room with a View: Richard Diebenkorn’s ‘Ocean Park 116.’ ” Fine Arts (Fine Arts Museums of San Francisco), Fall–Winter 2000, 18–19.
Dobrzynski, Judith H. “Online Bid Soars to $135,805, Provenance Not Guaranteed.” New York Times, 9 May 2000, A1, C12.
Galassi, Peter, Robert Storr, and Anne Umland. Making Choices: 1929, 1939, 1948, 1955. New York: Museum of Modern Art, 2000.
Garrels, Gary. “A Journey to the New: A Conversation with Harry W. and Mary Margaret Anderson.” Open: The Magazine of the San Francisco Museum of Modern Art, Fall 2000, 8–15.
Hamlin, Jesse. “Art Experts Study Possible Diebenkorn.” San Francisco Chronicle, 30 May 2000, D1, D4.
Hamlin, Jesse, and Chuck Squatriglia. “Brush with Greatness?” San Francisco Chronicle, 9 May 2000, A1, A6.
Kimmelman, Michael. “Critic’s Notebook: Click Here for Glamour, Drama and Michelangelo.” New York Times, 15 May 2000, E1, E4.
2001
GROUP EXHIBITIONS
American Paintings from the Sheldon Memorial Art Gallery: An Institutional History in Pictures. Introduction by Daniel A. Siedell. Lincoln: Sheldon Memorial Art Gallery, University of Nebraska, 2001.
Susan B. Matheson. Art for Yale: A History of the Yale University Art Gallery. New Haven, Conn.: Yale University Art Gallery, 2001.
Judith Brodie and Andrew Robison, eds. A Century of Drawing: Works on Paper from Degas to LeWitt. Washington, D.C.: National Gallery of Art, 2001.
Chestnut Street Stomp: A Charles Campbell Selection. Transcript of Charles Campbell interview by Charles Strong. Belmont, Calif.: Wiegand Gallery, College of Notre Dame, 2001.
Current Holdings: Bay Area Drawing/Bay Area Collections. Text by Signe Mayfield. Palo Alto, Calif.: Palo Alto Art Center, 2001.
Galleria d’arte moderna, Bologna, Italy
Peter Weiermair, ed. The Nature of Still Life: From Manet to the Present Day. Bologna: Galleria d’arte moderna, 2001.
The Luther W. Brady, M.D., Collection of 20th Century Works on Paper; The Picker Art Gallery, Colgate University. Washington, D.C.: University Art Gallery, George Washington University, 2001.
Naked since 1950. Text by Robert Pincus-Witten. New York: C&M Arts, 2001.
Glueck, Grace. “ ‘Naked since 1950.’ ” New York Times, 30 Nov. 2001, E36.
San Francisco Abstract Expressionism: Selected Works, 1948–1962. Text by Susan Landauer. San Francisco: Hackett-Freedman Gallery, 2001.
Space, Abstraction and Freedom: Twentieth-Century Art from the Collection of Mary and Jim Patton. Transcript of Mary Patton and Jim Patton interview by Charles Millard; text by Irving Sandler. Chapel Hill: Ackland Art Museum, University of North Carolina at Chapel Hill, 2001.
Thirty-Five Drawings. New York: Richard Gray Gallery, 2001.
Three Decades of Contemporary Art: The Dr. John and Rose M. Shuey Collection. Texts by Dora Apel et al. Bloomfield Hills, Mich.: Cranbrook Art Museum, 2001.
ARTICLES AND BOOKS
Acton, David. The Stamp of Impulse: Abstract Expressionist Prints. New York: Hudson Hills Press, 2001.
Highlights of the Collections. Albuquerque: University of New Mexico Art Museum, 2001.
Landauer, Susan. Elmer Bischoff: The Ethics of Paint. Berkeley: University of California Press, 2001.
Schwartz, John, and Judith H. Dobrzynski. “3 Men Are Charged with Fraud in 1,100 Art Auctions on EBay.” New York Times, 9 Mar. 2001, A1, C2.
2002
SOLO EXHIBITIONS
Richard Diebenkorn: Clubs and Spades. Text by Karin Breuer. San Francisco: Anderson Gallery of Contemporary Graphic Art, Fine Arts Museums of San Francisco, 2001.
Richard Diebenkorn: Figurative Drawings, Gouaches, and Oil Paintings. New York: Artemis Greenberg Van Doren Gallery, 2002.
Canning, S. E. “Richard Diebenkorn: Figurative Drawings, Gouaches, and Oil Paintings.” Art Newspaper, May 2002.
Glueck, Grace. “Art Guide; Galleries: 57th Street—Richard Diebenkorn.” New York Times, 31 May 2002, E40.
“Goings On about Town, Art: Galleries—Uptown; Richard Diebenkorn.” New Yorker, 27 May 2002, 17.
Mason, Brook S. “Richard Diebenkorn, Figuratively Speaking.” Art and Auction, May 2002, 111–12.
Teachout, Terry. “Thoroughly Modern Masterworks from Diebenkorn, Puryear and . . . Ovid? You Bet.” Washington Post, 2 June 2002, G10.
GROUP EXHIBITIONS
Charles Cowles Gallery, New York
Glueck, Grace. “Frank Lobdell.” New York Times, 29 Nov. 2002, E36.
Ferus. Transcript of Irving Blum interview by Roberta Bernstein; text by Kirk Varnedoe. New York: Gagosian Gallery, 2002.
The Most Difficult Journey: The Poindexter Collections of American Modernist Painting. Texts by Rick Newby and Andrea Pappas. Billings, Mont.: Yellowstone Art Museum, 2002.
Stewart, Laura. “ ‘Most Difficult’ Paintings.” News-Journal (Dayton Beach, Fla.), 15 Dec. 2006, E3.
Obras maestras del dibujo en el Smith College Museum of Art (text in Spanish). Madrid: Fundación “la Caixa,” 2002.
John Fitz Gibbon. The Pilot Hill Collection of Contemporary Art. Introduction by Scott A. Shields; text by William Allan. Sacramento: Crocker Art Museum, 2002.
Dalkey, Victoria. “Two, Much: Area Couple’s Awesome Collection Crams Crocker.” Sacramento Bee, Ticket, 22 Dec. 2002, 17.
