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Description: Art of the United States, 1750–2000: Primary Sources
Credits
PublisherTerra Foundation for American Art
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Credits
Every effort has been made to trace individual copyright holders for the reproductions used in this book, and any omissions are unintentional.
Illustrations
Front cover: Courtesy of the Archives of American Art; 25, 27, 169: Courtesy of the Pennsylvania Academy of the Fine Arts, Philadelphia; 26, 28, 220: Photograph © 2020 Museum of Fine Arts, Boston; 29: Terra Foundation for American Art, Chicago, IL; 30, 68, 70, 165, 215, 221: Courtesy National Gallery of Art, Washington; 114: Photography by The Metropolitan Museum of Art; 115: Courtesy of the Huntington Art Collections, San Marino, California. Photography © 2014 Fredrik Nilsen; 117: Photography © New-York Historical Society; 170, 302, 304: The Art Institute of Chicago/Art Resource, NY; 171: Addison Gallery of American Art, Phillips Academy, Andover, MA/Art Resource, NY; 222: The Metropolitan Museum of Art Image copyright © The Metropolitan Museum of Art. Image source: Art Resource, NY; 257: Bruce M. White, Princeton University Art Museum/Art Resource, NY; 258: © 2019 Delaware Art Museum / Artists Rights Society (ARS), New York; 260: © 2019 Estate of John Marin / Artists Rights Society (ARS), New York. Photo Credit: The Art Institute of Chicago/Art Resource, NY; 261: Photo © Sheldon Museum of Art; 262: © Georgia O’Keeffe Museum. Photo: Malcolm Varon 2001. The Georgia O’Keeffe Museum Photo Credit: Georgia O’Keeffe Museum, Santa Fe/Art Resource, NY. © 2019 Georgia O’Keeffe Museum/Artists Rights Society (ARS), New York; 300: Newark Museum/Art Resource, NY; 301: © The Metropolitan Museum of Art; 303: Eskenazi Museum of Art, Indiana University. Photograph by: Kevin Montague. © 2019 Estate of Stuart Davis / Licensed by VAGA at Artists Rights Society (ARS), NY; 305: From The New York Public Library: https://digitalcollections.nypl.org/items/6ca557ed-9597-5dcd-e040-e00a18065af4; 345: ©1991 Hans Namuth Estate, Courtesy Center for Creative Photography; 346: Digital Image © The Museum of Modern Art/Licensed by SCALA/Art Resource, NY; 347: © Berenice Abbott via Getty Images; 354: bpk Bildagentur/Staatsgalerie/Art Resource, NY. © 2019 The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York; 355: Digital Image © The Museum of Modern Art/Licensed by SCALA/Art Resource, NY. Art © 2019 The Barnett Newman Foundation / Artists Rights Society (ARS), New York; 356: © 1998 Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York; 357: Photography by Cathy Carver. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution. © 2019 The Easton Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY; 358: © Robert Rauschenberg Foundation. Photograph: Ben Blackwell; 359: Digital Image © The Museum of Modern Art/Licensed by SCALA/Art Resource, NY. © 2019 Jasper Johns / Licensed by VAGA at Artists Rights Society (ARS), NY; 360: © Robert Frank, from The Americans; courtesy Pace/MacGill Gallery, New York; 397: © 2019, Stephen Shames / Polaris Images; 404: Photographer credit: John R. Glembin. © 2019 Romare Bearden Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY; 405: Digital Image © The Museum of Modern Art/Licensed by SCALA/Art Resource, NY. Art © 2019 The Andy Warhol Foundation for the Visual Arts, Inc./Licensed by Artists Rights Society (ARS), New York; 406: © Estate of Roy Lichtenstein; 407: Digital Image © The Museum of Modern Art/Licensed by SCALA/Art Resource, NY. Art © 2019 Judd Foundation / Artists Rights Society (ARS), New York; 408: Photo © Tate, London/Art Resource, NY. Art © 2019 The LeWitt Estate/Artists Rights Society (ARS), New York; 409: © The Estate of Eva Hesse. Courtesy Hauser & Wirth; 410: © Adrian Piper Research Archive Foundation Berlin; 458: Photograph courtesy of The NAMES Project; 459: Digital image © Whitney Museum of American Art / Licensed by