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Description: American Painting: From the Armory Show to the Depression
Index
PublisherPrinceton University Press
https://doi.org/10.37862/aaeportal.00013.014
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Index
 
NOTE: The page numbers discussion.
 
abstraction, 64, 65, 66, 81, 103, 104, 105, 106, 108, 114, 115, 118, 121, 126, 127, 128, 129, 135, 144, 146, 186, 196
academicism, 3–5, 9, 13, 15, 30, 47, 50, 52, 53, 55, 56, 57, 58, 60, 64, 81, 82, 84, 85, 86, 93, 142, 151, 152, 153, 157, 161, 162, 164, 183, 193
Académie Julian, 86, 138
Academy, 10, 14, 51, 60, 63, 81, 82, 162
Boston, 4
Chicago, 4
European, 3
French, 3
New York, see National Academy of Design; Philadelphia, see Pennsylvania Academy of Fine Arts
Ackerman, Phyllis, 97
Adams, Herbert, 82
Addams, Jane, 11
A. E., 94
African Negro art, 96, 97, 138
Aitken, Robert J., 74
Albert, Ernest, 63
Alexander, John W., 3, 63, 85
Apotheosis of Pittsburgh, 25
Allied Artists of America, 63, 64
American Artists Committee, 73
American Federation of Arts, 74, 82, 85
Americanism, 82, 173
American Scene, 35, 41, 108, 169, 173–181, 182, 192–195, 196
anarchism, 7, 30, 32, 35, 36, 50, 54, 56, 59, 84, 86
Anderson, Margaret, 7
Anderson, Maxwell, What Price Glory, 79
Anderson, Sherwood, 7, 11, 173, 176, 177, 187
Winesburg, Ohio, 177
Anschutz, Thomas A., 3, 11
anthropomorphism, 131, 176, 180
Archipenko, Alexander, 49, 122
Architectural League Smoker, 50
Arensberg, Walter, 51, 93, 97–98, 99, 110, 111
Armfield, Maxwell, 161
armistice, 74, 75
Armory Show, 8, 20, 23, 38, 44, 47–51, 52, 53, 54, 55, 57, 58, 59, 60, 61, 62, 64, 84, 85, 89–97, 103, 109, 113, 116, 128, 141, 156, 167
Boston, 50
Chicago, 50
art dealer, 3, 39, 59, 76
art-for-art’s-sake, 7, 59, 196
art market, 4, 47, 51, 56, 58, 80, 82, 83, 84, 93, 94
Arts and Crafts Club, Hartford, 50
art schools, 83
Art Students League, 12, 82, 185
Educational Alliance, 32, 185
Ferrer School, 12, 30
National Academy of Design, see New York
School of Art, 12
Pennsylvania Academy of Fine Arts, see
Pratt Institute, 138
Women’s School of Design, 9
art tariff, 51, 94
Ash Can school, 9–38, 62, 81, 98, 173, 174, 182, 184, 187, 190, 196
continuation, 167–172
Association of American Painters and Sculptors, 47, 48, 50, 51, 85, 94
Ault, George, 119, 123
 
B
Bacon, Peggy, 187–188
Bailey, Vernon H., 74
Baker, Ray Stannard, 32
Balla, Giacomo, 64
Barbusse, Henri, Under Fire, 79
Barnes, Albert C., 49, 59, 82, 90, 92, 95–96, 99
Foundation, 93, 96
Journal, 96
Bartholomé, Paul A., 50
Bartlett, Helen B., 93
Baur, John I. H., 111
Baylinson, A. S., 130
Beal, Gifford, 12, 32, 36, 74
Beals, Carleton, 187
Beardsley, Aubrey, 19
Beaux, Cecilia, 3, 198
Becker, Maurice, 32, 187
Beckwith, Carroll, 63, 85
Bellows, George W., 12, 16, 30, 32, 33–36, 38, 48, 51, 71, 82, 161, 164, 167, 170, 190
Cliff, Dwellers, 168
Crucifixion, 167
Dawn of Peace, 74
Forty-two Kids, 33
Huns, 71
The Padre, 167
Sharkey’s, 168
Benn, Ben, 56, 66, 190
Benson, Frank W., 3, 81, 197
Benton, Thomas H., 25, 39, 56, 90, 103, 173, 182, 192–195, 196
Figure Organization No. 3, 65
My American Epic in Paint, 192, 196
Murals, New School for Social Research, 192, 194
Murals, Whitney Museum of American Art, 192, 194
Bergson, Henri L., 55
Berliner Neue Sezession, 89
Biddle, George, 190
Bierstadt, Albert, 94
Billings, Henry, 119
Bishop, Isabel, 183
Blake, Edwin M., 164
Blake, William, 94, 148
Blakelock, Ralph, 3, 81, 144
Blashfield, Edwin H., 3, 25, 55, 85
Mural, Bank of Pittsburgh, 25
Carry On, 74
Blaue Reiter, Der, 49, 103
Bliss, Lillie P., 92, 93, 94, 96–97, 99
collection, 59
Bloch, Albert, 99, 196
Bluemner, Oscar, 41, 56, 66, 103, 130, 131
Blume, Peter, 99, 119, 125
The Bridge, 125
Home for Christmas, 125
Boccioni, Umberto, 64
Bodenheim, Maxwell, 7
bohemianism, 7, 8, 15, 18, 20, 33, 89
Chicago, 7
New York, 7
San Francisco, 7
Boldini, Giovanni, 85
bolshevism, 54, 82, 87
Bonheur, Rosa, 57
Bonnard, Pierre, 49, 64, 152
Borglum, Gutzon, 47, 48
Boss, Homer, 12
Bouché, Louis, 56, 99
Bouguereau, Adolphe W., 57
Boyd, Fiske, 99
Bradley, Will H., 19
Branchard, Emile P., 81, 99
Brancusi, Constantin, 49, 50
Brangwyn, Frank, 73
Braque, Georges, 49, 51, 62, 98, 109, 138
Bredius, Abraham, 57
Brinley, D. Putnam, 89
Brinton, Christian, 52, 56, 65, 89, 97
Britton, James, 85, 89
Brook, Alexander, 155, 159
Bouquet, 159
George Biddle, 159
Girl with Flowers, 155
Interior, 159
Intruder, 159
Raphael Soyer, 159
Reginald Marsh, 159
Sleeping Girl, 155, 159
Yellow Fan, 155
Brooks, Van Wyck, 187
Browne, Ellen, 7
Browne, Maurice, 7
Bruce, Edward, 119
Bruce, Patrick H., 12, 97, 103, 105
Brücke, Die, 49, 89
Brush, George de Forest, 3, 54
“buckeye,” 142, 143, 144, 181
Buermeyer, Laurence, 96
Burchfield, Charles, 56, 99, 131, 144, 173, 174, 175, 176–181, 194
Eating Place, 179
February Thaw, 179
House of Mystery, 179
The Night Wind, 176
October, 181
Promenade, 180
Watering Time, 178
Winter Solstice, 179
Burck, Jacob, 32
Burlin, Paul, 82
Burliuk, David, 89, 190
Burroughs, Bryson, 50, 94
business, 32, 79, 80, 96
Bynner, Witter, 7
 