ARTICLES AND BOOKS
Levitt, Morton P. “Cézanne Is to Diebenkorn as Joyce Is to Joyce: Realizing the Modernist Imagination.” James Joyce Quarterly, Winter 2002, 289–312.
Witt, David L. Modernists in Taos: From Dasburg to Martin. Santa Fe, N.Mex.: Red Crane Books, 2002.
2003
SOLO EXHIBITIONS
Richard Diebenkorn: Figurative Works on Paper. Introduction by John McEnroe; texts by Barnaby Conrad III and Jane Livingston. San Francisco: John Berggruen Gallery, 2003.
Baker, Kenneth. “The Terrifying Magic of Louise Bourgeois.” San Francisco Chronicle, 5 Apr. 2003, D10.
GROUP EXHIBITIONS
Cynthia Burlingham, ed. The Eunice and Hal David Collection of Nineteenth-and Twentieth-Century Works on Paper. Los Angeles: UCLA Grunwald Center for the Graphic Arts and Armand Hammer Museum of Art and Cultural Center, University of California, Los Angeles, 2003.
In the Spirit of the Times: Twentieth Century West Coast Abstract Expressionism from the Museum Collection. Text by Gerald Nordland. Logan, Utah: Nora Eccles Harrison Museum of Art, Utah State University, 2003.
Master Drawings from the Arkansas Arts Center Foundation Collection [(text in English and Japanese)]. Tokyo: TG Concepts, 2003.
Susan Landauer. The Not-So-Still Life: A Century of California Painting and Sculpture. Texts by William H. Gerdts and Patricia Trenton. Berkeley: University of California Press; San Jose, Calif.: San Jose Museum of Art, 2003.
Pairings: Discovered Dialogues in Postwar Abstraction. Text by Erin O’Toole. San Francisco: Hackett-Freedman Gallery, 2003.
Twenty-Five Treasures. San Francisco: Paul Thiebaud Gallery, 2003.
University of New Mexico Art Museum, Albuquerque
Pulkka, Wesley. “Glimpse Greatness at Home.” Albuquerque Journal, 30 Mar. 2003, F5.
ARTICLES AND BOOKS
Ashman, Stuart, and Suzanne Deats. Abstract Art: The New Mexico Artist Series. Albuquerque, N.Mex.: Fresco Fine Art, 2003.
Baker, Kenneth. “S.F. Museums’ Collection Beefed Up by Bequest.” San Francisco Chronicle, 29 Aug. 2003, D1, D3.
Herskovic, Marika. American Abstract Expressionism of the 1950s: An Illustrated Survey. New York: New York School Press, 2003.
Neuberger, Roy R. The Passionate Collector: Eighty Years in the World of Art. Hoboken, N.J.: John Wiley and Sons, 2003.
Procter, Kenneth J. “Five Meditations on the Artistry of Drawing.” American Artist, May 2003, 34–39.
2004
SOLO EXHIBITIONS
Richard Diebenkorn: Prints, 1948–1993. Text by Starr Figura. Katonah, N.Y.: Katonah Museum of Art, 2004.
Gouveia, Georgette. “The Prince of Prints: A New Katonah Museum Exhibit Surveys Richard Diebenkorn’s Adventures in Printmaking.” Journal News (Westchester County, N.Y.), 8 Aug. 2004, E3.
Mullarkey, Maureen. “Diebenkorn’s Fine Line.” New York Sun, Arts and Letters, 19 Aug. 2004, 18.
Sims, Jane. “Delicate Light, Brilliant Color.” Record-Review (Bedford and Pound Ridge, N.Y.), 13 Aug. 2004, 13.
Zimmer, William. “Art Review: A Celebration of Daily Life, Close Up.” New York Times, 1 Aug. 2004, WE8.
Richard Diebenkorn: Works on Paper; Ocean Park, Clubs and Spades. New York: Artemis Greenberg Van Doren Gallery, 2004.
GROUP EXHIBITIONS
Off the Wall: Works from the JPMorgan Chase Collection. Foreword by William B. Harrison Jr.; texts by Nancy Hall-Duncan and Elisabeth Mercante. Greenwich, Conn.: Bruce Museum of Arts and Science, 2004.
Picasso to Thiebaud: Modern and Contemporary Art from the Collections of Stanford University Alumni and Friends. Texts by Hilarie Faberman et al. Stanford, Calif.: Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, 2004.
Beeler, Monique. “Collectors’ Edition.” Oakland Tribune, Bay Area Living, 26 Mar. 2004, 1.
ARTICLES AND BOOKS
Anfam, David. James Turrell: Projection Works, 1966–69. London: Albion Gallery, 2004.
Binkiewicz, Donna M. Federalizing the Muse: United States Arts Policy and the National Endowment for the Arts, 1965–1980. Chapel Hill: University of North Carolina Press, 2004.
Cempellin, Leda. L’iperrealismo ‘fotografico’ americano in pittura: Risonanze storiche nella East e nella West Coast (text in Italian). Padua, Italy: Coop Libraria Editrice Università di Padova, 2004.
Starr, Kevin. Coast of Dreams: California on the Edge, 1990–2003. New York: Alfred A. Knopf, 2004.
Vigué, Jordi. Great Masters of American Art. New York: Watson-Guptill Publications, 2004.
2005
MONOGRAPHS
Richard Diebenkorn and Carey Stanton: A Private Collection. Texts by Marla Daily and Paul Chadbourne Mills; chronology by Peggy Wirta Dahl. Santa Barbara, Calif.: Santa Cruz Island Foundation, 2005.
Jeno, Heather. “A Tale of Two Friends.” Santa Barbara Independent, 20 Jan. 2005.
SOLO EXHIBITIONS
Reynolds Gallery, Westmont College, Santa Barbara, Calif.
Woodard, Josef. “Between Land and Mind.” Santa Barbara News-Press, 2 Sept. 2005, 14, 16.
GROUP EXHIBITIONS
Abstract Expressionism Engaged: Works from the Dr. Luther W. Brady Collection of the Picker Art Gallery, Colgate University. Text by Adam Yokell. Hamilton, N.Y.: Picker Art Gallery, Colgate University, 2005.
