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List of illustrations

  • The Triumph of the Republic (Le Triomphe de la République), front view
  • The Triumph of the Republic, (Le Triomphe de la République), side view
  • Salon at the rue des Moulins (Le Salon de la rue des Moulins)
  • General view of the 1889 Exposition Universelle
  • General view of the 1900 Exposition Universelle
  • General Boulanger
  • Prehistoric Man (L'Homme préhistorique)
  • Modern Man (L'Homme nouveau)
  • Exhibition of Motor Car Transport (Exposition de Locomotion Automobile)
  • Maquette for the 2 franc piece
  • Who did one vote for? (Pour qui votait-on?)
  • Bookcase
  • Study of a Young Woman (Etude de jeune femme)
  • La Sorbonne
  • The Apparition (Salome)
  • The Wasps' Nest (Le Guêpier)
  • Beauty (Beauté)
  • Venus de Milo
  • The Shower at the Barracks (La Douche au régiment)
  • Bather with Long Hair (Baigneuse aux cheveux longs)
  • Bather drying Himself (Baigneur s'essuyant)
  • Models (Poseuses)
  • The Foot Bath (Le Bain de pieds)
  • On the Slope (Sur la butte)
  • The Sirens (Les Sirènes)
  • The Third Sex (Le Troisième Sexe)
  • Cover for Zé Boïm by Maurice de Souillac
  • In Bed: The Kiss (Au lit: le baiser)
  • The Roundabout on the Champs-Elysées (Le Rond-Point des Champs-Elysées)
  • Nude Woman (Femme nue)
  • Study of Buttocks (Etude de fesses)
  • Reclining Nude (Nue allongée)
  • Red-head (Rousse [La Toilette])
  • The Model's Break (Le Repos du modèle)
  • Hélène Vary
  • Torso of a Young Woman (Hélène Vary)
  • Indiscreet Rays (Rayons indiscrets)
  • Three Studies of a Woman (Trois études d'une femme)
  • Woman bathing (Femme au bain)
  • Breakfast after the Bath (Petit déjeuner après le bain)
  • Kneeling Woman (Femme nue, à genoux)
  • Woman leaving her Bath (Femme sortant du bain)
  • Iris, Messenger of the Gods (Iris, messagère des Dieux)
  • Iris, Messenger of the Gods (Iris, messagère des Dieux), placed in a reclining position
  • Chair
  • Illustration to Jean Champaubert, The Woman with a Cat (La Femme au chat)
  • Figure on a Book (L'Ecclésiaste)
  • Contortion: Demonic Attack (Contorsion: attaque démoniaque)
  • Portrait of a Man (Portrait d'homme)
  • Handle of a cane
  • Brennus and his Plunder (Le Brenn et sa part de butin)
  • Young Woman on a Bed (Jeune femme sur un lit)
  • After the Misdeed (Après la faute)
  • Young Woman Braiding her Hair (La Toilette)
  • Female Nudes with Cats (Nues aux chats)
  • Hélène Chatenay
  • Woman langorous on a Bed (Femme assoupie sur un lit)
  • Woman reclining on a Bed ('L'Indolente')
  • L'Homme et la femme
  • The First Wash [Birth of Bernadette] (La Première Toilette)
  • Marie de Régnier
  • Lovers (Amants)
  • The Life of Madame Somebody. No. 7: The Intoxications of Adultery (La Vie de Madame Quelconque. No. 7: Les Ivresses de l'adultère)
  • The Lie (Le Mensonge)
  • Intimacy (Intimité)
  • The Entrance to the 1889 Universal Exhibition (L'Entrée de l'Exposition Universelle de 1889)
  • La Place de l'Hôtel de Ville, Paris
  • La Salle Graffard
  • Insurrection
  • The Staircase of the Omnibus (L'Escargot d'omnibus)
  • The Defile of the Axe (Le Défilé de la hâche)
  • Paris, par Emile Zola
  • The Strike at Le Creusot (Le Grève à Le Creusot)
  • Charlotte Corday à Caen
  • Colonel de la Rochethulon presents the Standard of the 6th Regiment of Cuirassiers to the Recruits, January 1887 (Présentation de l'étendard aux recrues, janvier 1887)
  • Drill (L'Exercise)
  • The Way of the Cross (Le Chemin de la croix)
  • The Fête of the Centenary of the States General (Fête du centenaire des Etats généraux au bassin de Neptune à Versailles)
  • Souvenir of the National Holiday (Souvenir de la fête nationale)
  • The Fête de Bagnolet, the Crowning of the Laureate (La Fête de Bagnolet, le jour du couronnement de la rosière)
  • Working-class Theatre (Théâtre populaire)
  • View of the Trocadéro through the legs of the Eiffel Tower
  • Boulevard des Italiens, Morning, Sunlight Effect (Boulevard des Italiens, matin, effet de soleil)
  • Mardi Gras on the Boulevards (La Mi-Carème sur les boulevards)
  • Mardi Gras, Sunset, Boulevard Montmartre (Mardi Gras, soleil couchant, Boulevard Montmartre)
  • The Construction of the rue Réaumur (Le Percement de la rue Réaumur)
  • Long Street, Late Autumn Evening. Sunday (Longue rue, soir de fin d'automne. Dimanche)
  • The Shadow Hand (La Main d'ombre)
  • The Skirmish (L'Escarmouche)
  • The Moral to Draw (Moralité à tirer)
  • The Military Parade on the Champs-Elysées, 14 July 1885 (La Revue des Champs-Elysées, le 14 juillet 1885)
  • The Laying of the First Stone of the Alexander III Bridge (Inauguration de la première pierre du pont Alexandre III)
  • The Crowd in Paris (La Foule à Paris)
  • The Demonstration (La Manifestation)
  • The Illumination of the Place de la République on the installation of the maquette of The Republic by Lépold and Charles Morice
  • The 14th July, 1880 (Le 14 julliet 1880)
  • The Weary (Les Las)
  • God Voting (Le Dieu votant)
  • The Charge (La Charge)
  • Vision of the Sermon (Jacob Wrestling with the Angel)
  • Cardinal Charles Lavigerie, l'archevêque d'Alger
  • Sainte Radegonde
  • Prayer (La Prière)
  • Sancta Martha
  • The Cateschism Lesson (La Leçon de catéchisme)
  • The Holy Family at Rest in Egypt (La Sainte Famille se reposant en Egypte)
  • The Glorification of the Holy Cross (La Glorification de la Sainte Croix): Preparing the Censer (Préparation de l'encensoir); Angels and Choirboys with Censers (Anges et enfants aux encensoirs); Landscape (Paysage); Angels and Choirboys throwing Petals (Anges et enfants lançants des pétales); Preparing Baskets of Flowers (Préparation des courbeilles des fleurs); The Adoration of the Holy Cross (L'Exaltation de la Sainte Croix)
