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List of Exhibitions (Part 3): 1988–2010
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Robert Motherwell: Paintings and Collages (A Catalogue Raisonné, 1941–1991)
List of Exhibitions (Part 3)
Author
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
PublisherYale University Press
Copyright© 2012 by The Dedalus Foundation, Inc., and Yale University
https://doi.org/10.37862/aaeportal.00105.045
Stable URL: https://aaeportal.com/?id=-18305
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List of Exhibitions (Part 3): 1988–2010
1988
 
SOLO EXHIBITIONS
 
Knoedler & Company, New York, Robert Motherwell: The Summer 1987 Collage Series; “The Red and Black” and Other Unexhibited Works, April 23–May 12, 1988 (checklist). See P615, P1142, P1166, P1185–P1187, C756, C757, C759, C763, C770, C773, C774, C776, C786, C791, C794, C796, C802, C804, C811, C813, C825. Reviewed in Art & Antiques 1988 and Kingsley 1988.
 
Arthur A. Houghton Jr. Gallery, Cooper Union, New York, Robert Motherwell: The Dedalus Sketchbook and Other Works in the Joycean Mode, November 21–December 3, 1988 (checklist). See P69, P687, P729, P1036, P1083, P1155, C532, C817, W636.
 
GROUP EXHIBITIONS
 
Walker Art Center, Minneapolis, Selections from the Permanent Collection, January 13–June 19, 1988 (permanent collection exhibition). See P632.
 
CDS Gallery, New York, The Irascibles, February 4–27, 1988 (catalogue). See P147.
Sandler, Irving. The Irascibles. New York: CDS Gallery, 1988.
 
Arkansas Arts Center, Little Rock, American Abstract Drawings, 1930–1987: Selections from the Arkansas Arts Center Foundation Collection, February 26–June 19, 1988; Arts Club of Chicago, January 8–February 12, 1990; Memphis State University, March 2–30, 1990; Tampa Museum of Art, Fla., May 19–July 22, 1990; Center for the Arts, Vero Beach, Fla., September 8–November 10, 1990; Montgomery Gallery, Claremont College, Calif., January 12–February 9, 1992 (catalogue). See C300, C550, W529.
Wolfe, Townsend. American Abstract Drawings, 1930–1987: Selections from the Arkansas Arts Center Foundation Collection. Little Rock: Arkansas Arts Center, 1988.
 
Museum of Art, Munson-Williams-Proctor Institute, Utica, N.Y., The Painter’s Music, The Musician’s Art, March 5–May 15, 1988. See C649, C777.
 
Picker Art Gallery, Colgate University, Hamilton, N.Y., The Luther W. Brady Collection of Deferred Gifts to the Picker Art Gallery: 20th-Century Works on Paper, March 13–June 5, 1988. See W80.
 
Solomon R. Guggenheim Museum, New York, Aspects of Collage, Assemblage and the Found Object in Twentieth Century Art, March 29–May 22, 1988 (catalogue). See C22, C105.
Hapgood, Susan. Aspects of Collage, Assemblage and the Found Object in Twentieth-Century Art. Preface by Diane Waldman. New York: Solomon R. Guggenheim Museum, 1988.
 
Modern Art Museum of Fort Worth, The American Collection, April 10–June 3, 1988 (permanent collection exhibition). See P1030, W147, W452, W542.
 
Manny Silverman Gallery, Los Angeles, Abstract Work from the 1950s, April 23–June 4, 1988. Works unknown.
 
André Emmerich Gallery, New York, Selected Works from the Gallery’s Collection, May 3–27, 1988. See P622.
 
Montclair Art Museum, N.J., The New York School, May 29–August 28, 1988. See C687.
 
Whitney Museum of American Art, Fairfield County, Stamford, Conn., Convulsive Beauty: The Impact of Surrealism on American Art, June 24–August 27, 1988; Whitney Museum of American Art Downtown at Federal Reserve Plaza, New York, October 4–December 2, 1988 (catalogue). See P65.
Convulsive Beauty: The Impact of Surrealism in American Art. New York: Whitney Museum of American Art, 1988.
 
Long Point Gallery, Provincetown, Mass., Opposites, June 26–July 16, 1988. See W630. Reviewed in Lloyd 1988a, Marks 1988, and Nickerson 1988.
 
Musée National d’Art Moderne, Centre Georges Pompidou, Paris, Les Années 1950, June 28–October 17, 1988 (catalogue). See P212. Reviewed in Smith 1988.
Abadie, Daniel, Philippe Arbaizar, Laurent Bayle, Claude Eveno, Raymond Guidot, et al. Les Années 50 (text in French). Paris: Centre Georges Pompidou, 1988.
 
Works Festival, Manulife Centre, Edmonton, Alberta, Canada, The University Collects: A Celebration of the Human Spirit, June 30–July 10, 1988 (permanent collection exhibition). See P281.
 
Long Point Gallery, Provincetown, Mass., Black, July 17–August 6, 1988. See P1113, P1139.
 
National Museum of Contemporary Art, Seoul, International Contemporary Painting Exhibition of Seoul Olympiad Art, August 17–October 5, 1988 (catalogue). See C741.
Glibota, Ante, ed. Olympiade des arts/Olympiad of Art (text in English, French, and Korean). Seoul, South Korea: Seoul Olympic Organizing Committee, 1988.
 
Gallery One, Toronto, Summer Selections, August 25–September 14, 1988. See W251.
 
Kunstverein St. Gallen, Switzerland, Sammlung T, August 27–October 30, 1988 (catalogue). See P191.
Sammlung T (text in German). Introduction by Rudolf Hanhart. St. Gall, Switzerland: Der Verein, 1988.
 
John Berggruen Gallery, San Francisco, Works on Paper, September 8–October 8, 1988 (catalogue). See C766.
Works on Paper. San Francisco: John Berggruen Gallery, 1988.
 
Parrish Art Museum, Southampton, N.Y., Drawing on the East End, 1940–1988, September 18–November 13, 1988 (catalogue). See W30. Reviewed in Long 1988 and Slivka 1988.
Kertess, Klaus. Drawing on the East End, 1940–1988. Foreword by Trudy C. Kramer. Southampton, N.Y.: Parrish Art Museum, 1988.
 
Berlinische Galerie, Museum für Moderne Kunst, Photographie und Architektur, Berlin, Stationen der Moderne, September 25, 1988–January 8, 1989 (catalogue). See C75.
Roters, Eberhard, Walter Grasskamp, Uwe M. Schneede, Andreas Hüneke, Wulf Herzogenrath, Jörn Merkert, Mario-Andreas von Lüttichau, Helen Adkins, Inka Graeve, Kurt Winkler, et al. Stationen der Moderne (text in German). Berlin: Nicolai, 1988.
 
Musée Saint-Pierre Art Contemporain, Lyon, France, La Couleur seule: L’Expérience du monochrome, October 7–December 5, 1988 (catalogue). See P924.
Raspail, Thierry, Maurice Besset, Thomas McEvilley, Thierry de Duve, Jean-Claude Marcadé, Richard Stanislawski, Pierre Restany, Ursula Perucchi-Petri, Giorgio Franchetti, Edmond Charriere, et al. La Couleur seule: L’Expérience du monochrome (text in French). Lyon, France: Ville de Lyon, 1988.
 
Behind the Line: An Inquiry into Drawing (organized by the Grey Art Gallery and Study Center, New York University, and circulated by the Gallery Association of New York State, Hamilton), Haverford College Art Gallery, Pa., October 8–November 6, 1988; Metropolitan Life Gallery, New York, November 21, 1988–January 6, 1989; Adirondack Community College, Glens Falls, N.Y., March 6–April 12, 1989; Michael C. Rockefeller Arts Gallery, State University of New York at Fredonia, September 7–October 1, 1989; Tower Fine Arts Gallery, State University of New York at Brockport, October 10–November 5, 1989; University Gallery, Towson State, Baltimore, November 17–December 13, 1989; Ruth Dowd Art Gallery, State University of New York at Cortland, January 23–February 16, 1990; Roberson Center for Arts and Sciences, Binghamton, N.Y., July 7–August 26, 1990; Arnot Art Museum, Elmira, N.Y., September 15–October 27, 1990; Rowland Gibson Gallery, State University of New York at Potsdam, November 12–December 16, 1990; Alfred University, N.Y., January 23–February 10, 1991; Myers Fine Art Gallery, State University of New York at Plattsburgh, March–April 1991 (catalogue). See C88.
Behind the Line: An Inquiry into Drawing. New York: Gallery Association of New York State, 1988.
 
Marisa del Re Gallery, New York, Black & White, October 12–November 12, 1988 (catalogue). See P819.
Hunter, Sam. Black & White. Foreword by Marisa del Re. New York: Marisa del Re Gallery, 1988.
 
James Goodman Gallery, New York, Paintings, Drawings and Sculpture by Modern and Contemporary Masters, November 1988. Works unknown.
 
Museum of Modern Art, New York, Collage: Selections from the Permanent Collection, November 3, 1988–February 28, 1989 (permanent collection exhibition). See C7.
 
Douglas Drake Gallery, New York, Anthony Caro, Dan Christensen, Friedel Dzubas, Helen Frankenthaler, Robert Motherwell, Wayne Thiebaud, November 4–26, 1988. See C617.
 
Rose Art Museum, Brandeis University, Waltham, Mass., Selections from the Permanent Collection, November 4–December 18, 1988 (permanent collection exhibition). See P218.
 
Janie C. Lee Master Drawings, New York, Abstract Expressionist Drawings, 1941–1955, November 5–December 30, 1988 (catalogue). Drawings only.
Abstract Expressionist Drawings, 1941–1955. Foreword by Robert McDaniel. New York: Janie C. Lee Master Drawings, 1988.
 
Richard L. Feigen & Co., Chicago, “Richard J. Daley”: The 20th Anniversary, November 8–December 6, 1988 (catalogue). See P180.
Feigen, Richard L. “Richard J. Daley”: The 20th Anniversary. Chicago: Richard L. Feigen, 1988.
 
Stanford University Museum of Art, Palo Alto, Calif., Twentieth-Century Drawings from the Anderson Collection: Auguste Rodin to Elizabeth Murray, November 15, 1988–February 19, 1989 (catalogue). See C51.
Jones, Caroline A. Twentieth-Century Drawings from the Anderson Collection: Auguste Rodin to Elizabeth Murray. Palo Alto, Calif.: Stanford University Museum of Art, 1988.
 
Seattle Art Museum, The New York School, 1945–60, November 23, 1988–January 29, 1989. See P56.
 
Picker Art Gallery, Colgate University, Hamilton, N.Y., Abstract Expressionist and COBRA Works on Paper in the Luther W. Brady DFA ’88 Collection, November 30–December 18, 1988 (checklist). See W80.
 
Solomon R. Guggenheim Museum, New York, Viewpoints: Postwar Painting and Sculpture from the Guggenheim Museum Collection and Major Loans, December 9, 1988–January 22, 1989 (permanent collection exhibition; catalogue). See P607.
Dennison, Lisa. Viewpoints: Postwar Painting and Sculpture from the Guggenheim Museum Collection and Major Loans. New York: Solomon R. Guggenheim Museum, 1988.
 
National Gallery of Art, Washington, D.C., Twentieth-Century Art: Selections for the Tenth Anniversary of the East Building, December 13, 1988–December 31, 1990 (catalogue). See P208, P956. Reviewed in Kimmelman 1988.
Strick, Jeremy. Twentieth-Century Art: Selections for the Tenth Anniversary of the East Building. Washington, D.C.: National Gallery of Art, 1989.
 
Museum of Contemporary Art, Chicago, Three Decades: The Oliver-Hoffmann Collection, December 17, 1988–February 5, 1989 (catalogue). See P425.
Oliver-Hoffmann, Camille, I. Michael Danoff, Phyllis Tuchman, Lynne Warren, and Bruce Guenther. Three Decades: The Oliver-Hoffmann Collection. Chicago: Museum of Contemporary Art, Chicago, 1988.
 
1989
 
SOLO EXHIBITIONS
 
Marisa del Re Gallery, New York, Robert Motherwell: Selected Drawings, February 8–March 4, 1989 (catalogue). See W279, W357, W509, W560, W563, W589, W592, W637, W671, W681, W682, W695. Reviewed in Calnek 1989.
Robert Motherwell: Selected Drawings. Introduction by Marisa del Re. New York: Marisa del Re Gallery, in cooperation with Knoedler & Company, 1989.
 
Knoedler & Company, New York, Robert Motherwell: New Work, April 22–May 25, 1989 (checklist and catalogue). See P1145, P1160, P1162, P1164, P1168, P1169, P1183, C816, C824, C827, C831, C837, C838, C840, C843, C844, C848, W716. Reviewed in Russell 1989.
Robert Motherwell: New Work. New York: Knoedler, 1989.
 
Marian Locks Gallery, Philadelphia, Robert Motherwell: Paintings, June 2–30, 1989 (catalogue). See P78, P193, P418, P946, P1160, C817, W46, W61.
Robert Motherwell: Paintings. Philadelphia: Marian Locks Gallery, 1989.
 
Padiglione d’Arte Contemporanea, Milan, Robert Motherwell, September 28–November 26, 1989 (catalogue). See P4, P84, P122, P163, P224, P437, P486, P673, P717, P805, P819, P838, P875, P1063, P1112, P1138, P1153, C8, C22, C402, C410, C532, C676, C763, C782, C813, C828–C830, W64, W659. Reviewed in Appella 1989, D’Amico 1989, and Zanetti 1990.
Ashton, Dore, and Paolo Sega Serra Zanetti. Robert Motherwell (text in English and Italian). Milan: Arnoldo Mondadori Editore Arte, 1989.
 
Waddington Graphics, London, Robert Motherwell: Etchings, Lithographs, Livres Illustrés, 1986–1989, October 4–28, 1989 (catalogue). See C771, C781, C784, C786, C790, C796, C798, C804, C809, C811.
Robert Motherwell: Etchings, Lithographs, Livres Illustrés, 1986–1989. London: Waddington Graphics, 1989.
 
Sert Gallery, Carpenter Center for the Visual Arts, Harvard University, Cambridge, Mass., Robert Motherwell: Two Books, November 15–December 10, 1989. See P1024.
 
Montclair Art Museum, N.J., Robert Motherwell: The Music Collages, November 19, 1989–January 7, 1990 (catalogue). See C398, C433, C535, C553, C556, C623, C657, C687, C706, C728, C757, C758, C776, C823. Reviewed in Navarra 1989.
Koenig, Robert J. Robert Motherwell: The Music Collages. Montclair, N.J.: Montclair Art Museum, 1989.
 
GROUP EXHIBITIONS
 
Albright-Knox Art Gallery, Buffalo, Transformations in Landscape: Postwar Works from the Collection, January 20–February 19, 1989 (permanent collection exhibition; checklist). See P672.
 
High Museum of Art, Atlanta, Georgia Collects, January 24–March 6, 1989 (catalogue). Drawings only.
Georgia Collects. Atlanta: High Museum of Art, 1989.
 
Waddington Galleries, London, Works on Paper, February 1–25, 1989 (catalogue). See C724.
Works on Paper. London: Waddington Galleries, 1989.
 
Katzen Brown Gallery, New York, Homage to Walter Chrysler: The Provincetown Years, February 2–25, 1989. Works unknown.
 
Salón de Baile del Círculo de Bellas Artes, Madrid, XXV Aniversario de la Galería Juana Mordó, March 15–April 29, 1989 (catalogue). See P521.
De Alvear, Helga, Juan Manuel Bonet, Francisco Calvo Serraller, Julián Gállego, Miguel Logroño, and Simón Marchán Fiz. XXV Aniversario de la Galeria Juana Mordó (text in Spanish). Madrid: Galería Juana Mordó, 1989.
 
Marisa del Re Gallery, New York, The Linear Image: American Master Works on Paper, April 25–May 27, 1989 (catalogue). See W691.
Hunter, Sam. The Linear Image: American Master Works on Paper. Foreword by Marisa del Re. New York: Marisa del Re Gallery, 1989.
 
André Emmerich Gallery, New York, Selected Works II: From the Gallery’s Collection, April 27–May 17, 1989 (catalogue). See C32.
Selected Works II: From the Gallery’s Collection. New York: André Emmerich Gallery, 1989.
 
Associated American Artists, New York, The Painter and the Printmaker, May 2–June 2, 1989 (catalogue). See P1143.
The Painter and the Printmaker. Introduction by Robert Conway and Stephen Long. New York: Associated American Artists, 1989.
 
Allen Memorial Art Museum, Oberlin College, Ohio, Oberlin Alumni Collect: Modern and Contemporary Art, May 9–June 14, 1989 (catalogue). Drawings only.
Oberlin Alumni Collect: Modern and Contemporary Art. Introduction by William J. Chiego. Oberlin, Ohio: Allen Memorial Art Museum, Oberlin College, 1989.
 
Knoedler & Company, New York, Summer Group Exhibition, summer 1989 (checklist). See C887.
 
Marisa del Re Gallery, New York, [group exhibition], June 1–July 1, 1989. Works unknown.
 
Long Point Gallery, Provincetown, Mass., Myth and Ritual, June 25–July 15, 1989. Works unknown.
 