Scala / Art Resource, NY: 466: Courtesy of Cindy Sherman and Metro Pictures, New York; 467: ID 80000319 © Kmiragaya | Dreamstime.com; 468: © Estate of Jean-Michel Basquiat. All rights reserved. Licensed by Artestar, New York; 469: © Robert Mapplethorpe Foundation. Used by permission; 470: Photographic Archive Museum of Modern Art. Photographer: Mali Olatunj. Digital Image © The Museum of Modern Art/Licensed by SCALA/Art Resource, NY; 471: Photograph courtesy Maryland Historical Society; 472: © Kara Walker, courtesy of Sikkema Jenkins & Co., New York; 512: Library of Congress, Geography and Map Division; © The Trustees of the British Museum; 513: Library of Congress Prints and Photographs Division; 514: Library of Congress, Geography and Map Division; 515: Pennsylvania Academy of the Fines Arts, Philadelphia; From The New York Public Library: https://digitalcollections.nypl.org/items/510d47d9-7e82-a3d9-e040-e00a18064a99; 516: Courtesy Cherokee National Archives; Smithsonian Institution Archives; 518: Courtesy National Park Service; 519: Beinecke Rare Book and Manuscript Library, Yale University; 521: The Metropolitan Museum of Art; Library of Congress Prints and Photographs Division; 522: Library of Congress Prints and Photographs Division; 523: Digital Image © The Museum of Modern Art / Licensed by SCALA / Art Resource, NY. © 2019 Estate of Margaret Bourke-White / Licensed by VAGA at Artists Rights Society (ARS), NY; 524: Steve Schapiro / via Getty Images; 525: CNP / via Getty Images; 526: Courtesy National Aeronautics and Space Administration; 526.
Texts
264–266: Quotes from pp. 13, 109–10, 185, 230, 298, 305–6, 310, 315, 361, 431, 549, 554, 578, 633 from JOHN SLOAN’S NEW YORK SCENE by JOHN SLOAN. Copyright (c) 1965 by Helen Farr Sloan, renewed 1993 by Helen Farr Sloan. Reprinted by permission of HarperCollins Publishers; 307–309: © 2019 Georgia O’Keeffe Museum / Artists Rights Society (ARS), New York; 310–311: Originally published in ARTnews, November 1960. Copyright © Art Media Holdings, LLC, New York. Reprinted by permission. http://www.artnews.com; 313–315: © 2019 Heirs of Josephine Hopper / Licensed by Artists Rights Society (ARS), NY; 320–321: © 2019 Romare Bearden Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY; 321–323: © 2019 Heirs of Aaron Douglas / Licensed by VAGA at Artists Rights Society (ARS), NY; 330–332, 342–343, 383–384, 384–385, 390–391: Reprinted from LIFE Magazine, U.S. Camera Annual, and TIME Magazine and published without objection from TI Gotham Inc. Reproduction in any manner in any language in whole or in part without written permission is prohibited.; 334–335: Republished with permission of ABC-CLIO Inc., from Stuart Davis, ed. Diane Kelder, 1971; permission conveyed through Copyright Clearance Center, Inc.; 335–336: Originally published in ARTnews, February 1943. Copyright © Art Media Holdings, LLC, New York. Reprinted by permission. http://www.artnews.com; 339–341: Republished with permission of The Atlantic Monthly Group, Inc., from The Atlantic, Norman Bel Geddes, November 1934; permission conveyed through Copyright Clearance Center, Inc.; 361–363: Norman Rockwell as told to Tom Rockwell, Norman Rockwell’s My Adventures as an Illustrator; 364–365: Jackson Pollock, “Self-interview with Howard Putzel”; Arts & Architecture, February 1944; © Travers Family Trust. Used with permission; 365–367: © 2019 The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York; 367–370: © 1998 Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York; 370–371: © 2019 The Barnett Newman Foundation /Artists Rights Society (ARS), New York; 371–373: Originally published in Art in America, Summer 1962. Copyright © Art Media Holdings, LLC, New York. Reprinted by permission. https://www.artnews.com/c/art-in-america; 373–375: Republished with permission of Beacon Press, from Art and Culture: Critical Essays by Clement Greenberg, 1955; permission conveyed through Copyright Clearance Center, Inc.; 376–378: Originally published