  • Path in the Trees (Le Chemin dans les arbres)
  • Flowerbed and Pool (Parterre et pièce d'eau)
  • The Legend of St. Hubert (La Légende de Saint Hubert)
  • The Legend of St. Hubert (La Légende de Saint Hubert): (iv) The Miracle (Le Miracle)
  • The Legend of St. Hubert (La Légende de Saint Hubert): (vii) The Arrival at the Hermitage (L'Arrivée à l'ermitage)
  • Henri-Etienne Sainte-Claire-Deville
  • In the Land of the Sea: The Farewells (Au Pays de la mer: Les Adieux)
  • The Consultation (La Consultation), central panel
  • The Resigned (Les Résignés)
  • If I were Pope (Si j'étais le Pape)
  • Leaving the Seminary (La Sortie du séminaire)
  • L'Education chrétienne
  • St. John Chrysosthome and the Empress Eudoxia (Saint Jean Chrysostome et l'Impératrice Eudoxie)
  • In Front of St. Sulpice (Devant Saint-Sulpice)
  • Golgotha
  • The Rich Young Man Went Away Sorrowful (Le jeune homme riche s'en alla triste)
  • The Annunciation
  • What Our Lord Saw from the Cross (Ce que voyait Notre-Seigneur sur la Croix)
  • The Magdalene at the House of the Pharisee (La Madeleine chez le Pharisien)
  • Friend of the Humble (Supper at Emmaus)
  • The Host (L'Hôte)
  • The Pilgrims of Emmaus (Les Pélérins d'Emmaüs)
  • Christ and the Disciples at Emmaus
  • Christ in a Peasant Home (Le Christ chez les paysans)
  • Faith (La Foi)
  • Sâr Josephin Péladan
  • Jeanne d'Arc
  • The Altar of the Orphan Girls (L'Autel des orphelines)
  • Restitution
  • Workers of France: Bring your Stone to Notre Dame du Travail (Travailleurs de France: Apportez tous votre pierre à Notre-Dame du Travail)
  • The Good Samaritan (Le Bon Samaritain)
  • Paul Déroulède
  • The Photographer at the Barracks (Le Photographe au régiment)
  • The General Inspection of Physical Exercises at the Prytanée Militaire (L'Inspection générale des exercices physiques au Prytanée Militaire)
  • Egalité, Liberté, Fraternité
  • Butcher's Shop, or Butchery (Boucherie)
  • The Reception of Admiral Avellan, place de l'Hôtel de Ville, 1893 (Réception de l'amiral Avellan, place de l'Hôtel de Ville, 1893)
  • Another Age…The Cossacks, the Cossacks! (Autre Temps…Les Cosaques, les Cosaques!)
  • Long Live the Tsar! (Vive le Tsar!)
  • Souvenir of the Visit of the Russian Squadron (Souvenir de la visite de l'escadron russe)
  • Map of France offered by Tsar Nicholas II to the President of the Republic (Carte de la France offerte en 1900 par le Tsar Nicolas II au président de la République)
  • Orpheus and Eurydice (Orphée et Eurydice)
  • The Rhine (Le Rhin)
  • Monument to the Children of the Cher killed for their Country (Monument des enfants du Cher morts pour la patrie)
  • Monument of French Remembrance (Monument du souvenir français)
  • Monument to the Fallen (Monument aux morts)
  • Genevieve revictualling Paris (Geneviève ravitaillant Paris)
  • La Bataille de Reichshoffen, 6 août 1870
  • Middle-class salon with reproduction of Alphonse de Neuville's Le Bourget, 30 octobre 1870
  • The Last Day of the Battalion (Le Dernier du bataillon)
  • Mademoiselle Fifi
  • Montbéliard: Paul Déroulède enters the Town first, and takes the Barricade (Montbéliard: Paul Déroulède entre le premier dans la ville, et enlève la barricade)
  • The Last Cartridges (Les Dernières Cartouches)
  • Take aim…Fake! (En joue…Faux!)
  • Board of Honour listing the subscribers for the purchase of the Maison de la Dernière Cartouche, Bazeilles
  • The Black Stain (La Tache noir)
  • The Virgin in School (La Vierge à l'école)
  • Grand Bazar de Bordeaux
  • The Death of Henri Regnault (La Mort d'Henri Regnault)
  • Card for a conscription number (Image d'Epinal)
  • We'll have them! (Nous les aurons!)
  • The Stategy Lesson (La Leçon de stratégie)
  • A Wedding at Didenheim (Alsace) (Une Noce à Didenheim (Alsace))
  • Revenge (Revanche)
  • Alsace (She is waiting) (L'Alsace (Elle attend))
  • The Future (L'Avenir); Forward, brave Pantin! (Hardy Pantin, en avant!); The Glorious Past (Le glorieux passé)
  • Died on the Field of Battle (Morts en combattant)
  • For Humanity, for Fatherland! (Pour l'Humanité, pour la patrie!)
  • The Review at Châlons, 9 October 1896 (La Revue de Châlons, 9 octobre 1896)
  • The Dream
  • In Front of Detaille's 'The Dream' (Devant 'Le Rêve' de Detaille)
  • The Conscripts (Les Conscrits)
  • At Twenty (A vingt ans)
  • The Re-Trial (La Révision)
Free
Description: The Troubled Republic: Visual Culture and Social Debate in France, 1889–1900
Contents
PublisherYale University Press
https://doi.org/10.37862/aaeportal.00162.001
Free
Description: The Troubled Republic: Visual Culture and Social Debate in France, 1889–1900
~The germ of this book goes back a long way, probably thirty years to a January evening at Pear Tree Cottage and being swept up by Roger Shattuck’s The Banquet Years. Starting work on Toulouse-Lautrec as a tyro art historian over twenty-five years ago I was struck by the fact that, apart from some of its major avant-garde figures, the 1890s in...
PublisherYale University Press
https://doi.org/10.37862/aaeportal.00162.002
Description: The Troubled Republic: Visual Culture and Social Debate in France, 1889–1900
Let me begin with two completely contrasting works, as ranging shots. The double inauguration in Paris of Jules Dalou’s great sculptural allegory Le Triomphe de la République spans more or less the decade I am going to address...
PublisherYale University Press
Related print edition pages: pp.1-16
https://doi.org/10.37862/aaeportal.00162.003

