Contributors’ Biographies

Moore, Andrew; Flis, Nathan; Vanke, Francesca

Save Cite Share

Free

Contributors’ Biographies

Andrew Moore (Editor), Nathan Flis (Editor), Francesca Vanke (Editor)

The Paston Treasure: Microcosm of the Known World

Contributors’ Biographies

Author

Andrew Moore (Editor), Nathan Flis (Editor), Francesca Vanke (Editor)

PublisherYale Center for British Art

Stable URL: https://aaeportal.com/?id=-21473

Contributors’ Biographies

GLENN ADAMSON is Senior Scholar at the Yale Center for British Art, and former Director of the Museum of Art and Design, New York, and of the Research Department of the Victoria and Albert Museum, London.

JEAN AGNEW is a retired archivist and is currently the leading historian of the Paston family in the seventeenth century.

REID BARBOUR is Roy C. Moose Distinguished Professor of English and Comparative Literature at the University of North Carolina, and is the editor of Studies in Philology.

ELLINOOR BERGVELT is a researcher at the University of Amsterdam who focuses on collecting in seventeenth- to nineteenth-century Britain and the Netherlands.

JONATHAN BETTS is Curator Emeritus at the Royal Observatory, National Maritime Museum, Greenwich, and is a horological consultant and conservator.

CHARLOTTE BOLLAND is Collections Curator, 16th Century, at the National Portrait Gallery, London.

JEANICE BROOKS is Professor of Music at the University of Southampton.

SPIKE BUCKLOW is Reader in Material Culture at the University of Cambridge.

CLAUDIA CALIRI is a Postdoctoral Researcher at the LANDIS laboratory of INFN-LNS in Catania, Italy.

ESTHER CHADWICK is a Curator in the Department of Prints and Drawings at the British Museum.

JESSICA DAVID is Senior Conservator of Paintings at the Yale Center for British Art.

PAULA FINDLEN is Ubaldo Pierotti Professor of Italian History and has directed the Suppes Center for the History and Philosophy of Science and Technology at Stanford University.

NATHAN FLIS is Head of Exhibitions and Publications, and Assistant Curator of Seventeenth-Century Paintings, at the Yale Center for British Art.

LISA FORD is Assistant Director of Research at the Yale Center for British Art.

KAREN HEARN is Honorary Professor, Department of English Language and Literature, University College London, and was previously the Curator of Sixteenth- and Seventeenth-Century British Art at Tate Britain.

MAURICE HOWARD is Professor Emeritus of History of Art, University of Sussex.

MICHAEL HUNTER is Emeritus Professor of History in the Department of History, Classics, and Archaeology, and a Fellow of Birkbeck, University of London.

SIMON SWYNFEN JERVIS is a former Director and Marlay Curator of the Fitzwilliam Museum, Cambridge, who has also served as Historic Buildings Secretary of the National Trust.

WOLFRAM KOEPPE is Marina Kellen French Curator in the Department of European Sculpture and Decorative Arts at the Metropolitan Museum of Art, New York.

PETER van der KROGT is Jansonius Curator and head of the Explokart Research Program for the History of Cartography, Special Collections, University of Amsterdam.

ARTHUR MacGREGOR is a former Curator at the Ashmolean Museum, Oxford, and is editor of the Journal of the History of Collections.

MARK A. MEADOW is Professor and Chair, Department of History of Art and Architecture, University of California, Santa Barbara.

DAVID MONEY is an independent researcher based in Cambridge, UK, and is a translator of neo-Latin verse.

ANDREW MOORE is Programme Director for the Attingham Trust, and is former Keeper of Art at Norwich Castle Museum & Art Gallery.

VICTOR MORGAN is Honorary Senior Research Fellow, School of History, at the University of East Anglia.

MAX NORMAN studied comparative literature at Yale University.

MARK PURCELL is Deputy Director, Research Collections, at Cambridge University Library.

ANNA REYNOLDS is Senior Curator of Paintings at the Royal Collection Trust.

FRANCESCO PAOLO ROMANO is Research Scientist at the Institute for Archeological and Monumental Heritage (IBAM-CNR), and heads the LANDIS laboratory of IBAM-CNR and INFN-LNS in Catania, Italy.

TIMOTHY SCHRODER is an independent expert on silver and goldsmiths’ work, and is former Curator of Decorative Arts at the Los Angeles County Museum of Art.

BRADLEY STRAUCHEN-SCHERER is a Curator in the Department of Musical Instruments at the Metropolitan Museum of Art, and is an Associate of the Royal Academy of Music.

EDWARD TOWN is Head of Collections Information and Access, and Assistant Curator of Early Modern Art, at the Yale Center for British Art.

SIMON TURNER works for the Hollstein catalogues of Dutch, Flemish, and German prints made before 1700. He is presently editor of the German series and compiling the oeuvre of prints after Rubens.

DAVID VAN EDWARDS is President of the Lute Society (UK), a distinguished lute maker, and a historian of the instrument.

FRANCESCA VANKE is Keeper of Art and Curator of Decorative Art at Norwich Castle Museum & Art Gallery.

JONATHAN WAINWRIGHT is Professor of Music at the University of York.

DAVID M. WATERHOUSE is an evolutionary biologist, palaeontologist, and scientific illustrator; he is Senior Curator of Natural History and Acting Curator of Geology for Norfolk Museums Service.

SARAH WELCOME is Assistant Curator, Rare Books and Manuscripts, at the Yale Center for British Art.

ROBERT WENLEY is Head of Collections and Deputy Director at the Barber Institute of Fine Arts, Birmingham, UK.

ANNABEL WESTMAN is an independent textile historian and consultant based in Britain, specializing in the restoration of historic interiors.

HELEN WYLD is Senior Curator of Historic Textiles at the National Museum of Scotland, and is a tapestry specialist.

JONATHAN YARKER is co-director of Lowell Libson Ltd, and is a historian of British painting and the Grand Tour.

Previous chapter Next chapter

Base text size -

Chapter images ()