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Mark Rothko’s Multiforms, 1946–1950: Transforming the Painted Surface
Allison Langley and Suzanne Quillen Lomax
Description: Facture: Conservation Science Art History Volume 2: Art in Context
Facture: Conservation Science Art History Volume 2: Art in Context
Mark Rothko (1903 – 1970) was a reclusive painter, rarely allowing anyone to see him at work in his studio (fig. 1) and reticent when questioned about his painting techniques and materials...
Author
Allison Langley and Suzanne Quillen Lomax
PublisherNational Gallery of Art
Copyright© 2015 Board of Trustees, National Gallery of Art
Related print edition pages: pp.110-137
https://doi.org/10.37862/aaeportal.00201.005
Stable URL: https://aaeportal.com/?id=-20068
Chapter subject tags:Painting, American--20th centuryPainting--Conservation and restorationAbstract expressionism--United StatesBetty Parsons Gallery

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Mark Rothko’s Multiforms, 1946–1950: Transforming the Painted Surface
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