Contributors

Clark, Alexis; Fowle, Frances

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Contributors

Alexis Clark (Editor), Frances Fowle (Editor)

Globalizing Impressionism: Reception, Translation, and Transnationalism

Ahu Antmen, professor, Marmara University

Author

Alexis Clark (Editor), Frances Fowle (Editor)

PublisherYale University Press

Stable URL: https://aaeportal.com/?id=-20018

Contributors

Ahu Antmen, professor, Marmara University

Emily C. Burns, associate professor, Auburn University

Ana Marie Tavares Cavalcanti, professor, Universidade Federal do Rio de Janeiro

Laura Moure Cecchini, assistant professor, Colgate University

Alexis Clark, visiting scholar, Duke University

Laura Dickey Corey, senior research associate, Director’s Office and European Paintings, Metropolitan Museum of Art, New York

Frances Fowle, Personal Chair of Nineteenth-Century Art, University of Edinburgh, and senior curator, French art, National Galleries of Scotland

Mitchell B. Frank, associate professor, Carleton University

Yukiko Kato, associate professor, Saitama University

Emma Kindred, curator of Nineteenth-Century Australian Art, National Gallery of Australia

Morna O’Neill, associate professor, Wake Forest University

Richard Shiff, Effie Marie Cain Regents Chair in Art and director, Center for the Study of Modernism, University of Texas at Austin

Joost van der Hoeven, research associate, Van Gogh Museum

Hadrien Viraben, postdoctoral fellow, Le Mans Université

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Book details

BOOKGlobalizing Impressionism: Reception, Translation, and Transnationalism

Alexis Clark (Editor), Frances Fowle (Editor)

https://doi.org/10.37862/aaeportal.00198

Stable URL: https://aaeportal.com/?id=-19996

For many decades, impressionism has occupied a central place in the canon of art history, but new transnational approaches to the study of nineteenth-century art have complicated the perpetuation of Francocentric histories. As the field’s attention has increasingly turned to places outside of France, including Britain, the United States, Australia, and beyond, the time is ripe to place impressionism within a global context.

In this collection of 14 essays, a distinguished group of scholars deploy new methodological tools, theories, and paradigms to explore how impressionism as an artistic language simultaneously operated locally, nationally, and internationally around the world; how Europe, especially Paris, has existed as a privileged center of modernity and modern art; how a transnational network of artists, critics, scholars, curators, and dealers worked across linguistic, institutional, geographical, and political boundaries; and much more. These texts, while not abandoning France and French impressionism, contribute to the ongoing work to dismantle the franco-centrism of impressionism studies and the anglocentrism of art history as a discipline.

This born-digital publication is available exclusively on the A&AePortal.

Author

Alexis Clark (Editor), Frances Fowle (Editor)

PublisherYale University Press

EISBN 9780300247756

Illustrations 92

Print Status in print

Publisher (born-digital)

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