Index of Tables

Humfrey, Peter

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Index of Tables

Peter Humfrey

The Altarpiece in Renaissance Venice

Index of Tables

Author

Peter Humfrey

PublisherYale University Press

Stable URL: https://aaeportal.com/?id=-20373

Index of Tables

1 Original destinations of Venetian altarpieces 1450–1530

2 A chronological survey of major Venetian altarpieces 1450–1530

3 Dedications of altars in Venetian churches, 1581

4 Subjects of altarpieces commissioned for Venetian churches 1450–1530

5 Saints most frequently represented in altarpieces for Venetian churches 1450–1530

6 Narrative subjects most frequently represented in Venetian altarpieces 1450–1530

7 Altarpieces for metropolitan Venice 1450–1530, according to type of church

8 Altarpieces for Venetian monasteries and friaries 1450–1530

9 Altarpieces commissioned by patrician families for Venetian churches 1450–1530

10 Altarpieces commissioned by citizen families for Venetian churches 1450–1530

11 Altarpieces commissioned by the Venetian Scuole Grandi 1416–1517

12 Altarpieces commissioned by the Venetian Scuole Piccole 1450–1530

13 Altarpieces commissioned by the Venetian trade guilds 1450–1530

14 Altarpieces commissioned by the foreign communities 1438–1506

15 Destinations of Venetian altarpieces commissioned for export 1450–1530

16 Prices paid for Venetian altarpieces 1440–1532

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Book details

BOOKThe Altarpiece in Renaissance Venice

Peter Humfrey

https://doi.org/10.37862/aaeportal.00212

Stable URL: https://aaeportal.com/?id=-20370

The painting and carving of altarpieces was one of the most important and characteristic tasks of Italian Renaissance artists, yet the altarpiece as an artistic genre has been surprisingly neglected by art historians. This book—the first detailed study of the altarpiece in a major center of Renaissance art—focuses on Venice from 1450 to 1530. Peter Humfrey, an authority on Venetian painting, explores a wide range of issues surrounding altarpieces as an art form. These include the traditions of decoration of Venetian churches, the sacred and secular functions that altarpieces were expected to perform, the market for altarpieces, and the professional world of the Venetian artist. He discusses altarpieces by Bellini, Cima, the three Vivarini, and the young Titian, as well as by numerous other painters and sculptors of the period.

A central theme of the book is the relation between the altarpieces and their original physical and liturgical context. Throughout, Humfrey tries to reintegrate altarpieces with their intended settings, both for the sake of recapturing their full visual effect and as a basis for examining the ideological relationship between their subject matter and the altar table below. He also examines the complex mixture of motives, worldly as well as pious, that prompted fifteenth-century Venetians to spend large sums of money on commissioning altarpieces for the churches of their city. The first part of the book is thematic, dealing with the making, placement, and function of the altarpiece. The second part is a chronological discussion of specific works, focusing on the ways in which the artists met challenges posed by specific commissions. An appendix to the book gives further factual and bibliographical information about one hundred major Venetian altarpieces of the period.

*This eBook is available exclusively on the A&AePortal*

Author

Peter Humfrey

PublisherYale University Press

Print publication date July 1993 (out of print)

Print ISBN 9780300053584

EISBN 9780300258035

Illustrations 315

Print Status out of print

Publisher (out of print)

WorldCat

Google Books

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