Annely Juda Fine Art, London, From Picasso to Abstraction, June 29–September 23, 1989 (catalogue). See P746.
From Picasso to Abstraction. Introduction by Bryan Robertson. London: Annely Juda Fine Art, 1989.
 
Museum of Modern Art, Shiga, Japan, American Painting in the 1950s and 1960s, July 22–September 17, 1989 (catalogue). See P215, P485.
Sandler, Irving, Masaharu Ono, and Masao Kobayashi. American Painting in the 1950s and 1960s (text in English and Japanese). Otsu-shi, Japan: Shiga Kenritsu Kindai Bijutsukan, 1989.
 
Whitney Museum of American Art, New York, Art in Place: Fifteen Years of Acquisitions, July 27–October 29, 1989 (permanent collection exhibition; catalogue). Drawings only.
Armstrong, Tom, and Susan C. Larsen. Art in Place: Fifteen Years of Acquisitions. New York: Whitney Museum of American Art, 1989.
 
Provincetown Art Association and Museum, Mass., Contemporary Provincetown, August 25–October 29, 1989; Murray Feldman Gallery, Pacific Design Center, West Hollywood, Calif., November 22–December 13, 1989 (catalogue). See C803, C826.
Lloyd, Anne Wilson. Contemporary Provincetown: 75 Years of American Art, 1914–1989. Foreword by Jim Rogers; introduction by William Harper Evaul Jr. Provincetown, Mass.: Provincetown Art Association and Museum, 1989.
 
Long Point Gallery, Provincetown, Mass., Summer’s Work, August 27–September 9, 1989. See P1171.
 
Tacoma Art Museum, Wash., The Permanent Collection: Celebrating 25 Years, September 1–October 29, 1989 (permanent collection exhibition). See P573.
 
IBM Gallery of Science and Art, New York, 50 Years of Collecting Art at IBM, September 12–November 25, 1989 (permanent collection exhibition; catalogue). See P182.
50 Years of Collecting Art at IBM. New York: IBM Corporation, 1989.
 
Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, The Gestural Impulse, 1945–60, September 29–December 1, 1989 (catalogue). See P171.
Willers, Karl Emil. The Gestural Impulse, 1945–60. New York: Whitney Museum of American Art, 1989.
 
Williams Center for the Arts, Lafayette College, Easton, Pa., The Painter’s Music, The Musician’s Art, October 16–November 8, 1989. See C649.
 
Galerie Claude Lafitte, Montreal, Renoir à/to Riopelle: Masters of the 20th Century, October 24–November 18, 1989 (catalogue). See W73.
Renoir à/to Riopelle: Masters of the 20th Century (text in English and French). Montreal: Galerie Claude Lafitte, 1989.
 
Lowe Art Museum, University of Miami, Coral Gables, Fla., Abstract Expressionism: Other Dimensions (organized by the Jane Voorhees Zimmerli Art Museum, Rutgers, State University of New Jersey, New Brunswick), October 26–December 3, 1989; Terra Museum of American Art, Chicago, January 23–March 11, 1990; Jane Voorhees Zimmerli Art Museum, Rutgers, State University of New Jersey, New Brunswick, March 25–June 13, 1990 (catalogue). See P153, C105, W112.
Weschler, Jeffrey, Sam Hunter, and Irving Sandler, Abstract Expressionism: Other Dimensions. Contributions by William Seitz and Matthew Lee Rohn. New Brunswick: Rutgers, State University of New Jersey, 1989.
 
Le Consortium, Centre d’Art Contemporain, Dijon, France, Une Autre Affaire, November 18, 1989–January 13, 1990. See W60.
 
Musée d’Art Moderne Villeneuve d’Ascq, France, Blast, foyer, et explosion: Surrealisme europeen, expressionisme abstrait américain, December 2, 1989–February 19, 1990 (catalogue). See P215.
Pijaudier, Joëlle, Fabrice Hergott, Sylvie Férey, and Christian Vieaux. Blast, foyer, et explosion: Surrealisme europeen, expressionisme abstrait américain (text in French). Villeneuve d’Ascq, France: Musée d’Art Moderne Villeneuve d’Ascq, 1990.
 
Fendrick Gallery, Washington, D.C., Small Format Works, December 5–30, 1989. Works unknown.
 
Lannan Foundation Gallery, Los Angeles, Abstraction since 1944: Selections from the Lannan Foundation Collection, December 5, 1989–June 2, 1990 (permanent collection exhibition). See P16.
 
1990
 
SOLO EXHIBITIONS
 
Artcurial Centre d’Art Plastique Contemporain, Paris, Robert Motherwell: Peintures et collages, 1969–1990, September 25–November 10, 1990; Heland Wetterling Gallery, Stockholm, and Wetterling Gallery, Göteborg, Sweden, Robert Motherwell: Paintings, 1971–1990, January 29–March 20, 1991 (venue catalogues). See P496, P673, P717, P805, P819, P856, P875, P1071, P1124, P1138, P1139, P1150, P1153, P1169, P1170, P1175, P1176, P1179, P1185, C637, C710, C818, C859–C863, C865, C866, W659. Reviewed in Dayde 1990, Foll 1990, Francou 1990, La Depeche 1990, La Gazette de L’Hôtel Drouot 1990, Le Monde 1990, M. 1990, P[ierrard] 1990, Pinte 1990, Pythoud 1990, Stern 1990, and Warnod 1990.
Pleynet, Marcelin. Robert Motherwell, 1969–1990 (text in French). Paris: Artcurial Centre d’Art Plastique Contemporain, 1990.
Robert Motherwell: Paintings, 1971–1990. Stockholm: Heland Wetterling Gallery, 1990.
 
Marisa del Re Gallery, New York, Robert Motherwell: The Passionate Line, November 1–24, 1990. See W102, W293, W360, W660, W698, W717, W718, W720.
 
GROUP EXHIBITIONS
 
Rose Art Museum, Brandeis University, Waltham, Mass., Selections from the Permanent Collection (The Hand That Rocks the Cradle), January 21–February 25, 1990 (permanent collection exhibition). See P218.
 
Knoedler & Company, New York, Selected Works By Gallery Artists, February 3–28, 1990 (checklist). See P1063, C567.
 
Baltimore Museum of Art, BMA Collects: Surrealist Drawings, February 27–April 29, 1990 (permanent collection exhibition). See C3.
 
Ameringer & Avard Fine Art, New York, [group exhibition], spring 1990. Works unknown.
 
Elkon Gallery, New York, Modern and Contemporary Masters, spring 1990. See W39.
 
Centro Cultural Arte Contemporáneo, Mexico City, Octavio Paz: Los Privilegios de la vista, March 27–July 1, 1990 (catalogue). See P1024, C676.
Octavio Paz: Los Privilegios de la vista (text in Spanish). Mexico City: Centro Cultural Arte Contemporáneo, 1990.
 
Katonah Museum of Art, N.Y., Watercolors from the Abstract Expressionist Era, April 1–June 3, 1990 (catalogue). Drawings only.
Weschler, Jeffrey. Watercolors from the Abstract Expressionist Era. Foreword by George G. King. Katonah, N.Y.: Katonah Museum of Art, 1990.
 
André Emmerich Gallery, New York, The Great Decade: The 1960s, April 5–28, 1990 (catalogue). See W172.
The Great Decade: The 1960s. New York: André Emmerich Gallery, 1990.
 
Heland Wetterling Gallery, Stockholm, Heland Wetterling Gallery Shows Knoedler Gallery Artists, April 7–24, 1990 (catalogue). See C822.
Heland Wetterling Gallery Shows Knoedler Gallery Artists. Stockholm: Heland Wetterling Gallery, 1990.
 
Martin-Gropius-Bau, Berlin, Gegenwart Ewigkeit: Spuren des Transzendenten in der Kunst unserer Zeit, April 7–June 24, 1990 (catalogue). See P776, P1112. Reviewed in Porikys 1990.
Schmeid, Wieland, and Jürgen Schilling. Gegenwart Ewigkeit: Spuren des Transzendenten in der Kunst unserer Zeit (text in German). Stuttgart, Germany: Edition Cantz, 1990.
 
Neue Galerie der Stadt Linz, Austria, OÖ. Landesausstellung 1990: Ursprung und Moderne, May 6–July 29, 1990 (catalogue). See P838.
Baum, Peter. OÖ. Landesausstellung 1990: Ursprung und Moderne (text in German). Linz, Austria: Neue Galerie der Stadt Linz, 1990.
 
Arnold Herstand and Company, New York, Surrealism: From Paris to New York, May 12–August 31, 1990 (catalogue). See P65.
Surrealism: From Paris to New York. New York: Arnold Herstand, 1990.
 
Knoedler & Company, New York, Summer Group Exhibition, July–August 31, 1990 (checklist). See P1182.
 
Long Point Gallery, Provincetown, Mass., Squares, July 15–28, 1990. See P1184. Reviewed in Nickerson 1990.
 
Herbert F. Johnson Museum of Art, Cornell University, Ithaca, N.Y., Cornell Collects: A Celebration of American Art from the Collections of Alumni and Friends, August 21–November 4, 1990 (catalogue). See C34.
Roberts, Carol, ed. Cornell Collects: A Celebration of American Art from the Collections of Alumni and Friends. Essays by Nancy Allyn Jarzombek, Nancy E. Green, and Jill Hartz. Ithaca, N.Y.: Herbert F. Johnson Museum of Art, Cornell University, 1990.
 
Achim Moeller Fine Art, New York, Private Views, October–[November] 1990 (catalogue). See C141.
Private Views. New York: Achim Moeller Fine Art, 1990.
 
Stux Modern, New York, Abstract Expressionists: Studio 35/Downtown, October 5–December 1, 1990 (catalogue). See P177.
Abstract Expressionists: Studio 35/Downtown (includes artist’s statements). Foreword by Beth Wilson. New York: Stux Modern, 1990.
 
Pascal de Sarthe Gallery, Los Angeles, 19th & 20th Century Masters, December 6, 1990–January 19, 1991. See P254.
 
1991
 
SOLO EXHIBITIONS
 
Knoedler & Company, New York, Robert Motherwell: From the Studio, April 30–June 28, 1991 (checklist). See P665, P839, P865, P916, P926, P951, P995, P1012, P1055–P1057, P1099, P1177, P1194, P1195, P1201, P1202, P1204–P1206, C532, C654, C864, W40, W68, W117, W636, W661. Reviewed in Decter 1991, Noland 1991, and Tyler 1991a.
 
Galería Joan Prats, Basel Art Fair, Switzerland, Robert Motherwell, June 12–17, 1991 (catalogue). See P1126, P1151, P1158, P1178, P1182, P1183, P1190, C343, C349, C395, C410, C415, C510, C577, C708, C721, C833, W118, W458, W600.
Robert Motherwell. Introduction by Jack Flam. Barcelona: Galería Joan Prats, 1991.
 
Long Point Gallery, Provincetown, Mass., Robert Motherwell: Recent Work, August 25–September 13, 1991. See P1152, C667, C856, C889, W101, W658. Reviewed in Forman 1991d.
 
Museo Rufino Tamayo, Mexico City, Robert Motherwell: The Open Door (organized by InterCultura), September 9–October 27, 1991; Museo de Monterrey, Mexico, November 7, 1991–January 6, 1992; Modern Art Museum of Fort Worth, February 3–April 10, 1992 (catalogue). See P1, P4, P8, P107, P212, P222, P367, P665, P839, P850, P865, P866, P869, P916, P924, P951, P1012, P1024, P1030, P1055–P1057, P1140, P1177, P1180, P1181, P1194–P1196, P1202, P1204–P1206, C79, C139, C277, C385, C442, C529, C531, C532, C602, C644, C654, C676, C851, C864, W40, W91, W452, W542, W638, W642, W716. Reviewed in Kutner 1992a and Tyson 1992.
Del Conde, Teresa, Octavio Paz, Dore Ashton, and Joan Banach. Robert Motherwell, 1915–1991: La Puerta abierta/The Open Door (text in English and Spanish). Foreword by Gordon Dee Smith. Mexico City: Museo Rufino Tamayo, 1991.
 
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., Robert Motherwell: Prints and Collages from the Museum’s Collection, November 14, 1991–April 12, 1992 (permanent collection exhibition; checklist). See C399, C405, C440, C457, C459.
 
GROUP EXHIBITIONS
 
Locks Gallery, Philadelphia, Directions: Paintings, Sculpture, Prints, January 10–February 23, 1991. See P946, P1160.
 
Rose Art Museum, Brandeis University, Waltham, Mass., Collection Notes: Selections from the Permanent Collection, January 27–March 3, 1991 (permanent collection exhibition). See P218.
 
Museum of Modern Art, New York, Art of the Forties, February 24–April 30, 1991 (catalogue). See C7. Reviewed in Glimcher 1991 and Kramer 1991a.
Castleman, Riva, ed. Art of the Forties. Foreword by Richard E. Oldenburg; essay by Guy Davenport. New York: Museum of Modern Art, 1991.
 
National Gallery of Art, Washington, D.C., Art for the Nation: Gifts in Honor of the 50th Anniversary of the National Gallery of Art, March 17–June 16, 1991 (permanent collection exhibition; catalogue). See P31.
Art for the Nation: Gifts in Honor of the 50th Anniversary of the National Gallery of Art. Entry “Robert Motherwell,” by Jeremy Strick, pp. 362–63. Washington, D.C.: National Gallery of Art, 1991.
 
Artcurial Centre d’Art Plastique Contemporain, Paris, Drawings by Painters and Sculptors, March 21–May 4, 1991. Works unknown.
 
Galerie Ronny van de Velde, Antwerp, Belgium, About Collecting: Four Collectors, Four Spaces, April 16–June 1, 1991. See P508.
 
University of Iowa Museum of Art, Iowa City, The Painter’s Music, The Musician’s Art, April 20–June 23, 1991 (checklist). See P703, C406, C649.
 
Smith College Museum of Art, Northampton, Mass., Smith Collects Contemporary, May 3–September 15, 1991 (catalogue). See P360.
Smith Collects Contemporary. Introduction by Edward J. Nygren. Northampton, Mass.: Smith College Museum of Art, 1991.
 
Heckscher Museum, Huntington, N.Y., Under the Big Top: The Circus in Art, May 4–June 23, 1991 (catalogue). Drawings only. Reviewed in Lipson 1991.
Under the Big Top: The Circus in Art. Huntington, N.Y.: Heckscher Museum, 1991.
 
Guild Hall Museum, East Hampton, N.Y., Aspects of Collage, May 5–June 9, 1991 (catalogue). See C476.
Strassfield, Christina Mossaides. Aspects of Collage. East Hampton, N.Y.: Guild Hall Museum, 1991.
 
Wadsworth Atheneum Museum of Art, Hartford, Conn., Delaunay to De Kooning: Modern Masters from the Tremaine Collection and the Wadsworth Atheneum, May 5–September 15, 1991. See P34, P149.
 
Galerie Alice Pauli, Lausanne, Switzerland, Un Regard atlantique: Europe/Amerique, peintures/sculptures, May 30–July 27, 1991. See C677.
 
Renee Fotouhi Fine Art East, East Hampton, N.Y., Black and White, June 15–July 9, 1991. See W590.
 
Williams College Museum of Art, Williamstown, Mass., Selections from the Collection of Bennington College, June 15–December 8, 1991. See C94. Reviewed in Journal of the Print World 1991.
 
Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, Constructing American Identity, June 19–August 30, 1991 (catalogue). See P171.
Tepfer, Ellen, Elizabeth Bigham, and Andrew Perchuk. Constructing American Identity. Introduction by Eric Miles. New York: Whitney Museum of American Art, 1991.
 
Long Point Gallery, Provincetown, Mass., Key Works, June 23–July 13, 1991. See W101.
 
John Berggruen Gallery, San Francisco, Small Format Works on Paper, June 26–August 3, 1991. Works unknown.
 
Cape Museum of Fine Arts, Dennis, Mass., The Sixth Annual Art in the Garden Exhibition, July 6–August 24, 1991 (brochure). See C401. Reviewed in Forman 1991c.
The Sixth Annual Art in the Garden Exhibition. Dennis, Mass.: Cape Museum of Fine Arts, 1991.
 
Long Point Gallery, Provincetown, Mass., Those Lovely Golden Thighs, July 14–27, 1991. See P1152.
 
Knoedler & Company, New York, Works on Paper by Gallery Artists, September 7–October 3, 1991 (checklist). See C140, C144, C728.
 
David Anderson Gallery, Buffalo, Selected Works from the Gallery Collection, Part I, October 5–November 16, 1991. See C408.
 
Lannan Foundation Gallery, Los Angeles, Abstraction: Selections from the Lannan Foundation Collection, October 12, 1991–February 8, 1992 (permanent collection exhibition). See P16.
 
Rose Art Museum, Brandeis University, Waltham, Mass., Selections from the Permanent Collection, November 21, 1991–January 5, 1992 (permanent collection exhibition). See P218.
 
Des Moines Art Center, The Abstract Tradition in American Art, December 7, 1991–February 23, 1992 (permanent collection exhibition). See C406.
 
Tony Shafrazi Gallery, New York, A Passion for Art: Watercolors and Works on Paper, December 7, 1991–February 25, 1992. See C91.
 