C
Caffin, Charles, 44, 89
Cahill, Holger, 111
Calder, Alexander S., 9
Campendonk, Heinrich, 97, 157, 158
Canadé, Vincent, 81
Carles, Arthur B., 103, 133
Carpenter, Rhys, 164
Carrà, Carlo, 64
cartoons, 30, 32, 73, 141, 173, 187, 189, 190
Caskey, L. D., 164
Cassatt, Mary, 3, 49, 57, 81, 94
censorship, 71
Cézanne, Paul, 39, 42, 43, 44, 49, 50, 52, 55, 56, 57, 59, 60, 61, 64, 82, 85, 88, 89, 91, 93, 94, 96, 98, 103, 113, 114, 115, 128, 135, 136, 137, 138, 139, 140, 152, 155, 156, 196
Bathers, 139, 140
La Colline des Pauvres, 94
The Road, 96
Still Life, 94
Chabas, Paul, September Morn, 50
Chagall, Marc, 148, 157, 158
Chamberlain, R. K., 187
Chamber of Commerce, 93
Chapin, James, 56
charlatanism, 54, 56, 84, 91, 161
Charlot, Jean, 190
Chase, Stuart, 187
Chase, William M., 3, 4, 10, 12, 28, 50, 81, 85, 116, 151, 197
chassidic, 148
chauvinism, 56, 173
Cheese Box, 7
Chicago Society of Artists, 82
Chinese art, 129, 133, 135, 138
Clark, Stephen C., 93
Clarke, Charles P., 94
classicism, 4, 49, 52
Cliff Dwellers, 7
Coburn, Lewis L., 93
collage, 106
Cobb, Humphrey, The Paths of Glory, 79
Coleman, Glenn O., 12, 32, 56, 168, 170–172, 187
Bonfire, 171
Bus View, 172
Coenties Slip, 171
The Ferry, 172
Foothills and Peaks, 172
Minetta Lane, 172
collections, 59
American, 4
collectors, 4, 49, 83, 91, 92–99
color organ, 64, 90, 160
commercial art, 6, 71
Committee on Public Information, 73
communism, 190
Conder, Charles, 84, 91
Cone, Claribel, 93, 98
Cone, Etta, 98
Constable, John, 85
Constructivism, 49, 104, 109, 111, 113, 115, 117
Contemporary Club, 50
Coolidge, Calvin, 79
Corot, Camille, 49, 85, 96, 144
Cortissoz, Royal, 43, 50, 53, 55, 56, 57, 82, 85, 168
Courbet, Gustave, 49, 52, 89, 144
Studio, 154
Courtauld Institute, 95
Couture, Thomas, Romans of the Decadence, 86
Covarrubias, Miguel, 187
Covert, John, 103, 105, 111
Brass Band, 111
Time, 111
Cox, Kenyon, 3, 50, 53, 54, 55, 56, 81, 83–84, 85, 88, 89, 90, 91
Cramer, Konrad, 103, 105
Craven, Thomas, 41, 42, 57, 192, 193
critical controversy, 52–58
critics, 83–91
Crotti, Jean, 109
Cubism, 44, 48, 49, 50, 53, 54, 55, 56, 57, 62, 66, 84, 88, 91, 96, 97, 98, 99, 103–132, 135, 136, 137, 138, 139, 140, 142, 146, 157, 158, 171, 186, 189, 196
analytical, 62, 107, 138, 139
architecture, 113
synthetic, 139
Cubist-Realism, 81, 108, 113–129, 131, 135, 158
Cummings, E. E., The Enormous Room, 79
Curry, John S., 173, 192
Baptism in Kansas, 192
Tornado over Kansas, 192
cynicism, 79, 80, 110
 
D
Dabo, Leon, 48, 51
Dadaism, 71, 80, 97, 103, 104, 105, 109, 110, 111, 117, 118
Daingerfield, Elliot, 53, 54
Dale, Chester, 93
Daly, Thomas A., Canzoni, Madrigali, 20
Dana, John Cotton, 94
Daniel, Charles, 50, 65. See also Daniel Gallery
Dasburg, Andrew, 8, 56, 65, 66, 103, 130, 196
Improvisation, 65
Daugherty, James, 73, 97, 105
Daumier, Honoré, 10, 19, 30, 49, 52, 169
Davidson, Jo, 38, 48, 74
Davies, Arthur B., 38, 42, 44, 47, 48, 49, 51, 52, 56, 59, 60, 61–62, 90, 94, 97, 99, 141, 142, 151, 160, 162, 182
Davis, Richard Harding, 14
Davis, Stuart, 32, 106, 107–108, 187, 190, 196
debunking, 80, 169, 194
decadence, 91
De Camp, Joseph, 197, 198
de Chirico, Giorgio, 117
deflected diagonal, 162
Degas, Edgar, 24, 34, 49, 64, 89, 90, 93, 96, 154, 155, 184, 185, 196
Woman Making her Toilet, 86
degeneracy, 54–55, 85, 86, 87, 161
Dehn, Adolf, 187–188
De Kay, Charles, 85
Delacroix, Eugene, 49, 52, 94
Delaunay, Robert, 49, 97, 113
Dell, Floyd, 11, 176, 187
democracy, 5, 6, 7, 10, 11, 13, 33, 35, 41, 54, 55, 79, 80, 84, 86, 89, 161, 196
Demuth, Charles, 41, 56, 90, 99, 103, 111, 114–116, 119, 126, 128
After Sir Christopher Wren, 115
Incense of a New Church, 115
Paquebot, Paris, 118
Trees and Barns, 115
Denis, Maurice, 49, 64
depression, 42, 176, 178, 185, 194, 196
Derain, André, 49, 139, 140, 142, 143, 144
La Femme au Canape, 144
Jeune Fille à la Capeline, 144
Woman Doing her Hair, 144
Dercum, Francis X., 82
Dewey, John, 96
Dewing, Thomas W., 3, 81, 197
de Zayas, Marius, 44, 51, 97
Diaz de la Peña, Narcisse V., 96
Dickinson, Preston, 56, 99, 103, 119, 128–129
Dill Pickle, 7
disillusionment, 5, 60, 71, 73, 76, 79, 110
Division of Pictorial Publicity, 73
Committee on Exhibitions, 74
Dodge, Mabel, 130
salon, 7–8
Dos Passos, John, 187
Three Soldiers, 79
Dougherty, Paul, 12
Dove, Arthur G., 32, 41, 42, 44, 66, 99, 103, 106–107, 108, 131, 196
Grandmother, 106
Dow, Arthur W., 53, 138
Dreier, Dorothea, 97
Dreier, Katherine S., 92, 93, 97, 111
Western Art and the New Era, 97
Dreiser, Theodore, 6, 7, 9, 11, 80, 173
The “Genius,” 9, 113
Driggs, Elsie, 99, 119
du Bois, Guy Pène, 12, 27, 48, 51, 85, 98, 168–170, 185
Bar, 169
Duchamp, Marcel, 49, 67, 81, 97, 105, 109–111, 113, 115, 117, 122, 155
The Bride, 111
Dada chess, 111
Fontaine, 110
glass constructions, 110
Nude Descending a Staircase, 49, 51, 53, 95, 97, 109, 111, 186
“ready-mades,” 110
satchel catalogues, 111
Trois stoppages-étalon, 110
Duchamp-Villon, Raymond, 49, 113
Duveneck, Frank, 3, 10, 13, 15, 16, 18
Whistling Boy, 16
Duffy, Edmund, 32, 187
Dufrenoy, Georges, 49
Dufy, Raoul, 49
Düsseldorf school, 4, 76
dynamic symmetry, 35, 160, 161, 162–164, 168
 
