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Index
Marcia B. Hall
Description: The Power of Color: Five Centuries of European Painting
The Power of Color: Five Centuries of European Painting
Index
Author
Marcia B. Hall
PublisherYale University Press
Copyright© 2019 by Marcia B. Hall
Stable URL: https://aaeportal.com/?id=-20834
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Index
à l’essence, 215, 234
Académie des Beaux-Arts, 185
Académie Royale de Peinture et de Sculpture, 12, 145–48, 184–85, 187, 226
and the Accademia di San Luca, 87
broken color, 93, 149
and Chardin, 166
disegno-colore, Poussinistes-Rubénistes debate, 153–56
and Greuze, 165
and history painting, 175–76
Le Brun, 150–53
and Neoclassicism, 171
and the nineteenth century, 190, 196, 209
and Rococo, 159
unione, 101
and Watteau, 157–58
Accademia degli Incamminati, 87
Accademia del Disegno, 87, 101
Accademia di San Luca, 87, 146, 263n51
aerial perspective. See perspective
Alberti-style coloring, 27, 28–32, 36, 260n20
versus Cennini-style, 22–23
Alberti, Leon Battista, 5, 101. See also Alberti-style coloring
alizarin. See pigments, red
Alpers, Svetlana, 168
ancien régime, 190
Antonello da Messina, 48, 49
San Cassiano Altarpiece, 49–50
Antwerp, 12, 264n82
Caravaggio, 101
export of pictures, 112, 114–15
Rubens, 135
apprentices, 19, 84, 85–87. See also workshop
Armenini, Giovanni Battista, 85–86, 264n78
arriccio. See fresco
assistants, 55, 70, 85–86, 226–27, 263n41, 266n92. See also workshop
azurite. See pigments, blue
Bann, Stephen, 188
Barbizon School, 206–7
Bardin, Jean, 171, 176
Tullius’s Daughter Driving Her Chariot over the Body of Her Dead Father, 173
Barocci, Federico, 15, 95–97, 130, 135, 266n80
Presentation of the Virgin, 96
Visitation, 96, 96
Batoni, Pompeo, 169
battilori, 19
Baudelaire, Charles, 194, 212, 243
Baxandall, Michael, 54, 63, 268
Bazille, Frédéric, 218
Bell, Janis, 101
Bellini, Giovanni: Madonna and Child with Saints Paul and George, 55, 56
Madonna of the Trees, 55
oil painting, 46, 48–51
Pesaro Altarpiece, 49
Pietà, 49, 49
Pietà (underdrawing), 50, 50
San Giobbe Altarpiece, 50
San Zaccaria Altarpiece, 51, 261n74
Bellori, Giovanni, 96–97, 101, 132
Bernard, Émile, 225, 235, 236
Bernini, Gian Lorenzo, 149
Blanchard, Gabriel, 155–56
blond tonality, 69, 75, 77, 78, 168, 176
Blunt, Anthony, 109, 267n31
Boime, Albert, 190, 209, 226, 239
Borgherini, Pierfrancesco, 73
Borghini, Raffaello, 93
Boschini, Marco, 91, 263, 264
bottega, 19, 57, 74, 85, 116. See also workshop
Botticelli, Sandro: Adoration of the Magi, 34, 35
Bardi Altarpiece, 51, 52
Birth of Venus, 41, 44, 55
cartoons, 33
and Correggio, 101
egg tempera, 22
Madonna of the Magnificat, 16, 22, 44, 45
Mystic Nativity, 41
Primavera, 41, 44, 59
tempera grassa, 40–45
workshop and marketing, 54–55
Boucher, François: The Bath of Venus, 144, 162, 163, 176
Madame de Pompadour, 160, 160
Return from Market, 167, 167
Rococo, 159–67
Rococo and Neoclassicism, 171–73
Setting of the Sun, 161, 161, 171
The Toilette of Venus, 163
Bourdon, Sébastien, 155
Christ Healing the Blind, 147
brevetaires, 145
Bril, Paul, 116–17
Landscape with Saint Jerome and Rocky Crag, 116, 116
broken color, 21
Barocci, 95, 130, 263n59
Veronese, 91–95. See also couleur rompue
Bronzino, Agnolo, 154, 194, 269n20
Gathering Manna, 81, 81
Pietà, 81, 82, 176
Brouwer, Adriaan, 119
Brunelleschi, Filippo, 22, 26
brushes, 5, 13, 37, 218
ferule, 187, 218, 219, 225, 270n84
brushwork, open: Rembrandt, 111, 263n59
Titian, 87–91
buon fresco, 25, 73. See also fresco
Cabanel, Alexandre, 229, 269
Birth of Venus, 211, 212
Cabot Perry, Lilla, 219
cadmium red. See pigments, red
Caillebotte, Gustave, 219, 226
On the Bridge, 213, 214
Campin, Robert, 37