1992
 
SOLO EXHIBITIONS
 
Locks Gallery, Philadelphia, Robert Motherwell: Paintings and Collages, April 10–May 27, 1992 (catalogue). See P78, P193, P217, P418, P481, P946, P1160, C96, C260, C488, C774, C817, W17, W61, W139.
Ashton, Dore. Robert Motherwell: Paintings and Collages. Philadelphia: Locks Gallery, 1992.
 
Walker Art Center, Minneapolis, Robert Motherwell: The Spanish Elegies, October 11, 1992–January 3, 1993 (checklist). See P156, P198, P199, P216, P1112, P1146, P1147, P1149, P1175, P1176, P1180, W10, W18, W357.
 
GROUP EXHIBITIONS
 
Lingotto, Turin, Italy, Arte Americana, 1930–1970, January 11–March 31, 1992 (catalogue). See P138. Reviewed in Vetrocq 1992.
Arte Americana, 1930–1970 (text in Italian). Introduction by Attilio Codognato; with contributions by Furio Colombo, Claudio Gorlier, Renato Barilli, Matthew Baigell, Sam Hunter, Alberto Boatto, and Kenneth Baker. Milan: Fabbri, 1992.
 
Museum of Modern Art, New York, The William S. Paley Collection, February 2–May 7, 1992 (catalogue). See C164.
Rubin, William, and Matthew Armstrong. The William S. Paley Collection. New York: Museum of Modern Art, 1992.
 
Sidney Mishkin Gallery, Baruch College, New York, Paths to Discovery, the New York School: Works on Paper from the 1950s and 1960s, March 20–April 17, 1992 (catalogue). See C91.
Paths to Discovery, the New York School: Works on Paper from the 1950s and 1960s. Foreword by Sandra Kraskin; text by Ellen Russotto. New York: Sidney Mishkin Gallery, Baruch College, 1992.
 
Station Gallery, Katonah, N.Y., Black Mountain College: Scratching the Surface, March 21–May 9, 1992. Drawings only. Reviewed in Zimmer 1992.
 
Cummer Museum of Art, Jacksonville, Fla., Abstract Expressionism: The Haskell Collection, April 17–June 28, 1992 (catalogue). See P704.
Abstract Expressionism: The Haskell Collection. Jacksonville, Fla.: Cummer Museum of Art, 1992.
 
Pascal de Sarthe Gallery, Los Angeles, Collages, summer 1992. See C283.
 
Solomon R. Guggenheim Museum, New York, The Guggenheim Museum and the Art of This Century, June 22–September 7, 1992. See P224.
 
Morris Museum, Morristown, N.J., The Painter’s Music, The Musician’s Art, November 1–December 7, 1992. See C649.
 
Studio Museum in Harlem, New York, Wilfredo Lam and His Contemporaries, 1938–1952, December 6, 1992–April 11, 1993 (catalogue). See P47, C40. Reviewed in Smith 1993a.
Balderrama, Maria R., ed. Wilfredo Lam and His Contemporaries, 1938–1952. Foreword by Kinshasha Holman Conwill; introduction by Jacques Leenhardt; essays by Giulio V. Blanc, Julia P. Herzberg, and Lowery Stokes Sims. New York: Studio Museum in Harlem, 1992.
 
1993
 
SOLO EXHIBITIONS
 
Knoedler & Company, New York, Robert Motherwell: The Open Series, February 13–March 11, 1993 (checklist). See P397, P419, P489, P557, P559, P637, P664, P674, P752, P1020, C276, W278, W308. Reviewed in Solomon 1993.
 
San Francisco Museum of Modern Art, Preserving a Modern Masterpiece: The Conservation of a Motherwell Elegy, September 30–November 28, 1993. See P217. Reviewed in Tanner 1993.
 
Modern Art Museum of Fort Worth, Selections from the Permanent Collection and Robert Motherwell Recent Acquisitions, October 31–December 5, 1993 (checklist). See P4, P122, P128, P226, P496, P745, P786, P789, P1024, P1030, P1176, C384, C476, C506, C515, C676, C685, C842, W147, W452, W542. Reviewed in Tyson 1993a.
 
GROUP EXHIBITIONS
 
High Museum of Art, Atlanta, Abstract Expressionism: Works on Paper, Selections from the Metropolitan Museum of Art, January 26–April 4, 1993; Metropolitan Museum of Art, New York, May 4–September 12, 1993 (catalogue). Drawings only.
Messinger, Lisa Mintz. Abstract Expressionism: Works on Paper, Selections from the Metropolitan Museum of Art. New York: Metropolitan Museum of Art; Atlanta: High Museum of Art, 1992.
 
Stuart Levy Fine Art, New York, Salute to Long Point, January 26–February 27, 1993. Works unknown.
 
Museum of Fine Arts, Boston, Building a Collection: The Department of Contemporary Art, January 28–July 3, 1993 (permanent collection exhibition). See P592.
 
Castello di Rivoli Museo d’Arte Contemporanea, Turin, Italy, Un’avventura internazionale Torino e le arti, 1950–1970, February 5–April 25, 1993 (catalogue). See P207.
Un’avventura internazionale Torino e le arti, 1950–1970 (text in Italian). Milan: Charta Editions, 1993.
 
Ueno Royal Museum, Tokyo, Masterworks from the Museum of Modern Art, February 6–May 9, 1993 (catalogue). See P215.
Masterworks from the Museum of Modern Art (text in Japanese and English). Essays by Shuji Takashina et al. New York: Museum of Modern Art; Tokyo: Ueno Royal Museum, 1993.
 
Nassau County Museum of Art, Roslyn Harbor, N.Y., Intimates and Confidants in Art: Husbands, Wives, Lovers, and Friends, February 28–May 23, 1993 (catalogue). See P138, C411.
Intimates and Confidants: Husbands, Wives, Lovers, and Friends. Introduction by Constance Schwartz; essay by Franklin Hill Perrell. Roslyn Harbor, N.Y.: Nassau County Museum of Art, 1993.
 
Sidney Janis Gallery, New York, An American Homage to Matisse, May 20–June 26, 1993. See C66, C285, C649.
 
Fondation Cartier, Jouy-en-Josas, France, Azur, May 28–September 12, 1993 (catalogue). See P555. Reviewed in Levergeois 1993.
Ashbery, John, Denys Riout, Angelika Overath, Manlio Brusatin, Michael Jakob, Jacqueline Lichtenstein, Paolo Fabbri, Allen S. Weiss, Paul Virilio, Michel Cassé, Gilles A. Tiberghien, Agnès Minazzoli, and Michel Pastoureau. Azur (text in French). Preface by Hervé Chandès. Jouy-en-Josas, France: Fondation Cartier pour l’Art Contemporain, 1993.
 
Nassau County Museum of Art, Roslyn Harbor, N.Y., Long Island Collections: The Gilded Age to the 1990s, May 30–September 12, 1993 (catalogue). See C758, W135.
Schwartz, Constance. Long Island Collections: The Gilded Age to the 1990s. Roslyn Harbor, N.Y.: Nassau County Museum of Art, 1993.
 
Musée d’Ethnographie, Neuchâtel, Switzerland, Si: Regards sur le sens commun, June 5, 1993–January 9, 1994 (catalogue). See W60.
Hainard, Jacques, and Roland Kaehr. Si: Regards sur le sens commun (text in French and German). Contributions by Jean-Blaise Grize, Marc-Olivier Gonseth, Jean-Michel Adam, Marie-Dominique Perrot, Jean-Luc Alber, Alexandre Mallart, Bruno Latour, Lucien Sfez, Fabrizio Sabelli, Hans Ulrich Reck, Silvio Fanti, and Claude Macherel. Neuchâtel, Switzerland: Musée d’Ethnographie, 1993.
 
Knoedler & Company, New York, Richard Diebenkorn, Helen Frankenthaler, Adolph Gottlieb, Robert Motherwell: On Paper, June 10–July 30, 1993 (checklist). See C276, C433, C675.
 
Williams College Museum of Art, Williamstown, Mass., Third Williams College Alumni Loan Exhibition: Two Hundred Years of American Art, June 12–November 28, 1993 (catalogue). See W11.
Third Williams College Alumni Loan Exhibition: Two Hundred Years of American Art. Preface by Linda Shearer; with contributions by Whitney S. Stoddard, S. Lane Faison Jr., and William H. Pierson Jr. Williamstown, Mass.: Williams College Museum of Art, 1993.
 
Long Point Gallery, Provincetown, Mass., Masterworks: Bultman, Manso, Motherwell, Rothschild, June 20–July 10, 1993. See P702, C841, W131, W518. Reviewed in Myers 1993.
 
IBM Gallery of Science and Art, New York, 20th Century Works from the University of Iowa Museum of Art, July 11–September 13, 1993. See P851. Reviewed in Smith 1993b.
 
James A. Michener Art Center, Doylestown, Pa., Twentieth Century American Art from the Mari and James A. Michener Collection (organized by the Archer M. Huntington Art Gallery), July 18, 1993–January 2, 1994; Samuel P. Harn Museum of Art, University of Florida, Gainesville, January 31–July 7, 1994; Triton Museum of Art, Santa Clara, Calif., July 23–September 11, 1994. See P210.
 
Heckscher Museum, Huntington, N.Y., Baudelaire’s Voyages: The Poet and His Painters, August 28–November 14, 1993; Archer M. Huntington Gallery, University of Texas at Austin, January 21–March 13, 1994 (catalogue). See P222. Reviewed in Russell 1993.
Coven, Jeffrey. Baudelaire’s Voyages: The Poet and His Painters. Essay by Dore Ashton. New York: Bulfinch Press, 1993.
 
Manny Silverman Gallery, Los Angeles, The Usual Suspects, September 9–October 16, 1993. Works unknown.
 
Yale University Art Gallery, New Haven, Conn., South of the Border: Mexico in the American Imagination, 1914–1947, September 10–November 21, 1993; Phoenix Art Museum, December 26, 1993–February 13, 1994; New Orleans Museum of Art, May 7–July 17, 1994; Museo de Monterrey, Mexico, September 9–November 20, 1994 (catalogue). See P8.
Oles, Jules, ed. South of the Border: Mexico in the American Imagination, 1914–1947. Essay by Karen Cordero Reiman. Washington, D.C.: Smithsonian Institution Press, 1993.
 
CDS Gallery, New York, The 3 Americas, September 11–October 2, 1993. See C281.
 
Marisa del Re Gallery, New York, The Linear Image II: Twentieth-Century Master Works on Paper, October 7–November 6, 1993. Works unknown.
 
Washburn Gallery, New York, Miro and New York, 1930–1950, October 13–November 27, 1993 (checklist). See C44.
 
Acquavella Galleries, New York, XIX & XX Century Master Paintings & Sculptures, October 25–December 12, 1993. Works unknown.
 
Agnes Etherington Art Centre, Queen’s University, Kingston, Ontario, Canada, The Painter’s Art: Masterworks of Modernism, October 31, 1993–April 3, 1994 (catalogue). See P503, P698, C5, C169.
Castel, Boris. The Painter’s Art: Masterworks of Modernism. Foreword by Dorothy Farr. Kingston, Ontario, Canada: Agnes Etherington Art Centre, 1993.
 
Murray and Isabella Rayburn Foundation, New York, Roma—New York, 1948–1964: An Art Exploration, November 5, 1993–January 10, 1994 (catalogue). See P277.
Celant, Germano. Roma—New York, 1948–1964: An Art Exploration (text in Italian). Milan: Edizioni Charta, 1993.
 
1994
 
SOLO EXHIBITIONS
 
Modern Art Museum of Fort Worth, Selections from the Permanent Collection and Recent Acquisitions: Robert Motherwell, January 20–April 10, 1994 (permanent collection exhibition). See P128, P226, P745, C384, C476, C506, C685, C842, W452, W542.
 
Knoedler & Company, New York, Robert Motherwell: At Five in the Afternoon, December 7, 1994–January 5, 1995 (checklist). See P152, P221, P645, P647, P819, P850, W10, W30, W107, W276, W357, W518. Reviewed in Karmel 1994.
 
GROUP EXHIBITIONS
 
Century Club, New York, Leo Manso, Robert Motherwell, and Judith Rothschild: A Memorial Exhibition, January 12–February 25, 1994. See P796, P916, P1045, P1047, C843, C881.
 
Albright-Knox Art Gallery, Buffalo, Two Paths through Abstraction: A Selection from the Permanent Collection, January 15–March 27, 1994 (permanent collection exhibition). See P672.
 
Tacoma Art Museum, Wash., What Is Real? American Art, 1960 to 1975, March 19–June 19, 1994. See P573.
 
CDS Gallery, New York, Intersections: Crossroads of International Contemporary Artists, April 2–May 28, 1994. See C281.
 
Tokyo Metropolitan Art Museum, New York: A Magnet for Artists, April 15–June 12, 1994 (catalogue). See W15.
New York: A Magnet for Artists (text in English and Japanese). Foreword by Shunichi Suzuki. Tokyo: Tokyo Runessansu Suishi Iinkai, 1994.
 
Museum of Contemporary Art, Chicago, Under Development: Dreaming the MCA’s Collection, April 30–August 28, 1994 (catalogue). See P92, P925, C643.
Francis, Richard, and Lynne Warren. Under Development: Dreaming the MCA’s Collection. Chicago: Museum of Contemporary Art, 1994.
 
Milwaukee Art Museum, Abstract Expressionism: Works on Paper from the Permanent Collection, June 3–September 11, 1994; Rahr-West Art Museum, Manitowoc, Wis., October 23–November 20, 1994; Lands’ End Gallery, Dodgeville, Wis., January 25–March 8, 1995 (catalogue). See W205, W208.
Abstract Expressionism: Works on Paper from the Permanent Collection. Essay by Dean Sobel. Milwaukee: Milwaukee Art Museum, 1994.
 
Museum of Fine Arts, Museum of New Mexico, Santa Fe, Romantic Modernism, 100 Years, June 4–July 31, 1994 (catalogue). See P816.
Ballatore, Sandy. Romantic Modernism, 100 Years. Essay by Robert Rosenblum. Santa Fe, N.Mex.: Museum of Fine Arts, Museum of New Mexico, 1994.
 
Provincetown Art Association and Museum, Mass., Provincetown Abstract Painting, 1915–1950: From the Penny and Elton Yasuna Collection, August 5–September 5, 1994 (catalogue). Drawings only.
Vevers, Tony. Provincetown Abstract Painting, 1915–1950: From the Penny and Elton Yasuna Collection. Provincetown, Mass.: Provincetown Art Association and Museum, 1994.
 
Museum of Art, Munson-Williams-Proctor Institute, Utica, N.Y., Life Lines: American Master Drawings, 1788–1962 from the Munson-Williams-Proctor Institute, September 17–November 13, 1994; Samuel P. Harn Museum of Art, University of Florida, Gainesville, January 15–March 12, 1995; Taft Museum, Cincinnati, June 15–August 20, 1995; Museums at Stony Brook, N.Y., June 22–September 2, 1996; Columbus Museum, Ga., October 6–December 1, 1996; Woodmere Art Museum, Philadelphia, February 16–April 27, 1997 (catalogue). Drawings only.
Murray, Mary E., and Paul D. Schweizer. Life Lines: American Master Drawings, 1788–1962: From the Munson-Williams-Proctor Institute. Contributions by Ross C. Anderson, Andrea Henderson Fahnestock, Jeffrey R. Hayes, Gail Levin, David Meschutt, Ellen G. Miles, Lisa N. Peters, and Judith Wolfe. Utica, N.Y.: Munson-Williams-Proctor Institute, 1994.
 
Kemper Museum of Contemporary Art, Kansas City, Mo., Debut: Selections from the Permanent Collection, October 2, 1994–June 30, 1995 (permanent collection exhibition). See C397.
 
Baltimore Museum of Art, Major Modern Drawings from the Collection, October 8, 1994–January 29, 1995 (permanent collection exhibition). See C3.
 
Armory, Philadelphia, USArtists ’94, Exposition and Sale of American Art for the Benefit of the Pennsylvania Academy of Fine Arts, November 4–6, 1994. See C565.
 
1995
 
SOLO EXHIBITIONS
 
Long Fine Art, New York, Robert Motherwell Prints, 1961–1991: A Thirty Year Voyage, April 7–June 3, 1995. Works unknown. Reviewed in Walsh 1995.
 
Washington University Gallery of Art, Saint Louis, Motherwell in St. Louis: A Selection from Local Collections, September 8–October 22, 1995 (catalogue). See P118, P238, P477, P652, C19, C48, C55, C303, C489, C609, C621, W517.
Homburg, Cornelia. Motherwell in St. Louis: A Selection from Local Collections. Saint Louis: Washington University Gallery of Art, 1995.
 
Denver Art Museum, Robert Motherwell, November 5, 1995–fall 1996 (permanent collection exhibition; catalogue). See P22, P88, P147, P339, P391, P410, P451, P473, P722, P777, P796, P811, P1177, C101, C401, C553, C830, W270, W632. Reviewed in Paglia 1996.
Robert Motherwell: Recent Acquisitions. Denver: Denver Art Museum, 1996.
 