E
Eakins, Thomas, 3, 11, 81
Eastman, Max, 187
Eddy, Arthur J., 49, 92, 93, 95, 97
Cubists and Post-Impressionism, 95
Recollections and Impressions of James A. McNeill Whistler, 95
Eight, The, 38, 48, 51, 60, 61, 62, 95
Eilshemius, Louis, 3, 81, 97, 144
Eisen, Gustav, 160, 162
The Great Chalice of Antioch, 162
Ellis, Fred, 32, 187
Epstein, Jacob, 32
exhibitions, academy, 3, 4–5
Allied War Salon, 74
American modern art, Pennsylvania Academy of Fine Arts, 81
American moderns, Daniel Gallery, 50
American Post-Impressionists, Carnegie Institute, 50
Les Anciens de l’Académie Julian, 50
Armory Show, see
art by insane, London, 54
Carnegie International, 4, 22, 37, 43
Claribel Cone, memorial exhibition for, 98
Eight, The, 38
“Fake” Cubist and Futurist exhibition, Hartford, Conn., 50
Forum Exhibition, Anderson Galleries, 65–66, 192
Freak Post-Impressionist Exhibition, 50
French Impressionist Painting, 3
German modern art, first American exhibition, Anderson Galleries, 82
Grafton Galleries, London, 48, 49, 54, 89
Independent Show (1910), 38, 47
Independents’ Show (1917), see Society of Independent Artists
International Exhibition of Modern Art, Sixty-ninth Regiment Armory, see Armory Show
landscape targets, Arden Gallery, 76
landscape targets, Salmagundi Club, 76
MacDowell Club, 38, 47
modern art, Dallas, Texas, 82
modern art, Metropolitan Museum of Art, 81–82, 87, 94, 97
modern art, Pennsylvania Academy of Fine Arts, 81
modern art, Worcester Art Museum, 97
Modern Gallery, 51
moderns, selected group, Société Anonyme, 82
Montross Gallery, 51
National Academy of Design, 33, 37, 38, 76
National Arts Club, 37, 51
“No jury—No prizes,” 38, 66
Panama-Pacific Exposition, San Francisco, 64–65
Photography, Wanamaker, 118
Post-Impressionism, Taylor Galleries, Cleveland, 50
“Rejected,” 63
Salon d’Automne, 138
Salon des Indépendants, 64, 66
Sonderbund, Cologne, 48, 49, 89
Synchromists, Carroll Gallery, 51, 64
Synchromists, Munich, 64
Synchromists, Bernheim-Jeune, Paris, 64
war art, 74–75
war art, Carnegie Institute, 74
watercolor, Brooklyn Museum, 173
exhibition system, 37, 38, 48, 63–64
juries, 4, 10, 37, 51, 66
jury-free, 66
expatriation, 3, 5, 49, 72, 105
Expressionism, 48, 49, 55, 97, 103–104, 131, 132, 133, 134, 135, 144, 146, 147, 148, 157, 158, 196
German, 48, 49, 95, 103, 146, 158
 
F
Fabian Club, 7
Falguière, Jean A. J., 50
fascism, 57, 85, 87, 113
Fauvism, 44, 49, 55, 57, 60, 90, 103, 104, 109, 128, 132, 133–148, 152, 196
Feininger, Lionel, 103, 116
Fenellosa, Ernest, 138
Ficke, Arthur D., 7
Fiene, Ernest, 190
Fitch, Clyde, 24
Fitzgerald, Charles, 89
Fitzpatrick, Daniel, 32
Forain, Jean-Louis, 19, 22, 28, 30, 71, 169, 187
Force, Juliana, 38
Ford, Henry, 5, 6
foreignism, 54, 56–57, 59, 87
form measurements, 160
Fortuny, Mariano, 85
Foster, Will, 74
Fourteenth Street School, 182–186, 192, 196
Fraestad, 50
Frank, Waldo, 187
Fraser, James E., 38
Freeman, Joseph, 187
Frémiet, Emmanuel, 50
French, Daniel C., 71
Fresnaye, Roger de la, 49
Freud, Sigmund, 6, 106
Frick, Henry C., 92
Friedman, Arnold, 12
Frieseke, Frederick C., 81
Friesz, Othon, 49, 84
Frost, A. B., Jr., 105
Fry, Sherry, 51
Fuller, George B., 3, 93, 144
functionalism, 113, 114
Futurism, 32, 49, 50, 52, 53, 55, 56, 57, 64–65, 85, 89, 97, 103, 104, 109, 111, 113, 115, 116, 118, 119, 121, 123, 134, 139
manifesto, 64
 