Canaletto, 169, 197
cangiantismo, 2, 11, 21, 59, 60, 72
Michelangelo, 67–69
canvas: Degas, 217
Gauguin, 233–34
pre-primed, 124, 218, 242
Rembrandt, 110
Titian, 87–88
Caravaggio, 6–9, 12, 106, 137, 176, 179, 181, 209, 264n82
Bacchus, 99
Boy Bitten by a Lizard, 99
Calling of Saint Matthew, 1, 8, 99
Conversion of Saul, 99
Death of the Virgin, 137
imprimatura, 97–101
Martyrdom of Saint Andrew, 99, 100
Supper at Emmaus, 99
Carracci, Annibale: artist training, 87
Christ and the Samaritan Woman, 11, 11
disegno-colore debate, 155
Martyrdom of Saint Stephen, 154, 155
Stoning of Saint Stephen, 155, 155
unione mode, 97, 101
cartoon: full, 35, 65
pieced (partial), 33, 45, 57
pricked (pounced), 26, 33, 64, 260nn33–34, 260n42
Cassatt, Mary, 214
Castagno, Andrea del, 25–27, 32–33
Resurrection (sinopia), 26, 26
Sant’Apollonia (Last Supper and Resurrection), 24, 25, 26
Castiglione, Baldassare, 87, 145, 174
Cavazzini, Patrizia, 86
Cellini, Benvenuto: Saltcellar, 147
Cennini-style coloring, 19, 22–23
Cennini, Cennino, 5, 21, 27, 51, 68, 85, 202, 259n9, 259n6, 259n10, 260n28, 261n85. See also Cennini-style coloring
central point perspective. See perspective
Cézanne, Paul, 15, 198, 202–3, 210, 223–26
Hillside in Provence, 198, 200, 225
Mont Sant-Victoire, 224, 225
Champaigne, Philippe de, 93
Chardin, Jean-Baptiste-Siméon, 13, 163–67, 184
The House of Cards, 166, 166
Servant Returning from Market, 165, 165, 167
Chesneau, Ernest, 190, 269
chiaroscuro, 12
Leonardo da Vinci, 33, 34, 59, 66–70
lighting and coloring, 209–10
Roger de Piles, 156
Raphael, 70
Rembrandt, 106
Romano, 83–84
Rubens, 137
Sebastiano Sebastiano del Piombo, 73
Tiepolo, 169
cochineal. See pigments, red
Christus, Petrus, 36
chrome orange. See pigments, orange
chrome yellow. See pigments, yellow
chromophobia, 5
Cima da Conegliano, 88
cobalt violet. See pigments, purple
Cochin, Charles-Nicholas, 172–73, 175, 268n82
Colbert, Jean-Baptiste, 146–47, 148, 151–53, 184, 208
collectors, American, 226
Colleoni, Bartolomeo, 57
color, 176–77
anti-naturalism, 252
Kandinsky, 250–52
as symbolic, Le Brun, 154–55
color notations, 114
coloring mode, 5, 11–12, 73. See also cangiantismo, chiaroscuro, sfumato, tenebrism, unione
colormen, 202
Concerning the Spiritual in Art. See Kandinsky, Vassily
conservation studies, 1–5, 262n6
continuous modeling, 210
contracts, 9, 17–19, 22, 55–56, 138
copies, 4, 9, 50, 112–16, 123–24, 141, 259n5, 261n90
copyright, 123
Corneille, Jean-Baptiste, 176, 267
Hercules Punishing Busiris, 147, 148, 176
Corot, Jean-Baptiste-Camille, 194, 209
and the Barbizon School, 206–7
Peasants Under the Trees at Dawn, 207, 208
Correggio, 60–62, 95, 262n7
Madonna of the Basket, 60, 62
Venus, Cupid, and Mercury, 101, 102
couleur rompue, 94–95, 130, 149. See also broken color
Courtier, The. See Castiglione, Baldassare
Count d’Angiviller, 173
Courbet, Gustave, 13, 208
Burial at Ornans, 13, 14
Crow, Thomas, 181
Cubism, 223, 226, 247
da sua mano, 22
Dacos, Nicole, 86
Daniele da Volterra, 86
Daubigny, Charles-François, 194
David, Jacques-Louis, 13, 171, 173–74, 177–85, 190, 209
Andromache Mourning Hector, 180
Antiochus and Stratonice, 177, 177
Belisarius Begging for Alms, 178, 179
Combat between Minerva and Mars, 177, 177
Death of Socrates, 171, 181, 182
Intervention of the Sabine Women, 183, 183
Oath of the Horatii, 180, 180, 181
de Hooch, Pieter: The Bedroom, 118, 119, 121
dealers, 12, 87, 106
guilds and, 114–15
nineteenth century, 207–8
Rococo, 159
twentieth century, 230, 269n57
decorum, 13, 23, 174–77
Degas, Edgar, 91–92, 197, 208, 214–17
Dancers at the Barre, 214, 215
In a Café (Absinthe Drinker), 215, 216
Women Ironing, 217, 217
Delacroix, Eugène, 156, 190, 191–96, 201, 208, 231, 268nn13–14, 268n16, 269n71