GROUP EXHIBITIONS
 
National Museum of Modern Art, Tokyo, Abstract Expressionism: Masterpieces from Japanese Collections, March 11–June 4, 1995 (catalogue). See P485, P813.
Takahashi, Koji. Abstract Expressionism: Masterpieces from Japanese Collections (text in English and Japanese). Foreword by Hiroshi Ueki and Hisashi Hieda. Tokyo: National Museum of Modern Art, 1995.
 
Sidney Mishkin Gallery, Baruch College, New York, Painting in Poetry, Poetry in Painting: Wallace Stevens and Modern Art, March 17–April 27, 1995 (catalogue). See C877, W5.
MacLeod, Glen. Painting in Poetry, Poetry in Painting: Wallace Stevens and Modern Art. Preface by Sandra Kraskin. New York: Sidney Mishkin Gallery, Baruch College, 1995.
 
Neuberger Museum of Art, State University of New York at Purchase, Crossing State Lines: 20th Century Art from Private Collections in Westchester and Fairfield Counties, March 26–June 18, 1995 (catalogue). See P1161. Reviewed in Raynor 1995.
Crossing State Lines: 20th Century Art from Private Collections in Westchester and Fairfield Counties. Introduction by Lucinda H. Gedeon. Purchase, N.Y.: Neuberger Museum of Art, 1995.
 
CDS Gallery, New York, Masters of the Twentieth Century, April 7–May 6, 1995. See C281.
 
Milwaukee Art Museum, Recent Acquisitions, May 18–August 27, 1995 (permanent collection exhibition). See P246, P277.
 
Manny Silverman Gallery, Los Angeles, Air Conditioned Abstraction, Volume II, June–August 1995 (checklist). See P708, P861.
 
National Gallery of Art, Washington, D.C., Recent Acquisitions of Works of Art on Paper, July 2–December 31, 1995 (permanent collection exhibition). See C433.
 
Spencer Museum of Art, University of Kansas, Lawrence, Unpainted to the Last: Moby Dick and Twentieth-Century American Art, August 19–October 8, 1995; University of Michigan Museum of Art, Ann Arbor, November 4–December 24, 1995; Mary and Leigh Block Gallery, Northwestern University, Evanston, Ill., January 12–March 10, 1996 (catalogue). See P153.
Schultz, Elizabeth A. Unpainted to the Last: Moby Dick and Twentieth-Century American Art. Lawrence: University Press of Kansas, 1995.
 
Margo Leavin Gallery, Los Angeles, 25 Years: Margo Leavin Gallery, 1970–1995; An Exhibition of Selected Works, September 23–October 28, 1995 (catalogue). See C408.
Margo Leavin Gallery: 25 Years. Los Angeles: Margo Leavin Gallery, 1995.
 
Whitney Museum of American Art, New York, Picassoid: Collection in Context, September 29–December 10, 1995 (permanent collection exhibition; catalogue). Drawings only.
Fitzgerald, Michael C. Picassoid: Collection in Context. New York: Whitney Museum of American Art, 1995.
 
Toyota Municipal Museum of Art, Japan, Message 1995: Masterpieces of Modern Art from the Detroit Institute of Arts, November 11, 1995–January 7, 1996 (catalogue). See P818.
Message 1995: Masterpieces of Modern Art from the Detroit Institute of Arts (text in English and Japanese). Toyota, Japan: Toyota Municipal Museum of Art, 1995.
 
1996
 
SOLO EXHIBITIONS
 
Walker Art Center, Minneapolis, Robert Motherwell: Reality and Abstraction, March 3–June 30, 1996 (catalogue). See P108, P265, P437, P627, P632, P753, P1112, C66, C139, C410, C493, C507, W40, W68, W70, W101, W107, W518.
Robert Motherwell: Reality and Abstraction (includes artist’s statements). Foreword by Kathy Halbreich. Minneapolis: Walker Art Center, 1996.
 
Smith College Museum of Art, Northampton, Mass., Robert Motherwell, April 3–May 5, 1996. See P139, P1133, C43, C189, W131.
 
Fundació Antoni Tàpies, Barcelona, Motherwell, November 13, 1996–January 12, 1997; Museo Nacional Centro de Arte Reina Sofía, Madrid, March 5–May 5, 1997 (catalogue). See P4, P8, P71, P84, P88, P93, P108, P109, P122, P129, P139, P163, P164, P177, P181, P182, P212, P219, P221, P222, P224, P240, P267, P277, P339, P352, P392, P437, P486, P496, P519, P554, P673, P717, P777, P791, P799, P805, P819, P838, P875, P1012, P1030, P1063, P1112, P1115, P1138, P1153, P1177, C8, C22, C44, C63, C66, C67, C79, C402, C410, C676, W70, W101, W562, W579, W587, W606, W621, W636.
Ashton, Dore, Norbert Lynton, Francisco Calvo Serraller, and Joan Banach. Motherwell (text in English, Spanish, and Catalan). Barcelona: Fundació Antoni Tàpies, 1996.
 
GROUP EXHIBITIONS
 
Nassau County Museum of Art, Roslyn Harbor, N.Y., American Vanguards, January 21–April 28, 1996 (catalogue). See C41.
Schwartz, Constance. American Vanguards. Roslyn Harbor, N.Y.: Nassau County Museum of Art, 1996.
 
Wadsworth Atheneum Museum of Art, Hartford, Conn., Acquiring Art in the 1990’s: The Inside Story, January 21–April 14, 1996 (permanent collection exhibition). See P842–P846.
 
Philharmonic Center for the Arts, Naples, Fla., American Painting, February 8–March 9, 1996. See P934.
 
National Gallery of Art, Washington, D.C., The Robert and Jane Meyerhoff Collection, 1945 to 1995, March 31–July 21, 1996 (catalogue). See C68.
Rosenthal, Mark. The Robert and Jane Meyerhoff Collection, 1945 to 1995. Contributions by David Anfam, Harry Cooper, Molly Donovan, Ruth E. Fine, Marla Prather, Charles Ritchie, and Jeffrey Weiss. Washington, D.C.: National Gallery of Art, 1996.
 
Pace Wildenstein Gallery, New York, 50/50: Fifty Artists from Fifty Years of Skowhegan, April 9–27, 1996; Robert Miller Gallery, New York, April 30, 1996. See W525.
 
Kemper Museum of Contemporary Art, Kansas City, Mo., Visual Gestures: Abstraction in the Permanent Collection, April 30–May 26, 1996 (permanent collection exhibition). See C397.
 
Wexner Center for the Arts, Ohio State University, Columbus, Forces of the Fifties: Selections from the Albright-Knox Art Gallery, May 4–August 4, 1996 (catalogue). See P156.
De Salvo, Donna. Forces of the Fifties: Selections from the Albright-Knox Art Gallery. Foreword by Sherri Geldin; essay by David Moos. Columbus: Wexner Center for the Arts, Ohio State University, 1996.
 
Sezon Museum of Art, Tokyo, Abstract Expressionism, June 6–July 14, 1996; Aichi Prefectural Museum of Art, Nagoya, Japan, July 26–September 16, 1996; Hiroshima City Museum of Contemporary Art, Japan, September 29–November 17, 1996 (catalogue). See P194, P821.
Abstract Expressionism (text in Japanese and English). Essays by Kenichiro Makino, Hitoshi Dehara, et al. Nagoya, Japan: Aichi-ken Bijutsukan, 1996.
 
Butler Trumbull County Branch Museum, Howland, Ohio, [inaugural exhibition], June 15–September 26, 1996. See P1204, C77, C473, C833, W657.
 
Guild Hall Museum, East Hampton, N.Y., The Surrealists and Their Friends on Eastern Long Island at Mid-Century, August 10–October 13, 1996 (catalogue). See P26, C41.
Braff, Phyllis. The Surrealists and Their Friends on Eastern Long Island at Mid-Century. Foreword by Henry Korn. East Hampton, N.Y.: Guild Hall of East Hampton, 1996.
 
Tacoma Art Museum, Wash., Tacoma Art Museum Collects, September 27–December 31, 1996 (permanent collection exhibition). See P573.
 
Marsh Art Gallery, George M. Modlin Center for the Arts, University of Richmond, Va., Seeing Across Cultures: Objects from the Virginia Museum of Fine Arts, October 4, 1996–January 19, 1997 (catalogue). See P1179. Reviewed in James 1997 and Roberts-Pullen 1997.
Seeing Across Cultures: Objects from the Virginia Museum of Fine Arts. Foreword by Richard Waller. Richmond, Va.: Marsh Art Gallery, University of Richmond, 1996.
 
Centro Cultural de Arte Contemporáneo, Mexico City, Pintura estadounidense expresionismo abstracto, October 11, 1996–January 12, 1997 (catalogue). See P131, P164, P207, C47.
Pintura estadounidense expresionismo abstracto (text in Spanish). 2 vols. Mexico City: Centro Cultural de Arte Contemporáneo; Fundación Cultural Televisa, A.C., 1996.
 
New Britain Museum of American Art, Conn., American Artists Abroad, October 12, 1996–January 26, 1997 (permanent collection exhibition). See P1113.
 
Palacio de la Lonja; Sala Luzán, Caja de Ahorros de la Inmaculada; Palacio de Montemuzo, Zaragoza, Spain, Después de Goya: Una mirada subjetiva, November 19, 1996–January 10, 1997; it is unknown at which venue the work by Motherwell was shown. (catalogue). See W534.
Saura, Antonio. Después de Goya: Una mirada subjetiva (text in Spanish, includes artist’s statements). Foreword by Santiago Lanzuela Marina; introduction by Luisa Fernanda Rudi Ubeda and Manuel Sola Sanchez de Rojas. Aragón, Spain: Gobierno; Madrid: Elect España, 1996.
 
Sheldon Memorial Art Gallery and Sculpture Garden, University of Nebraska, Lincoln, Proud Possessions: Paintings and Prints, 1993–96, December 13, 1996–February 9, 1997 (permanent collection exhibition; checklist). See P922.
 
Centre National d’Art et de Culture Georges Pompidou, Paris, Face à l’histoire, 1933–1996: L’Artiste moderne devant l’événement historique, December 19, 1996–April 7, 1997 (catalogue). See P156.
Ameline, Jean-Paul, ed. Face à l’histoire, 1933–1996: L’Artiste moderne devant l’événement historique (text in French). Paris: Flammarion, 1996.
 
Museo di Capodimonte, Naples, Italy, Prospettiva del passato: Da Van Gogh ai contemporanei nelle raccolte dello Stedelijk Museum di Amsterdam, December 20, 1996–April 6, 1997 (catalogue). See P365.
Prospettiva del passato: Da Van Gogh ai contemporanei nelle raccolte dello Stedelijk Museum di Amsterdam (text in Italian). Naples, Italy: Electa Napoli, 1996.
 
1997
 
SOLO EXHIBITIONS
 
Miriam & Ira D. Wallach Art Gallery, Columbia University, New York, Robert Motherwell on Paper: Gesture, Variation, Continuity, January 29–March 29, 1997; Marsh Art Gallery, University of Richmond, Va., October 17–December 13, 1997; Spencer Museum of Art, University of Kansas, Lawrence, April 4–May 31, 1998 (catalogue). See P688, P690, P779, P780, C493, C838, C840, C841, C848–C850, W10, W125, W131, W145, W152, W287, W294, W389, W407, W514, W576, W579, W590, W604. Reviewed in Cotter 1997.
Rosand, David, ed. Robert Motherwell on Paper: Drawings, Prints, Collages. Essays by David Rosand, Arthur C. Danto, Stephen Addiss, and Mary Ann Caws. New York: Harry N. Abrams, in association with the Miriam & Ira D. Wallach Art Gallery, Columbia University, 1997.
 
Manny Silverman Gallery, Los Angeles, Robert Motherwell: Works on Paper, 1950–1991, November 1–December 20, 1997 (catalogue). See P692, W91, W92, W109, W145, W160, W174, W286, W392, W408, W460, W512, W526, W556, W573, W578, W584, W622, W633, W638, W641, W677. Reviewed in Darling 1998, Muchnic 1998, and Pagel 1997.
Robert Motherwell: Works on Paper, 1950–1991. Los Angeles: Manny Silverman Gallery, 1997.
 
GROUP EXHIBITIONS
 
Bruce Museum, Greenwich, Conn., Reflections of Taste: American Art from Greenwich Collections, January 19–March 30, 1997. See C17. Reviewed in Zimmer 1997.
 
Museum of Contemporary Art, Tokyo, Founders and Heirs of the New York School, January 25–March 16, 1997; Miyagi Museum of Art, Tokyo, April 5–May 25, 1997; Museum of Modern Art, Ibaraki, Japan, June 28, 1997–August 3, 1997 (catalogue). See P411, P924, P1150, P1206, C71.
Ashton, Dore, and Chieko Hirano. Founders and Heirs of the New York School (text in English and Japanese). Entry “Robert Motherwell,” by Chieko Hirano, p. 121. Tokyo: Museum of Contemporary Art, 1997.
 
CDS Gallery, New York, Art of This Century, March 1–April 30, 1997. See C281.
 
Museu de Arte Moderna do Rio de Janeiro, Modern Examples: The Museu de Arte Moderna Collection, May 28–June 25, 1997 (permanent collection exhibition). See P99.
 
Nassau County Museum of Art, Roslyn Harbor, N.Y., Poets and Painters, June 8–September 7, 1997 (catalogue). See P916, P1114.
Schwartz, Constance, Franklin Hill Perrell, Barbara Lekatsis, and Peter Strauss. Poets and Painters. Roslyn Harbor, N.Y.: Nassau County Museum of Art, 1997.
 
Sheldon Swope Art Museum, Terre Haute, Ind., New Acquisitions, July 1997–October 1998 (permanent collection exhibition). See W615.
 
Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, The View from Denver: Contemporary American Art from the Denver Art Museum, July 5–August 31, 1997 (catalogue). See P88, P339, P777, P1177.
The View from Denver: Contemporary American Art from the Denver Art Museum. Foreword by Lóránd Hegyi and Lewis I. Sharp; with contributions by Dianne Perry Vanderlip, Jane Fudge, Gwen F. Chanzit, and Nancy B. Tieken. Vienna: Museum Moderner Kunst Stiftung Ludwig Wien, 1997.
 
Long Point Gallery, Provincetown, Mass., 20th Anniversary Exhibition, August 24–September 13, 1997. See P793.
 
Dennos Museum Center, Northwestern Michigan College, Traverse City, Picasso to Warhol: 20th Century Masterworks from the Detroit Institute of Arts, October 19, 1997–February 15, 1998 (catalogue). See P772, P818. Reviewed in Barnes 1997.
Shinners, Jacqueline. Picasso to Warhol: 20th Century Masterworks from the Detroit Institute of Arts. Traverse City, Mich.: Dennos Museum Center, 1997.
 
Guggenheim Museum Bilbao, Spain, The Guggenheim Museum and the Art of This Century, October 19, 1997–June 1, 1998 (checklist). See P181, P222, P607, P924.
 
Pfalzgalerie Kaiserslautern, Germany, Malerei des Amerikanischen Abstrakten Expressionismus: Jackson Pollock, Robert Motherwell, Adolph Gottlieb, Richard Pousette-Dart, November 2, 1997–January 4, 1998 (catalogue). See P93, P163, P181, P411, C71, W541, W564.
Buhlmann, Britta E., Justus Jonas-Edel, Sanford Hirsch, and Dirk Görtler. Malerei des Amerikanischen Abstrakten Expressionismus: Jackson Pollock, Robert Motherwell, Adolph Gottlieb, Richard Pousette-Dart (text in German). Kaiserslautern, Germany: Pfalzgalerie Kaiserslautern, 1997.
 
Sidney Mishkin Gallery, Baruch College, New York, Alumni Collect: Twentieth-Century Masterpieces from the Collections of Baruch College Alumni, November 7–December 12, 1997 (catalogue). See W43.
Kraskin, Sandra. Alumni Collect: Twentieth-Century Masterpieces from the Collections of Baruch College Alumni. New York: Sidney Mishkin Gallery, Baruch College, 1997.
 
Cobra Museum, Amstelveen, the Netherlands, De Kooning Sculptures among American Paintings, December 19, 1997–March 1, 1998. See P365.
 
1998
 
SOLO EXHIBITIONS
 
Museo Nacional Centro de Arte Reina Sofía, Madrid, Presencia Inquietante de Robert Motherwell, March 9–17, 1998 (catalogue). See P875. Reviewed in Lynton 1997.
Bozal, Valeriano. Presencia Inquietante de Robert Motherwell (text in Spanish). Madrid: Museo Nacional Centro de Arte Reina Sofía, 1998.
 
The Modern at Sundance Square, Modern Art Museum of Fort Worth, Masterworks from the Modern Art Museum: Robert Motherwell (A Tribute to the Nancy Lee and Perry R. Bass Performance Hall), April 5–June 7, 1998. See P128, P226, P1024, P1030, C476, C506. Unidentified: “two collages.” Reviewed in Tyson 1998.
 
GROUP EXHIBITIONS
 
Republic Plaza, Denver, Corporation Collection, January–February 1998. See P449.
 
Arnot Art Museum, Elmira, N.Y., Masterpieces from the Albright-Knox Art Gallery, February 6, 1998–January 22, 1999. See P672.
 
