Contributors

Kirkham, Pat

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Contributors

Pat Kirkham (Editor)

Women Designers in the USA, 1900–2000: Diversity and Difference

Contributors

Author

Pat Kirkham (Editor)

PublisherBard Graduate Center

PublisherYale University Press

Stable URL: https://aaeportal.com/?id=-20289

Contributors

JAGQUELINE M. ATKINS—Adjunct associate professor, New York University. Publications include Shared Threads: Quilting Together Past and Present (1994) and (coauthor) Folk Art in American Life (1995). Ph.D candidate, Bard Graduate Center, New York.

WHITNEY BLAUSEN—Independent textile historian, writer, and researcher. Frequent contributor to publications, including Fiber Arts, Contemporary Fashion (1995), and The Dictionary of Women Artists (1997).

EILEEN BORIS—Professor, Studies in Women and Gender, University of Virginia; Charlottesville, and coordinating editor of Iris: A Journal About Women. Publications include Art and Labor (1986) and Home to Work (1995). Editorial board: Journal of Women’s History.

CHERYL BUGKLEY—Reader in Design History, University of Northumbria, England. Publications include Potters and Paintresses (1990) and “Made in Patriarchy,” in Design Issues 3 (1986).

LESLIE ROSE CLOSE—Landscape historian. Founding director, Program in American Landscape History, Wave Hill, New York (1980–88). Publications include “A History of Women in Landscape Architecture” in The Gardens of Ellen Biddle Shipman, edited by Judith Tankard (1996).

EDWARD S. COOKE JR.—Charles F. Montgomery Professor of American Decorative Arts, Yale University. Publications include New American Furniture (1989) and Making Furniture in Pre-Industrial America (1996).

JEANNINE FALINO—Carolyn and Peter Lynch Curator of Decorative Arts and Sculpture, Museum of Fine Arts, Boston. Publications include “Circles of Influence, Metalsmithing in New England” in Inspiring Reform: Boston’s Arts and Crafts Movement (1997).

TONI GREENBAUM—Independent art and design historian and curator. Publications include essay and catalogue for Messengers of Modernism: American Studio Jewelry (1996) and the jewelry and metalwork sections of Design 1935–1965: What Modern Was (1991)

JUDITH GURA—Assistant professor, Pratt Institute, Brooklyn; professor, New York School of Interior Design. Publications include Edward Wormley: The Other Face of Modernism (exhibition catalogue, 1997).

ELLA HOWARD—Ph.D. candidate, American and New England Studies, Boston University; master’s degree, Bard Graduate Center, New York. Co-editor of Studies in the Decorative Arts (Fall/Winter 2000–2001), a special issue on women designers.

WENDY KAPLAN—Associate director for exhibitions and cultural affairs, Wolfsonian Foundation and Florida International University, Miami Beach. Publications include (editor) “The Art That Is Life”: The Arts and Crafts Movement in America (1987) and Leading “The Simple Life”: The Arts and Crafts Movement in Britain (1999).

PAT KIRKAM—Professor, Bard Graduate Center, New York; Visiting Professor, The Southampton Institute, England. Publications include Charles and Ray Eames (1995) and (co-editor and contributor) A View from the Interior: Women and Design (1989 and 1995).

PAMELA KLADZYK—Adjunct professor, Parsons School of Design, New York. Recipient of grant from Parsons to develop a new course on Native American art, design, and craft. Publications include (project research editor) Through Indian Eyes (1996).

DEBORAH NADOOLMAN LANDIS—film costume designer and dress historian. Film credits include Raiders of the Lost Ark (1981), Coming to America (1988), and The Blues Brothers (1980).

ELLEN LUPTON—Adjunct curator of contemporary design, Cooper-Hewitt, National Design Museum, Smithsonian Institution, New York, and chair of the graphic design program, Maryland Institute, College of Art, Baltimore. Publications include Mechanical Brides: Women and Machines from Home to Office (1993).

ERIC SETLIFF—Gansevoort Gallery, New York. Master’s degree, University of Toronto, and (in progress) Bard Graduate Center, New York. Publications include The Nordic Modern Movement (exhibition catalogue, 1998) and an essay in Gendered Parts: Historical Essays (1999).

MARY SCHOESER—Decorative arts writer, curator, broadcaster, archivist and consultant. Regular contributor to Crafts. Recent publications include textile entries in Materials and Techniques of the Decorative Arts (2000)

PENNY SPARKE—Dean and Professor, Faculty of Design, University of Kingston, England. Publications include As Long as It’s Pink: The Sexual Politics of Taste (1995) and (editor) The Plastic Age: From Modernity to Post-Modernity (1990).

SHAUNA STALLWORTH—Executive director, Organization of Black Designers, Washington, D.C. Creative director of the design firm LUHF & LUMM. Regular contributor to Interior & Sources.

VALERIE STEELE—Chief curator, Museum at the Fashion Institute of Technology, New York, and editor of Fashion Theory: The Journal of Dress, Body and Culture. Publications include Fifty Years of Fashion (1996) and Fetish: Fashion, Sex, and Power (1996).

LYNNE WALKER—Architectural and design historian, curator, and broadcaster, London. Publications include Drawing on Diversity: Women, Architecture and Practice (1997). Former editorial board member of the Woman’s Art Journal and Art History.

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