G
Gag, Wanda, 190
Gallatin, A. E., 74, 92, 93, 98;
Gallery of Living Art, 93, 98
Gallery of Living Art, see Gallatin, A. E.
galleries, American Place, An, 42
Anderson Galleries, 65, 82
Arden Gallery, 76
Bernheim-Jeune, Paris, 64
Bourgeois Galleries, 50
Carroll Gallery, 51, 64
Cosmopolitan Club, 51
Daniel Gallery, 50, 51, 142, 158, 185
Folsom Galleries, 51, 58
Gamut Club, 51
Intimate Gallery, 41
Liberal Club, 51
Macbeth Galleries, 12, 38, 51
Madison Gallery, 47
Modern Gallery, 51, 97
Montross Gallery, 51
New Art Circle, 185
Photo-Secession Gallery, 39, 43
Taylor Galleries, Cleveland, 50
Thumb Box Gallery, 51
291 (gallery), 8, 39, 41, 42, 43, 44, 47, 51, 57, 103, 106, 111, 133, 146
Whitney Studio Gallery, 38
Ganso, Emil, 155, 159
Gauguin, Paul, 49, 52, 54, 55, 57, 85, 89, 91, 93, 96, 103, 152
Gavarni, Guillaume S. C., 10, 19, 169
Gellert, Hugo, 187
Gérôme, Jean Léon, 3, 57
Death of Caesar, 86
Glackens, William J., 9, 11, 12, 14, 19, 21–23, 24, 37, 38, 48, 49, 53, 59, 62, 81, 96, 99, 156, 167
Chez Mouquin, 22
Holiday in the Park, 21
Glaspell, Susan, 187
Gleizes, Albert, 49, 97, 109
Glintenkamp, Henry J., 32, 187
Gibson, Charles Dana, 73
Gide, André, 79
Gold, Michael, 187
Goldman, Emma, 8
Goodyear, A. Conger, 93
Gorky, Maxim, 28
Goya, Francisco, 10, 49
Grafly, Charles, 9
Gregg, Frederick J., 48, 49, 50, 89
Gregory, Lady, 94
Gris, Juan, 90, 97
Gromaire, Marcel, 97
Gropper, William, 12, 187, 188, 189–190
Grosz, George, 188, 189, 190
Guererro, Xavier, 190
Guys, Constantin, 10, 169
 
H
Halpert, Samuel, 43, 44, 56, 57, 90, 103, 151, 152–153
A Town in Portugal, 152
Trees, 152
Hals, Frans, 10, 15, 16, 19
Hambidge, Jay, 96, 104, 160, 161, 162–164
The Elements of Dynamic Symmetry, 161
Hamlin, George O., 81
Hanfstängl, Franz, 76
Hansen, Harry, 7
Hapgood, Hutchins, 7
The Spirit of the Ghetto, 32
Harding, Warren G., 79
Hartley, Marsden, 8, 41, 42, 44, 51, 56, 66, 95, 97, 99, 103, 133, 144–147, 196
Adventures in the Arts, 147
Dark Mountain, 146
Maine Landscape, Autumn, 146
Movement, 65
Hartpence, Alanson, 50
Hassam, Childe, 3, 71, 74, 81, 197
Haviland, Paul, 44
Hawthorne, Charles W., 3
Hawthorne, Nathaniel, 144
Haymarket, 12
Haywood, Big Bill, 8
Hazek, Jaroslav, The Good Soldier Schweik, 79
Hecht, Ben, 7
Hemingway, Ernest, A Farewell to Arms, 79
Henri, Robert, 8, 9–11, 12, 13, 15, 16, 19, 24, 30, 32, 33, 35, 37, 38, 39, 40, 50, 51, 62, 64, 65, 81, 161, 164, 167, 168, 170, 173, 182
group, 19, 39, 48, 60
exhibition system, 51, 66
students, 60
Hermann-Paul (René Georges Hermann), 28
Higgins, Eugene, 11, 12, 14, 28–30, 37, 167
Les Pauvres, 28
Hitler, Adolf, 87
Hirsch, Stefan, 119, 123
Hodler, Ferdinand, 49
Homer, Winslow, 3
Eight Bells, 93
Hopkinson, Charles S., 198
Hopper, Edward, 12, 32, 173–176, 180, 181
East Side Interior, 174
Evening Wind, 174
Haskell House, 181
House by the Railroad, 181
Two on the Aisle, 174
Hornby, Lester G., 74
Howald, Ferdinand, 99
Howard, Cecil, 38
Hudson River school, 81
Hugo, Victor, Les Misérables, 28
Huneker, James, 89
Hyslop, T. B., 54
 
I
illustration, 9, 18, 19, 21, 22, 23, 32, 62, 173, 183
magazine, 141, 190
newspaper, 11, 24, 187, 189, 190
immorality, 54, 55, 86, 91
Impressionism, 3, 4, 22, 23, 32, 38, 44, 49, 52, 54, 55, 56, 60, 61, 62, 64, 72, 81, 89, 90, 91, 94, 96, 98, 141, 144, 146, 147, 152, 156, 174, 175
incompetence, 54, 55–56, 84, 162
individualism, 5, 6, 33, 35, 36, 41, 53, 54, 56, 59, 84, 87, 88
industrial expansion, 11, 37, 79
industrialism, 176, 177, 178
industrial subject, 25, 34, 112–113, 115, 116, 119, 122, 123, 128, 129, 134, 194
Ingres, Jean A. D., 49, 52, 94
inhalation, 62, 160, 162
Inje-Inje movement, 111
Inness, George, 3, 91
Spirit of Autumn, 93
insanity, 54–55, 82, 84, 87, 91
I.W.W., 6, 7, 8
 
J
James, William, 94
Japanese art, 19, 52, 138, 157
Jeanneret, Charles, see Le Corbusier
Johansen, John C., 198
John, Augustus, 84, 94
John Reed Club, 191
Johnson, John G., 92
journalistic art, 6
Joyce, James, 6
 
K
Kandinsky, Wassily, 49, 95, 97, 146
Kane, John, 81
Kantor, Morris, 183, 186, 190
Farewell to Union Square, 186
Orchestra, 186
Karfiol, Bernard, 103, 155, 156–157
Girl Brushing her Hair, 156
Seated Nude, 156
Two Standing Figures, 156
Kazin, Alfred, 80
Keene, Charles S., 9, 19
Kelekian, Dikran, sale, 82, 94
Kelley, Florence, 11
Kent, Rockwell, 12, 32, 36–37, 38, 82, 99, 168
Kipling, Rudyard, 36
Kirby, Thomas E., 57
Kirchner, Ernst L., 49
Kirchway, Freda, 187
Klee, Paul, 97
Ku Klux Klan, 87, 187
Kock, Paul de, 19
Kolski, Gan, 190
Kopman, Benjamin, 148, 196
Circus, 148
Kreymbourg, Alfred, 97
Kroll, Leon, 32, 36, 37, 82, 151, 164
Kuhn, Walt, 32, 38, 47, 48, 49, 50, 51, 56, 59, 95, 97, 99, 103, 133, 141–144, 190, 196
Caucus, 142
Girl in Cocked Hat, 142
Harlequin, 142
Head of Girl, 142
Man and Sea Beach, 141
The Tow Team, 141
Tragic Comedians, 142
Kuniyoshi, Yasuo, 56, 99, 155, 156, 157–159, 196
Nude, 159
Squash, 158
Kupka, Franz, 28
 