Assemblage and Collage in California in the 1960s. Texts by Sophie Dannenmüller and Sandra Leonard Starr. San Francisco: 871 Fine Arts, 2005.
Bay Area Figuration Show. Text by Gerald Nordland. Sacramento: California State University, Sacramento, 2005. CD-ROM.
Between Perception and Invention: Three Generations of Figurative Artists. Text by Jeanne Duval. Peterborough, N.H.: Sharon Arts Center, 2005.
Boca Raton Collects: A Visual Feast of Promised Gifts and Bequests; Selections from the Dani and Jack Sonnenblick Collection and the Isadore Friedman Collection. Foreword by George S. Bolge; introduction by Wendy M. Blazier. Boca Raton, Fla.: Boca Raton Museum of Art, 2005.
Celebration of Art: A Half Century of the Fundación Juan March. Texts by Juan Pablo Fusi Aizpúrua et al. Madrid: Fundación Juan March, 2005.
Ann Temkin. Contemporary Voices: Works from the UBS Art Collection. Preface by John Elderfield; text by Glenn D. Lowry. New York: Museum of Modern Art, 2005.
Drawing from the Modern, 1945–1975. Texts by Gary Garrels et al. New York: Museum of Modern Art, 2005.
Marysol Nieves. The Figurative Impulse: Works from the UBS Art Collection/El impulso figurativo: Obras de la colección de arte UBS (text in English and Spanish). Text by Matthias Winzen. San Juan: Museo de arte de Puerto Rico; Zurich: UBS Art Collection, 2005.
Pairings II: Discovered Dialogues in Postwar Abstraction. Text by David Salow. San Francisco: Hackett-Freedman Gallery, 2005.
Twenty-Five Treasures. San Francisco: Paul Thiebaud Gallery, 2005.
BOOKS
Bishop, Janet, et al. Robert Bechtle: A Retrospective. San Francisco: San Francisco Museum of Modern Art; Berkeley: University of California Press, 2005.
Casey, Edward S. Earth-Mapping: Artists Reshaping Landscape. Minneapolis: University of Minnesota Press, 2005.
Hess, Barbara. Abstract Expressionism. Cologne, Germany: Taschen, 2005.
Meyer, Franz. Testfälle der Kunstgeschichte: Von Odilon Redon bis Bruce Nauman. Ostfildern, Germany: Hatje Cantz, 2005.
Salvesen, Magda, and Diane Cousineau, eds. Artists’ Estates: Reputations in Trust. New Brunswick, N.J.: Rutgers University Press, 2005.
2006
SOLO EXHIBITIONS
Richard Diebenkorn: Paintings and Drawings on Paper. New York: Greenberg Van Doren Gallery, 2006.
Froymovich, Riva. “The Gallery Scene: Remembering Diebenkorn.” New York Sun, 24 Apr. 2006, 16.
Landi, Ann. “Reviews: New York; Richard Diebenkorn, Greenberg Van Doren.” Art News, Oct. 2006, 178.
Naves, Mario. “On the Rocks: Swiss Sculptor Makes Magic from Monoliths.” New York Observer, 22 May 2006, 1.
GROUP EXHIBITIONS
Luis Pérez-Oramas. An Atlas of Drawings: Transforming Chronologies. New York: Museum of Modern Art, 2006.
Bischoff, Dan. “Intimations of Imitation at MOMA.” Star-Ledger, Ticket (Newark, N.J.), 26 May 2006, 35.
Bay Area Figurative: 1950s and 1960s. Text by Barbara Janeff. Bolinas, Calif.: Bolinas Museum, 2006.
Centre Pompidou, Paris
Catherine Grenier, ed. Catalog L.A.: Birth of an Art Capital, 1955–1985. San Francisco: Chronicle Books, 2007.
Catherine Grenier, ed. Los Angeles, 1955–1985: Naissance d’une capitale artistique (text in French). Paris: Centre Pompidou, 2006.
Crocker Art Museum, Sacramento
Dalkey, Victoria. “Drawing the Lines: Bay Area Figurative Artists Went against Midcentury Norm.” Sacramento Bee, Ticket, 2 July 2006, 27.
Gerald Peters Modern: In Celebration of the 20th Anniversary of Gerald Peters Gallery, Dallas. Dallas: Gerald Peters Gallery, 2006.
The Odyssey Continues: Masterworks from the New Orleans Museum of Art and from Private New Orleans Collections. Text by Joseph Baillio. New York: Wildenstein, 2006.
Soutine and Modern Art: The New Landscape/The New Still Life. Texts by Esti Dunow and Maurice Tuchman. New York: Cheim & Read, 2006.
Ann M. Wolfe. Suburban Escape: The Art of California Sprawl. Introduction by Lucy R. Lippard. Santa Fe, N.Mex.: Center for American Places; San Jose, Calif.: San Jose Museum of Art, 2006.
ARTICLES AND BOOKS
Arrouye, Jean, ed. Cézanne, d’un siècle à l’autre. Marseilles, France: Éditions Parenthèses, 2006.
Beeler, Monique. “Berkeley Bio: Berkeley through Diebenkorn’s Eyes.” Oakland Tribune, Berkeley, 17 May 2006, 8.
Weidle, Barbara. “Richard Diebenkorn.” Künstler: Kritisches Lexikon der Gegenwartskunst 73, no. 2, 2006.
Weschler, Lawrence. Everything that Rises: A Book of Convergences. San Francisco: McSweeney’s Books, 2006.
Whiting, Cécile. Pop L.A.: Art and the City in the 1960s. Berkeley: University of California Press, 2006.
2007
SOLO EXHIBITIONS
Harwood Museum of Art, University of New Mexico, Taos
Richard Diebenkorn in New Mexico. Foreword by Charles M. Lovell; texts by Mark Lavatelli, Gerald Nordland, and Charles Strong. Santa Fe: Museum of New Mexico Press; Taos: Harwood Museum of Art of the University of New Mexico, 2007.
Baker, Kenneth. “Finding Inspiration in the Desert.” San Francisco Chronicle, 18 Oct. 2007, E1, E4.