Scenes from the Chios Massacres, 191, 191
Death of Sardanapalus, 192, 192
Delaroche, Paul, 188–90, 191, 192, 200, 209, 268n2
The Execution of Lady Jane Grey, 188, 188
The Execution of Lady Jane Grey (study), 189, 189
The Execution of Lady Jane Grey (drawing), 189, 189
Hémicycle, 189, 189
Joan of Arc in Prison Interrogated by the Bishop of Winchester, 188, 192
Delécluze, Étienne-Jean, 179, 194–96
de Piles, Roger, 89, 92, 94, 153, 156–57, 159, 266n92
Derain, André, 243
di sotto in sù, 151, 168
Diderot, Denis, 159, 163–64, 179, 184, 268
Die Brücke, 247
disegno–colore debate, 153–56
Dolce, Ludovico, 154, 262–63
Donatello, 57
Dou, Gerard, 127
down modeling. See Alberti-style coloring
drawing, absence of preparatory: Caravaggio, 98–99
Chardin, 165–66
facture, 124
Gauguin, 235–36
Rembrandt, 129
Titian, 90
Drouais, François-Hubert, 160
Dunkerton, Jill, 68, 260–64
Durand-Ruel, Paul, 207–8, 217, 219, 223, 226, 269
Dürer, Albrecht, 37, 123
Dutch East India Company, 106, 196
Dutch Republic, 116, 117
ébauche, 194, 207. See also esquisse; modello; oil, sketch
education of the artist, 59–60, 84–87, 145–48, 187–88, 202
efficiency, 112–4
egg tempera, 21, 22, 37, 44, 260n18, 260n47, 261n74
El Greco, 97, 101, 264n78
emerald green. See pigments, green
en plein air, 206
esquisse, 194. See also ébauche; modello; oil, sketch
Expressionism, 250
Faret, Nicolas, 174
Fauvism, 231
Félibien, André, 94–95, 149
ferule. See brushes
Filarete, Antonio, 39
Flanders, 116, 123
Flemish oil technique, 9, 41, 49, 50
Flinck, Govert: Portrait of Susanna van Baerle, 111, 111
Florence, 27, 39–48, 51, 54–55
Fouquet, Nicolas, 148
Fra Angelico, 22–23, 28, 32–33, 255
Coronation of the Virgin, 9, 10, 15
Fragonard, Jean-Honoré, 164
Happy Accidents of the Swing, 172, 173
freelance artists, 11, 55
fresco, 6, 25–27, 32, 65–66, 74, 168–69, 260n23, 260nn25–26, 35, 262nn11–12, 268n71
arriccio, 25, 26
mezzo fresco, 25
Gaehtgens, Thomas, 157
Gauguin, Paul, 5, 13, 15, 229, 230, 231, 231–36, 259n10, 270n6, 270n8, 270n10, 270n13, 271n29
Day of the God (Mahana No Atua), 232, 233
Kirchner, 249
Matisse, 243, 244, 245
Picasso, 246
Seurat, 240, 242
Spirit of the Dead Keeps Watch (Manaò Tupapaú), 235, 235
Tahitian Pastoral, 234, 234, 244, 245
Van Gogh, 236–40
Vision after the Sermon (Jacob Wrestling with the Angel), 231, 232
Words of the Devil, 235
Gautier, Théophile, 92, 188, 269n72
Gerard de Lairesse, 127, 265
Gérôme, Jean-Léon, 13
Gersaint, Edme-François, 157
gesso, 5, 17, 46–48, 88, 92, 261n73
Ghiberti, Lorenzo, 22
Ghirlandaio, Domenico, 33, 260n33
Adoration of the Magi, 34, 35, 45, 55
Adoration of the Shepherds, 40
workshop and marketing, 54–55
gilding, 23, 28, 44
Giorgione, 101, 210–11, 244
Giorgione and Titian, Pastoral Concert, 210, 211
Sleeping Venus, 244
The Tempest, 8, 11, 88
glazing: Antonio Filarete, 39
Perugino, 45
van Eyck, 37
Venice, 48–50
Veronese, 94
Gobelins Manufactory, 149
Goes, Hugo van der: Portinari Altarpiece, 40, 40
Gombrich, Ernst, 65
Gowing, Lawrence, 245
Gozzoli, Benozzo, 19, 29, 32
Madonna and Child Enthroned with Angels and Saints and Saint Zenobius, 19, 20
grand goût, 179
Grand Tour, 169
grande manière, 179
Greuze, Jean-Baptiste, 13, 163–67, 184
The Village Bride, 163, 164
Guercino, 110–11, 133
Saul Attacking David, 110, 111
guilds, 85, 87, 114–16, 123, 145, 212–13
Guimet, Jean-Baptiste, 197
Hamilton, George, 218
Haussmann, Baron Georges-Eugène, 213
Herbert, Robert, 241
Hills, Paul, 51
Hokusai, 236
Thirty-Six Views of Mount Fuji, 218
Holland, 115–16
Holmes, Megan, 55
houding, 121, 124, 127–31. See also perspective
humanism, 17, 27, 65
Hyde, Melissa, 160, 176
impasto: Monet, 213, 219
Rembrandt, 111, 129
Titian, 87, 89
Turner, 204, 206
