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Selected Bibliography
Bridget Alsdorf
Description: Fellow Men: Fantin-Latour and the Problem of the Group in Nineteenth-Century French...
Fellow Men: Fantin-Latour and the Problem of the Group in Nineteenth-Century French Painting
~This bibliography is divided into four sections: archival sources, printed primary sources, secondary sources on Fantin-Latour, and other secondary sources.
Author
Bridget Alsdorf
PublisherPrinceton University Press
Copyright© 2013 by Princeton University Press
https://doi.org/10.37862/aaeportal.00049.010
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Selected Bibliography
This bibliography is divided into four sections: archival sources, printed primary sources, secondary sources on Fantin-Latour, and other secondary sources.
ARCHIVAL SOURCES
Bibliothèque Nationale de France, Paris, Département des Estampes et de la photographie:
“Album de Coupures de Presse: Critiques sur l’œuvre de Fantin-Latour.” 3 vols. Yb3-2746-8. (Abbreviated ACP.)
“Correspondance avec et sur Fantin-Latour.” Z-17 (1-20)-Boîte 4.
“Documentation sur Henri Fantin-Latour.” 2 vols. Yb3-2747 (1)-4, Yb3-2747(2)-4.
“Œuvres de Fantin-Latour.” Est. Dc-686-Fol.
“L’Œuvre lithographique de Fantin-Latour.” Paris: L. Delteil, 1907. Dc-310a5-Pet. fol.
“Œuvre d’Ignace-Henri-Jean-Théodore Fantin-Latour.” Dc-310a+-Fol.
“Documentation consacrée à Henri Fantin-Latour. 1875–1937.” Yb3-3283 (1-32)-Boîte 4.
“Notes prises par M. Hédiard du vivant de M. Fantin-Latour.” Z-16 (1-2)-8.
“Album de portraits de Fantin-Latour et de sa famille. Photographies prises dans son atelier et à l’exposition de lithographies du Musée du Luxembourg en 1893.” NA-338-4.
Fantin-Latour correspondence, Galerie Brame & Lorenceau, Paris.
“Copies de lettres de Fantin à ses parents et amis, par Victoria Fantin-Latour.” 4 fascicules, R.8867 Réserve, Bibliothèque Municipale de Grenoble. (Abbreviated BMG.)
Fantin-Latour correspondence, Collection Frits Lugt, Fondation Custodia, Paris.
“The Correspondence of James McNeill Whistler, 1855–1903.” Centre for Whistler Studies, University of Glasgow. Online edition ed. Margaret F. MacDonald, Patricia de Montfort, and Nigel Thorp completed 2010; available at www.whistler.arts.gla.ac.uk/correspondence. (Abbreviated JMW Correspondence.)
Fantin-Latour drawings, RF 3381-RF 23523. Département des Arts Graphiques, Musée du Louvre, Paris.
Object and Artist files for Frédéric Bazille, Gustave Courbet, Edgar Degas, Henri Fantin-Latour, Edouard Manet, Pierre-Auguste Renoir, et al. Département de Documentation, Musée d’Orsay, Paris.
Pennell-Whistler Collection. Archives of American Art, Library of Congress, Washington, DC.
PRINTED PRIMARY SOURCES
Note: Reviews of Fantin-Latours paintings cited in the text and available in the Album de Coupures de Presse (ACP) cited in the preceding section are not reiterated here. For specific references, see notes.
Aicard, Jean. Lesjeunes croyances. Paris: Alphonse Lemerre, 1867.
—. Au clair de la lune, comédie en un acte, en vers. Paris: Alphonse Lemerre, 1870.
—. Les rébellions et les apaisements, poésies. Paris: Alphonse Lemerre, 1871.
—. Pygmalion, poème dramatique en 1 acte. Paris: A. Lemerre, 1872.
—. “Le Salon de 1872.” La Renaissance littéraire et artistique 5 (1872).
Astruc, Zacharie. Le Salon de 1863. Feuilleton quotidien paraissant tous les soirs pendant les deux mois de l’èxposition 1–16 (May 1863).