Access to this content is only available to subscribers. If you are at an institution that currently subscribes to the A&AePortal, please login to your VPN before accessing the site. If you have already purchased an individual subscription, please sign in to your account to access the content. Learn more about subscriptions.

Description: The Troubled Republic: Visual Culture and Social Debate in France, 1889–1900
~The human body was a significant element in many of the public debates in France during the 1890s. Its role may sometimes have been explicit and highlit, at others discreet or downplayed, but its centrality was apparent to all who looked below the surface of everyday discourse about the pressing issues of the moment. The memory of 1870–1,...
PublisherYale University Press
Related print edition pages: pp.19-76
https://doi.org/10.37862/aaeportal.00162.004

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Description: The Troubled Republic: Visual Culture and Social Debate in France, 1889–1900
During the 1890s the crowd was a phenomenon which generated fear and fascination. This was the case throughout Western industrialised countries and was the product of a combination of changes that to contemporaries seemed to have accumulated through the nineteenth century...
PublisherYale University Press
Related print edition pages: pp.79-115
https://doi.org/10.37862/aaeportal.00162.005

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Description: The Troubled Republic: Visual Culture and Social Debate in France, 1889–1900
~My arguments and analyses have tried to explore some crossroads where history and art history meet. By choosing four crucial social debates in France during the 1890s and looking closely at the imagery that intersected with them, I have...
PublisherYale University Press
Related print edition pages: pp.223-225
https://doi.org/10.37862/aaeportal.00162.008

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Free
Description: The Troubled Republic: Visual Culture and Social Debate in France, 1889–1900
Bibliography
PublisherYale University Press
https://doi.org/10.37862/aaeportal.00162.009
Free
Description: The Troubled Republic: Visual Culture and Social Debate in France, 1889–1900
Index
PublisherYale University Press
https://doi.org/10.37862/aaeportal.00162.010
Free
Description: The Troubled Republic: Visual Culture and Social Debate in France, 1889–1900
Photograph Credits
PublisherYale University Press
https://doi.org/10.37862/aaeportal.00162.011
The Troubled Republic: Visual Culture and Social Debate in France, 1889–1900
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