L
labor, 6, 11, 28, 34, 80, 87, 187
Lachaise, Gaston, 56
Lackman, Harry B., 57
ladies’ club, 93
La Farge, John, 3
Laning, Edward, 183
Lankes, J. J., 190
Laurens, Jean Paul, 3, 42
Laurencin, Marie, 49
Laurvik, J. Nilson, 64, 89
Is it Art?, 89
Lawson, Ernest, 38, 60, 61, 81, 98, 99
Lawson, John Howard, 187
League of American Artists, 82
Le Corbusier, 113
Après le Cubism, 113
L’Esprit Nouveau, 113
Lee, Arthur, 8
Leech, John, 9, 19
Léger, Fernand, 49, 111, 117
Lehmbruck, Wilhelm, 49
Leighton, Frederick, Lord, 86
Captive Andromache, 86
Lever, Hayley, 74
Lewis, Sinclair, 7, 80, 173
Main Street, 9
Lewisohn, Adolph, 93
Lewisohn, Samuel, 93, 99
liberalism, 5, 6, 10, 11, 32, 87
Liberty Loan, 73
Lie, Jonas, 51
Lindsay, Vachel, 7
Lippmann, Walter, 8
London, Jack, 36
lost generation, 79
Lowell, Amy, 55
Lozowick, Louis, 119–123, 187, 190
Coney Island, 123
Lucioni, Luigi, 119
Luks, George B., 9, 11, 12, 13, 14–17, 24, 30, 33, 34, 36, 37, 38, 51, 62, 72, 74, 81, 98, 99, 167, 183
Butcher Boy, 16
Little Madonna, 15
New Year’s Shooter, 15
Otis Skinner, 17
The Spielers, 15
West Side Docks, 16
Wrestlers, 16
luminism, 90
 
M
Macdonald-Wright, Stanton, 51, 56, 64, 65, 66, 90, 99, 103, 192
Organization No. 5, 65
machine, 40, 111–113, 117, 118, 119, 122, 128
age, 113
production, 5, 113. See also mechanical forms, mechanism
MacMonnies, Frederick, 56
magazines, 6, 7, 9, 12, 32, 80, 173
illustration, 141, 190
American Art News, see Art News
American Journal of Archaeology, 164
American Magazine of Art, 55, 82, 85
Art News, 49, 51, 57, 85, 89
Arts, 82, 130, 194
Arts and Decoration, 85, 168
Art World, 85–87
Assiette au beurre, 28, 30, 173
Camera Work, 39
Century, 54
Chronicle, 76
Craftsman, 26
Creative Art, 82
Diagonal, 164
Dial, 42
Forum, 89
Gil Blas, 173
Good Morning, 173, 187, 190
Harper’s Bazaar, 183
Harper’s Magazine, 74
Jugend, 173, 187
L’Esprit Nouveau, 113
Liberator, 32, 173, 187, 190
Little Review, The, 7
Magazine of Art, see American Magazine of Art
Masses, 8, 18, 30, 32, 71, 170, 173, 187, 189
McClure’s, 12
Nation, 84
New Masses, 30, 173, 187, 189, 190, 191
New Republic, 88
Nineteenth Century, see Century
Others, 97
Poetry, 7
Punch, 19
Saturday Evening Post, 12
Scribner’s, 12, 74
Simplicissimus, 155, 173, 187
Vanity Fair, 183
Maillol, Aristide, 49
Mallarmé, Stéphane, L’après midi d’un faune, 97
Manet, Eduard, 3, 10, 19, 22, 23, 24, 49, 52, 53, 54, 56, 82, 84, 85, 86, 89, 91, 93, 96, 152
Le bar aux Folies-Bergères, 23
Dead Christ, 86
Nana, 86
Philosopher, 95
Manigault, Edward M., 99
Manolo (Manuel Martinez Hugue), 49
Manship, Paul, 38
Maratta, Hardesty G., 160, 161, 162
Marc, Franz, 62, 89
Marées, Hans von, 61
Marin, John, 8, 39, 41, 42, 43, 44, 56, 66, 90, 95, 99, 103, 113, 133–137, 140, 161, 181, 196
Brooklyn Bridge etchings, 133–134
Harbor and Pertaining to Deer Isle, 135
Marin Island, Maine, 135
Tree and Sea, Maine, 135
Tyrolean water colors, 133
Woolworth Building No. 31, 133
Woolworth Building etchings, 133–134
Marinetti, Filippo T., 64
Markey, Gene, 7
Markham, Edwin, 28
Marquet, Pierre A., 49, 64, 103, 152
Marsh, Reginald, 183–184
Martin, Homer D., 3, 144
Mary Garden Forum, 7
mass circulation, 190, 198
mass distribution, 6, 190
mass production, 5, 6, 40
Masters, Edgar Lee, 7, 11
mathematical calculation, 160, 161, 164
Mather, Frank Jewett, Jr., 53, 54, 55, 56, 84–85, 88
Matisse, Henri, 6, 39, 42, 43, 49, 50, 52, 54, 55, 56, 64, 66, 82, 84, 88, 90, 91, 93, 94, 96, 98, 103, 132, 137, 138, 140, 141, 142, 152, 154, 160, 196
Madras Red, 55
Matulka, Jan, 107, 190
Maurer, Alfred H., 32, 39, 41, 42, 43, 48, 57, 66, 95, 103, 106, 130, 132, 152
Maurer, Louis, 43
McBride, Henry, 89, 177
McCarter, Henry, 19
McFee, Henry Lee, 56, 66, 90, 99, 130, 196
McIlhenny, Henry P., 93
McLane, Jean, 198
McRae, Elmer, 47
McSorley’s, 12, 20
mechanical forms, 111–113, 115, 117, 118, 119
mechanism, 107, 109, 111, 113, 118, 190
Mechlin, Leila, 85
Melchers, Gari, 81
Mellon, Andrew, 93
Meissonier, Jean L. E., 57
Ménard, René, 91
Mencken, Henry L., 80, 187, 194, 195
Meštrovič, Ivan, 89
Metcalf, Willard, 81, 197
Metzinger, Jean, 97
microscopic vision, 126, 127, 128
Miller, Kenneth Hayes, 99, 182–183, 184
Millet, Jean François, 28, 30, 85, 96
Minne, George, 89
Minor, Robert, 30, 32, 187
Modern Artists of America, 82
Monet, Claude, 28, 49, 89, 90, 91, 93, 96, 98
monopoly, 79, 80, 178
Monroe, Harriet, 7, 55
Monticelli, Adolphe, 49, 91
Moreau, Gustave, 91
Morgan, J. P., 92
Morisot, Berthe, 49
Morley, Christopher, 171
Morris, William, 40
muckraking, 6, 32, 80
Mumford, Lewis, 187
Munch, Edvard, 49, 176
Münchener Neue Vereinigung, 89
Munich school, 3, 4, 16, 76, 141
Munro, Thomas, 96
murals, 25, 26, 141, 142, 192, 193, 195
Alexander, J. W., Carnegie Institute, 25
Blashfield, E. H., Bank of Pittsburgh, 25
Benton, T. H., My American Epic in Paint, 192
New School for Social Research, 192, 194
Whitney Museum of American Art, 192, 194
Orozco, J. C., New School for Social Research, 192
Robinson, B., Kaufman Department Store, Pittsburgh, 192
Shinn, E., Belasco Theater, 24
Trenton City Hall, 25–26
museums, 4, 74, 83, 93, 95, 98, 137
American Museum of Natural History, 138
Art Institute of Chicago, 50, 74, 94, 159
Baltimore Museum, 98
Boston Museum of Fine Arts, 164
Brooklyn Museum, 173
Carnegie Institute, Pittsburgh, 4, 25, 50
Columbus Museum of Art, 99
Detroit Institute of Arts, 94
Frick Museum, 93
Hermitage, Leningrad, 93
Louvre, Paris, 95
Metropolitan Museum of Art, 50, 74, 75–76, 81–82, 87, 93, 94, 97, 164
Morgan Wing, 93
Riesinger Fund, 76
Museum of Modern Art, 93, 96, 97
National Gallery, Washington, D.C., 92
Newark Museum, 94
Philadelphia Museum of Art, 97, 98
Walters Gallery, Baltimore, 93
Whitney Museum of American Art, 192
Yale University Art Gallery, 97
music, equation with color, 160, 161, 162
Mutt, R. (Marcel Duchamp), 110
Myers, Jerome, 11, 12, 14, 26–28, 30, 37, 47, 51, 56, 99, 167, 197
 
