Selected Bibliography

Fischer, Felice; Kinoshita, Kyoko

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Selected Bibliography

Felice Fischer, Kyoko Kinoshita

Ink and Gold: Art of the Kano

Selected Bibliography

Author

Felice Fischer, Kyoko Kinoshita

PublisherPhiladelphia Museum of Art

Stable URL: https://aaeportal.com/?id=-21656

Selected Bibliography

Asahi Minako. “Teikanzu no seiritsu to tenkai” (The Formation and Development of the Teikanzu). In Ō to ōhi no monogatari Teikanzu daishugō: Nagoya-jō tokubetsuten (The Tale of the King and his Consort: A Great Assembly of Teikanzu Images: Nagoya Castle Special Exhibition). Exh. cat. Nagoya: Nagoya Castle Special Exhibition Organizing Committee, 2011.

Baekeland, Frederick. Imperial Japan: The Art of the Meiji Era (1868–1912). Exh. cat. Ithaca, NY: Herbert F. Johnson Museum of Art, Cornell University, 1980. Exhibition: Herbert F. Johnson Museum of Art, Cornell University; Munson-Williams Proctor Institute; Cincinnati Art Museum; Portland Art Museum.

Conant, Ellen P. Nihonga: Transcending the Past: Japanese-Style Painting, 1868–1968. Exh. cat. Saint Louis, MO: The Saint Louis Art Museum; Tokyo: Japan Foundation, 1995.

Edo-Tokyo Museum. Nijō-jō ten: Edo-Tokyo Hakubutsukan kaikan 20 shūnen kinen/ Special Exhibition: Nijo Castle. Exh. cat. Kyoto: Yomiuri Shinbunsha; Hakuhodo DY Media Patonazu, 2012.

Fenollosa, Ernest. Epochs of Chinese & Japanese Art: An Outline History of East Asiatic Design. Edited by Mary McNeil Fenollosa. Vol. 1. New York: Frederick A. Stokes Company, 1912.

Fischer, Felice. “Meiji Painting from the Fenollosa Collection.” Philadelphia Museum of Art Bulletin, vol. 88, no. 375 (Fall 1992).

Fontein, Jan, and Money L. Hickman. Zen Painting & Calligraphy. Exh. cat. Boston: Museum of Fine Arts, Boston, 1970.

Furuta Ryō. “Kano Hōgai hitsu Niō sokki (Guardian King Grappling a Demon by Kano Hōgai). Kokka, no. 1370 (2009), pp. 42–43.

Gerhart, Karen M. “Honchō Gashi and Painting Programs: Case Studies of Nijō Castle’s Ninomaru Palace and Nagoya Castle’s Honmaru Palace.” Ars Orientalis, vol. 27 (1997), pp. 67–96.

——. “Issues of Talent and Training in the Seventeenth-Century Kano Workshop.” Ars Orientalis, vol. 31 (2001), pp. 103–28.

——. “Kano Tan’yū and Hōrin Jōshō: Patronage and Artistic Practice.” Monumenta Nipponica, vol. 55, no. 4 (Winter 2000), pp. 483–508.

Hickman, Money L., ed. Japan’s Golden Age: Momoyama. Exh. cat. New Haven: Yale University Press in association with Sun & Star 1996 and Dallas Museum of Art, 1996.

Hikonejō Hakubutsukan, ed. Dentō to kakushin, Kyōto gadan no hana Kano Eigaku/ Tradition and Reform, Kano Eigaku, the Flower of Kyoto Painting World. Exh. cat. Shiga: Hikone Castle Museum, 2002.

Hosono Masanobu. Edo Kano to Hogai (Hōgai and the Edo Kano School). Nihon no bijutsu, vol. 52. Tokyo: Shogakkan, 1978.

——. Edo no Kanoha (The Edo Kano School). Nihon no bijutsu, vol. 262. Tokyo: Shibundō, 1988.

——. Fenorosa to Hōgai (Fenollosa and Hōgai). Kindai no bijutsu, vol. 17. Tokyo: Shibundō, 1973.

Ibaraki-ken Tenshin Kinen Izura Bijutsukan (Tenshin Memorial Museum of Art, Ibaraki). Tenshin to Izura no sakkatachi: Ibaraki-ken Tenshin Kinen Izura Bijutsukan kaikan kinenten/ Tenshin and his Colleagues of Izura. Exh. cat. Ibaraki: Tenshin Memorial Museum of Art, 1997.

