Photographic credits

Kirkham, Pat

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Photographic credits

Pat Kirkham (Editor)

Women Designers in the USA, 1900–2000: Diversity and Difference

~Unless noted below, photographs are credited to the collectors, designers, museums, and other organizations listed in the captions and the Context Line, or to the photographic services of the Bard Graduate Center. Individual photographers, where known, are acknowledged below. Every effort has been made to contact copyright holders. Any errors or omissions...

Author

Pat Kirkham (Editor)

PublisherBard Graduate Center

PublisherYale University Press

Stable URL: https://aaeportal.com/?id=-20292

Photographic credits

Unless noted below, photographs are credited to the collectors, designers, museums, and other organizations listed in the captions and the Context Line, or to the photographic services of the Bard Graduate Center. Individual photographers, where known, are acknowledged below. Every effort has been made to contact copyright holders. Any errors or omissions brought to the publisher’s attention will be corrected in future editions.

Peter Aaron/ESTO, for Tom Lee, Inc.: Fig. 13–23. Academy of Motion Picture Arts and Sciences, Figs. 10–2, 10–3, 10–4, 10–5, 10–7, 10–9, 10–10, 10–11, 10–12, 10–15, 10–17, 10–19, 10–21, 10–24, 10–25, 14–3, 16–22. Ruven Afanador: Fig. 7–19. The African American Museum in Philadelphia, Gift of Anna Russell Jones (86.040): Fig. 1–28. Dugan Aguilar: Figs. 3–3, 3–5. David Allison: Figs. 3–18, 4–1, 4–2, 4–8, 8–18, 8–19, 8–21, 8–22, 8–25, 11–25, 15–13, 15–17; Cat. no. 130. America Hurrah Archive, New York: Fig. 3–32. American Museum of Natural History Library / R. Mickens: Fig. 3–26; Cat. no. 83. The Art Institute of Chicago: Fig. 13–1. Art Resource / Cooper-Hewitt, National Design Museum, Smithsonian Institution, New York: Figs. 16–5, 13–11, 13–16, 13–17, 13–20 (Horst); Cat. no. 173. Daniel Aubry / Clodagh Designs: Fig. 13–32. Bernard Banet: Fig. 11–4. Karen Bell: Figs. 6–19, 6–22, Eugene Bielawski: Fig 1–44. Bison Archive: Fig. 10-1. The Black Fashion Museum, Washington, D.C.: Fig. 4–4. Talisman Brolin: Fig. 1–45. Wil Brown / Philadelphia Museum of Art: Fig. 11–13. Bonnie Cashin: Fig. 7–9. Michael Cavanaugh/Kevin Montague: Fig. 9–24. Chicago Athenaeum Archives, Gift of Ellen Manderfield: Figs. 1–26 (Walter G. Manderfield), 11–5. Chicago Historical Society: Fig. 1–4. Chitimacha Tribe of Louisiana: Fig. 3–11. Cincinnati Museum Center: Fig. 15–1. Andrea Claire: Figs. 7–2, 7–7, 7–12, 7–14; Cat. nos. 37, 135. Communication Arts Magazine: Fig. 1–24. Conde Nast Publications, © House & Garden: Fig. 1–30. Harold Haliday Constain / Rose Cumming, Inc.: Fig. 13–10. Cooper Union Library, New York: Figs. 1–20, 1–21. Cranbrook Archives, Bloomfield Hills, Michigan: Figs. 1-A, 1–17, 1–43. Geoge Cserna/Vignelli Associates: Fig. 13–30. D.C. Moore Gallery, New York: Fig. 15–18. Agnes Denes: Fig. 14–9. Dorothy Draper and Company: Fig. 13–18. Dorothy Downs: Fig. 3–27. Lucia Eames d.b.a. Eames Office: Figs. 1–36, 5–11. Eastman Kodak: Fig. 4–27, © Ebony: Fig. 4–7. EFM Design: Cat. no. 186. Ellen McCluskey Associates: Fig. 13–22. Lisa Erramouspe: Fig. 8–3. F. Schumacher and Company: Figs. 5–4, 5–14. Lee Fatherree: Fig. 9–22. Phil Fein / Dorothy Draper and Company: Fig. 13–19. Florence Knoll Collection: Fig. 11–9. Matt Flynn / Cooper-Hewitt, National Design Museum, Smithsonian Institution, New York: Figs. 4-A, 4–26, 8–23, 11–21. Dan Forer / Conde Nast Publications, Architectural Digest: Fig. 4–23. Frick Collection, New York: Fig. 13–8. Fuller Museum of Art, Brockton, Massachusetts: Fig. 12–9. Gallery 1021: Lill Street, Chicago: Fig. 15–16. General Motors Media Archives: Figs. 1–25, 11–16. Richard P. Goodbody / Montreal Museum of Decorative Arts: Figs. 1–38, 5–12, 5–13. Janis Hall: Fig. 14–14. Holly Hampton: Fig. 1–14. Karen Hampton: Fig. 1–15. Peter Harholdt / The Mitchell Wolfson Jr. Collection, The Wolfsonian-Florida International University, Miami Beach, Florida: Figs. 9–10, 13–6. Hearst Castle, Hearst San Simeon State Historical Monument / A. Wisdom: Fig. 13–5. Hedrich-Blessing Photographers: Fig. 13–26; Cat. no. 193. Greg Heins, Boston: Fig. 12–4. R. H. Hensleigh / Cranbrook Art Museum: Figs. 5–8, 9–3, 11–7; Cat. no. 41. Mattie Edwards Hewitt / Cornell University Library: Fig. 14–5. Eva Heyd: Fig. 11–10; Cat. no. 159. Eva Heyd / American Craft Museum: Figs. 8–11, 8–15, 8–16, 8–24, 15–14. Melanie Printup Hope: Fig. 3–31. Jerry Howard: Fig. 14–15. Hub Willson Photography / Knoll Associates: Fig. 11–8. Hugh Tifft Photography: Figs. 2–4, 15–5, 15–19. Indiana University Art Museum / Michael Cavanagh and Kevin Montague: Fig. 9–15. JMW Gallery, Boston: Fig. 12–2. Joe Salem Photography/Bishop Museum: Fig. 6–15. John Elder Gallery: Fig. 12–14. John F. Kennedy Library, Boston: Fig. 4–6; Cat. no. 113. Karen Karnes: 15–21. Carl Kaufman / Yale University Art Gallery: Fig. 12–12. Elliott Kaufman / Daroff Design: Fig. 13–25. Kent State University News Service: 8–10. Scott Klette / Nevada State Museum: Cat. no. 28. Knoll Associates: Fig. 13–24; Cat. no. 215. Jean Ray Laury: Fig. 6–11. Judith Leiber: Cat. no. 120. Library of Congress, Prints and Photographs Division (ca. 1905): Fig. 1–39. Tom Liden: Fig. 3–4. Los Angeles County Museum of Art: Fig. 11-A. Herbert Lotz: Fig. 3–19. Nancy Youngblood Lugo: Fig. 3–21. Mellisa Karlin Mahoney: Figs. 6–12, 6–16 (courtesy of Primedia Special Interest Publications). Paul Margolies: Fig. 6–21. Maris Photo / Vignelli Associates: Fig. 1–35. Mark Twain Memorial, Hartford, Connecticut: Fig. 1–2, 1–3, 2–2 Santana Martinez: Fig. 1–10. Massachusetts College of Art, College Archives, Morton R. Godine Library: Figs. 1–7, 1–27. Peter Mauss / ESTO: Fig. 14–13. Scott McCue / Pritam & Eames: Fig. 12–10. McMillen, Inc., New York: Figs. 13–14, 13–15. Luis Medina, © Peter S. Reed: Fig. 13–9. Steve Hall / Hedrich-Blessing: Fig. 13–31. The Metropolitan Museum of Art, New York: Fig. 7–10. Michigan State University Museum/Pearl Yee Wong: Fig. 3–8. J. T. Miller: Fig. 1–37. Moore College of Art and Design, Philadelphia: Fig. 1–6. Museum of the City of New York: Fig. 13–7. Museum of Modern Art Stills Archive: Figs. 10–6, 10–8, 10–13, 10–14, 10–16, 10–18, 10–20, 10–22, 10–23. Museum of New Mexico: Frasher: Fig. 8–1. Naomi Leff and Associates: Fig. 13–28. New York Public Library: Fig. 4–5. Mary E. Nichols/J. Robert Scott, Inc.: Fig. 13–27. North Carolina State Archives: Figs. 12–6, 12–7. The Oakland Museum: Figs. 9–5, 9–6. Parsons School of Design, New York, The Anna-Maria