Arkansas Arts Center, Little Rock, Twentieth Century American Drawings from the Arkansas Arts Center Foundation Collection, February 13–March 15, 1998; Sunrise Museums, Charleston, W.Va., September 6–November 8, 1998; Philharmonic Center for the Arts, Naples, Fla., December 11, 1998–January 30, 1999; Fort Wayne Museum of Art, Ind., February 21–April 18, 1999; Knoxville Museum of Art, Tenn., May 16–July 11, 1999; Boise Art Museum, Idaho, August 8–October 17, 1999; Mobile Museum of Art, Ala., November 7, 1999–January 9, 2000; Art Museum of Southeast Texas, Beaumont, January 30–March 26, 2000; Art Museum of South Texas, Corpus Christi, April 23–June 19, 2000; Joslyn Art Museum, Omaha, July 16–September 10, 2000; Kalamazoo Institute of Arts, Mich., October 15–December 31, 2000 (catalogue). See W529.
Nordland, Gerald. Twentieth Century American Drawings from the Arkansas Arts Center Foundation Collection. Contributions by Ruth Pasquine, Brian Young, and Michael Preble. Miami Beach: Grassfield Press, in association with the Arkansas Arts Center Foundation Collection, 1998.
 
Knoxville Museum of Art, Tenn., Masterworks of American Art from the Munson-Williams-Proctor Institute Museum of Art, February 26–August 23, 1998. See P153.
 
Worcester Art Museum, Mass., Master Drawings from the Worcester Art Museum, April 18–June 21, 1998; University of Michigan Museum of Art, Ann Arbor, November 7, 1998–January 17, 1999; Davenport Museum of Art, Iowa, February 7–April 11, 1999; Michael C. Carlos Museum, Emory University, Atlanta, May 8–July 11, 1999 (catalogue). See W630.
Acton, David. Master Drawings from the Worcester Art Museum. New York: Hudson Hills Press, in association with the Worcester Art Museum, 1998.
 
National Gallery of Victoria, Melbourne, Australia, Beyond Belief: Modern Art and the Religious Imagination, April 24–July 26, 1998 (catalogue). See P225.
Crumlin, Rosemary, and Margaret Woodward. Beyond Belief: Modern Art and the Religious Imagination. Essays by Rosemary Crumlin, David Freedberg, Mark C. Taylor, Diane Apostolos-Cappadona, Friedhelm Mennekes, Veronica Lawson, Elaine Wainwright, Maria Harris, and Margaret Woodward. Melbourne, Australia: National Gallery of Victoria, 1998.
 
Cape Museum of Fine Arts, Dennis, Mass., A Tribute to Long Point Gallery, May 10–June 21, 1998. See P734, C123.
 
Solomon R. Guggenheim Museum, New York, Peggy Guggenheim: A Centennial Celebration, June 12–September 2, 1998; Peggy Guggenheim Collection, Venice, September 29, 1998–January 12, 1999 (catalogue). See C8.
Vail, Karole P. B. Peggy Guggenheim: A Celebration. Foreword by Thomas Krens; essay by Thomas M. Messer. New York: Solomon R. Guggenheim Foundation, 1998.
 
Ackland Art Museum, University of North Carolina at Chapel Hill, Identity Revealed: Message and Meaning in Contemporary Art, June 14–October 11, 1998 (catalogue). See P197.
Matilsky, Barbara. Identity Revealed: Message and Meaning in Contemporary Art. Chapel Hill, N.C.: Ackland Art Museum, 1998.
 
Nardin Gallery, New York, A Salute to the Long Point Gallery, June 16–July 18, 1998. Works unknown.
 
Williams College Museum of Art, Williamstown, Mass., 20th Century Masterpieces from the Albright-Knox Art Gallery, June 27, 1998–February 14, 1999. See P156.
 
Manny Silverman Gallery, Los Angeles, Group Exhibition, July 11–August 22, 1998 (checklist). See W264.
 
Milwaukee Art Museum, Making Marks: Drawing in the 20th Century from Picasso to Kiefer, July 12–August 23, 1998 (permanent collection exhibition; catalogue). Drawings only.
Making Marks: Drawing in the 20th Century from Picasso to Kiefer. Introduction by Russell Bowman. Milwaukee: Milwaukee Art Museum, 1998.
 
Hudson D. Walker Gallery, Fine Arts Work Center, Provincetown, Mass., Long Point Gallery at FAWC, July 17–August 4, 1998. Works unknown.
 
Museu de Arte Moderna do Rio de Janeiro, The International Way: Sculptures and Paintings, 1920–1960, July 29–August 20, 1998 (permanent collection exhibition). See P99.
 
Ulrich Museum of Art, Wichita State University, Kans., Language of Abstraction, August 1, 1998–January 3, 1999 (permanent collection exhibition). See P839, P877.
 
Kalamazoo Institute of Arts, Mich., Art and the American Experience, September 13–December 6, 1998 (catalogue). See C575.
Marck, Jan van der. Art and the American Experience. Kalamazoo, Mich.: Kalamazoo Institute of Arts, 1998.
 
Museum of Modern Art, New York, The New York School, September 17, 1998–January 12, 1999 (permanent collection exhibition). Drawings only.
 
Edmonton Art Gallery, Alberta, Canada, Brush with Disaster, October 23, 1998–February 28, 1999. See P589.
 
Salvador Dalí Museum, Saint Petersburg, Fla., Surrealism in America during the 1930s and 1940s: Selections from the Penny and Elton Yasuna Collection, November 7, 1998–February 21, 1999; David and Alfred Smart Museum of Art, University of Chicago, November 19, 1999–January 9, 2000; Cape Museum of Fine Arts, Dennis, Mass., July 19–September 17, 2000 (catalogue). See C27.
Jeffett, William, ed. Surrealism in America during the 1930s and 1940s: Selections from the Penny and Elton Yasuna Collection. Essays by Martica Sawin and William Jeffett. Saint Petersburg, Fla.: Salvador Dalí Museum, 1998.
 
Bellevue Art Museum, Wash., Hands on Color, November 14, 1998–January 17, 1999. See P573.
 
Guggenheim Museum Bilbao, Spain, The Avant-Garde and the Expressionism [sic] in the 20th Century, November 18, 1998–February 14, 1999 (permanent collection exhibition). See P181, P924.
 
Knoedler & Company, New York, Epic Painting: Adolph Gottlieb, Robert Motherwell, Richard Pousette-Dart, December 10, 1998–January 30, 1999 (checklist). See P554, P913. Reviewed in Vincent 1998.
 
1999
 
SOLO EXHIBITIONS
 
Marlborough Gallery, New York, Robert Motherwell: Drawings, 1951–1986, February 16–March 13, 1999 (catalogue). See P691, W119, W152, W293, W501, W513, W528, W541, W564, W580, W597, W600, W621, W633, W685, W686. Reviewed in Johnson 1999.
Motherwell: Drawings, 1951–1986. Essay by Frédérick-Yves Jeannet. New York: Marlborough Gallery, 1999.
 
Delaware Art Museum, Wilmington, Master Works at Mid-Century: New Motherwell Acquisitions, June 22–September 12, 1999 (permanent collection and loan exhibition). See P163, P354, P409, P517–P520, P576, P901, C71, C75, C79, C108, C747, W40, W63, W287. Reviewed in Sozanski 1999.
 
Stein Gallery, Saint Louis, Robert Motherwell, 1915–1991: The Final Prints, and Other Works, October 7–November 6, 1999. Works unknown.
 
GROUP EXHIBITIONS
 
Manny Silverman Gallery, Los Angeles, The January White Show, January 9–February 20, 1999 (checklist). See W286.
 
Rose Art Museum, Brandeis University, Waltham, Mass., Abstract Expressionism from the Brandeis University Art Collection, January 21–March 7, 1999 (permanent collection exhibition). See P218.
 
Centre Cultural de la Fundació la Caixa, Barcelona, Made in USA, 1940–1970: Between Art and Life, January 28–March 28, 1999; Schirn Kunsthalle Frankfurt, April 30–July 10, 1999 (catalogue). See P156, P162.
Messer, Thomas M., and Irving Sandler. Made in USA, 1940–1970: Between Art and Life (text in English and Catalan). Preface by Lluis Monreal. Barcelona: Fundació la Caixa; Frankfurt: Schirn Kunsthalle, 1999.
 
Manny Silverman Gallery, Los Angeles, Willem De Kooning, Adolph Gottlieb, Robert Motherwell, February 27–April 10, 1999 (checklist). See W264, W408, W460, W512, W677.
 
CDS Gallery, New York, International Twentieth Century Art, March 2–May 8, 1999. See C281.
 
Haus der Kunst, Munich, Kunst über Grenzen: Die Klassische Moderne von Cézanne bis Tinguely und die Weltkunst—aus der Schweiz gesehen, March 3–May 30, 1999 (catalogue). See P768.
Vitali, Christoph, and Hubertus Gaßner, eds. Kunst über Grenzen: Die Klassische Moderne von Cézanne bis Tinguely und die Weltkunst—aus der Schweiz gesehen (text in German). Munich: Prestel-Verlag, 1999.
 
North Carolina Museum of Art, Raleigh, Sign and Gesture: Contemporary Abstract Art from the Haskell Collection, March 21–June 13, 1999; Cummer Museum of Art and Gardens, Jacksonville, Fla., June 23–October 3, 1999; Knoxville Museum of Art, Tenn., October 22, 1999–February 13, 2000; Birmingham Museum of Art, Ala., March 5–May 21, 2000 (catalogue). See P704.
Coffey, John W., and David W. Wood. Sign and Gesture: Contemporary Abstract Art from the Haskell Collection. Foreword by Lawrence J. Wheeler and Preston H. Haskell. Raleigh: North Carolina Museum of Art, 1999.
 
Musée Cantonal des Beaux-Arts, Lausanne, Switzerland, Un Musée pour demain? L’Art contemporain dans des collections privées vaudoises, March 23–June 20, 1999 (catalogue). See P257, P823, C524, C677, W516.
Zutter, Jörg, and Bernard Ceysson, Un Musée pour demain? L’Art contemporain dans des collections privées vaudoises (text in French). Lausanne, Switzerland: Musée Cantonal des Beaux-Arts, 1999.
 
State Hermitage Museum, Saint Petersburg, Russia, Abstract Expressionism: Three Paintings from the Museum of Modern Art, New York, March 23–August 15, 1999. See P215.
 
Wriston Art Gallery, Lawrence University, Appleton, Wis., Connections: Recent Gifts and the Permanent Collection, April 10–May 16, 1999 (permanent collection exhibition). See C301.
 
Centro Atlántico de Arte Moderno, Las Palmas de Gran Canaria, Spain, À Rebours: La Rebelión Informalista/The Informal Rebellion, 1939–1968, April 20–June 13, 1999; Museo Nacional Centro de Arte Reina Sofía, Madrid, July 6–October 11, 1999 (catalogue). See P207, W106.
Ashton, Dore, David Craven, Michio Hayashi, Maria Dolores Jiménez-Blanco, Fred Licht, Matti Megged, and Marek Bartelik. À Rebours: La Rebelión Informalista/The Informal Rebellion, 1939–1968 (text in English and Spanish). Las Palmas de Gran Canaria, Spain: Centro Atlántico de Arte Moderno; Madrid: Museo Nacional Centro de Arte Reina Sofía, 1999.
 
Whitney Museum of American Art, New York, The American Century: Art & Culture, 1900–1950, April 23–August 22, 1999 (catalogue). See P96.
Haskell, Barbara, and Lisa Phillips. The American Century: Art & Culture, 1900–1950. Vol. 1. New York: Whitney Museum of American Art, in association with W. W. Norton, 1999.
 
Drawing Center, New York, Drawn from Artists’ Collections, April 24–June 12, 1999 (catalogue). See C125.
Drawn from Artists’ Collections. Foreword by Catherine de Zegher; essay by Robert Storr. New York: Drawing Center, 1999.
 
Walker Art Center, Minneapolis, Art in Our Time: 1950 to the Present, May 9, 1999–September 2, 2001 (permanent collection exhibition). See W107.
 
Pierpont Morgan Library, New York, New York Collects: Drawings and Watercolors, 1900–1950, May 20–August 29, 1999 (catalogue). See C35.
Braun, Emily, Riva Castleman, John Czaplicka, Dorothea Dietrich, Jack Flam, Nina Gourianova, Diane Kelder, Rose-Carol Washton Long, Marilyn McCully, Carter Ratcliff, Bernice Rose, Martica Sawin, Jennifer Tonkovich, Nicholas Fox Weber, and Robert Welsh. New York Collects: Drawings and Watercolors, 1900–1950. Foreword by Charles E. Pierce Jr.; introduction by William M. Griswold; essays by Jack Flam and Carol Selle. Entry “Robert Motherwell,” by Diane Kelder, pp. 294–95. New York: Pierpont Morgan Library, 1999.
 
Guggenheim Museum Bilbao, Spain, Modern Painting and Sculpture, May 29, 1999–May 14, 2000 (permanent collection exhibition). See P181.
 
Museum für Gegenwartskunst Basel, Switzerland, White Fire, Flying Man: Amerikanische Kunst, 1959–1999, in Basel, June 5–September 26, 1999 (catalogue). See P130.
Schmidt, Katharina, and Philip Ursprung, eds. White Fire, Flying Man: Amerikanische Kunst, 1959–1999, in Basel (text in English and German). Basel, Switzerland: Museum für Gegenwartskunst, 1999.
 
Asheville Art Museum, N.C., Abstraction, 1940–1970: Masterpieces from the Whitney Museum of American Art, June 12–October 3, 1999. See P171.
 
Nassau County Museum of Art, Roslyn Harbor, N.Y., Contemporary American Masters: The 1960s, June 13–September 12, 1999 [catalogue]. Works unknown.
 
Crane Kalman Gallery at Art 30 Basel, Switzerland, Collage: The Pasted-Paper Revolution, June 15–21, 1999; Crane Kalman Gallery, London, June 28–September 7, 1999 (catalogue). See C268.
Collage: The Pasted-Paper Revolution. Essays by Clement Greenberg and Diane Waldman. London: Crane Kalman Gallery, 1999.
 
Musée Fabre, Montpellier, France, Abstractions américaines, 1940–1960, July 3–October 3, 1999 (catalogue). See P265.
Hilaire, Michel, and Eric de Chassey. Abstractions américaines, 1940–1960 (text in French). Paris: Réunion des Musées Nationaux; Montpellier, France: Musée Fabre, 1999.
 
Museum of Contemporary Art, Los Angeles, In Memory of My Feelings: Frank O’Hara and American Art, July 11–November 14, 1999; Wexner Center for the Arts, Ohio State University, Columbus, April 14–May 28, 2000; Parrish Art Museum, Southampton, N.Y., June 10–July 30, 2000 (catalogue). See P94, W160.
Ferguson, Russell. In Memory of My Feelings: Frank O’Hara and American Art. Los Angeles: Museum of Contemporary Art, Los Angeles, in association with University of California Press, Berkeley and Los Angeles, and University of California Press, London, 1999.
 
Massillon Museum, Ohio, Post World War II American Paintings from the Butler Institute of American Art, July 29–October 1, 1999. See W657.
 
Bunkamura Museum of Art, Tokyo, Modern Art at Harvard, July 31–September 26, 1999; Takamatsu City Museum of Art, Kagawa, Japan, October 9–November 14, 1999; Matsuzakaya Art Museum, Nagoya, Japan, December 2–27, 1999; Oita Art Museum, Japan, January 5–February 6, 2000; Museum of Modern Art, Ibaraki, Mito, Japan, February 11–March 26, 2000 (catalogue). See P101, C21, C49.
Kijima, Shunsuke. Modern Art at Harvard (text in English and Japanese). [Tokyo]: Nihon Keizai Shimbun, 1999.
 
Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, Calif., Frederick R. Weisman: Los Angeles Collector, August 21–October 3, 1999 (permanent collection exhibition). See P914.
 
Albuquerque Museum, N.Mex., Silent Things, Secret Things: Still Life from Rembrandt to the Millennium, September 19, 1999–January 2, 2000 (catalogue). See P117.
Barryte, Bernard, Selma Reuben Holo, and Peter Frank. Silent Things, Secret Things: Still Life from Rembrandt to the Millennium. Foreword by Ellen J. Landis. Albuquerque, N.Mex.: Albuquerque Museum, 1999.
 
Phillips Collection, Washington, D.C., Renoir to Rothko: The Eye of Duncan Phillips, September 25, 1999–January 23, 2000 (catalogue). See C90, C129.
Passantino, Erika D., and David W. Scott, eds. The Eye of Duncan Phillips: A Collection in the Making. Contributions by Kenneth E. Silver, Erika D. Passantino, David W. Scott, William C. Agee, Richard L. Rubenfeld, Sarah Wilson, Eliza E. Rathbone, Ben L. Summerford, Willem de Looper, and Jeffrey Harrison. Washington, D.C.: Phillips Collection, in association with Yale University Press, New Haven, Conn., 1999.
 