Aubert, Francis. “Salon de 1865: III Les Jeunes.” Le Pays 135 (15 May 1865): 3.
Auvray, Louis. “Salon de 1865.” Revue artistique et littéraire (15 July 1865): 26.
Bataille, Charles. “Le Salon de 1865.” L’Univers illustré 441 (14 June 1865): 374.
Baudelaire, Charles. The Painter of Modem Life, and Other Essays. Trans. and ed. Jonathan Mayne. London: Phaidon, 1964.
—. Critique dart. Ed. Claude Pichois. 2 vols. Paris: Armand Colin, 1965.
—. Œuvres complètes. Ed. Claude Pichois. 2 vols. Paris: Gallimard, 1975–76.
Bertall. “Le Salon de 1865, par Bertall.” L’Illustration 45, no. 1164 (17 June 1865): 389.
Blanc, Charles. L’Œuvre de Rembrandt reproduit par la photographie, décrit et commenté. Paris: Gide & J. Baudry, 1853.
Blanche, Jacques-Émile. À Propos de peintre: De David à Degas. Paris: Émile-Paul frères, 1919.
—. Dieppe, portrait de la France. Paris: Émile-Paul frères, 1927.
—. Portraits of a Lifetime: The Late Victorian Era, the Edwardian Pageant 1870–1914. Trans. Walter Clement. London: J. M. Dent & Sons, 1937.
Blémont, Émile. Contes et féeries. Paris: Librairie Centrale, 1866.
—. Poèmes d’Italie. Paris: Alphonse Lemerre, 1870.
—. La belle aventure. Paris: Lemerre, 1895.
—(pseud. Jean-Bernard). “Histoire d’un pot de fleurs.” Le Cri de Paris (4 Aug. 1901).
—. Artistes et penseurs. Paris: Alphonse Lemerre, 1907.
—, ed. La Renaissance littéraire et artistique. Paris: Lachaud, 1872–1873. Reprint, Geneva: Slatkine, 1973.
Bouniol, Batilde. “Salon de 1864.” Revue du monde catholique (April–June 1864): 406.
de Bullemont, A. “Salon de 1865: La peinture d’histoire.” Les Beaux-Arts (15 June 1865): 353–54.
Burty, Philippe. “Le Salon: III—Les Portraitistes.” Le Rappel (11 May 1870): 2–3.
Cantaloube, Amédée. “Chronique du Salon de 1865.” Illustrateur des dames et des demoiselles (18 June 1865): 195–96.
Castagnary, Jules-Antoine. Salons 1857–1879. 2 vols. Paris: E. Fasquelle, 1892.
—. “Courbet, son atelier, ses théories.” In Gustave Courbet. Ed. Fabrice Masanès. Paris: Atlántica-Séguier, 2004. 60–70.
Challemel-Lacour, P. “Le Salon de 1865.” Revue moderne (1 July 1865): 94.
Champfleury, (Jules Husson). Le réalisme. Ed. Geneviève and Jean Lacambre. Paris: Hermann, 1973.
Coquerel fils, Athanase. Rembrandt et l’individualisme dans l’art. Paris: Sandoz and Fischbacher, 1869.
Courbet, Gustave. Courbet raconté par lui-même et par ses amis. Ed. Pierre Courthion. 2 vols. Geneva: Pierre Cailler, 1950.
Couture, Thomas. Méthode et entretiens d’atelier. Paris: Rue Vintimille, 1867.
Degas, Edgar. Lettres de Degas. Ed. Marcel Guerin. Paris: B. Grasset, 1945.
—. Edgar Germain Hilaire Degas: Letters. Trans. Marguerite Kay. Oxford, UK: Bruno Cassirer, 1947.
—. The Notebooks of Edgar Degas. 2nd rev. ed. Ed. Theodore Reff. New York: Hacker, 1985.
Delacroix, Eugène. Journal, 1822–1863. Ed. André Joubin. Paris: Plon, 1981.
Deriège, Félix. “Beaux-Arts: Salon de 1865 2 Le Siècle (2 June 1865): 1.