Baker, R. C. “The Abstract Desert.” Village Voice, 20–26 Feb. 2008, 46.
Cohen, David. “Peer Pressure.” New York Sun, 31 Jan. 2008, 17, 22.
Cook-Romero, Elizabeth. “At Last Glance.” New Mexican, Pasatiempo (Santa Fe), 17–23 Aug. 2007, 58–60.
———. “West by Southwest.” New Mexican, Pasatiempo (Santa Fe), 8–14 June 2007, 40–43.
“Diebenkorn Explained.” Taos News, Tempo Magazine, 28 June–4 July, 2008, 13.
Dietsch, Deborah K. “Southwestern Abstraction.” Washington Times, 22 June 2008, M21.
Gant, Michael S. “Naturalists: Renatured.” Metro Silicon Valley, 17 Oct. 2007.
Krosinsky, Sari. “Richard Diebenkorn: The New Mexico Period.” Mirage Magazine (University of New Mexico Alumni Association), Spring 2007, 32–35.
MacMillan, Kyle. “A Great Painter’s Pivotal Moment in New Mexico.” Denver Post, 20 July 2007, FF1.
Mayfield, Dan. “An Abstract Life.” Albuquerque Journal, 27 May 2007, F1, F2.
Mellema, Kevin. “Northern Virginia Art Beat.” Falls Church News-Press (Va.), 14–20 Aug. 2008, 22.
Naves, Mario. “An Artist’s Wild Oats.” New York Observer, 4 Feb. 2008.
Nicholson, Elizabeth S. G. “Diebenkorn in New Mexico.” Phillips Collection Magazine, Summer 2008, 2–5.
O’Sullivan, Michael. “Between Inspiration and Innovation.” Washington Post, Weekend, 27 June 2008, 19, 21.
———. “The Story Behind the Work.” Washington Post, Weekend, 27 June, 2008, 19.
Pulkka, Wesley. “Show Reflects Diebenkorn’s Brilliance.” Albuquerque Journal, 19 Aug. 2007, F7.
Reed, Ollie, Jr. “During Time in Albuquerque, Diebenkorn Declared his Artistic Independence.” Albuquerque Tribune, 1 Feb. 2008.
Roberts, Kathaleen. “Diebenkorn’s N.M. Period Gets Its Due.” Albuquerque Journal, 1 June 2007, S1, S3.
Romancito, Rick. “Elements of Style.” Taos News, Tempo Magazine, 31 May–6 June 2007, 29–30, 32.
Rossi, Lisa. “Many Miles from ‘Ocean Park.’ ” Wall Street Journal, 23 Jan. 2008, D7.
Scott, Victoria. “Every Imaginable Shade of Yellow.” Financial Times, 23–24 Feb. 2008, 14.
Selz, Peter. “Richard Diebenkorn’s MFA.” Art Ltd, Mar. 2008, 40–42.
Sheets, Hilarie M. “Young at Art.” Art and Auction, May 2008, 188–97.
Smith, Roberta. “An Expressionist in Albuquerque.” New York Times, 25 Jan. 2008, E33.
Voelz Chandler, Mary. “Reclaiming an Old Friend.” Rocky Mountain News Spotlight (Denver), 20 July 2007, 24.
Walker, Hollis. “Reviews: Richard Diebenkorn, Harwood Museum of Art, Taos.” Art News, Nov. 2007, 228.
Richard Diebenkorn: The Female Form. London: Thomas Gibson Fine Art, 2007.
GROUP EXHIBITIONS
Artists of Invention: A Century of CCA. Texts by Madison Smartt Bell et al. San Francisco: California College of the Arts, 2007.
Breaking the Mold: Selections from the Washington Gallery of Modern Art, 1961–1968. Texts by Hardy S. Bell et al. Oklahoma City: Oklahoma City Museum of Art, 2007.
A Culture in the Making: New York and San Francisco in the 1950s and ’60s. Text by Jed Perl. San Francisco: Hackett-Freedman Gallery, 2006.
De-Natured: Painting, Sculpture, and Work on Paper from the Anderson Collection and the Anderson Graphic Arts Collection. Text by Heather Pamela Green. San Jose, Calif.: San Jose Museum of Art, 2007.
Drawings, Watercolors and Gouaches: From Toulouse-Lautrec to Freud. New York: Acquavella Contemporary Art, 2007.
María de Corral and John R. Lane, eds. Fast Forward: Contemporary Collections for the Dallas Museum of Art. Dallas: Dallas Museum of Art; New Haven, Conn.: Yale University Press, 2007.
Leslie Feely Fine Art: Private Eye. Text by Jane Livingston. New York: Leslie Feely Fine Art, 2007.
Museum of Fine Arts, Houston
Britt, Douglas. “MFAH Offers Glimpse of Its Hidden Treasures.” Houston Chronicle, Star, 17 Jan. 2008, 1.
Twenty-Five Treasures. San Francisco: Paul Thiebaud Gallery, 2007.
ARTICLES AND BOOKS
Panza, Giuseppe. Memories of a Collector. New York: Abbeville Press, 2007.
Stockinger, Jacob. “California Art Is as Diverse as State.” Capital Times (Madison, Wis.), 1 Aug. 2007, B2.
Traugott, Joseph. The Art of New Mexico: How the West Is One, The Collection of the Museum of Fine Arts. Santa Fe: Museum of New Mexico Press, 2007.
Troyen, Carol, Judith A. Barter, Janet L. Comey, Elliot Bostwick Davis, and Ellen E. Roberts. Edward Hopper. Boston: MFA, 2007.
2008
SOLO EXHIBITIONS
Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, Calif.
Asher, Ben. “Cantor Highlights Work of Late Alum.” Stanford Daily (Calif.). 14 Aug. 2008, [8], 11.
Baker, Kenneth. “A Beautiful Friendship.” San Francisco Chronicle, 26 July 2008, E1, E10.
Fisher, Jack. “Offshore Diebenkorn.” Stanford Magazine, July–Aug. 2008, 74.
Richard Diebenkorn: Ocean Park Monotypes and Drawings. New York: Greenberg Van Doren Gallery, 2008.
GROUP EXHIBITIONS
Degas to Diebenkorn: The Phillips Collects. Washington, D.C.: Phillips Collection, 2008.