N
National Academy of Design, 3, 4, 5, 28, 33, 37, 50, 81, 151
exhibition system, 63–64, 197
membership, 4, 197
National Arts Club, 51, 64, 74
National Arts Committee, 75
National Sculptors Society, 82
National Society of American Artists, 63
nationalism, 85, 173, 195
naturalism, 91
Nazi, 85, 87
Nelson, William H. de B., 65
Neo-Romanticism, 186
Neue-Sachlichkeit, 119
Neumann, J. B., 185
Neuville, Alphonse de, 94
Nevinson, C. R. W., 122
New School for Social Research, 192, 194
New Society of Artists, 81
newspapers, 6, 8, 9, 47, 73, 85, 170
artists, 9, 14, 32, 168
cartoonist, 141
illustration, 11, 24, 30, 187, 189, 190
Baltimore Sun, 187
Chicago Tribune, 55
New York American, 89, 168
New York Daily News, 183
New York Evening Post, 89, 168
New York Herald, 12
New York Morning Telegraph, 82
New York Sun, 89, 187
New York Tribune, 30, 43, 51, 76, 85, 168
New York World, 12
Sunday Supplement, 12
Philadelphia Bulletin, 11, 12
Philadelphia Press, 11
Philadelphia Public Ledger, 11
Philadelphia Record, 11
New York City Mayor’s Committee on National Defence, Committee on Arts and Decorations, 74
Nietzschean philosophy, 35, 36
nihilism, 113, 195
Nolde, Emil, 148
Non-Objectivism, 49
Norris, Frank, 9
The Pit, 9
 
O
occulted spiral, 162
Of, George F., 66, 90
O’Keeffe, Georgia, 41, 42, 56, 119, 126–128
Alligator Pear, 126
American Radiator Building, 128
Calla Lily, 126
Calla with Roses, 126
Lake George, 126
Music—Black, Blue and Green, 126
The Shelton, 128
O’Neill, Eugene, 187
optimism, 79, 160
Oriental art, 52, 128, 138, 157, 171, 189
Orozco, José Clemente, 25, 190
Murals, New School for Social Research, 192
Orphism, 49, 64, 103, 105, 106
Ozenfant, Amédée, 113, 114
Après le Cubisme, 113
L’Esprit Nouveau, 113
 
P
Pach, Walter, 12, 47, 48, 50, 103, 105
pacificism, 71
Painters and Sculptors of Chicago, 82
Parrish, Maxfield, 74
Pascin, Jules, 96, 99, 155, 157, 158, 159, 185, 196
Paterson pageant, 8
Paterson silk strike, 8
patriotism, 36, 71, 72, 73, 74
patronage, 47, 80, 84, 89, 92, 94, 95, 99, 190
Pennell, Joseph, 74, 76, 113
Pennsylvania Academy of Fine Arts, 11, 24, 81, 82, 116
Fellowship of the, 50
Petitpas, 20
pessimism, 177
Petronius Arbiter, 86
Philadelphia Art Alliance, 82
Philadelphia Art Club, 76
Philadelphia “Five,” 18, 24, 38, 62, 167
philistinism, 5, 7, 13, 39, 44, 60, 80, 81, 87, 188
Phillips, Duncan, 53, 54, 55, 57, 74, 90–91, 92, 93, 98, 99
Enchantment of Art, 91
Fallacies of the New Dogmatism in Art, 91
Phillips Memorial Art Gallery, 91, 93, and Journal, 98
Revolutions and Reactions in Painting, 90, 91
photography, 38, 39, 40, 105, 118, 119, 126
Picabia, Francis, 8, 49, 51, 91, 105, 109, 111, 117, 122
Objet qui ne fait pas l’éloge des temps passés, 117
Parade Amoureuse, 111, 117
Very Rare Picture Upon the Earth, 111
Picasso, Pablo, 6, 28, 30, 34, 39, 44, 49, 51, 52, 62, 82, 88, 89, 90, 93, 94, 95, 96, 97, 98, 109, 116, 137, 138, 139, 142, 160, 196
African period, 138
blue period, 28, 30, 142, 156
Cubist period, 103
pink period, 103, 156
Les Demoiselles d’Avignon, 139
Pissarro, Camille, 49, 96, 98
Players’ Workshop, 7
pseudo-scientific theories, 4, 35, 60, 64, 84, 96, 160–164
Poe, Edgar Allan, 144, 176
Poore, Henry R., 55
Pope, Arthur, 164
posters, 19
war, 71, 73–74
Post-Impressionism, 43, 44, 49, 50, 51, 53, 54, 55, 57, 95, 96, 97, 152
Prendergast, Maurice B., 38, 51, 60–61, 81, 91, 96, 98, 99, 142
Pre-Raphaelites, 61
Preston, James, 9
Price, Matlack, 73
“primitives,” 49, 81, 138
primitivism, 52, 53, 89, 98, 138, 139, 140, 148
propaganda, 71, 73, 74
proletarian art, 191
prosperity, 79, 87, 93
Proust, Marcel, 6
provincialism, 3, 5, 48, 56, 80, 81, 83, 87, 173, 174, 176, 177
public art, 190
“pure” art, 65, 81, 90, 130, 161, 188
Purism, 113–114, 115, 116, 117, 118, 123, 125
Puvis de Chavannes, Pierre, 49, 61, 85
 