Disdéri, Eugène. Essai sur l’art de la photographie (1862). Paris: Séguier, 2003.
Duranty, Edmond. Réalisme (10 July 1856–April/May 1857). Paris: L’Arche du livre, 1970.
—. “Le Salon de 1870.” Paris-Journal (8 May 1870): 2.
—. “Le peintre Louis Martin.” In Le pays des arts. Paris: Charpentier, 1881. 313–50.
Duret, Théodore. Histoire d’Edouard Manet et de son oeuvre. Paris: Charpentier et Fasquelle, 1906.
—. Manet. Paris: Bernheim-Jeune & Cie, 1919.
Dupuy, D. “Velasquez au Boulevard des Italiens.” La Vie Parisienne (28 Nov. 1863): 544–45.
Geronte. “Le Salon de 1865, Lettres au Jury de l’Exposition VII: Les excentriques et les grotesques.” Gazette de France (30 June 1865).
de Goncourt, Edmond et Jules. Journal: Mémoires de la vie littéraire. 3 vols. Paris: R. Laffont, 1989.
d’Hervilly, Ernest. Le Manuel du gêneur: L’art d’être désagréable en société. Paris: A. Vallée, 1871.
—. Les Baisers. Paris: Alphonse Lemerre, 1872.
—. Contes pour les grandes personnes. Paris: Charpentier, 1874.
—. Mesdames les parisiennes. Paris: Charpentier, 1875.
Huysmans, Joris Karl. L’Art moderne. Paris: G. Charpentier, 1883.
Lafenestre, Georges. L’Art vivant, la peinture et la sculpture aux salons de 1868 à 1877. 2 vols. Paris: G. Fischbacher, 1881.
Lagrange, Léon. “Le Salon De 1864 (Premier Article).” Gazette des Beaux-Arts (1864): 501–36.
Lecoq de Boisbaudran, Horace. Education de la mémoire pittoresque et laformation de l’artiste. 2nd ed. Paris: H. Laurens, 1920.
Leroy, Louis. “Salon de 1865: IV.” Le Charivari (13 May 1865): 2.
Manet, Edouard. Manet raconté par lui-même et par ses amis. Ed. Pierre Courthion. Geneva: Pierre Cailler, 1945–53.
—. “Letters of Edouard Manet to His Wife during the Siege of Paris: 1870–71.” Trans. and ed. Mina Curtiss. Apollo 113, no. 232 (June 1981): 378–89.
Marx, Karl, and V. I. Lenin. Civil War in France: The Paris Commune. 2nd ed. New York: International Publishers, 1988.
Marx, Roger. Exposition de l’atelier de Fantin-Latour: 20 Janvier 1905 et les jours suivants chez Μ. Tempelaere, Paris. Paris: Barthe Frères, 1905.
Ménard, René. “Le Salon de 1870.” Gazette des Beaux-Arts (1 June 1870): 506–7.
Mérat, Albert. L’Idole. Paris: Alphonse Lemerre, 1869.
Mercey, Frédéric. “La Peinture flamande et hollondaise.” Revue des deux mondes 21 (1848): 1026–56.
Michel, Émile. “Les Tableaux de corporations militaires en Hollande.” Revue des deux mondes 102 (1890): 865–909.
Morice, Charles. “Salons et salonnets.” Le Mercure de France 49 (Jan. 1894): 62–67.
—. “Fantin-Latour.” Le Mercure de France 52, no. 178 (1904): 63–78.
—. “Enquête sur les tendances actuelles des arts plastiques.” Le Mercure de France (1 Aug., 15 Aug., and 1 Sept. 1905): 346–59, 538–55, 61–85.
—. Quelques maîtres modernes—Whistler—Pissarro—Fantin-Latour—Constantin Meunier—Paul Cézanne. Paris: Société des Trente, 1914.
Nordau, Max. Degeneration. Lincoln: University of Nebraska Press, 1993.
du Pays, A.-J. “Salon de 1865: IV.” L’Illustration 1164 (17 June): 384.