Van Gogh, 239. See also macchia
Impressionism: paint tubes, 202
Renoir, 221
Seurat, 240
Van Gogh, 236
imprimatura, 4, 5, 9, 46–48, 259n4, 261n69, 261nn72–73, 262n4, 262n6, 262n18, 263n65
Botticelli, 44
dark imprimatura, 97–101
and dead color, 128
nineteenth-century tinted imprimatura, 209–10
sixteenth-century tinted imprimatura, 59–60, 75, 88, 92, 95 (see also unione)
indigo. See pigments, blue
infrared reflectography, 6, 70, 112, 114, 259n6, 264n16
Ingres, Jean-Auguste-Dominique, 13, 156, 190, 193, 194, 269n18
Apotheosis of Homer, 193
Louise de Broglie, Countess d’Haussonville, 193–93
Madame Moitessier, 194, 195
Oedipus and the Sphinx, 13, 14
Princesse de Broglie, 193
intonachino, 65, 69, 262
intonaco, 25, 26, 65, 262nn11–12, 268n71
isochromatism, 21
Jal, Auguste, 209
Jirat-Wasiutyński, Vojtěch, 233
Jonckheere, Koenraad, 101
juste milieu, 190, 212
Justus van Ghent, 37
Communion of the Apostles, 39
Kandinsky, Vasily, 15, 229, 231, 235, 246, 250–52
Painting with White Border, 250, 251
kermes. See pigments, red
Kern, Ulrike, 121
Kirchner, Ernst Ludwig, 15, 229, 231, 247–49, 250, 252
Street, Dresden, 247, 248, 249
Kline, Jonathan, 44
La Fosse, Charles de: Apollo and Thetis, 153, 153, 161
la Tour, Maurice Quentin de, 160
Lagrenée, Louis-Jean-François: Fabricius Refuses the Presents the Ambassadors from Pyrrhus Had Been Ordered to Offer Him, 173, 177
lake, red. See pigments, red
Landau, David, 123
landscape, 6, 116–23, 265n26, 265n34, 265n37
Barbizon School, 206–7, 217
broken color, 130
Gauguin and, 233
and green pigments, 198
houding, 127
Matisse and, 243
lapis lazuli. See pigments, ultramarine
Lastman, Pieter, 106
Le Brun, Charles, 13
the Académie, 145–8
Alexander Entering Babylon, 149, 149
disegno-colore debate, 154–56
Greuze and Chardin, 164
Hall of Mirrors, 150, 151
The King Governs Alone, 151, 152
Passage of Granicus, 149
Passions of the Soul (Horror and Dread), 150, 150
The Queen of Persia at the Feet of Alexander, 148, 149
Rococo, 159, 160
rules of art, 148–53
Le Nôtre, André, 148
Le Vau, Louis, 148–49
Lee, Simon, 181
Leonardo da Vinci, 32–36, 147, 260n33
Adoration of the Magi, 33, 34, 59, 127
aerial perspective, 132
Baptism of Christ, 45, 46
Battle of Anghiari, 34, 36
Last Supper, 34
Madonna and Child with Saint Anne, 32, 32, 34–35, 50
Madonna of the Rocks, 147
Mona Lisa, 147
sfumato, 59–60
tinted imprimatura, 60
chiaroscuro, 62
lettres de brevet, 145
Levey, Michael, 181, 190
Lichtenstein, Jacqueline, 150
lightfastness, 249. See also pigments, fugitive
Lippi, Filippino, 33, 41, 54, 260n33, 261n57
Four Saints, 41, 43, 51
Saint Zenobius Altarpiece, 51, 53
Lippi, Fra Filippo, 32, 44, 51, 55
Annunciation, 51
Barbadori Altarpiece, 51
Pitti Tondo, 28, 31
Tarquinia Madonna, 28, 29, 41
Lippi and Pesellino Imitator, 55
local color, 9, 189
Locke, John, 166
Lomazzo, Giovanni Paolo, 93, 264n78
Lorenzo di Credi, 33, 45, 57, 261n69
Lorrain, Claude, 118
Cleopatra Landing at Tarsus, 121
Embarkation of the Queen of Sheba, 121, 122, 204, 276
Odysseus Departing for Ithaca, 121
Louis Napoleon, 209, 213, 226
Louis XIII, 146
Louis XIV, 145, 147
Louis XV, 159, 163, 165, 173
Lukehart, Peter, 146
macchia (macchie), 89, 91, 127, 210, 218, 219. See also impasto
Madame de Pompadour, 13, 159–60, 163, 268n81
Mainardi, Patricia, 229
La Maîtrise, 145. See also guilds
Manet, Edouard, 208, 209, 210–13, 230, 244
Concert in the Tuileries, 211, 213
Luncheon on the Grass, 210, 210, 244
Olympia, 211, 212, 235
Spanish Guitar Player, 209
Mantegna, Andrea, 105, 260n33
marketing, 6, 54–56
Dutch Landscape, 126
Holland versus Italy, 115–16
and materials, 201–3
outside Holland, 123–24
Masaccio, 23
Masolino, 23, 260n44
Matisse, Henri, 6, 200, 229, 231, 242 46, 247, 252, 271n44