Capps, Kriston. “Tariff Up and Start Over.” Washington City Paper, 21 Mar. 2008, 58.
McNatt, Glenn. “ ‘Phillips Collects’ and Viewers Enjoy.” Baltimore Sun, 10 Feb. 2008. E12.
Hammond Harkins Galleries, Bexley, Ohio
Hall, Jacqueline. “Nature Links Painter Pals.” Columbus Dispatch, 27 Apr. 2008, E6.
Here’s the Thing: The Single Object Still Life. Text by Robert Cottingham. Katonah, N.Y.: Katonah Museum of Art, 2008.
Mullarkey, Maureen. “Simple Beauty.” New York Sun, 17 Apr. 2008, 23.
Modern Masters: American Abstraction at Midcentury. Text by Virginia M. Mecklenburg. Washington, D.C.: Smithsonian American Art Museum; London: D. Giles, 2008.
Modernitat americana: Obres de la Corcoran Gallery of Art (text in Catalan, English, and Spanish). Text by Martina Millà. Barcelona: Fundació Joan Miró, 2008.
Museum of Contemporary Art, Los Angeles
This Is Not to Be Looked At: Highlights from the Permanent Collection of the Museum of Contemporary Art, Los Angeles. Texts by Lynda Bunting et al. Los Angeles: Museum of Contemporary Art, 2008.
Pacific Light/Ljuset från Kalifornien: Akvareller från Kalifornien i ett historiskt perspektiv, 1908–2008/A Survey of California Watercolour, 1908–2008 (text in English and Swedish). Texts by Whitney Chadwick et al. Skärhamn, Sweden: Nordic Watercolour Museum, 2008.
Paradigms and the Unexpected: Modern and Contemporary Art from the Shey Collection. Text by Budd Harris Bishop. Gainesville: Samuel P. Harn Museum of Art, University of Florida, 2008.
Twenty-Five Treasures. San Francisco: Paul Thiebaud Gallery, 2008.
ARTICLES
Grant, Daniel. “Diebenkorn Paintings Leap in Price and Keep Climbing.” Art Newsletter, 19 Feb. 2008, 7–8.
Stephen, Katherine. “California Landscape Colors.” Christian Science Monitor, 28 Mar. 2008, 19.
Teachout, Terry. “Sightings: Make Room for Surprise; Why Obama Is Famous and Diebenkorn Is Not.” Wall Street Journal, 13 Sept. 2008, W18.
2009
GROUP EXHIBITIONS
Abstract and Figurative: Highlights of Bay Area Painting. Text by Steven Nash. San Francisco: John Berggruen Gallery, 2008.
Frank Lobdell: Figure Drawings. Foreword by Hilarie Faberman; texts by Bruce Guenther and Robert Flynn Johnson. Stanford, Calif.: Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, 2009.
Baker, Kenneth. “Frank Lobdell Drawings on Exhibit at Stanford.” San Francisco Chronicle, 12 Nov. 2009, F2.
Yau, John. “Frank Lobdell: Figure Drawings.” Brooklyn Rail, Feb. 2010.
Hackett-Freedman Gallery, San Francisco
Baker, Kenneth. “Diebenkorn Lures Eye into Inspecting Every Inch of Work.” San Francisco Chronicle, 10 Jan. 2009, E1.
Owings-Dewey Fine Art: Gallery Selections. Santa Fe, N.Mex.: Owings-Dewey Fine Art, 2009.
Mark W. Scala, ed. Paint Made Flesh. Nashville: Frist Center for the Visual Arts/Vanderbilt University Press, 2009.
Janet Bishop, Corey Keller, and Sarah Roberts, eds. San Francisco Museum of Modern Art: 75 Years of Looking Forward. San Francisco: San Francisco Museum of Modern Art, 2009.
ARTICLES AND BOOKS
Baker, Kenneth. “Brightest Talents Are Often Underappreciated for Years.” San Francisco Chronicle, 4 May 2009, E3.
Campbell-Johnston, Rachel. “Modern Art Explained: Woman in a Window by Richard Diebenkorn, 1957.” Times (London), 16 June 2009, 5.
Chozick, Amy, and Kelly Crow. “Changing the Art on the White House Walls.” Wall Street Journal, 22 May 2009, W1, W12.
Schildgen, Bob. “Making Pictures: Berkeley and the Bay Area Art Revolution.” California (Cal Alumni Association), Winter 2009, 17–19.
Taragin, Davira S., and Patterson Sims. Bigger, Better, More: The Art of Viola Frey. New York: Hudson Hills Press, 2009.
2010
SOLO EXHIBITIONS
Paul Thiebaud Gallery, San Francisco
Baker, Kenneth. “Arts and Entertainment: Diebenkorn Revisited.” San Francisco Chronicle, 19 June 2010, E6–E7.
Paskin, Murray. “Take In Diebenkorn’s Varied Career.” San Francisco Examiner, 10 June 2010, 28.
Richard Diebenkorn: In Context, 1949–1952. New York: Leslie Feely Fine Art, 2010.
Goodrich, John. “Richard Diebenkorn in Context, 1949–52.” City Arts (New York), 18 May 2010, 16.
Nadelman, Cynthia. “Reviews: Richard Diebenkorn, Greenberg Van Doren and Leslie Feely Fine Art.” Art News, Sept. 2010, 106 (also refers to Greenberg Van Doren 2010 exh.).
Smith, Roberta. “Art in Review: Richard Diebenkorn.” New York Times, 25 June 2010, C27 (also refers to Greenberg Van Doren 2010 exh.).
Richard Diebenkorn: Paintings and Drawings, 1949–1955. New York: Greenberg Van Doren Gallery, 2010.
Shuster, Robert. “Richard Diebenkorn: ‘Paintings and Works on Paper, 1949–1955.’ ” Village Voice, 19–25 May 2010, 31.
GROUP EXHIBITIONS
Calder to Warhol: Introducing the Fisher Collection. Transcript of Donald Fisher and Doris Fisher interview by Neal Benezra; text by Gary Garrels. San Francisco: San Francisco Museum of Modern Art, 2010.