in ARTnews, December 1952. Copyright © Art Media Holdings, LLC, New York. Reprinted by permission. http://www.artnews.com; 382–383: Courtesy of Inge Dawn Howe Maresh; 386, 392–394: © 1959, The Museum of Modern Art, New York; 386–388: Oral history interview with Robert Rauschenberg, 1965 Dec. 21. Archives of American Art, Smithsonian Institution; 411–413: Originally published in ARTnews, May 1961. Copyright © Art Media Holdings, LLC, New York. Reprinted by permission. http://www.artnews.com; 414: Statement [I am for an art...], 1961. Originally written for the brochure of the exhibition “Exhibitions, Situations, Spaces,” at the Martha Jackson Gallery, where it was published in a shortened version. The complete version was previously published in Claes Oldenburg, Store Days (New York: Something Else, 1967), pp. 39–42. Copyright 1961 Claes Oldenburg.; 415–417: Originally published in ARTnews, November 1963. Copyright © Art Media Holdings, LLC, New York. Reprinted by permission. http://www.artnews.com; 418–423: Republished with permission of Oxford University Press, from Oxford Art Journal, “What is Pop Art? A Revised Transcript of Gene Swenson’s 1963 Interview with Andy Warhol” by Gene Swenson and Andy Warhol, transcribed by Jenn Sichel, 2018; permission conveyed through Copyright Clearance Center, Inc.; 423–425: © Carolee Schneemann. Courtesy of Carolee Schneemann, Galerie Lelong & Co., and P•P•O•W, New York; 426–428: Originally published in ARTnews, September 1966. Copyright © Art Media Holdings, LLC, New York. Reprinted by permission. http://www.artnews.com; 429–431: © 2019 The Estate of Robert Morris / Artists Rights Society (ARS), New York; 429–430: © Artforum, February 1966, “Notes on Sculpture, Part I” by Robert Morris; 430–431: © Artforum, October 1966, “Notes on Sculpture, Part II” by Robert Morris; 432–434: © Artforum, Summer 1967, “Art and Objecthood,” by Michael Fried; 434–436: © 2019 The LeWitt Estate / Artists Rights Society (ARS), New York; 434–436: © Artforum, Summer 1967, “Paragraphs on Conceptual Art,” by Sol LeWitt; 437–438: Courtesy of Art Workers’ Coalition participants; 438–440: © 2019 Emory Douglas / Artists Rights Society (ARS), New York; 443–444: © 2019 Holt / Smithson Foundation and Dia Art Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY; 445–447: © Artforum, September 1974, “Judy Chicago, Talking to Lucy R. Lippard,” by Judy Chicago and Lucy R. Lippard; 447–450: Republished with permission of Wadsworth, a division of Cengage Learning, from Sunshine Muse: Contemporary Art on the West Coast, Peter Plagens, 1974; permission conveyed through Copyright Clearance Center, Inc.; 450–453: Adrian Piper, excerpts of “Notes on The Mythic Being,” Parts I and II, written in March 1974 and January 1975, first published in: Individuals: Post-Movement Art, ed. Alan Sondheim (New York: E. P. Dutton, 1977): 267–289; reprinted in Out of Order Out of Sight, Volume I: Selected Writings in Meta-Art 1968–1992 (Cambridge, MA: MIT Press), pp. 117–137. © Adrian Piper Research Archive Foundation Berlin.; 476: Reprint: Cindy Sherman, in: Rudi Fuchs, documenta 7, Kassel: Dierichs, 1982, vol. 1, p. 411; 479–480: From BOUNDARIES by Maya Lin. Copyright © 2000 by Maya Lin Studio, Inc. Reprinted with permission of Simon & Schuster, Inc. All Rights Reserved; 481–483: Hans Haacke / VG Bild-Kunst. Courtesy the artist and Paula Cooper Gallery, New York; 489–491: This essay was originally published by the ICA on the occasion of the exhibition “Robert Mapplethorpe: The Perfect Moment,” which was held at the Insti- tute of Contemporary Art at the University of Pennsylvania. December 9, 1988–January 29, 1989; 492–494: This interview, Gran Fury by Robert Gober, was commissioned by and first published in BOMB No. 34, Winter 1991. © Bomb Magazine, New Art Publications, and its Contributors. All rights reserved. The BOMB Digital Archive can be viewed at www.bombmagazine.org; 500–502: © Kara Walker, courtesy of Sikkema Jenkins & Co., New York.