Q
Questioners, 7
Quinn, John, 49, 53, 59, 87, 93, 94–95, 96, 97, 99, 141
sale, 94, 95
 
R
radicalism, 8, 10, 32, 80, 187, 196
in modern art, 53–54
Raemakers, Louis, 73
Rascoe, Burton, 7
“ray-line,” 15, 16, 116
Ray, Man, 66, 90, 97, 99, 105, 111
Invention—Dance, 65
Realism, 3, 5, 6, 8, 9–38, 49, 51, 52, 60, 62, 80, 81, 89, 108, 113, 125, 129, 141, 151, 154, 155, 167–195, 196
critical, 187, 188, 190, 195
journalistic, 187
in literature, 6, 7, 11
New York, 11–12
Philadelphia, 9–11
romantic, 131
satirical, 187, 189
scientific, 89
social, 190, 192, 196
Redfield, Edward W., 3, 9
Redon, Odilon, 49, 52, 64, 89, 96
Reed, John, 8
reformism, 6–7, 8, 10, 11, 18, 30, 32, 40, 76, 79, 80, 104, 172, 187, 195
Red Cross, 74
Reid, Robert, 73, 81, 197
Remarque, Erich Maria, All Quiet on the Western Front, 79
Renaissance, American art, 5, 6, 50, 56, 82, 84
literature, 5, 7
Irish, 94
Renoir, Pierre A., 23, 32, 49, 52, 59, 62, 64, 66, 81, 82, 91, 93, 96, 98, 103, 154, 155, 156, 183, 196
Le Déjeuner des Canotiers, 98
Reuterdahl, Henry, 73
Rice, Elmer, 187
Richter, Gisela M. A., 164
Rictus, Jehan, 28
Riis, Jacob, 11
Ritschel, William, Crusaders, 74
Rivera, Diego, 25, 190
Robinson, Boardman, 30, 32, 183, 187, 189, 192
murals, Kaufman Department Store, Pittsburgh, 192
Robinson, Edward, 76, 94
Rockefeller, Mrs. John D., Jr., 93
Rodin, Auguste, 39, 49, 50, 54, 86
Helmetmaker’s Wife, 86
Rolland, Romain, Clerambeault, 79
romanticism, 49, 52, 61, 91, 131, 144, 146, 147, 148, 151, 155, 167, 170, 176, 179, 181, 186, 195
Roosevelt, Theodore, 6, 53
Rosenfeld, Paul, 41
Rorty, James, 187
Ross, Denman W., 96, 160, 161, 162, 164
On Drawing and Painting, 160
Rotary Club, 93
Rouault, Georges, 49, 141, 148
Rousseau, Henri, 39, 42, 49, 97, 138, 148
The Jungle, 95
The Sleeping Gypsy, 95
Rousseau, Théodore, 85
Ruckstuhl, F. Wellington, 85–87
ruin, 177, 178
Russell, Bruce A., 187
Russell, George W., 84
Russell, Morgan, 49, 51, 64, 65, 66, 103
Cosmic Synchromy, 65
Synchromie en Vert, 64
Russian Revolution, 10, 87
Russolo, Luigi, 64
Ryder, Albert P., 3, 81, 131, 144, 146, 148, 176, 182
 