Suzanne Folds McCullagh, ed. Gray Collection: Seven Centuries of Art. Chicago: Art Institute of Chicago, 2010.
Phillips Collection, Washington, D.C.
Susan Behrends Frank, ed. American Art, 1850–1960: Capolavori dalla Phillips Collection di Washington (text in Italian). Cinisello Balsamo, Italy: Silvana, 2010.
Susan Behrends Frank, ed. Made in USA: Arte americano de la Phillips Collection (text in Spanish). Madrid: TF editores, 2010.
Susan Behrends Frank, ed. To See as Artists See: American Art from the Phillips Collection (text in English and Japanese). Tokyo: Yomiuri Shimbun, 2011.
Works on Paper: From Cézanne to Freud. New York: Acquavella Contemporary Art, 2010.
Goodrich, John. “Works on Paper: From Cézanne to Freud.” City Arts (New York), 13 Oct. 2010, 13.
ARTICLES AND BOOKS
Baker, Kenneth. “Baker’s Dozen: Diebenkorn.” San Francisco Chronicle, Sunday Datebook, 10–16 Jan. 2010, 16.
Carrier, David. “Diebenkorn Country: The Ocean Park Series.” ArtUS (Los Angeles), no. 29, 2010, 84–91.
Kienholz, Lyn. L.A. Rising: SoCal Artists before 1980. Los Angeles: California/International Arts Foundation, 2010.
Mancoff, Debra N. 50 American Artists You Should Know. Munich: Prestel, 2010.
Meyers, Gilda E. My Life as an Artist: A Journey of Transition with Detours, Sojourns and Extended Stays Along the Way. San Rafael, Calif.: privately printed, 2010.
2011
SOLO EXHIBITIONS
Richard Diebenkorn: The Ocean Park Series. Texts by Sarah C. Bancroft, Susan Landauer, and Peter Levitt; chronology by Anna Brouwer. Newport Beach, Calif.: Orange County Museum of Art; New York: DelMonico Books, Prestel, 2011.
Baker, Kenneth. “Ask a Critic.” San Francisco Chronicle, 13–16 Oct. 2011, F4.
———. “Deep in the Heart of ‘Ocean Park.’ ” San Francisco Chronicle, 1 Oct. 2011, E1, E2.
Barton, Dave. “A Palimpsest of an OCMA Exhibit.” Orange County Weekly, 9–15 Mar. 2012, 38.
Bourbon, Matthew. “Reviews: Richard Diebenkorn, Modern Art Museum of Fort Worth.” Art News, Jan. 2012, 116.
Brandenburg, John. “Texas Museum Hosts Works by Diebenkorn.” Oklahoman (Dallas), 25 Dec. 2011, D4.
Cantrell, Scott. “A Showcase of Sublime Lines.” Dallas Morning News, 17 Oct. 2011, E1, E6.
Chang, Richard. “Swimming in Diebenkorn.” Orange County Register, Show, 25 Feb. 2012, 1, 8.
Chipman, Jack. “Richard Diebenkorn: Orange County Museum of Art.” Artillery, June–July 2012, 66–67.
Cudlin, Jeffry. “Rebel on the Beach.” Washington City Paper, 6 July 2012, 23.
Finkel, Jori. “A Special Light.” Los Angeles Times, 26 Feb. 2012, E1, E6.
Harvey, Doug. “Reviews: Los Angeles, Richard Diebenkorn.” Modern Painters, May 2012, 71–72.
Kennicott, Philip. “Diebenkorn and the Corcoran Share a Moment.” Washington Post, 26 June 2012, E1.
Knight, Christopher. “Diebenkorn Crystallizes an Era.” Los Angeles Times, 3 Mar. 2012, D1, D7.
Minnick, Jeralan. “Richard Diebenkorn Ocean Park Series Retrospective.” Dallas Examiner, 14 Jan. 2012.
Peters, Sarah. “Diebenkorn’s Big Show.” Daily Pilot (Costa Mesa, Calif.), 24 Feb. 2012, B1, B6.
Post, Ari. “Everything All at Once.” Georgetowner, 11–24 July 2012, 16–17.
“Richard Diebenkorn: The Ocean Park Series.” American Art Review, Mar.–Apr. 2012, 118–19.
Robinson, Gaile. “Modern Show Offers Cool Walk in ‘Park.’ ” Fort Worth Star-Telegram, 25 Sept. 2011, E3, E12.
Seed, John. “Richard Diebenkorn.” Art Ltd., Mar.–Apr. 2012, 42–44.
Smee, Sebastian. “A West Coast Painter at His Best.” Boston Globe, 1 Apr. 2012, N4.
Spitz, Sarah. “Ocean Park Art in Orange County.” Santa Monica Daily Press, 1 Mar. 2012, 8.
Stamberg, Susan. “In ‘Ocean Park,’ Gentle Portraits of California Light.” National Public Radio, 2 Mar. 2012 (radio broadcast).
Teachout, Terry. “The Seductive Lure of Abstraction.” Wall Street Journal, 8 June 2012, D6.
Terranova, Charissa N. “Between Landscape and Rightness.” Arts and Culture Texas, Sept. 2011, 10–11.
Walsh, Daniella. “Ocean Park at OCMA.” Newport Beach Magazine, Jan.–Feb. 2012, 64–66.
Yezzi, David. “ ‘Richard Diebenkorn: The Ocean Park Series.’ ” New Criterion, Sept. 2012, 52–53.
GROUP EXHIBITIONS
Carolina Collects: 150 Years of Modern and Contemporary Art from Alumni Collections. Chapel Hill: Ackland Art Museum, University of North Carolina at Chapel Hill, 2011.
46 N. Los Robles: A History of the Pasadena Art Museum. Text by Jay Belloli. Pasadena, Calif.: Pacific Asia Museum, 2011.
Modernism: New Mexico and New York, 1912–1974. Santa Fe, N.Mex.: Owings Gallery, 2011.
Rebecca Peabody, Andrew Perchuk, Glenn Phillips, and Rani Singh, eds. Pacific Standard Time: Los Angeles Art, 1945–1980. Los Angeles: Getty Research Institute and J. Paul Getty Museum, 2011.