Pelletan, Camille. De la quotitié disponible et de la réserve, Thèse pour la licence, Faculté de droit de Paris. Paris: De Cusset et Ce, 1869.
—. “Préface.” In Albert Allenet, L’Accusé Bazaine. Paris: Librairie André Sagnier, 1872.
—. Les Associations ouvrières dans le passé. Paris: Librairie de la Bibliothèque Ouvrière, 1873.
—. Questions d’histoire, Le Comité central et la Commune. Paris: Maurice Dreyfous, 1879.
—. Poèmes secrets. Ed. Paul Baquiast. Paris: Maison de Poésie-Fondation Émile Blémont, 1997.
Petitfils, Pierre, Album Verlaine. Paris: Gallimard, 1981.
Pia, Pascal. Album Zutique: Présentation, transcription typographique et commentaires. Geneva: Slatkine, 1981.
Pichois, Claude, ed. Lettres à Baudelaire. Neuchâtel: Editions de la Baconnière, 1978.
Privat, Gonzague. Place aux jeunes!: causeries critiques sur le Salon de 1865: peinture, sculpture, gravure, architecture. Paris: F. Cournol, 1865. 62–63.
Proust, Antonin. “The Art of Fantin-Latour.” Studio 24, no. 106 (1902): 231–38.
Reinach, Joseph. Histoire du siècle (1789–1889), peinture de MM. Alfred Stevens & Henri Gervex, Panorama. Paris: Imprimerie Charles Lévy, 1889.
Rimbaud, Arthur. Complete Works, Selected Letters: A Bilingual Edition. Ed. Seth Whidden. Trans. Wallace Fowlie. Chicago and London: University of Chicago Press, 2005.
Rouillé, André, ed. La photographie en France: textes et controverses, une anthologie, 1816–1871. Paris: Macula, 1989.
de Sault, Charles. “Salon de 1864 (10e article): Portraits.” Le Temps (6 July 1864): 1–3.
Sickert, Walter. “Degas.” Burlington Magazine (Nov. 1917): 183–91.
—. Walter Sickert: The Complete Writings on Art. Ed. Anna Gruetzner Robbins. Oxford, UK, and New York: Oxford University Press, 2000.
Société Philanthropique. Catalogue de l’exposition de portraits du siècle (1783–1883) ouverte au profit de l’oeuvre à l’École des Beaux-Arts le 25 Avril 1883. Paris: Société Philanthropique, 1883.
—. Catalogue de la deuxième exposition de portraits du siècle ouverte au profit de l’oeuvre à l’École des Beaux-Arts le 20 Avril 1885. Paris: Société Philanthropique, 1885.
Taine, Hippolyte. De l’idéal dans l’art. Paris: G. Baillière, 1867.
—. Lectures on Art. Trans. John Durant. New York: Henry Holt & Co., 1901.
Thoré, Théophile (pseud. William Bürger). Musées de la Hollande I. Amsterdam at la Haye, Études sur l’école hollandaise. Vol. 1. Paris: Jules Renouard, 1858.
—. Galerie d’Arenberg à Bruxelles, avec le catalogue complet de la collection. Paris: Jules Renouard, 1859.
—. Salons de W. Bürger 1861 à 1868. 2 vols. Paris: Jules Renouard, 1870.
de Tocqueville, Alexis. De la démocratie en Amérique. 2 vols. Paris: Gallimard, 2006.
Vatuone, Didier, ed. Frédéric Bazille: Correspondance. Montpellier, France: Les Presses du Languedoc, 1992.
Venturi, Lionello. Les archives de l’impressionisme: Lettres de Renoir, Monet, Pissarro, Sisley et autres; Mémoires de Paul Durand-Ruel; Documents. Vol. 1. Paris: Durand-Ruel, 1939.
Verlaine, Paul. Oeuvres poétiques complètes. Ed. Y.-G. Le Dantec. Paris: Gallimard, 1983.
—. Les Mémoires d’un veuf. Paris: Gallimard, 1999.
Verlaine, Paul. Correspondance générale de Verlaine. Ed. Michael Pakenham. Paris: Fayard, 2005.