Le Bonheur de Vivre, 244, 244
Girl Reading, 246
Harmony in Red, 200, 242, 243
Luxe, Calme, et Volupté, 243, 243
Portrait of Madame Matisse: The Green Line, 230, 231, 246
Red Studio, 243
Still Life with Vegetables, 246
mauve. See pigments, purple
McTighe, Sheila, 4
Medici, Marie de’, 138, 141, 143
Medici, Piero de’, 36
megilp, 204
Memling, Hans: Pagagnotti Triptych, 41, 42
Ménageot, Guillaume, 171, 176
Tomyris Plunging the Head of Cyrus in a Bowl of Blood, 173
Mengs, Anton Raphael, 176, 182
Parnassus, 174, 175
Mexico, 197
Michelangelo: cangiantismo, 68–70, 246
cartoon of the Battle of Cascina, 36
cleaning of Sistine Ceiling, 1–2
Daniel, 68, 69, 246
Deluge, 69
Doni Holy Family, 2, 3, 6, 68, 194
Last Judgment, 68, 97
mezzo fresco, 25
nonfinito, 91
Pauline Chapel, 86
and Sebastiano del Piombo, 72–74
response to, 74–84
Sistine Ceiling plaster, 65
wealth, 105, 261n57, 262n22, 264n2
modello, 70, 168, 194, 267n23. See also oil, sketch
Molder, Jan de: Reinhold Altarpiece, 112, 112
Monaco, Lorenzo, 175–76
Coronation of the Virgin, 17, 18, 21
Coronation of the Virgin, 20, 21
Monet, Claude, 9, 217–19, 269n45, 270n85
Bathers at Grenouillère, 15, 197, 198, 218, 223
Cézanne, 225
Durand-Ruel, 208
Impression Sunrise, 206, 207, 245
Monet’s Garden at Giverny, 200, 201
prussian blue, 197, 198
Rouen Cathedral series, 217–18, 226
Water Lilies, Setting Sun, 245, 245
Woman with a Parasol—Madame Monet and Her Son, 186, 219, 220
Munch, Edvard, 247–49, 271n49
Evening on Karl Johan Street, 247, 249
naples yellow. See pigments, yellow
Nationale Triennale, 229
Natoire, Charles-Joseph, 171–72, 179
Allegory on the Birth of Marie-Zéphirine of France, 171, 172
Nattier, Jean-Marc, 160
naturalism, 17, 27–32, 84
Neoclassicism, 171–74, 176, 178, 185, 268n81
Neri di Bicci, 27–28, 54
Newton, H. Travers, 233
Nochlin, Linda, 246–47
Nocret, Jean, 155
Nuttall, Paula, 36
ochre. See pigments, yellow
oil, 36–39, 260n44, 262n18
change of taste in color, 51
oil mural, 68, 72, 73–74, 84, 263n34
sketch, 135–38, 168, 266nn84–85
Venice, 48–50
O’Malley, Michelle, 22, 54, 55–56, 259n2, 260n19, 261n89–90
on spec. See speculation
On Painting. See Alberti, Leon Battista
On the True Precepts of the Art of Painting. See Armenini, Giovanni Battista
open brushwork. See brushwork, open
originality, 141–42
orpiment. See pigments, orange
Paggi, Giovanni, 123
paint tubes, 187, 201–2, 202, 270n84
palette knife, 111, 129, 204
Panini, Giovanni Paolo, 174
Parshall, Peter, 123
Patinir, Joachim, 116–17
Peri, Pellegrino, 87, 116
perspective: aerial and houding, 127–29
broken color, 130
central point perspective, 23, 26, 35
Poussin, 131–32
Perugino, Pietro: cartoons, 33, 35, 63, 65
Ascension of Christ, 54
Assumption of the Virgin, 51
Certosa di Pavia Altarpiece, 45
color modes, 68, 70
imprimatura, 48
Crucifixion, 21, 22, 22, 41
Famous Men, 35, 35, 65, 68
Lamentation, 46, 47
Marriage of the Virgin, 35, 51
taste in color, 51
tempera grassa, 41, 45–46
training of the painter, 85
Vision of Saint Bernard, 46, 47
workshop and marketing, 54–55, 260n33, 260n69, 260n72, 260n73, 260n90
Pesellino, Francesco, 55
Peyron, (Jean-François) Pierre, 181–82, 268n87
Death of Socrates, 181, 182
Picasso, Pablo, 223, 246–47, 271n53
Scallop Shell: Notre Avenir est dans l’Air, 247, 247
Piero della Francesca, 15, 32, 37
Baptism of Christ, 37
Madonna di Senigallia, 37
Perugia Altarpiece, 27, 27, 28
Piero di Cosimo, 12
pigments, 255–56, 202
fifteenth century, 19–22
fugitive, 21, 196
Gauguin, 234
Manet, 212
manufacturing, 201–3
Monet, 218
nineteenth century, 196–201
de Piles, 156
synthetic, 196–201, 202, 203–4, 256
Venice, 48, 51, 202, 266n63, 270n96, 270n100, 270n8
blue
azurite, 19, 48, 51, 261n69, 261n77
indigo, 33, 48, 49, 97, 196–97, 260n28