Smith College Museum of Art, Northampton, Mass., American Spectrum: Paintings and Sculpture from the Smith College Museum of Art, September 25–December 22, 1999; Faulconer Gallery, Grinnell College, Iowa, February 5–April 23, 2000; National Academy of Design Museum, New York, June 21–September 10, 2000; Norton Museum of Art, West Palm Beach, Fla., October 28, 2000–January 7, 2001; Museum of Fine Arts, Houston, March 4–May 28, 2001; Pennsylvania Academy of the Fine Arts, Philadelphia, June 29–September 30, 2001; Memorial Art Gallery, University of Rochester, N.Y., October 28, 2001–January 13, 2002; Tucson Museum of Art, Ariz., February 16–April 28, 2002; Katonah Museum of Art, N.Y., June 23–September 15, 2002 (catalogue). See P139.
Muehlig, Linda, ed. Masterworks of American Painting and Sculpture from the Smith College Museum of Art. Contributions by Betsey B. Jones, Kristen Erickson, Linda Merrill, and Daniel J. Strong, and conservation notes by David Dempsey. New York: Hudson Hills Press, in association with the Smith College Museum of Art, Northampton, Mass., 1999.
 
Edmonton Art Gallery, Alberta, Canada, Making History: The Edmonton Art Gallery Celebrates 75 Years, October 23, 1999–March 12, 2000 (permanent collection exhibition). See P589.
 
Bobbie Greenfield Gallery, Santa Monica, Calif., Drawings: Adolph Gottlieb, Robert Motherwell, Louise Nevelson, Joan Banach, David Hockney, November 11, 1999–January 8, 2000 (checklist). See W503.
 
Ulrich Museum of Art, Wichita State University, Kans., 25 Years of Collecting, December 4, 1999–January 9, 2000 (permanent collection exhibition). See P839, P916.
 
Museu de Arte Moderna do Rio de Janeiro, The Museu de Arte Moderna Collection: Selected Works, December 9, 1999–February 12, 2000 (permanent collection exhibition). See P99.
 
Museo Nacional Centro de Arte Reina Sofía, Madrid, Surrealistas en el exilio y los inicios de la Escuela de Nueva York, December 21, 1999–February 27, 2000; Musée d’Art Moderne et Contemporain, Strasbourg, France, Les Surréalistes en exil et les débuts de L’École de New York, May 13–August 27, 2000 (catalogue). See P8, P23, P26, P72, P108, C5.
Surrealists en el exilio y los inicios de la Escuela de Nueva York (text in Spanish). Introduction by Josefina Alix and Martica Sawin; essays by Josefina Alix, Maria Lluïsa Borrás, Lisa Jacobs, Emmanuel Guigon, Michael Leja, Charles Seliger, Salomon Grimberg, Martica Sawin, Fred Becker, and Ana Zarzo. Madrid: Ministerio de Educación y Cultura, 1999.
 
2000
 
SOLO EXHIBITIONS
 
Bobbie Greenfield Gallery, Santa Monica, Calif., Robert Motherwell: Five Drawings; Inspiration for Seven Prints, January 22–March 4, 2000. See W100, W715.
 
Philadelphia Museum of Art, New Acquisitions: Robert Motherwell’s A la Pintura and In Plato’s Cave, February 19–May 21, 2000 (permanent collection exhibition). See P740.
 
Columbus Museum, Ga., Motherwell at the Columbus Museum, March 15–June 11, 2000 (permanent collection exhibition; catalogue). See P244, P411, P1206, C402, W121.
Motherwell at the Columbus Museum. Introduction by Tom Butler. Columbus, Ga.: Columbus Museum, 2000.
 
Manny Silverman Gallery, Los Angeles, Robert Motherwell: Works on Paper, October 26–December 16, 2000 (checklist and catalogue). See P26, P328, P475, P691, P791, P1096, P1146, P1186, C172, C428, C494, C731, C746, C827, C840, C859, C865, W159, W286, W287, W463, W541, W563, W578, W685, W686.
Robert Motherwell: Works on Paper. Los Angeles: Manny Silverman Gallery, 2000.
 
GROUP EXHIBITIONS
 
Modernism & Abstraction: Treasures from the Smithsonian American Art Museum (circulated by the Smithsonian Institution Traveling Exhibition Service, Washington, D.C.), Art Museum at Florida International University, Miami, January 7–March 26, 2000; Colby College Museum of Art, Waterville, Maine, August 1–October 29, 2000; Memorial Art Gallery, University of Rochester, N.Y., January 28–March 25, 2001; Allentown Art Museum, Pa., April 22–June 17, 2001; Frist Center for the Visual Arts, Nashville, July 21–September 9, 2001; Worcester Art Museum, Mass., October 7, 2001–January 6, 2002; National Academy Museum, New York, February 6–April 7, 2002; Des Moines Art Center, May 4–June 30, 2002; Muskegon Museum of Art, Mich., July 21–September 29, 2002 (checklist and catalogue). See P136, P194. Reviewed in Wibking 2001.
McClintic, Miranda. Modernism & Abstraction: Treasures from the Smithsonian American Art Museum. Foreword by Elizabeth Brown. New York: Watson-Guptill, in association with the Smithsonian American Art Museum, Washington, D.C., 2001.
 
Marlborough Gallery, New York, On Paper: Selected Drawings of the 19th and 20th Centuries, January 18–February 19, 2000 (catalogue). See W96, W152.
On Paper: Selected Drawings of the 19th and 20th Centuries. New York: Marlborough Gallery, 2000.
 
Knoedler & Company, New York, Pasted Pictures: Collage and Abstraction in the Twentieth Century, February 3–March 11, 2000 (catalogue). See C69, C140, C658, C837. Reviewed in Kunitz 2000.
Carmean, E. A., Jr. Pasted Pictures: Collage and Abstraction in the Twentieth Century. New York: Knoedler & Company, 2000.
 
Institut Mathildenhöhe, Darmstadt, Germany, Marca-Relli und die Maler des Abstrakten Expressionismus in den USA, March 12–May 1, 2000 (catalogue). See P508, C424, C460.
Wolbert, Klaus, ed. Conrad Marca-Relli: Works, 1945–1996 (text in English and German). Darmstadt: Institut Mathildenhöhe, 2000.
 
Nassau County Museum of Art, Roslyn Harbor, N.Y., Convergence: The Hamptons since Pollock, April 2–May 29, 2000 (catalogue). See C41, W3, W106.
Gordon, Alastair. Convergence: The Hamptons since Pollock. Introduction by Constance Schwartz. Roslyn Harbor, N.Y.: Nassau County Museum of Art, 2000.
 
Knoedler & Company, New York, The Collector as Patron in the Twentieth Century, May 2–July 31, 2000 (catalogue). See C397.
Sandler, Irving, and DeCourcy E. McIntosh. The Collector as Patron in the Twentieth Century. Foreword by Ann Freedman. New York: Knoedler & Company, 2000.
 
Joseph Helman Gallery, New York, In Transition: The New York School in the 1940s, May 10–June 10, 2000 (catalogue). See P84.
Waldman, Diane. In Transition: The New York School in the 1940s. New York: Joseph Helman Gallery, 2000.
 
Gemäldegalerie Neue Meister, Residenzschloss, Dresden, Germany, Dalí, Miró, Picasso: Sammlung Ulla und Heiner Pietzsch, June 18–August 20, 2000. See C14.
 
Guggenheim Museum Bilbao, Spain, American and European Postwar Art, June 24–October 15, 2000 (permanent collection exhibition). See P181.
 
Nagasaki Prefectural Art Museum, Japan, A Scottish Collection: Treasures from Aberdeen Art Gallery, June 29–July 20, 2000; Takashimaya Art Gallery, Nihonbashi, Tokyo, July 27–August 15, 2000; Nara Prefectural Art Gallery, Japan, August 19–September 17, 2000; Hamamatsu Municipal Museum of Art, Shizuoka, Japan, September 22–October 22, 2000; Takamatsu City Museum of Art, Kagawa, Japan, November 2–December 3, 2000; Kariya City Art Museum, Aichi, Japan, January 4–February 11, 2001; Shimane Art Museum, Japan, February 20–April 1, 2001; Aberdeen Art Gallery, Scotland, May 5–August 18, 2001 (catalogue). See C862.
Melville, Jennifer, Ann Steed, Lisa O’Connor, and Olga Ferguson. A Scottish Collection: Treasures from Aberdeen Art Gallery (text in English and Japanese). [Tokyo]: Yomiuri Shimbun/Japan Association of Art Museums, 2000.
 
Kunstmuseum St. Gallen, Switzerland, Gesten der Freiheit, July 15–September 10, 2000. See P191.
 
Knoedler & Company, New York, September Selections, August 17–September 30, 2000 (checklist). See P1169.
 
Sprengel Museum, Hannover, Germany, In the Beginning was Merz: From Kurt Schwitters to the Present Day, August 20–November 5, 2000; Kunstsammlung Nordhein-Westfalen, Düsseldorf, November 25, 2000–February 18, 2001; Haus der Kunst, Munich, March 9–May 20, 2001 (catalogue). See C11, C460.
Meyer-Büser, Susanne, and Karin Orchard, eds. In the Beginning Was Merz: From Kurt Schwitters to the Present Day. Ostfildern-Ruit, Germany: Hatje Cantz, 2000.
 
Blanton Museum of Art, University of Texas at Austin, Abstraction at Mid-Century: Masterpieces from the Whitney Museum of American Art, September 8–October 31, 2000; Georgia Museum of Art, Athens, January 20–March 17, 2001; Hood Museum of Art, Dartmouth College, Hanover, N.H., March 31–June 17, 2001; Palm Springs Desert Museum, Calif., November 17, 2001–February 3, 2002. See P171.
 
Montclair Art Museum, N.J., Lyrical Visions: Music and Dance in American and Native American Art, September 17, 2000–January 7, 2001 (permanent collection exhibition). See C687.
 
Walker Art Center, Minneapolis, The Cities Collect: Selected Masterworks from Area Collections, September 24, 2000–January 7, 2001. See P209, P753.
 
Joseph Helman Gallery, New York, 1950s: The New York School, September 27–October 28, 2000 (catalogue). See W68, W106.
Waldman, Diane. 1950s: The New York School. New York: Joseph Helman Gallery, 2000.
 
Bruce Museum of Arts and Science, Greenwich, Conn., The American Avant-Garde: A Decade of Change, 1936–1946, October 1–December 31, 2000 (catalogue). See C17.
Hall-Duncan, Nancy, and Irving Sandler. The American Avant-Garde: A Decade of Change, 1936–1946. Greenwich, Conn.: Bruce Museum of Arts and Science, 2000.
 
San Francisco Museum of Modern Art, Celebrating Modern Art: The Anderson Collection, October 7, 2000–January 15, 2001 (catalogue). See P155, P200, P253, C51.
Bishop, Janet, Julia Bryan-Wilson, Martin Fox, Molly Hutton, and Rachel Teagle. Celebrating Modern Art: Highlights of the Anderson Collection. Foreword by David A. Ross. San Francisco: San Francisco Museum of Modern Art, 2000.
 
Josef-Haubrich-Kunsthalle Köln, Cologne, Germany, Wahre Wunder: Sammler und Sammlungen im Rheinland, November 5, 2000–February 11, 2001 (catalogue). See P374, P769, P807, C393.
Gohr, Siegfried, ed. Wahre Wunder: Sammler und Sammlungen im Rheinland (text in German). Cologne, Germany: Oktagon, 2000.
 
Aspen Art Museum, Colo., De Kooning in Context: Abstract Expressionism from Area Collections, December 8, 2000–February 4, 2001. See P310.
 
2001
 
SOLO EXHIBITIONS
 
Robischon Gallery, Denver, Robert Motherwell: Early Drawings, 1963–1976, January 13–March 3, 2001 (checklist). See W289, W501, W562, W587, W600, W606. Reviewed in Chandler 2001a, Chandler 2001b, MacMillan 2001a, MacMillan 2001b, and Paglia 2001.
 
Galerie Bernd Klüser, Munich, Robert Motherwell: A Dialogue with Literature, April 5–May 16, 2001 (catalogue). See P857, P1036, C403, C503, C532, W636.
Klüser, Bernd, and David Hayman. Robert Motherwell: A Dialogue with Literature (text in English and German; includes artist’s statements). Munich: Galerie Bernd Klüser, 2001.
 
Lawrence Rubin/Greenberg Van Doren Fine Art, New York, Robert Motherwell: Abstract Imagist, April 25–June 1, 2001 (catalogue). See P370, P464, P514, P652, P1136, C588, C609, C621, W46, W132.
Robert Motherwell: Abstract Imagist (includes artist’s statements). New York: Lawrence Rubin/Greenberg Van Doren Fine Art, 2001.
 
GROUP EXHIBITIONS
 
Washington University Gallery of Art, Saint Louis, Caught by Politics: Art of the 1930s and 1940s, January 19–March 18, 2001 (permanent collection exhibition). See C55.
 
Ulrich Museum of Art, Wichita State University, Kans., Selections from the Wichita State University Foundation Art Collection, February 5, 2001–January 2, 2002 (permanent collection exhibition). See P839, P877, P916.
 
Solomon R. Guggenheim Museum, New York, The Global Guggenheim: Selections from the Extended Collection, February 9–April 22, 2001 (permanent collection exhibition; catalogue). See P924.
Spector, Nancy, ed. Guggenheim Museum Collection A to Z (includes artist’s statements). Preface by Thomas Krens; introduction by Nancy Spector. New York: Guggenheim Museum Publications, 2001.
 
Miriam & Ira D. Wallach Art Gallery, Columbia University, New York, Percival Goodman: Architect, Planner, Teacher, Painter, February 14–March 31, 2001 (catalogue). Drawings only.
Elman, Kimberly J., and Angela Giral, eds. Percival Goodman: Architect, Planner, Teacher, Painter. New York: Miriam & Ira D. Wallach Art Gallery, in association with Columbia University in the City of New York, 2000.
 
Jewish Museum, New York, Voice, Image, Gesture: Selections from the Jewish Museum’s Collection, 1945–2000, March 25–August 5, 2001 (permanent collection exhibition; checklist). See P117, W76.
 
Joslyn Art Museum, Omaha, An American Anthem: 300 Years of Painting from the Butler Institute of American Art, April 14–June 17, 2001; Lauren Rogers Museum, Laurel, Miss., July 3–August 19, 2001; Cedar Rapids Museum of Art, Iowa, September 8–November 18, 2001; Hunter Museum of American Art, Chattanooga, Tenn., December 15, 2001–February 24, 2002; Yellowstone Art Museum, Billings, Mont., March 23–June 9, 2002; John and Mable Ringling Museum of Art, Sarasota, Fla., June 28–September 8, 2002; Orlando Museum of Art, Fla., December 7, 2002–February 9, 2003; Butler Trumbull County Branch Museum, Howland, Ohio, March 9–April 13, 2003. See C833.
 
Museo Nacional Centro de Arte Reina Sofía, Madrid, Minimalismos, un signo de los tiempos, July 11–October 8, 2001 (catalogue). See P437.
Orbegozo, Marta González, Anatxu Zabalbeascoa, Javier Rodríguez Marcos, and Tom Johnson. Minimalismos, un signo de los tiempos (text in English and Spanish). Madrid: Museo Nacional Centro de Arte Reina Sofía, 2001.
 
Museu de Arte Moderna do Rio de Janeiro, The Modernist Presence: International Museu de Arte Moderna Collection, August 8, 2001–January 7, 2002 (permanent collection exhibition). See P99.
 
Ackland Art Museum, University of North Carolina at Chapel Hill, Space, Abstraction and Freedom: Twentieth-Century Art from the Collection of Mary and Jim Patton, September 9–November 11, 2001 (catalogue). See C426.
Sandler, Irving, and Charles Millard. Space, Abstraction and Freedom: Twentieth-Century Art from the Collection of Mary and Jim Patton. Foreword by Gerald Bolas. Chapel Hill, N.C.: Ackland Art Museum, 2001.
 
Meadows Museum, Southern Methodist University, Dallas, Bold Strokes: Abstract Art from the Haskell Collection, September 16–December 31, 2001. See P704.
 
Rose Art Museum, Brandeis University, Waltham, Mass., A Defining Generation: Then and Now, 1961 and 2001, September 30–December 9, 2001 (permanent collection exhibition; catalogue). See P218.
Ketner, Joseph D., and Sam Hunter. A Defining Generation: Then and Now, 1961 and 2001. Waltham, Mass.: Rose Art Museum, Brandeis University, 2001.
 
Imperial War Museum, London, Spanish Civil War: Dreams + Nightmares, October 18, 2001–April 28, 2002 (catalogue). See P819. Reviewed in Jones 2002.
Spanish Civil War: Dreams + Nightmares. Introduction by Paul Preston. London: Imperial War Museum, 2001.
 
Museu d’Art Contemporani de Barcelona, The Onnasch Collection: Aspects of Contemporary Art/Aspectos da Arte Contemporânea, November 7, 2001–February 24, 2002; Museu de Arte Contemporânea de Serralves, Porto, Portugal, March 22–June 23, 2002 (catalogue). See P154, P508.
Groys, Boris, and Petra Kipphoff. Onnasch: Aspects of Contemporary Art/Aspectos da Arte Contemporânea (text in English and Portuguese). Barcelona: Museu d’Art Contemporani de Barcelona; Porto, Portugal: Museu de Arte Contemporânea de Serralves, 2001.
 