Marco Goldin. Van Gogh and Gauguin’s Journey: Variations on a Theme. Treviso, Italy: Linea d’ombra, 2011.
ARTICLES AND BOOKS
Baker, Kenneth. “Ask a Critic.” San Francisco Chronicle, Ovation, 13–16 Oct. 2011, F4.
Jones, Dylan. “Man about Town.” Independent (London), 23 Apr. 2011, 11.
Lehmbeck, Leah, ed. Proof: The Rise of Printmaking in Southern California. Los Angeles: Getty; Pasadena, Calif.: Norton Simon Museum, 2011.
Rathbone, Eliza E., et al. Master Paintings from the Phillips Collection. Washington, D.C.: Phillips Collection; London: D. Giles, 2011.
2012
SOLO EXHIBITIONS
Crown Point Press, San Francisco
Guthrie, Julian. “Crown Point Fit at 50.” San Francisco Chronicle, 13 Dec. 2012, E1.
Richard Diebenkorn: Prints, 1961–1992. Text by Kathan Brown. New York: Greenberg Van Doren Gallery, 2012.
GROUP EXHIBITIONS
The Artist’s Hand: American Works on Paper, 1945–1975, from the Washington Art Consortium Collection. Pullman: Museum of Art, Washington State University, 2012.
Island Treasures: Artworks from the Santa Cruz Island Foundation. Text by Dennis Power. Ventura, Calif.: Museum of Ventura County, 2012.
Legacy in Continuum: Bay Area Figuration. Text by Roberta Carasso. Bakersfield, Calif.: Bakersfield Museum of Art, 2012.
OC Collects. Newport Beach, Calif.: Orange County Museum of Art, 2012.
Pasadena to Santa Barbara: A Selected History of Art in Southern California, 1951–1969. Texts by Julie Joyce, Leah Lehmbeck, and Peter Plagens. Santa Barbara, Calif.: Santa Barbara Museum of Art, 2012.
Johnson, Brett. “Going Modern.” Ventura County Star (Calif.), 2 Mar. 2012, IG18.
ARTICLES AND BOOKS
Boas, Nancy. David Park: A Painter’s Life. Berkeley: University of California Press, 2012.
Brown, Kathan. “Richard Diebenkorn: Search for Something Else.” Overview (Crown Point Press, San Francisco), Oct. 2012, 1–5.
Cohen, Patricia. “Artist’s Family Feud with New York Gallery; Authenticity of Works by Diebenkorn and Others Are in Question.” International Herald Tribune, 7 May 2012.
Cohn, Marjorie B. Classic Modern: The Art Worlds of Joseph Pulitzer Jr. Cambridge, Mass.: Harvard Art Museums, 2012.
Shnayerson, Michael. “A Question of Provenance.” Vanity Fair, May 2012, 111–21.
Steinhart, Peter, Charles Strong, and Charles Campbell. Treasures from the Charles and Glenna Campbell Collection. San Francisco: Thomas Reynolds Gallery, 2012.
Traugott, Joseph. New Mexico Art through Time: Prehistory to the Present. Santa Fe: Museum of New Mexico Press, 2012.
Tully, Judd. “Artist Dossier: Richard Diebenkorn.” Art and Auction, Jan. 2012, 79–82.
2013
SOLO EXHIBITIONS
Fine Arts Gallery, College of Marin, Kentfield, Calif.
Bart Schneider, ed. Richard Diebenkorn: Abstractions on Paper. Berkeley: Kelly’s Cove Press, 2013.
Chester Arnold and Bart Schneider, eds. Richard Diebenkorn: From the Model. Berkeley: Kelly’s Cove Press, 2013.
Giles, Gretchen. “Gone West.” North Bay Bohemian (Santa Rosa), 3–9 July 2013, 17–19.
Richard Diebenkorn: The Berkeley Years, 1953–1966. Texts by Emma Acker, Timothy Anglin Burgard, and Steven A. Nash; chronology by Emma Acker; bibliography by Carl R. Schmitz. San Francisco: Fine Arts Museums of San Francisco, 2013.
Baker, Kenneth. “Inimitable Diebenkorn.” San Francisco Chronicle, 23 June 2013, E1–E2.
Burgard, Timothy Anglin, and John Held Jr. “Richard Diebenkorn: The Berkeley Years, 1953–1966.” San Francisco Art Quarterly, May–July 2013, 34–43.
Cheng, DeWitt. “Art: Diebenkorn Does Berkeley.” East Bay Monthly, Aug. 2013, 5–6.
Finkel, Jori. “It Speaks to Me: Diebenkorn’s Still Life Moves Him.” Los Angeles Times, 30 June 2013, E13.
Garchik, Leah. “Gobbling Up the Diebenkorn Banquet.” San Francisco Chronicle, 26 June 2013, F10.
Knight, Christopher. “Evolution of a Singular Figure.” Los Angeles Times, 13 Nov. 2013, D1, D9.
Perl, Jed. “The Painter’s Predicament.” New Republic, 16 Sept. 2013, 52–59.
Taylor, Robert. “ ‘Berkeley Years’ Finds an Artist between Worlds.” San Jose Mercury News, Eye, 27 June 2013, 21.
Winn, Steven. “Artist’s Many Dimensions Get Their Due.” San Francisco Chronicle, Sunday Datebook, 9–15 June 2013, 16–18.
GROUP EXHIBITIONS
Thomas Williams. The Bay Area School: Californian Artists from the 1940s, 1950s and 1960s. Foreword by Michael Peppiatt. Farnham, U.K.: Lund Humphries, 2013.
Wullschlager, Jackie. “Paintings of the Bay Area School.” Financial Times, 11–12 May 2013, 17.
California Landscape into Abstraction: Works from the Orange County Museum of Art. Text by Dan Cameron. Newport Beach, Calif.: Orange County Museum of Art, 2013.
South Broadway Cultural Center, Albuquerque, N.Mex.
Pulkka, Wesley. “Exhibit Features Pioneers of Albuquerque’s Art Scene.” Albuquerque Journal, 2 June 2013, F5.
Angela Lampe, ed. Vues d’en haut (text in French). Metz, France: Centre Pompidou-Metz, 2013.