prussian blue, 197, 201, 252, 271n53
smalt, 119, 121, 126, 197, 256, 265n31, 265n41
ultramarine, 19, 39, 51, 68, 196–97, 256, 259n10, 265n41
gray
stibnite, 62
green
emerald green, 198
terra verde, 21
verdaccio, 21
verdigris, 21, 46, 198, 261n69
vert Véronèse, 198, 221
viridian, 198, 207
orange
chrome orange, 198
orpiment, 51, 198, 261n84
realgar, 51, 198
purple 21
cobalt violet, 200
mauve, 200, 269n32
red
alizarin, 200
cadmium red, 198, 200
cochineal, 196–97, 197
kermes, 39, 197, 200
red lakes, 9, 21, 39, 48, 94, 200, 201
vermilion, 51, 196, 200
yellow
chrome yellow, 197–98, 201, 203–4, 207, 221, 234–35, 236, 270n96, 270n8
naples yellow, 197, 201, 207, 219–21, 270n96
ochre, 21, 197
Pino, Paolo, 154, 262–63
Pinturicchio, 68, 260n33, 262n20
Piranesi, Giovanni Battista: Ruins at Hadrian’s Villa, Tivoli, 174, 174
Pisano, Andrea, 22
Pissarro, Camille, 203, 208, 225, 270n8
Pollaiuolo brothers (Antonio), 33, 260n33
Martyrdom of Saint Sebastian, 39
Three Saints, 39, 40
Pontormo, Jacopo, 74–78, 262n22
Entombment, 77, 81, 176
Visitation, 76, 77
Posner, Donald, 149
pouncing (pounced), 26, 235. See also cartoon, pricked
Poussin, Nicolas, 121, 130–35, 145–47, 176, 189, 246, 266n70
Abduction of the Sabine Women, 183
Crucifixion, 124, 125
Ecstasy of Saint Paul, 155
Eliezer and Rebecca at the Well, 132, 133
Feast of the Gods, 130
Holy Family on the Steps, 131, 132, 246
Israelites Gathering Manna, 147
Midas and Bacchus, 130, 131
Orpheus and Eurydice, 122, 123
Poussinistes-Rubénistes, 153–56
Delacroix, 193, 253
Watteau, 157
pozzolana, 65–66, 69. See also fresco
pre-primed canvas. See canvas, pre-primed
Primaticcio, Francesco, 147
Primitivism, 231, 249
Prints: dealers, 208
Degas, 214
Japanese, 215, 218, 233, 236
Raphael, 123
Rubens, 123–24
Prix de Rome, 147, 171, 176, 185, 190
prussian blue. See pigments, blue
Pseudo Piero Francesco Fiorentino, 55
Quatremère de Quincy, 190
Raimondi, Marcantonio, 123
Ramírez, José Antonio de Alzatey: Indian Collecting Cochineal with a Deer Tail, 197, 197
Raphael: Alba Madonna, 60, 61
cartoons, 36
chiaroscuro, 66–68
Donna Velata, 194
Disputà, 63, 64, 65, 125, 127
grinding stone, 202
Holy Family of Francis I, 70, 71
Isaiah, 65
La Belle Jardinière, 62, 63, 125
Late Raphael, 70–72
Liberation of Peter from Prison, 66
Maddalena Doni, 194
Madonna della Perla, 70, 71
Madonna di Foligno, 133, 134
Mass at Bolzeno, 65
Massacre of the Innocents, 123
Michelangelo, 70
organization of space, 133
Parnassus, 64, 66, 68, 174, 193
Pope Leo I Repulsing Attila the Hun, 66
Pope Clement VII and Justice, 73, 74
prints, 123
response to, 78–84
Saint Cecilia Altarpiece, 66, 81
Saint Michael, 70
School of Athens (cartoon), 64, 125, 127
Sistine Madonna, 66
Stanze, 63–66
Stoning of Saint Stephen (cartoon), 70, 71, 125
training of the painter, 85–86
Transfiguration, 66, 68, 70
unione, 59–63
workshop, 72–74, 261n72, 262n4, 262nn12–13, 263n41, 266n61
realgar. See pigments, orange
reddering, 121, 127. See also zone painting
replication. See copies
Reissner, Elisabeth, 225
Rembrandt van Rijn, 105–11
Alexander, 109
Bathsheba at Her Bath, 104, 108, 109
broken color, 130
David Playing the Harp for King Saul, 109, 110, 110
dead coloring, 126
houding, 127–29
Judas Returning the Silver, 106, 107, 111, 127
Return of the Prodigal Son, 128, 129, 129
Toilette of Bathsheba, 108, 108, 264n11, 266n63
Renoir, Pierre-Auguste, 197, 201–2, 210, 217, 219–23, 226, 270n96
At the Theatre, 221
Boating on the Seine, 221
La Loge, 219, 222
Lady at the Piano, 221
Luncheon of the Boating Party, 223
Monet Painting in His Garden, 217, 218
On the Terrace, 223, 223
Study: Torso, Sunlight Effect, 219, 221
Umbrellas, 197, 19 9, 221
Rococo, 159–63
decorum, 175–76