Greenberg Van Doren Gallery, New York, All American, Part I, November 14–December 28, 2001. Works unknown.
 
National Gallery of Art, Washington, D.C., A Century of Drawing: Works on Paper from Degas to LeWitt, November 18, 2001–April 7, 2002 (catalogue). See C68.
Brodie, Judith, and Andrew Robison, eds. A Century of Drawing: Works on Paper from Degas to LeWitt. Foreword by Earl A. Powell III. Washington, D.C.: National Gallery of Art, 2001.
 
Cranbrook Art Museum, Bloomfield Hills, Mich., Three Decades of Contemporary Art: The Dr. John & Rose M. Shuey Collection, December 8, 2001–April 7, 2002 (permanent collection exhibition; catalogue). See P709, C701.
Three Decades of Contemporary Art: The Dr. John & Rose M. Shuey Collection. Introduction by Gregory Wittkopp; preface by Gerhardt Knodel; essays by Dora Apel, Richard H. Axsom, Jeffrey D. Grove, Irene Hofmann, Diane Kirkpatrick, Dennis Alan Nawrocki, Lisa Pasquariello, Sarah Schleuning, Lisa Wainwright, and Gregory Wittkop. Bloomfield Hills, Mich.: Cranbrook Art Museum, 2001.
 
2002
 
SOLO EXHIBITIONS
 
Marlborough Gallery, New York, Robert Motherwell: Works on Paper, March 12–April 13, 2002 (checklist). See C123, W86, W102, W214, W289–W291, W408, W531, W579, W649, W656.
 
Bobbie Greenfield Gallery, Santa Monica, Calif., Robert Motherwell: Drawings and Unique Works That Relate to Prints, September 14–November 16, 2002 (checklist). See C662, C667, C713, W315.
 
Manny Silverman Gallery, Los Angeles, Robert Motherwell: Themes & Variations Including the Dedalus Sketchbook, November 2–December 21, 2002 (brochure and checklist). See P60, P354, P518, P598, P600, P604, P702, P708, P759, P765, P852, P888, P890, P897, P901, P942, P1004, P1008, P1017, P1074, P1077, P1088, P1152, P1200, C131, C158, C196, C357, C731, W87, W264, W265, W627, W633, W634, W677, W680. Reviewed in Knight 2002.
Robert Motherwell: Themes & Variations Including the Dedalus Sketchbook. Los Angeles: Manny Silverman Gallery, 2002.
 
GROUP EXHIBITIONS
 
Casal Solleric, Palma de Mallorca, Spain, Poètiques modernes: Obra sobre paper a la collecció Serra, January–February 2002 (catalogue). See C171.
Serra, Pere A., and Dolores Durán Ucar. Poètiques modernes: Obra sobre paper a la col-lecció Serra (text in English, Spanish, and Catalan). Prefaces by Maria Antònia Munar i Riutort, Damià Pons i Pons, and Joan Fageda Aubert; essay by Josep Miquel García and Anna M. Guasch. Palma de Mallorca, Spain: Casal Solleric, 2002.
 
Ulrich Museum of Art, Wichita State University, Kans., Connecting the Past to the Present: Modern and Contemporary Art from the WSU Foundation Collection, January 10, 2002–February 10, 2003 (permanent collection exhibition). See P839, P877, P916.
 
Rose Art Museum, Brandeis University, Waltham, Mass., Refining Expressionism: Painterly to Post-Painterly Abstraction, January 24–July 14, 2002. See P218, P263.
 
Daum Museum of Contemporary Art, Sedalia, Mo., Harold F. Daum Collection, January 26–February 28, 2002. See C549.
 
Yale University Art Gallery, New Haven, Conn., The Synthetic Century: Collage from Cubism to Postmodernism, Selections from the Collection, February 19–April 28, 2002 (permanent collection exhibition; catalogue). See C82, C106, C126, C136.
Hodermarsky, Elisabeth. The Synthetic Century: Collage from Cubism to Postmodernism, Selections from the Collection. New Haven, Conn.: Yale University Art Gallery, 2002.
 
Allan Stone Gallery, New York, Abstraction, March 14–April 25, 2002. See C143.
 
Tacoma Art Museum, Wash., Geometric Abstraction, March 19–May 27, 2002 (permanent collection exhibition). See P573.
 
Palazzo Reale, Milan, New York Renaissance: Masterworks from the Whitney Museum of American Art, March 21–September 15, 2002 (catalogue). See P171.
Prather, Marla, and Dana Miller. New York Renaissance dal Whitney Museum of American Art (text in Italian). Contributions by David Brown, Maura Heffner, Anne Lampe, and Veronica Roberts. New York: Whitney Museum of American Art; Milan: Electa, 2002.
 
Centro Culturale Candiani, Mestre, Italy, The “Irascibles” and the New York School, March 23–June 30, 2002 (catalogue). See P71.
Pollock’s America: Jackson Pollock in Venice; The “Irascibles” and the New York School. Essays by Giandomenico Romanelli, Bruno Alfieri, Philip Rylands, Achille Bonito Oliva, Sam Hunter, Ellen G. Landau, Kirk Varnedoe, William S. Lieberman, and Fernanda Pivano. Milan: Skira, 2002.
 
Huntington Museum of Art, W.Va., Huntington Museum of Art: Fifty Years of Collecting, April 27–September 2, 2002 (permanent collection exhibition; catalogue). See P527.
Hatten, Christopher, David Owens, Malcolm Goldstein, Sue D’Auria, and Jenine E. Culligan. Huntington Museum of Art: Fifty Years of Collecting. Foreword by Margaret Ann Skove. Huntington, W.Va.: Huntington Museum of Art, 2001.
 
Sheldon Swope Art Museum, Terre Haute, Ind., Modern Art from the Swope Collection, June 21–August 4, 2002 (permanent collection exhibition). See W615.
 
University of Michigan Museum of Art, Ann Arbor, The New York School: Abstract Expressionism and Beyond, July 20, 2002–January 19, 2003 (permanent collection exhibition). See W366.
 
Manny Silverman Gallery, Los Angeles, Group Exhibition, September 14–October 26, 2002 (checklist). See P708, P1008.
 
Neuhoff Gallery, New York, The Gesture: Movement in Painting and Sculpture, September 17–October 19, 2002 (catalogue). See C532.
Morgan, Robert C. The Gesture: Movement in Painting and Sculpture. New York: Neuhoff Gallery, 2002.
 
Andy Warhol Museum, Pittsburgh, Americanisms: Shaping Art and Culture in the 1950s, September 28, 2002–July 20, 2003. See P131.
 
Everson Museum of Art, Syracuse, N.Y., Some Assembly Required: Collage Culture in Post-War America, September 28, 2002–January 26, 2003; Madison Art Center, Wis., June 8–August 17, 2003; Polk Museum of Art, Lakeland, Fla., August 30–October 26, 2003 (catalogue). See C95. Reviewed in Bennett 2003.
Some Assembly Required: Collage Culture in Post-War America. Foreword by Sandra Trop; essays by Thomas Piché Jr., Mark Alice Durant, and Melissa Pearl Friedling. Syracuse, N.Y.: Everson Museum of Art, 2002.
 
Philadelphia Museum of Art, Gifts in Honor of the 125th Anniversary of the Philadelphia Museum of Art, September 29–December 8, 2002 (permanent collection exhibition; catalogue). See P221.
Beamesderfer, Alice. Gifts in Honor of the 125th Anniversary of the Philadelphia Museum of Art. Foreword by Anne d’Harnoncourt; introductory essays by Harvey S. Shipley Miller and Danielle Rice. Philadelphia: Philadelphia Museum of Art, 2002.
 
National Gallery of Australia, Canberra, The Big Americans: Albers, Frankenthaler, Hockney, Johns, Lichtenstein, Motherwell, Rauschenberg, and Stella at Tyler’s Studios, October 4, 2002–January 27, 2003 (permanent collection exhibition; catalogue). See P225.
Kinsman, Jane. The Art of Collaboration: The Big Americans (includes artist’s statements). Canberra: National Gallery of Australia, 2002.
 
Carnegie Museum of Art, Pittsburgh, Panopticon: An Art Spectacular, October 5, 2002–August 17, 2003 (permanent collection exhibition; catalogue). See P35.
Panopticon: An Art Spectacular. Pittsburgh: Carnegie Museum of Art, 2002.
 
Greenberg Van Doren Gallery, New York, All American, Part II, October 8–November 2, 2002. See P652.
 
Herbert F. Johnson Museum of Art, Cornell University, Ithaca, N.Y., The David M. Solinger Collection: Masterworks of Twentieth-Century Art, October 12, 2002–January 12, 2003 (catalogue). See C37.
Green, Nancy, Andrea Inselmann, Frank Robinson, and Andrew Weislogel. The David M. Solinger Collection: Masterworks of Twentieth-Century Art. Essays by Betty Ann Besch Solinger and Robert Rosenblum. Entry “Robert Motherwell,” by Nancy Green, pp. 120–22. Ithaca, N.Y.: Herbert F. Johnson Museum of Art, Cornell University, 2002.
 
Barbara Mathes Gallery, New York, Collage: Abstract Expressionist and Pop, October 18–December 21, 2002. See C75.
 
Museu de Arte Moderna do Rio de Janeiro, Archipelagoes: The Museu de Arte Moderna’s Plural Universe, October 18–December 1, 2002 (permanent collection exhibition). See P99.
 
Museo Nacional Centro de Arte Reina Sofía, Madrid, Black Mountain College: Una Aventura Americana, October 28, 2002–January 13, 2003 (catalogue). See P91.
Katz, Vincent, ed. Black Mountain College: Experiment in Art. Essays by Martin Brody, Robert Creeley, Vincent Katz, and Kevin Power. Cambridge, Mass., and London: MIT Press, 2002.
Katz, Vincent, ed. Black Mountain College: Una Aventura Americana (text in Spanish). Essays by Martin Brody, Robert Creeley, Vincent Katz, and Kevin Power. Madrid: Museo Nacional Centro de Arte Reina Sofía, 2002.
 
Modern Art Museum of Fort Worth, 110 Years: The Permanent Collection of the Modern Art Museum of Fort Worth, December 14, 2002–March 9, 2003 (permanent collection exhibition; catalogue). See P4, P226, P554, P1030, P1176, C685.
Auping, Michael, ed. Modern Art Museum of Fort Worth 110. Foreword by Marla Price; with contributions by Michael Auping, Andrea Karnes, and Mark Thistlethwaite. Entry “Robert Motherwell,” by Mark Thistlethwaite, pp. 115–23. London: Third Millennium, 2002.
 
2003
 
SOLO EXHIBITIONS
 
Jerald Melberg Gallery, Charlotte, N.C., Robert Motherwell: Works on Paper, May 17–July 12, 2003 (checklist). See W578, W649.
 
Bernard Jacobson Gallery, London, Robert Motherwell, June 10–July 12, 2003 (checklist). See C112, C133, C190, C375, W261, W458, W541, W561, W576, W633.
 
Contemporary Art Center of Virginia, Virginia Beach, Robert Motherwell: An American Original, November 20, 2003–February 1, 2004. See W578, W649. Reviewed in Annas 2003.
 
GROUP EXHIBITIONS
 
Museum of Fine Arts, Houston, The Heroic Century: The Museum of Modern Art Masterpieces, 200 Paintings and Sculptures, September 21, 2003–January 4, 2004 (catalogue). See P215.
Elderfield, John, ed. Visions of Modern Art: Painting and Sculpture from the Museum of Modern Art. Foreword by Glenn D. Lowry; preface by Barry Walker. New York: Museum of Modern Art, 2003.
 
Tehran Museum of Contemporary Art, Iran, Abstract Expressionism: Art Movements in the 20th Century, January 28–July 22, 2003 (permanent collection exhibition; catalogue). See P428.
 
Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, Seeing Red, Part I: Pioneers of Nonobjective Painting, January 30–May 3, 2003 (catalogue). See C290.
Fehr, Michael, and Sanford Wurmfeld, eds. Seeing Red: On Nonobjective Painting and Color Theory. Essays by Tracy L. Adler, Frederick A. Horowitz, Tina Dickey, Sanford Wurmfeld, William C. Agee, Gabriele Evertz, John Gage, Georges Roque, Michael Fehr, Klaus Honnef, James Gordon, and Robert Swain. Cologne, Germany: Salon Verlag, 2004.
 
San Francisco Museum of Modern Art, Treasures of Modern Art: The Legacy of Phyllis Wattis at SFMOMA, January 30–June 24, 2003 (permanent collection exhibition). See P217.
 
Acme Fine Art, Boston, The New York School: Modern Painting at Mid-Century, February 27–March 29, 2003. See P1187.
 
Huntington Museum of Art, W.Va., Through American Eyes: Two Centuries of American Art from the Huntington Museum of Art, April 12–August 31, 2003; Morris Museum, Morristown, N.J., October 21, 2003–January 4, 2004; Museum of Texas Tech University, Lubbock, June 27–August 22, 2004; Taft Museum, Cincinnati, September 12–November 7, 2004; Louise Wells Cameron Art Museum, Wilmington, N.C., November 28, 2004–January 23, 2005; Muskegon Museum of Art, Mich., February 13–April 10, 2005; Krasl Art Center, St. Joseph, Mich., May 1–June 26, 2005 (catalogue). See P527.
Through American Eyes: Two Centuries of American Art from the Huntington Museum of Art. Contributions by George Woodman, David B. Dearinger, Jenine E. Culligan, Sue D’Auria, Christopher Hatten, David Owens, and Fawn Valentine. Huntington, W.Va.: Huntington Museum of Art, 2003.
 
Sheldon Memorial Art Gallery and Sculpture Garden, University of Nebraska, Lincoln, Big Canvas: Paintings from the Permanent Collection, April 12–August 10, 2003 (permanent collection exhibition; checklist). See P922.
 
San Diego Museum of Art, Of Earth and Sky: Elements in Abstraction, April 19–December 14, 2003. See P517.
 
Art Gallery of Ontario, Toronto, Motherwell, Ewen, Deacon, June 27, 2003–January 11, 2004 (permanent collection exhibition). See P1063, P1115.
 
Solomon R. Guggenheim Museum, New York, From Picasso to Pollock: Classics of Modern Art, July 4–September 28, 2003 (permanent collection exhibition; catalogue). See P607.
From Picasso to Pollock: Modern Art at the Guggenheim Museum. Preface by Thomas Krens; introduction by Lisa Dennison. New York: Solomon R. Guggenheim Foundation, 2003.
 
Hackett-Freedman Gallery, San Francisco, Pairings: Discovered Dialogues in Postwar Abstraction, July 8–August 30, 2003 (catalogue). See C277.
O’Toole, Erin. Pairings: Discovered Dialogues in Postwar Abstraction. San Francisco: Hackett-Freedman Gallery, 2003.
 
Guggenheim Museum Bilbao, Spain, Antonio Saura: Memory and Recollection, July 22, 2003–January 11, 2004 (permanent collection exhibition). See P181.
 
Museum of Fine Arts, Gifu, Japan, Master Drawings from the Arkansas Arts Center Foundation Collection (organized by the Arkansas Arts Center, and TG Concepts [Taniguchi Jimusho]), August 9–September 15, 2003; Takasaki Museum of Art, Japan, September 20–October 26, 2003; Kitakyushu Municipal Museum of Art, Japan, November 8–December 7, 2003; Tanabe City Museum of Art, Japan, December 13, 2003–January 25, 2004 (catalogue). See W529.
Master Drawings from the Arkansas Arts Center Foundation Collection (text in English and Japanese). Tokyo: TG Concepts (Taniguchi Jimusho), 2003.
 
Seattle Art Museum, International Abstraction: Making Painting Real, Part II, August 15, 2003–February 29, 2004. See P349.
 
Hyde Collection, Glens Falls, N.Y., Form[ation]: Modern & Contemporary Works from the Feibes & Schmitt Collection, September 7–December 7, 2003 (catalogue). See P522.
Johnson, Ken. Form[ation]: Modern & Contemporary Works from the Feibes & Schmitt Collection. Foreword by Randall Suffolk. Glens Falls, N.Y.: Hyde Collection, 2003.
 
Rose Art Museum, Brandeis University, Waltham, Mass., Abstract Expressionism: The Brandeis University Art Collection, September 11–December 7, 2003 (permanent collection exhibition). See P218.
 
Flint Institute of Arts, Mich., All American: Paintings and Sculptures from the Collection of the Flint Institute of Arts, September 27, 2003–February 1, 2004 (permanent collection exhibition). See P1178.
 
Mount Holyoke College Art Museum, South Hadley, Mass., Mount Holyoke Encounter: The Artists of Pontigny-in-America, September 30–December 14, 2003. See P139, P1133, C43, W11.
 
Museo de Arte Contemporáneo Esteban Vicente, Segovia, Spain, El Expresionismo abstracto americano en las colecciones españolas, October 7, 2003–January 11, 2004 (catalogue). See P222, P342, P508, C171, C683, W534.
Serraller, Francisco Calvo. El Expresionismo abstracto americano en las colecciones españolas (text in Spanish). Segovia, Spain: Museo de Arte Contemporáneo Esteban Vicente, 2003.
 