Idemitsu Museum of Arts, ed. Edo no Kano-ha/ The Kano School in Edo: Innovation toward Elegance. Tokyo: Idemitsu Bijutsukan, 2013.

Kadowaki Mutsumi. Kan’ei bunka no shōzōga. Tokyo: Bensei Shuppan, 2002.

Kano Einō. Honchō gashi: Yakuchū. Edited by Kasai Masaaki, Sasaki Susumu, and Takei Akio. Kyoto: Dohosha, 1985.

Katz, Janice, ed. Beyond Golden Clouds: Japanese Screens from the Art Institute of Chicago and the Saint Louis Art Museum. Exh. cat. Chicago: Art Institute of Chicago; Saint Louis: Saint Louis Art Museum; New Haven: Distributed by Yale University Press, 2009.

Kobayashi Hiromitsu. “Kyurakuzu byōbu ni miru Teikan zusetsu no tensei: Kinsei shotō kaiga ni okeru Mindai hanga hen’yō no ichirei/A Reincarnation of Dijian tushuo in the Kyuraku-zu Screens: An Example of the Influences of Late-Ming Chinese Prints on Japanese Painting of the Beginning of the Seventeenth Century.” Kokka, no. 1131 (February 1990).

Kuroda, Taizō, Melinda Takeuchi, and Yamane Yūzō. Worlds Seen and Imagined: Japanese Screens from the Idemitsu Museum of Arts. Exh. cat. New York: Asia Society Galleries, 1995. Exhibition: Asia Society Galleries, New York; Art Institute of Chicago.

Kyoto National Museum. Kano Hōgai, kindai Nihonga no senkusha: Botsugo hyakunen kinen tokubetsu tenrankai/ Kano Hogai, The Pioneer of Modern Japanese-Style Painting: Special Exhibition in Commemoration of the Centenary of His Death. Exh. cat. Kyoto: Kyoto National Museum, 1989.

—, ed. Kano Sanraku, Sansetsu: Tokubetsu tenrankai/ Kano Sanraku and Sansetsu: Special Exhibition. Exh. cat. Kyoto: Mainichi Shinbunsha, 2013.

Levine, Gregory. Daitokuji: The Visual Cultures of a Zen Monastery. Seattle: University of Washington Press, 2005.

Lillehoj, Elizabeth. Art and Palace Politics in Early Modern Japan, 1580s–1680s. Japanese Visual Culture, vol. 2. Leiden; Boston: Brill, 2011.

Lippit, Yukio. Painting of the Realm: The Kano House of Painters in 17th-Century Japan. Seattle: University of Washington Press, 2012.

Matsubara Shigeru. “Oku eshi Seisen’in: Kōyō nikki ni miru sono katsudō.” Tokyo Kokuritsu Hakubutsukan kiyō, vol. 17 (1981), pp. 17–100.

Matsuki Hiroshi. Goyō eshi Kanoke no chi to chikara. Tokyo: Kōdansha, 1994.

Murck, Alfreda. “Eight Views of the Hsiao and Hsiang Rivers.” In Images of the Mind: Selections from the Edward L. Elliott Family and John B. Elliott Collections of Chinese Calligraphy and Painting at the Art Museum, Princeton University, edited by Wen Fong. Exh. cat. Princeton, NJ: Art Museum, Princeton University in association with Princeton University Press, 1984, pp. 214–35.

Nezu Bijutsukan. Nansō kaiga: Saijō gachi no sekai/ Southern Song Paintings: Elegant and Noble in Soul. Exh. cat. Tokyo: Nezu Institute of Fine Arts, 2004.

Nihon Bijutsuin. Kindai Nihonga no yoake: Nihon Bijutsuin hyakunenshi kankō kinenten (The Dawn of Modern Nihonga: An Exhibition of the Hundred-Year History of the Japan Art Institute). Exh. cat. Osaka: Asahi Shinbun Osaka Honsha Kikakubu, 1989. Exhibition: Nihonbashi Takashimaya; Yokohama Takashimaya; Kyoto Takashimaya.

Nihon Bijutsuin Hyakunenshi Henshūshitsu. Nihon Bijutsuin Hyakunenshi (The Hundred-Year History of the Japan Art Institute). Vol. 1, part 1. Tokyo: Nihon Bijutsuin, 1989.