shift to Neoclassicism, 172–74
Tiepolo, 168
Romano, Giulio, 70–74, 81–84, 85, 91, 97, 263n61
Doña de Requesens y Enriquez de Cardona-Anglesona, 83
Madonna and Child with Saints (Fugger Altarpiece), 83, 83
Raphael and, Stoning of Saint Stephen, 70, 71, 125
Sala dei Giganti, 84, 84, 138
Rome, 74, 78–80, 85–87
Rosselli, Cosimo, 41, 45, 54
Rosso Fiorentino, 74–78, 90
Dead Christ in the Tomb, 75, 75, 90, 272
Deposition, 75, 75, 127
Marriage of the Virgin, 75
Rubens, Peter Paul, 135–41, 127, 266n80, 266n85, 266n89, 266n92, 267n40
Arrival in Marseilles, 138, 139
Arrival in Marseilles (sketch), 138, 139
dead coloring, 124–25
Delacroix, 193
disegno-colore, Henry IV in the Battle of Paris, 125, 125
Judgment of Paris, 138, 140, 140, 258 (x-ray), 156, 157
Judgment of Paris (and workshop), 157, 158
Last Supper, 138, 138
Le Brun, 150
Life of Constantine, 137
Lion Hunt, 141
marketing, 123–24
originality, 141–42, 95–96, 97
Poussinistes-Rubénistes, 153, 156
Samson and Delilah, 135, 136
Samson and Delilah (sketch), 135, 137
Tiepolo, 167–68
Watteau, 157–58, 161
Saint-Quentin, Jacques-Philip-Joseph de: Death of Socrates, 171, 172, 176, 181
Sala di Costantino, 72–74, 84. See also Raphael, workshop
Salon des Refusés, 208–9, 213, 223
Salviati, Francesco, 78, 86
Death of Saul, 80, 86
Trumpeting Allegory, 80, 81
Sandrart, Joachim von, 121, 130
Sant’Apollonia, 25–26, 32
Santa Maria degli Angeli, 17
Sarto, Andrea del, 75, 179, 182, 263n35
Sacrifice of Isaac, 127, 127
Savery, Roelandt, 116–17, 265n34
Landscape with the Flight into Egypt, 117, 117, 132
Scuola di San Rocco, 98, 159
Sebastiano del Piombo, 59, 65, 66–68, 72–74, 262n11, 262n18
Flagellation, 72, 73
Pietà, 66, 66
Polyphemus, 65
Raising of Lazarus, 66, 67
Salome with the Head of John the Baptist, 66
secco, 25, 274
Seurat, Georges, 15, 231, 240–42
Circus Sideshow, 241, 241
A Sunday on La Grand Jatte, 240, 240
sfumato: coloring modes, 59–60
Leonardo da Vinci, 33–34
Veronese, 95
Shearman, John, 21
Shiff, Richard, 18
Signac, Paul, 242
sinopia, 5, 25–26. See also fresco
Sisley, Alfred, 202, 208
Sistine Chapel: ceiling, 68–70, 69
ceiling plaster, 65
cleaning, 1–2
response to, 77–78
sidewalls, 54
smalt. See pigments, blue
Smyth, Craig Hugh, 46
Snyders, Frans, 124
Société des Artistes Français, 226
Sodoma, 63
Some Thoughts Concerning Education. (Locke), 166
speculation, 55, 106, 112, 115, 119
spolvero, 26, 33, 260
Stalbemt, Adriaen van: Gallery Picture (The Sciences and the Arts), 115, 115
Stanza della Segnatura, 63–66, 64, 68, 174. See also Raphael
Stanza di Eliodoro, 66. See also Raphael
Steen, Jan, 119
stibnite. See pigments, gray
strappo, 25–26, 260. See also fresco
tache. See macchia
Tanguy, Julien, 203, 236
technical studies. See conservation studies
Technical Bulletin, National Gallery, 4
tempera grassa, 39–48, 50. See also oil
tenebrism, 103, 106
terra verde. See pigments, green
The Blue Rider, 250
Thoughts on the Imitation of Greek Works in Painting and Sculpture. See Winckelmann, Johannes Joachim
Tiepolo, Giovanni Battista, 167–69, 184, 168n70–71
Allegory of the Planets and Continents, 168, 170
America, 169, 171
Crucifixion, 168
Institution of the Rosary, 168
Würzburg Residenz Ceiling, 168, 169
Tintoretto, 60, 97–101, 131, 189, 264nn77–79
Crucifixion, 97, 98
Institution of the Eucharist, 97, 98
Susanna and the Elders, 97, 98
Titian: aerial perspective, 127–29
Bacchanal of the Andrians, 88, 89, 101, 130, 154, 246
cartoons, 55
Crucifixion, 90, 90
Danaë and the Shower of Gold, 89, 89, 128, 129
Diana and Actaeon, 163, 163
disegno-colore debate, 154
Entombment, 93
Manet and, 211
and open brushwork, 87–91
Pastoral Concert, 210, 211, 244, 246
Poussin, 130, 135
and the Rococo, 163
Spain, 4