S
St. Gaudens, Homer, 82
Salmagundi Club, 76
Sandburg, Carl, 7, 11, 187
sanity, 87
Santayana, George, 94
Sargent, John S., 3, 4, 10, 57, 81, 85, 91
satire, 30, 169, 170, 175, 187, 188, 189
social, 22, 28, 30, 32, 187, 188
Schamberg, Morton L., 51, 97, 99, 103, 117–118, 119
Schary, Saul, 99
Schofield, Elmer, 9
Schwitters, Kurt, 97
science, 4, 5, 6, 36, 53, 89, 90, 126, 160, 161, 162, 164
anti-, 40
Ségonzac, André D. de, 49
set palette, 90, 160, 161
Seurat, Georges, 49, 63
The Circus, 95
The Models, 95
Poudreuse, 94, 95
Severini, Gino, 64
Seyffert, Leopold, 3
Shawan, Mrs., 99
Sheeler, Charles, 41, 51, 56, 66, 95, 103, 111, 114, 115, 116–119, 123, 126, 196
Barn Reds, 119
barn studies, 116
Church Street El, 118
Demarcation of Forms, 118
Ford River Rouge Plant, 119
Manahatta (film), 118
Staircase, Doylestown, 118
Stairway to Studio, 118
Suspended Forms, 118
Upper Deck, 119
Sherriff, R. C., Journey’s End, 79
Shille, Alice, 99
Shinn, Everett, 9, 11, 12, 19, 24–26, 32, 37, 38, 62, 167, 170
Ethel Barrymore, 24
David Belasco, 25
Sir Henry Irving, 24
The London Hippodrome, 24
Julia Marlowe, 24
Murals, Belasco Theater, 24
Murals, Trenton City Hall, 24, 25–26
David Warfield, 25
Stanford White, 24
Elsie de Wolfe, 24
Signac, Paul, 49, 64, 91
significant form, 154
Simmons, Edward F., 81, 197
Simultaneists, 97
Sinclair, Upton, 187
Sisley, Alfred, 49, 96, 98
Sloan, John, 6, 9, 11, 12, 13, 18–21, 22, 28, 30, 32, 37, 38, 51, 62, 81, 96, 98, 151, 161, 167, 171, 172, 175, 176, 183, 184, 187, 190
Coffee Line, 22
A Comic History of Greece, 19
slums, 11, 12, 14, 15, 21, 26, 28, 30, 34, 35, 62
social art, 8, 13, 23, 30, 32, 35, 36, 76, 89, 108, 167, 172, 173, 187–191, 192, 196
socialism, 5, 6, 7, 18, 27, 30, 32, 36, 40, 54, 84, 87, 170, 190
social revolt, 35, 172, 182
Société Anonyme, 81, 82, 93, 97, 105, 111
Society of American Artists, 3, 37, 81
Society of American Painters, Sculptors and Engravers, 81
Society of American Sculptors, 82
Society of Friends of Young Artists, 71
Society of Independent Artists, 37, 38, 55, 66–67, 81, 110, 111, 173
Soutine, Chaim, 96
Soyer, Moses, 183, 184–185
Soyer, Raphael, 99, 183, 184–185
Spanish-American War, 12
Spaulding, John T., 93, 99
Speicher, Eugene, 82, 151
Spencer, Niles, 99, 119, 123, 190
Springhorn, 37
Stallings, Laurence, What Price Glory, 79
Steffens, Lincoln, 7, 32, 80
Steichen, Edward, 39, 42, 44, 133
Stein, Gertrude, 50, 88, 93, 98
Stein, Leo, 87–89, 93, 98
ABC of Aesthetics, 89
Stein collection, 98
Steinlen, Théophile A., 19, 28, 30, 71, 187
Stella, Joseph, 32, 51, 56, 97, 103, 111, 112, 119–123
Battle of Lights, Coney Island, 121
Brooklyn Bridge, 112
New York Interpreted, 112, 121
Sterne, Maurice, 56, 90, 103, 151–152, 153
Sterner, Albert, 73
Stieglitz, Alfred, 8, 10, 39–44, 53, 56, 65, 111, 126, 131, 133, 137, 161
Stijl, De, 104
Stockholm Eight, 89
Stout, Rex, 187
Strand, Paul, 44, 118, 126
Circular Forms, 126
Manahatta (film), 118
studio painting, 154–159, 169, 185, 196
style nouveau, 19
Suprematism, 49, 115
Surrealism, 97, 106, 119, 125
Sweeney’s, 12
Symbolist poetry, 55
Synchromism, 49, 51, 64, 66, 90, 95, 105, 106, 116, 130, 160, 192
Synge, J. M., 94
Szukalski, Stanislaus, 7
 
T
Tack, Augustus V., 74
Taft, Lorado, 82
Taggard, Genevieve, 187
talmudists, 141
Tamayo, Rufino, 190
Tannenbaum case, 8
Tarbell, Edmund G., 3, 81, 197, 198
Tarbell, Ida M., 32
taste, 83, 92, 93, 94, 96
American, 48, 90, 96, 129
popular, 144
public, 93
Taylor, Frederick W., 6
Taylor, Henry F., 47, 82
Ten, the, 3, 81
Thayer, Abbott H., 3, 93
tonalism, 55, 61, 152
Toulouse-Lautrec, Henri de, 19, 30, 39, 49, 155
Townsend, James B., 85
Treasury Department art programs, 190
Treidler, Adolph, 73
Tucker, Allen, 38, 48, 81
Turnbull, Edwin L., 87
Twachtman, John H., 3, 61, 98, 197
Tyson, Carroll, 93
 
U
ugliness, 54, 55, 86, 87
Ulrich, Louis, 71
un-American, 56
unintelligibility, 54, 56
universal, 161, 162
University of Pennsylvania, 76
Weekly Review, 82 Untermeyer, Louis, 187
 
V
Vagabonds, 7
Valentiner, W. R., 82
Valloton, Félix E., 49
Van Dine, S. S., 64
Van Dongen, Kees, 89
Van Gogh, Vincent, 49, 52, 55, 56, 57, 81, 85, 91, 93, 96
Self-Portrait, 94
Veblen, Thorstein, 7
Vechten, Carl Van, 7
Vezin, Charles, 54
Victory Arch, 75
Victory Way, 75
Villegas, José, 94
Villon, Jacques, 49
Vitry, Paul, 50
Vlaminck, Maurice de, 49
Volk, Douglas, 198
Vorse, Mary H., 8, 187
Vorticism, 111, 122
Vuillard, Édouard, 49, 64
 
W
Walkowitz, Abraham, 39, 41, 43, 44, 56, 66, 97, 99, 103, 113, 190
Walling, English, 8
Walters, Henry, 92
Watson, Forbes, 82
Weber, Max, 39, 41, 42–43, 44, 56, 57, 90, 94, 95, 99, 103, 133, 137–141, 148, 152, 181, 196
Bathers, 139
The Cellist, 139
Composition with Three Figures, 139
Metropolitan Museum Lecture, 139
New York at Night, 139
The Piqué Shirt, 139
Primitives (poems and woodcuts), 138
The Rabbi, 140
Reclining Figures, 140
Rush Hour, 139
Still Life, Egyptian Pot, 140
Weed, Clive, 32, 187
Weichsel, John, 65
Weir, J. Alden, 3, 47, 53, 81, 98, 197
Whistler, James A. McN., 49, 56, 57, 61, 94, 95, 98, 113, 133, 151, 152
white card, 4, 5
Whitman, Walt, 11, 36
Whitney, Gertrude Vanderbilt, 38
Widener, Joseph E., 92
Wiles, Irving R., 198
Williams, Clifford, 105
Wilson, Edmund, 187
Wilson, Woodrow, 7
Wilson, Mrs. Woodrow, 63
Wood, Grant, 173, 192
American Gothic, 192
Daughters of the American Revolution, 192
Woman with Plants, 192
Woolf, Samuel J., 74
Works Progress Administration, 190
World War I, 5, 32, 41, 57, 60, 67, 71–76, 79, 81, 104, 146, 162, 168, 173, 176, 178, 188
Wright, George, 73
Wright, Willard H., 64, 65, 89–90, 95, 160, 161
Creative Will, 90
The Future of Painting, 90
Modern Painting, 64, 89–90, 95
Wyant, Alexander H., 3
Wyeth, N. C., 73
 
Y
Yarrow, William, 56
Yeats, Jack, 84, 94
Yeats, William B., 94
Young, Art, 32, 173, 176, 187
Trees of Night, 176
 
Z
Zorach, Marguerite, 103, 130
Zorach, William, 56, 66, 99, 103, 130
Zweig, Stefan, Sergeant Grischa, 79