Nihon Keizai Shinbunsha, ed. Seitan shihyakunen kinen, Kano Tan’yū ten/Paintings by Kano Tan’yū, Commemorating the 400th Anniversary of Tan’yū’s Birth. Exh. cat. Tokyo: Nihon Keizai Shinbunsha, 2002. Exhibition: Tokyo Metropolitan Art Museum.

Ōkura Shūkokan and Museum Yamato Bunkakan. Tokubetsuten, Ōkura Shūkokan shozō, Edo no Kanoha—Buke no tenga (Special Exhibition from the Collection of the Ōkura Shūkokan: The Edo Kano School—The “Gentrification” of the Military). Exh. cat. Nara: Museum Yamato Bunkakan, 2007.

Reizei Tamehito, ed. Kan’ei bunka no nettowāku: “Kakumeiki” no sekai. Kyoto: Shibunkaku, 1998.

Rimer, J. Thomas. Shisendo, Hall of the Poetry Immortals. New York: Weatherhill, 1991.

Saitama Kenritsu Rekishi to Minzoku no Hakubutsukan (Saitama Prefectural Museum of History and Folklore). Kanoha to Hashimoto Gahō: Soshite kindai Nihonga e tokubetsuten (The Kano School and Hashimoto Gahō: And Toward Modern Nihonga). Exh. cat. Saitama City: Saitama Kenritsu Rekishi to Minzoku no Hakubutsukan, 2013.

Sakakibara Satoru. Nihon kaiga no mikata. Tokyo: Kadokawa Shoten, 2004.

Sakazaki Shizuka. Nihon gadan taikan. Tokyo: Mejiro Shoin, 1917.

Sannomaru Shōzōkan (The Museum of the Imperial Collections). Naikoku kangyō hakurankai—Meiji bijutsu no makuake/ National Industrial Expositions—The Opening of Meiji Art. Exh. cat. Tokyo: The Museum of the Imperial Collections, 2012.

Sasaki Eriko and Noda Asami, eds. Tan’yū sankyōdai ten: Kano Tan’yū, Naonobu, Yasunobu. Exh. cat. Tokyo: Itabashi Kuritsu Bijutsukan, 2014. Exhibition: Itabashi Kuritsu Bijutsukan; Gunma Kenritsu Kindai Bijutsukan.

Satō Dōshin. “Kano Hōgai hitsu Fukuryū rakan zul Arhat Subjugating a Dragon by Kano Hōgai.” Kokka, no. 1221 (1997), pp. 29–31.

—. Modern Japanese Art and the Meiji State: The Politics of Beauty. Translated by Hiroshi Nara. Los Angeles: Getty Research Institute, 2011.

Screech, Timon. The Shogun’s Painted Culture: Fear and Creativity in the Japanese States, 1760–1829. London: Reaktion, 2000.

Shimane Art Museum. Shimane Kenritsu Bijutsukan korekushon sen/ Selected Works from the Collection of the Shimane Art Museum. Matsue-shi: Shimane Art Museum, 1999.

Shimizu, Yoshiaki, ed. Japan: The Shaping of Daimyo Culture, 1185–1868. Exh. cat. Washington, DC: National Gallery of Art, 1988.

Shimonoseki Shiritsu Bijutsukan (Shimonoseki City Art Museum). Kano Hōgai ten: Botsugo hyakunen/ Kano Hōgai Exhibition In Commemoration of the Centenary of His Death. Exh. cat. Shimonoseki-shi: Shimonoseki Shiritsu Bijutsukan, 1989.

Shizuoka Prefectural Museum of Art. Kano-ha no kyoshōtachi: Kaikan sanshūnen kinen ten/ Great Masters of the Kano School: The Third Anniversary Exhibition. Exh. cat. Shizuoka-shi: Kano-ha no Kyoshōtachi Ten Jikkō Iinkai, 1989.

——. Kano-ha no sekai: Shizuoka Kenritsu Bijutsukan zōhin zuroku/ Paintings of Kano School: Catalogue of Collection. Exh. cat. Shizuoka-shi: Shizuoka Kenritsu Bijutsukan, 1999.

Sung, Ho-mei. Decoded Messages: The Symbolic Language of Chinese Animal Painting. Exh. cat. New Haven: Yale University Press; Cincinnati: Cincinnati Art Museum, 2009.

Takeda Tsuneo. Kano Tan’yū. Nihon bijutsu kaiga zen-shū, vol. 15. Tokyo: Shueisha, 1978.