Zola, Émile. Mes Haines; Causeries littéraires et artistiques; Mon Salon; Edouard Manet, Etude biographique et critique. Ed. Eugène Fasquelle. Paris: Charpentier, 1923
SECONDARY SOURCES ON FANTIN-LATOUR
Abélès, Luce. Fantin-Latour: Coin de table: Verlaine, Rimbaud et les Vilains Bonshommes. Paris: Réunion des Musées Nationaux, 1987.
Arnoux, Mathilde, Thomas W. Gaehtgens, and Anne Tempelaere-Panzani, eds. Correspondance entre Henri Fantin-Latour et Otto Scholderer, 1858–1902. Paris: La Maison des sciences de l’homme, 2011. (Abbreviated FL-S Correspondence.)
Bénédite, Léonce. “Histoire d’un tableau / ‘Le Toast,’ par Fantin-Latour.” La Revue de l’Art 17 (10 Feb. 1905): 121–36.
—. Exposition de l’œuvre de Fantin-Latour au Palais de l’École Nationale des Beaux-Arts, Quai Malaquais, mai-juin 1906, catalogue des oeuvres exposés. Paris: Librairie centrale des beaux-arts, 1906.
Deitcher, David. “Henri Fantin-Latour’s ‘Un Coin de table.’” Arts Magazine 52, no. 8(1978): 134–41.
Druick, Douglas, and Michel Hoog. Fantin-Latour. Paris: Réunion des Musées Nationaux, 1982.
—. Fantin-Latour. Ottawa: National Gallery of Canada, 1983.
Fantin-Latour, Henri. Fantin-Latour: De la réalité au rêve. Lausanne, Switzerland: Fondation de l’Hermitage, 2007.
—. Henri Fantin-Latour. Madrid: Fundación Colección Thyssen-Bornemisza, 2009.
Fantin-Latour, Victoria Dubourg. Catalogue de l’œuvre complète de Fantin-Latour. Paris: H. Floury, 1911.
Hédiard, Germain. Fantin-Latour, catalogue de l’œuvre lithographique. Paris: Librairie de l’art ancien et moderne, 1906.
Jullien, Adolphe. “Fantin-Latour: Groupes et portraits d’artistes et d’hommes de lettres.” Les Arts 53 (May 1906): 25–32.
—. Fantin-Latour, sa vie et ses amitiés; lettres inédites et souvenirs personnels. Paris: Lucien Laveur, 1909.
Kahn, Gustave. Fantin-Latour. Trans. Wilfrid Jackson. Paris: F. Rieder et cie, 1926.
Kropmanns, Peter. “‘Qu’estce qui fait que nous sommes toujours séparés . . .’: Otto Scholderer, un ami d’Henri Fantin-Latour.” In De Grünewald à Menzel: L’Image de l’art allemand en France au XIXe siècle. Ed. Uwe Fleckner and Thomas W. Gaehtgens. Paris: La Maison des Sciences de l’Homme, 2003, pp. 439–68.
Lévêque, Jean-Jacques. Henri Fantin-Latour: Un peintre intimiste 1836–1904. Paris: ACR, 1996.
Lucie-Smith, Edward. Fantin-Latour. Oxford, UK: Phaidon, 1977.
Martineau, Mathilde. Bonjour, Monsieur Blémont! Le Mystérieux invité du Coin de table et la bohème artistique et littéraire des années 1870. Paris: La Maison de Poésie, 1998.
Miura, Atsushi. “La Répresentation de l’artiste autour de Manet et Fantin-Latour.” PhD diss., Université de Lille III, 1996.
de Roux, Paul. Fantin-Latour, figures et fleurs. Paris: Herscher, 1995.
Schneider, Pierre. “Henri Fantin-Latour.” Art News Annual 24 (1955): 54–78.
Weisberg, Gabriel. “Fantin-Latour and Still Life Symbolism in Un Atelier aux Bati-gnolles,” Gazette des Beaux-Arts (Dec. 1977): 205–15.
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Selected Bibliography
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