and Stephen Kellen Archives: Fig. 1–22, 1–23, 1–29. Nancy Perkins: Fig. 1–8, 1–9, 11–1. Pewabic Pottery, Detroit: 15–2 Leslie Piña: Fig. 11–19. Gary Pollmiller: Fig. 9–16. Tim Street Porter: Fig. 14–18. Richard Quinn: Fig. 11–14. Marvin Rand, © Lucia Eames d.b.a. Eames Office: Fig. 11–11. Ray Reiss Photography: 15–8. Cheryl Riley, Fig. 1–44a. Faith Ringgold: Figs. 4–3, 4–14. Sharon Risedorph: Fig. 6–18. Giles Rivest / Montreal Museum of Decorative Arts: Fig. 8–7. Robert Cargo Folk Art Gallery, Figs. 4–11, 4–12. Chris Roberts: Fig. 3–25. Lynn Rosenthal / Philadelphia Museum of Art: Fig. 5–9. Sakiestewa Textiles: Fig. 3–13. F. Sarin/University of Pennsylvania: Fig. 3–2. Nora Scarlett: Figs. 13-A, 13–11. Sears Archives, Chicago: Fig. 6–8. Owen Seumptewa: Fig. 1–42. Helen Shirk: Fig. 9–25. Ilonka Sigmund: Fig. 1–11. Jim Simmons / Annette Del Zoppo: Figs. 4–21, 4–22, 16–14; Cat. no. 198. Irving Solero / Museum at the Fashion Institute of Technology, New York: Figs. 5–15, 5–19. Spannierman Gallery: Fig. 4–10. Sussman/Prejza & Company: Figs. 1–16, 1–18, 1–19, 16–15. Ezra Stoller / ESTO: Fig. 13–29. Nancy Ellen A. Streeter: Fig. 1–33. Syracuse China Company: Fig. 13–4. Time Inc., © Life Magazine: Fig. 1–31, 1–32. University City Public Library, University City, Missouri: Fig. 1–7a. University of Arizona Library, Special Collections: Fig. 1–40. Vandouris Photo, San Francisco: Fig. 12–15. G. W. Vance / University of Arizona Library, Special Collections: Fig. 13–3. Vignelli Associates: Fig. 9–19, 11–20. Peter Vitale / McMillen, Inc., New York: Fig. 13–21. Merikay Waldvogel: Figs. 4–15, 6–2, 6–6, 6–7, 6–10. Richard Walker / American Quilters Society, Paducah, Kentucky: Fig. 6–13. Denise Wallace: Fig. 3–29 and detail; Cat. no. 171. Alan Ward: Figs. 14–1, 14–11. Barbara D’Arcy White: Fig. 13–33. Bruce White: Halftitle page; Figs. 2-A, 2–3, 2–5, 2–6, 2–7, 2–11, 2–13, 3–22, 3–23, 3–30, 5–16, 7–15, 8–5, 8–6, 8–8, 8–12, 11–18, 11–23, 12-A, 12–8, 13–13, 15–9, 15–11, 15–20; Cat. nos. 189, 168. Timothy White: Fig. 10-A; Cat, no. 210. Gavin Wilson: Figs. 4–19, 4–28, 14–12, 16–1, 16–2, 16–3, 16–7, 16–16, 16–19. Graydon Wood/Philadelphia Museum of Art: Fig. 11–12. Woodard and Greenstein American Antiques, New York: Fig. 6–4. Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library, New Haven: Fig. 4–16. Yeohlee Teng: Fig. 7–18 (taken at the installation of “Intimate Architecture: Contemporary Clothing Design,” Hayden Gallery, M.I.T., May—June, 1982). Eva Zeisel: Fig. 1–34.

Film copyrights, all rights reserved: © Buena Vista International, Burbank: Fig. 10–22. © Columbia Pictures, Culver City: Figs. 10–13, 10–15, 16–22. © Dreamworks Skg, Universal City: Figs. 4–28, 10–25. MGM-Pathé Communications Co., Santa Monica: Fig. 10–24 [© 1991]. New Line Productions, Inc., New York / Photo by Ralph Nelson: Fig. 10–23 [© 1998]. Orion Pictures Corporation: Context line, still from Thelma and Louise [© 1991]. Paramount Pictures, Hollywood: Fig. 10–6 [© 2000]. Twentieth Century Fox Film Corporation: Fig. 10–9 [© 1944]; 10–10 [© 1956]; 10–11 [© 1965]. © Universal Studios Licensing Inc., Universal City: Figs. 10–5, 10–17. ©Warner Bros., Burbank: Figs. 10–2, 10–7, 10–8, 10–12, 10–14, 10–16, 10–19, 10–20, 10–21, 14–2.

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