Tokyo National Museum. Tokubetsuten Kanoha no kaiga/ Painting of the Kano School. Exh. cat. Tokyo: Tokyo National Museum, 1979.

——. Treasures of a Great Zen Temple, the Nanzenji: Commemorating the 700th Memorial Year of Emperor Kameyama. Exh. cat. Tokyo: Asahi Shinbunsha, 2004. Exhibition: Tokyo National Museum; Kyoto National Museum.

—, ed. Kindai Nihon bijutsu no kiseki: Nihon Bijutsuin sōritsu 100-shūnen kinen tokubetsutenl The Lineage of Modern Japanese Art: The 100th Anniversary of the Japan Art Institute. Exh. cat. Tokyo: Nihon Bijutsuin, 1998.

——. Tokubetsu tenkan Edojō shōhekiga no shitae: Ōhiroma, matsu no rōka kara ōoku madel Special Exhibition Preliminary Paintings for Edo Castle. Exh. cat. Tokyo: Tōkyō Kokuritsu Hakubutsukan, 1988.

Tokyo National Museum and Kyoto National Museum, eds. Sesshū: Botsugo 500-nen, tokubetsuten/ Sesshu: Master of Ink and Brush: 500th Anniversary Exhibition. Exh. cat. Tokyo: Mainichi Shinbunsha, 2002. Exhibition: Kyoto National Museum; Tokyo National Museum.

Tokyo University of the Arts. Geidai Bijutsukan shozō meihinten/ Selected Masterpieces from the University Art Museum, Tokyo National University of Fine Arts and Music: Grand Opening Exhibition. Exh. cat. Tokyo: Nihon Keizai Shinbunsha/NHK, 1999.

——. Kano Hōgai: Hibo Kannon e no kiseki/ Kano Hogai: The Track to Avalokitesvara as a Merciful Mother. Exh. cat. Tokyo: Geidai Bijutsukan Myujiamu Shoppu/Rokumonsha, 2008. Exhibition: The University Art Museum, Tokyo University of the Arts; Shimonoseki City Art Museum.

Trede, Melanie, with Julia Meech, eds. Arts of Japan: The John C. Weber Collection. Berlin: Museum fur Ostasiatische Kunst, Staatliche Museen zu Berlin, 2006.

Umezawa Seiichi. Hōgai to Gahō. Tokyo: Junsei Bijutsusha, 1920.

Wakisaka Atsushi. Kyogano no kenkyū. Tokyo: Chūō Koron Bijutsu Shuppan, 2010.

Watanabe Akiyoshi, Kanazawa Hiroshi, and Paul Varley. Of Water and Ink: Muromachi-Period Paintings from Japan, 1392–1568. Exh. cat. Detroit: Founders Society, Detroit Institute of Arts; Seattle: Distributed by the University of Washington Press, 1986. Exhibition: Detroit Institute of Arts; Honolulu Academy of Arts.

Wu Tung. Tales from the Land of Dragons: 1,000 Years of Chinese Painting. Exh. cat. Boston: Museum of Fine Arts, Boston, 1997.

Yamane Yūzō. “Nanzenji honbō shōhekiga ni kansuru jūrai no kenkyū to sono mondaiten.” Kokka, no. 902 (1967), pp. 3–21.

Yamashita Yūji, ed. Kano-ha ketteiban. Bessatsu taiyo 131. Tokyo: Heibonsha, 2004.

Yamatane Museum of Art. Hashimoto Gahō—Sono hito to geijutsu: Tokubetsutenl Special Exhibition: Hashimoto Gahō—The Man and His Art. Exh. cat. Tokyo: Yamatane Museum of Art, 1990.

——. Kano Hōgai—Sono hito to geijutsu: Botsugo hyakunen kinen tokubetsuten/ Kano Hōgai—The Man and His Art: Special Exhibition in Commemoration of the Centenary of His Death. Exh. cat. Tokyo: Yamatane Museum of Art, 1988.

Yamato Bunkakan, ed. Nihon no shōzōga: Tokubetsuten (Special Exhibition: Portrait Painting in Japan). Exh. cat. Nara-shi: Yamato Bunkakan, 1991.

Yasumura Toshinobu. Kano Tan’yū. Shinchō Nihon bijutsu bunko, vol. 7. Tokyo: Shinchōsha, 1998.

——. Motto shiritai Kanoha: Tan’yū to Edo Kanoha. Tokyo: Tōkyō Bijutsu, 2006.

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