Venus of Urbino, 211, 263nn54–55, 263n59
tonal painters, 119
training of the artist. See education of the artist
Tummers, Anna, 141
Tura, Cosimo: Allegory, 36, 37, 260n46
Turner, Joseph Mallord William, 190, 197–98, 201–6, 209, 218
Decline of the Carthaginian Empire, 204
Departure of the Fleet, 205–6, 206
The Exile and the Rock Limpet, 204, 205
Peace. Burial at Sea, 205
Slave Ship, 198, 203
Uccello, Paolo, 32
ultramarine. See pigments, blue
underdrawing, 4, 33, 112–14
van Eyck, 37
Bellini, 49–51
Venetian painting, 88, 263n55
undermodeling, 33, 59, 124, 127
unione, 11–12, 60–63
Barocci, 97
Raphael, 70
Stanze frescos, 65–66, 262n1
up modeling. See Cennini-style coloring
Vaga, Perino del, 70, 74, 85, 86, 150
Alexander Cutting the Gordion Knot, 78, 79, 138
The Muses Erato and Thalia and the Blinding of Elymas, 78, 79, 139
Nativity, 74
vaghezza, 95
Valentin de Boulogne: Last Supper, 178, 179
van Cleve, Joos, 112–14
Reinhold Altarpiece, 112, 113, 114
van der Wetering, Ernst, 126, 265n45, 265n50, 265n52, 265n56, 265n58, 166n62–63
van der Weyden, Rogier, 36, 37
van Dyck, Anthony, 108, 109, 124, 265n46, 265n52
van Eyck, Jan, 37–39
Annunciation, 37, 38
Florence, 36
Saint Jerome in His Study, 36, 260n49
van Gogh, Vincent, 236–40
La Berceuse (The Lullaby), 236, 238, 245
dealers, 208, 230
Gauguin, 233, 235
Tanguy, 203
Matisse, 242–43, 245
The Night Café, 236, 237, 245
Portrait of Père Tanguy, 203, 203
Sower, 236, 238
Starry Night, 238, 239, 270n8, 271n49
van Goyen, Jan, 106, 117, 119, 126–27, 265n31, 265n34
View of Dordrecht, 117, 118, 121, 126
View on the Oude Maas near Dordrecht, 126, 126
van Loo, Carle, 171
van Loo, Jacob, 111
van Mander, Karel, 129
van Ruisdael, Jacob, 119–20, 265n35
Forest Scene, 119, 120
varnish, 2, 5, 271n49
Gauguin, 234
Munch, 249
Turner, 204
Vasari, Giorgio, 25, 33, 36, 45, 48–49, 260n23, 260n26, 262n1, 263n61, 266n61, 267n26
cangiantismo, 77–78
coloring, 137
composition, 129
Sebastiano del Piombo, 66
disegno, 154
marketing, 54–55
perspective, 127
status of the artist, 91, 101
training of the painter, 85
workshop management, 86, 87, 89, 90, 93
Velázquez, Diego: Juan de Pareja, 159
vendecolori, 19, 48
Veneziano, Domenico, 32, 260n26
Saint Lucy Altarpiece, 28, 30
Venice, 48–51, 115, 167–69
verdaccio, 21. See also pigments
verdigris. See pigments, green
Vermeer, Jan, 12, 106, 119
The Milkmaid, 6, 7, 15
vermilion. See pigments, red
Veronese, Paolo, 149
Allegory of Love, Happy Union, 56, 92, 93, 168
and broken color, 91–95
Dream of Saint Helena, 92
Feast in the House of Levi, 91–92
The Marriage at Cana, 93
Mars, Venus, and Cupid, 92, 95
Mystical Marriage of Saint Catherine, 92
Temptation of Saint Anthony, 92
Tiepolo, 168
Venus and Adonis, 92, 94
Verrocchio, Andrea del, 33, 35, 57, 61, 260n33
Baptism of Christ, 45, 46
Cartoon of a Head, 32, 33, 34
Madonna and Child, 61, 63
Versailles, 145, 152, 153, 173, 267n23
Le Brun, 148–53
vert Véronèse. See pigments, green
Vien, Joseph-Marie: Cupid Seller, 176, 177, 182
Vitet, Louis, 193, 268n14
viridian. See pigments, green
Vollard, Ambroise, 230
Vouet, Simon, 146, 179, 265
Madonna and Child, 146
Walford, John, 120
watercolor, 33, 65, 189, 197, 203, 204
Watteau, Jean-Antoine, 153, 156–59, 243–44, 267n37
Pilgrimage to Cythera, 157, 158, 243, 244
wax figurines, 97, 130, 189, 264n78
wet-into-wet painting technique, 119, 126
White, Harrison and Cynthia, 209
Winckelmann, Johann Joachim, 174, 185, 192
Wolff, Albert, 219
workshop: breakdown of, 85–87
and marketing, 54–56
Rubens, 124, 138
workshop efficiency, 112
Würzburg Residenz, 168, 169, 171
x-radiography, 2–4, 138, 140, 223
Zaccolini, Matteo, 132
zone painting, 116–7, 119, 121. See also reddering
Zuccaro, Federico, 86–87, 147
Zuccaro, Taddeo, 86, 150