ARTICLES, BOOKS AND VIDEOS
Brodie, Judith, and Adam Greenhalgh. Yes, No, Maybe: Artists Working at Crown Point Press. Washington, D.C.: National Gallery of Art, 2013.
Brown, Kathan. Richard Diebenkorn at Work: Two Weeks in January, 1986 (video). San Francisco: Crown Point Press, 2013. DVD, 35 min.
Clark, Vicky A. Robert Qualters: Autobiographical Mythologies. Pittsburgh: University of Pittsburgh Press, 2013.
Della Monica, Lauren P. Painted Landscapes: Contemporary Views. Atglen, Pa.: Schiffer, 2013.
Fensom, Sarah E. “Developing a Style—or Three.” Art and Antiques, June 2013, 60–69.
Kingsley, April. Emotional Impact: American Figurative Expressionism. East Lansing: Michigan State University Press, 2013.
2014
SOLO EXHIBITIONS
Closely Considered: Diebenkorn in Berkeley. Texts by Richard Ambrose and Jan Wurm. Richmond, Calif.: Richmond Art Center, 2014.
May, Meredith. “Closely Considered: Diebenkorn in Berkeley.” San Francisco Chronicle, 96 Hours, 11–14 Sept. 2014, 15.
Richard Diebenkorn: The Healdsburg Years. Text by Steven A. Nash. New York: Van Doren Waxter, 2014.
GROUP EXHIBITIONS
Alex Bult Gallery, Sacramento
Dalkey, Victoria. “Formidable Styles Mix and Amaze at Alex Bult.” Sacramento Bee, Ticket, 17 Jan. 2014, 26.
Fortune, Brandon Brame. Face Value: Portraiture in the Age of Abstraction. Washington, D.C.: National Collection of Fine Arts, Smithsonian Institution; London: D. Giles, 2014.
A Family Affair: Modern and Contemporary American Art from the Anderson Collection at Stanford University. Stanford, Calif.: Anderson Collection at Stanford University; New York: DelMonico Books, Prestel, 2014.
Figures and Landscapes: David Park, Richard Diebenkorn, Nathan Oliveira, Manuel Neri. San Francisco: John Berggruen Gallery, 2014.
White, Mark Andrew. Macrocosm/Microcosm: Abstract Expressionism in the American Southwest. Norman: Fred Jones Jr. Museum of Art, University of Oklahoma, 2014.
Baum, Kelly. Rothko to Richter: Mark-Making in Abstract Painting from the Collection of Preston H. Haskell. Princeton, N.J.: Princeton University Art Museum, 2014.
ARTICLES AND BOOKS
Baker, Kenneth. “3 Major Gifts for Cantor.” San Francisco Chronicle, 25 July 2014, E2.
Greenwood, William. “Visionary Geometry: Encounters with the Painting of Richard Diebenkorn.” Redwood City Review (Friends of Coast Community Library, Calif.), Winter 2014, 1, 9.
Schneider, Bart, ed. Richard Diebenkorn: Still Lifes and Landscapes. Berkeley: Kelly’s Cove Press, 2014.
2015
SOLO EXHIBITIONS
Richard Diebenkorn. Texts by Sarah C. Bancroft, Edith Devaney, and Steven A. Nash; chronology by Edith Devaney. London: Royal Academy of Arts, 2015.
Coomer, Martin. “Art: Richard Diebenkorn.” Time Out London, [17 Mar. 2015].
Cumming, Laura. “Long Day’s Journey into Light.” Observer (London), The New Review, 15 Mar. 2015, 29.
Dorment, Richard. “Journeying through the Abstract and into the Light.” Daily Telegraph (London), 10 Mar. 2015, 25.
Gayford, Martin. “Exhibitions: American Beauty.” Spectator (London), 21 Mar. 2015, 52.
Griffin, Jonathan. “Not Landscapes, But Landscape-ish.” Art Newspaper, [3 Mar. 2015].
Harding, Jeremy. “At the RA.” London Review of Books, 7 May 2015, 28.
Hensher, Philip. “Show of the Week: Richard Diebenkorn, Royal Academy of Arts, London.” The Mail (London), Event, 12 Apr. 2015, 30–31.
Laing, Olivia. “Lovely Imperfection.” Guardian (London), Review, 28 Feb. 2015, 16–17.
Levy, Paul. “California Blues and Greens.” Wall Street Journal (Europe), 13–15 Mar. 2015, W16.
Luke, Ben. “The Modern Master You’ve Never Heard of.” Evening Standard (London), 10 Mar. 2015, 42–43.
Marcus, J. S. “Exhibition Diary: Richard Diebenkorn.” World of Interiors, 16 Apr. 2015, 258–59.
McKeever, Ian. “Painting on the Threshold.” Royal Academy Magazine, Spring 2015, 50–55.
Prevo, Ashley. “Celebrating the Abstract.” Church of England Newspaper (London), 10 Apr. 2015, 15.
Rosen, Aaron. “The Cézanne of California.” Apollo, May 2015, 95–97.
Sutcliffe, Tom. “Saturday Review.” BBC Radio 4, 21 Mar. 2015 (radio broadcast).
Williams, Thomas. “Colour Fields.” Artists & Illustrators, [Feb. 2015].
Wilson, John. “Front Row.” BBC Radio 4, 10 Mar. 2015 (radio broadcast).
Wullschlager, Jackie. “California Soul.” Financial Times, 14–15 Mar. 2015, 12.
Richard Diebenkorn: The Sketchbooks Revealed. Texts by Enrique Chagoya, Steven Nash, Alexander Nemerov, and Peggy Phelan. Stanford, Calif.: Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, 2015.
GROUP EXHIBITIONS
Icônes américaines: Chefs-d’oeuvre du SFMOMA et de la collection Fisher (text in French). Paris: Editions de la Réunion des musées nationaux, Grand Palais, 2015.
Interiors and Places: David Park, Richard Diebenkorn, Elmer Bischoff. Text by John Seed. San Francisco: Hackett Mill, 2015.
In the Studio: Paintings. Text by John Elderfield. New York: Gagosian Gallery, 2015.
Off Canvas: Drawing. New York: Acquavella Galleries, 2015.