Part Two

McCauley, Elizabeth Anne

I don't have an account

Create an account to save content, highlights, and notes to your personal bookshelf.

If you do not have access to the eBook content on the A&AePortal via an institutional subscription, you can purchase an individual subscription from your account. Learn more about subscriptions.

Purchase a subscription

Save Cite Share

Free

Part Two

Elizabeth Anne McCauley

Industrial Madness: Commercial Photography in Paris, 1848–1871

Part Two

Author

Elizabeth Anne McCauley

PublisherYale University Press

https://doi.org/10.37862/aaeportal.00182.008

Stable URL: https://aaeportal.com/?id=-19724

Part Two

Book details

BOOKIndustrial Madness: Commercial Photography in Paris, 1848–1871

Elizabeth Anne McCauley

https://doi.org/10.37862/aaeportal.00182

Stable URL: https://aaeportal.com/?id=-19716

In 1848 there were thirteen commercial photographic studios in the city of Paris. By 1871 this number had expanded to almost 400. This book is the first to analyze the origins of professional photography during the Second Empire and its transformation from a novel curiosity to a vital part of the urban environment.

Drawing on extensive archival documentation, Elizabeth Anne McCauley profiles the people who became commercial photographers—the innovators, entrepreneurs, and "artistes" who tried to earn their fortunes but were beset by bankruptcy and failure. She also discusses the business of photography—the ways studios were formed, products promoted, and financial backers found. In a detailed analysis of five studios that represent different aspects of commercial production, from industrial photographs to art reproductions, McCauley uncovers the social, political, and psychological needs that each type of photography satisfied. For example, in a groundbreaking examination of the market for photographs of female nudes, McCauley documents how the photographs reinforced masculine stereotypes of female sexual passivity, how government responses to such images reflected the precariousness of Napoleon III's political power, and how the photographs were positioned within ongoing arguments about realism as a new literary and artistic movement. Industrial Madness is not only an innovative contribution to the sociology of the arts but also an exploration of the ways ideology and visual representation intersected during the decades that saw the birth of modernism.

The book also includes a comprehensive listing of commercial photographers working in Paris between 1848 and 1871.

*This eBook is available exclusively on the A&AePortal*

Author

Elizabeth Anne McCauley

PublisherYale University Press

Print publication date March 1994 (out of print)

Print ISBN 9780300038545

EISBN 9780300253344

Illustrations 141

Print Status out of print

Publisher (out of print)

WorldCat

Google Books

Base text size -

Chapter images ()