Peggy Guggenheim Collection, Venice, Peggy and Kiesler: The Collector and the Visionary, October 11, 2003–January 9, 2005; the work by Motherwell was removed mid-show in November 2004 (permanent collection exhibition; catalogue). See C8.
Davidson, Susan, and Philip Rylands, eds. Peggy Guggenheim & Frederick Kiesler: The Story of Art of This Century. Essays by Dieter Bogner, Susan Davidson, Francis V. O’Connor, Don Quaintance, Philip Rylands, Jasper Sharp, and Valentina Sonzogni. Venice: Peggy Guggenheim Collection; Vienna: Austrian Frederick and Lillian Kiesler Private Foundation, 2004.
 
New York Studio School, New York, American Cutout, October 14–November 22, 2003 (checklist). See C57, C116, C743.
 
Guggenheim Hermitage Museum, Las Vegas, A Century of Painting: From Renoir to Rothko, November 7, 2003–May 2, 2004 (catalogue). See P607.
A Century of Painting: From Renoir to Rothko. New York: Solomon R. Guggenheim Foundation, 2003.
 
Rhode Island School of Design, Providence, The New York School: Aaron Siskind in Context, November 7, 2003–January 25, 2004. See C40.
 
Armand Hammer Museum of Art and Cultural Center, University of California, Los Angeles, The Eunice and Hal David Collection of Nineteenth and Twentieth-Century Works on Paper, November 14, 2003–February 8, 2004; Portland Art Museum, Ore., May 1–July 25, 2004 (catalogue). See W714.
Burlingham, Cynthia, ed. The Eunice and Hal David Collection of Nineteenth and Twentieth-Century Works on Paper. Essay by Lee Hendrix; with contributions by Judith Brodie, Cynthia Burlingham, Claudine Dixon, Carol S. Eliel, Noriko Gamblin, Robert Hobbs, Claudine Isé, Carolyn Peter, Amy Schichtel, and Marilyn Symmes. Los Angeles: UCLA Grunwald Center for the Graphic Arts and the Armand Hammer Museum of Art and Cultural Center, 2003.
 
Art Institute of Chicago, Graphic Modernism: Selections from the Francey and Dr. Martin L. Gecht Collection at the Art Institute of Chicago, November 15, 2003–January 11, 2004 (catalogue). Drawings only.
McCullagh, Suzanne Folds, and Mark Krisco. Graphic Modernism: Selections from the Francey and Dr. Martin L. Gecht Collection at the Art Institute of Chicago. Preface by James N. Wood and Douglas W. Druick. Chicago: Art Institute of Chicago, in association with Hudson Hills Press, Manchester, Vt., 2003.
 
Danese, New York, Black/White, November 21–December 19, 2003. See W274.
 
Manny Silverman Gallery, Los Angeles, Group Exhibition, winter 2003 (checklist). See P759, P1200, W634.
 
Saginaw Art Museum, Mich., Treasures from the Butler Institute of American Art, December 11, 2003–February 29, 2004; Midwest Museum of American Art, Elkhart, Ind., April 3–May 31, 2004. See C77.
 
2004
 
SOLO EXHIBITIONS
 
William Shearburn Gallery, Saint Louis, Robert Motherwell: Paintings and Drawings, March 5–April 10, 2004 (checklist). See P732, P1184, C877.
 
Modern Art Museum of Fort Worth, Robert Motherwell: The Spirit of the Brush, Works from the Collection, 1941–1990, September 12–November 28, 2004 (permanent collection exhibition). See P4, P128, P180, P226, P267, P496, P848, P869, P937, C47, C685, W452, W674.
 
Museum Morsbroich, Leverkusen, Germany, Motherwell, October 17, 2004–January 30, 2005 (catalogue). See P8, P104, P178, P251, P264, P328, P463, P494, P497, P564, P618, P702, P793, P820, P838, P889, P896, P923, P959, P981, P994, P1016, P1035, P1037, P1039, P1040, P1084, P1144, C89, C116, C231, C233, C373, C391, C422, C424, C666, C828, C829, C831, W63, W353, W458, W459, W462, W638, W680. Reviewed in Dittmar 2005, Gross 2005, Imdahl 2004, Lokale Informationen 2004, Lorscheider 2004, Luddemann 2004, Müller 2004, Palette & Zeichenstift 2004, S. 2004, S. 2005, Stadel 2004, Stiftel 2004, Thiels 2004, Via Rheinland 2004–5, and Vielhaber 2004.
Finckh, Gerhard, ed. Robert Motherwell (text in German). Essays by Gerhard Finckh, Antje von Graenvenitz, Dieter Gutknecht, Bernd Klüser, and Jan-Hendrik Wentrup. Leverkusen: Museum Morsbroich, 2004.
 
Rosenbaum Contemporary, Gallery Center, Boca Raton, Fla., Robert Motherwell: Works, 1965–1991, November 11–December 6, 2004. See C378, C631, C797, W677.
 
GROUP EXHIBITIONS
 
University of Virginia Art Museum, Charlottesville, American Collage, January 23–August 22, 2004 (catalogue). See C90, C129.
American Collage. Charlottesville: University of Virginia Art Museum, 2004.
 
Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, Palo Alto, Calif., Picasso to Thiebaud: Modern and Contemporary Art from the Collections of Stanford University Alumni and Friends, February 18–June 20, 2004 (permanent collection exhibition; catalogue). See P1181.
Faberman, Hilarie. Picasso to Thiebaud: Modern and Contemporary Art from the Collections of Stanford University Alumni and Friends. Contributions by Wanda M. Corn, Patience Young, Sarah Birnbaum, Meredith Brown, Susan Cameron, Heather P. Farkas, Jeanne W. Fraise, Allan Hsu, Kela Shang, Hilary K. Snow, Janice L. Ta, and Anneke Voorhees. Palo Alto, Calif.: Iris & B. Gerald Cantor Center for Visual Arts, 2004.
 
Neue Nationalgalerie, Berlin, Das MoMA in Berlin: Meisterwerke aus dem Museum of Modern Art, New York, February 20–September 19, 2004 (catalogue). See P215.
Elderfield, John. Das MoMA in Berlin: Meisterwerke aus dem Museum of Modern Art, New York (text in German). Ostfildern-Ruit, Germany: Hatje-Cantz; New York: Museum of Modern Art, 2004.
 
Thomas McCormick Gallery, Chicago, Well Put Together: Abstract Expressionist Collage, February 20–April 3, 2004 (catalogue and checklist). See C254, C563.
Well Put Together: Abstract Expressionist Collage. Chicago: Thomas McCormick Gallery, 2004.
 
Museum of Fine Arts, Houston, A Spirited Vision: Highlights of the Bequest of Caroline Wiess Law to the Museum of Fine Arts, Houston, February 22–April 25, 2004 (permanent collection exhibition; catalogue). See W106.
Marzio, Peter C. A Spirited Vision: Highlights of the Bequest of Caroline Wiess Law to the Museum of Fine Arts, Houston. Houston: Museum of Fine Arts, 2004.
 
ACA Galleries, New York, A Black Mountain Assemblage, March 20–April 10, 2004. See P107.
 
Jewish Museum, New York, My America: Art from the Jewish Museum Collection, 1900–1955, March 26–July 25, 2004; Columbia Museum of Art, S.C., January 26–May 7, 2006; Judah L. Magnes Museum, Berkeley, Calif., June 3–September 24, 2006; Memorial Art Gallery, University of Rochester, N.Y., October 21–December 24, 2006 (checklist). See P117.
 
Círculo de Bellas Artes, Madrid, An American Odyssey, 1945–1980: Debating Modernism, April 13–May 30, 2004; Domus Artium 2002, Salamanca, Spain, June 10–July 31, 2004; Kiosco Alfonso, A Coruña, Spain, September 2–October 2, 2004; QCC Art Gallery, Queensborough Community College, City University of New York, October 24, 2004–January 15, 2005 (catalogue). See P109.
Foster, Stephen C., Estera Milman, Janis Mink, Daniel A. Siedell, and John Yau. An American Odyssey, 1945–1980: Debating Modernism (text in English and Spanish). Madrid: Círculo de Bellas Artes, 2004.
 
Bruce Museum of Arts and Science, Greenwich, Conn., Off the Wall: Works from the JPMorgan Chase Collection, May 15–September 12, 2004 (catalogue). See C398.
Gershon, Stacey B., and Nancy Hall-Duncan. Off the Wall: Works from the JPMorgan Chase Collection. Foreword by William B. Harrison Jr. Greenwich, Conn.: Bruce Museum of Arts and Science, 2004.
 
Hyde Collection, Glens Falls, N.Y., Masterworks: Selections from the New Britain Museum of American Art, May 22–October 3, 2004; Georgia Museum of Art, University of Georgia, Athens, January 10–March 25, 2005; Cincinnati Art Museum, March 28–June 27, 2005; Cummer Museum of Art and Gardens, Jacksonville, Fla., June 30–October 7, 2005; Frick Art and Historical Center, Pittsburgh, December 28, 2005–March 24, 2006; Mobile Museum of Art, Ala., March 27–July 7, 2006. See P1113.
 
Katonah Museum of Art, N.Y., Behind Closed Doors: Area Collectors Celebrate the Museum’s Golden Anniversary, May 29–July 11, 2004 (catalogue). See C143.
Behind Closed Doors: Collectors Celebrate the Museum’s Golden Anniversary. Katonah, N.Y.: Katonah Museum of Art, 2004.
 
William Benton Museum of Art, University of Connecticut, Storrs, The Betty Sterling Collection of Contemporary Art, August 31–October 10, 2004. See P1042, C629.
 
Knoedler & Company, New York, 3 Classics: Motherwell, Frankenthaler, Stella, September 9–October 30, 2004 (checklist). See P606, W533.
 
Jacksonville Museum of Modern Art, Fla., Image + Energy: Selections from the Haskell Collection, September 24, 2004–January 9, 2005 (catalogue). See P704.
Kinghorn, George, Debra Murphy Livingston, and Kahren Jones Arbitman. Image + Energy: Selections from the Haskell Collection. Jacksonville, Fla.: Jacksonville Museum of Modern Art, 2004.
 
Princeton University Art Museum, N.J., American Art in the Princeton University Art Museum, October 16, 2004–January 9, 2005; Musée d’Art Americain, Giverny, France, April 1–July 3, 2005; High Art Museum, Atlanta, April 1–June 25, 2006 (catalogue).
Wilmerding, John. American Art in the Princeton University Art Museum. Essay by Kathleen A. Foster; with contributions by Robert T. Cozzolino, Laura M. Giles, Mark D. Mitchell, and Diana K. Tuite. Princeton, N.J.: Princeton University Art Museum, in association with Yale University Press, New Haven, 2004.
 
Rockford Art Museum, Ill., Reuniting an Era: Abstract Expressionists of the 1950s, November 13, 2004–January 23, 2005 (catalogue). See P925.
Reuniting an Era: Abstract Expressionism of the 1950s. Rockford, Ill.: Rockford Art Museum, Ill., 2004.
 
National Gallery of Art, Washington, D.C., Six Centuries of Prints and Drawings: Recent Acquisitions, November 14, 2004–June 6, 2005 (permanent collection exhibition). See W336.
 
Foro Boario, Modena, Italy, Action Painting: Arte americana, 1940–1970, dal disegno all’opera, November 21, 2004–February 27, 2005 (catalogue). See P607, C8.
Rosenthal, Mark, Luca Massimo Barbero, Marco Vallora, and Leigh Robb. Action Painting: Arte americana, 1940–1970, dal disegno all’opera (text in Italian). New York: Solomon R. Guggenheim Foundation, 2004.
 
2005
 
SOLO EXHIBITIONS
 
Galerie Bernd Klüser, Munich, Robert Motherwell: Paintings, Collages, Works on Paper, May 4–July 30, 2005 (checklist). See P793, P889, P923, P981, P994, P1035, P1144, C57, C79, C116, C563, C745, C829, W50, W54, W56, W63, W353, W475, W638.
 
Annandale Galleries, Sydney, Australia, Robert Motherwell, July 27–August 20, 2005. See P791, P1008, P1017, C112, C504, C602, C641, C764, W458, W541, W651, W691.
 
Manny Silverman Gallery, Los Angeles, Robert Motherwell, September 29–November 26, 2005 (catalogue). See P432, P444, C95, C146, C248, C254, C308, C352, C364, C644, W89, W159, W163, W167, W211, W224, W264, W371, W448, W503, W530, W602, W645.
Robert Motherwell. Los Angeles: Manny Silverman Gallery, 2005.
 
Galerie Lelong, Paris, Robert Motherwell, November 24, 2005–January 14, 2006. See P331, P524, P690, P734, P1016, C371, C428, C529, C710, C839, C851, W295, W462, W607, W613, W623, W687, W695, W716.
 
Thomas McCormick Gallery, Chicago, Robert Motherwell: Te Quiero, December 9, 2005–January 14, 2006; Salt Lake Art Center, Salt Lake City, February 10–May 31, 2006 (checklist). See P259, P453, P584, P588, P598, P604, P925, P991, C216, C267, C490, C643, C709, C741, C836, C844, C875, W265, W513, W586. Reviewed in Griggs 2006.
 
GROUP EXHIBITIONS
 
Contemporary Museum, Honolulu, A Collector’s Journey and Legacy: Selected Works from the Sterling Collection, January 21–March 13, 2005. See P1042, C629.
 
National Academy Museum, New York, Surrealism USA, February 17–May 8, 2005; Phoenix Art Museum, June 5–September 25, 2005 (catalogue). See C5.
Dervaux, Isabelle. Surrealism USA. Contributions by Michael Duncan, Robert Hobbs, Gerrit L. Lansing, Robert S. Lubar, Marshall N. Price, and Scott Rothkopf. New York: National Academy Museum, in association with Hatje Cantz, Ostfildern-Ruit, Germany, 2004.
 
Thomas McCormick Gallery, Chicago, Black, March 11–April 23, 2005 (catalogue). See C709, W586.
Long, Robert. Black. Chicago: Thomas McCormick Gallery, 2005.
 
Walker Art Center, Minneapolis, Quartet: Johns, Kelly, Mitchell, Motherwell, April 17–July 3, 2005. See P437, P632, P1112, C66, C507, W70, W101, W107, W518.
 
Pavel Zoubok Gallery, New York, Collage: Signs & Surfaces, April 21–May 21, 2005. See C323.
 
Museum of Arts and Design, New York, Dual Vision: The Simona and Jerome Chazen Collection, May 26–September 11, 2005; Chazen Museum of Art, University of Wisconsin, Madison, October 7–December 31, 2005 (catalogue). See P651.
McFadden, David Revere, Russell Panczenko, Ursula Ilse-Neuman, and Jennifer Scanlan. Dual Vision: The Simona and Jerome Chazen Collection. Foreword by Holly Hotchner. New York: Museum of Arts and Design, 2005.
 
Art Gallery of Ontario, Toronto, The Shape of Colour: Excursions in Colour Field Art 1950–2005, June 1–August 7, 2005 (catalogue). See P553.
Moos, David, ed. The Shape of Colour: Excursions in Colour Field Art, 1950–2005. Introduction by Matthew Teitelbaum; essays by David Moos, Robert Hobbs, Sarah K. Rich, Mark Cheetham, and Raphael Rubenstein. Toronto: Art Gallery of Ontario, 2005.
 
Peggy Guggenheim Collection, Venice, Affinities: Works from the Ulla and Heiner Pietzsch Collection, Berlin, June 4–September 18, 2005. See C14, C127.
 
Gow Langsford Gallery, Auckland, New Zealand, McCahon, Gimblett, Motherwell, June 30–July 2005 (catalogue). Drawings only.
Curnow, Wystan. McCahon, Gimblett, Motherwell. Auckland, New Zealand: Gow Langsford Gallery, 2005.
 
Nagasaki Prefectural Art Museum, Japan, Picturing America: Selections from the Whitney Museum of American Art, July 12–August 21, 2005; Fuchu Art Museum, Japan, August 27–October 2, 2005; 21st Century Museum of Contemporary Art, Kanazawa, Japan, October 8–November 6, 2005; Kitakyushu Municipal Museum of Art, Japan, November 20, 2005–January 9, 2006; Koriyama City Museum of Art, Japan, January 28–March 12, 2006 (catalogue). See P171.
Miller, Dana A., Junji Ito, and Hitoshi Yamamura. Picturing America: Selections from the Whitney Museum of American Art (text in English and Japanese). Foreword by Adam D. Weinberg. New York: Whitney Museum of American Art, 2005.
 
Kunstsammlungen Chemnitz, Germany, Schrift, Zeichen, Geste: Carlfriedrich Claus im Kontext von Klee bis Pollock, July 24–October 9, 2005 (catalogue). See P1035.
Mössinger, Ingrid, and Brigitta Milde, eds. Schrift, Zeichen, Geste: Carlfriedrich Claus im Kontext von Klee bis Pollock (text in German). Cologne, Germany: Wienand Verlag, 2005.
 
John Berggruen Gallery, San Francisco, Highlights: New Acquisitions, August 2–September 9, 2005. See P471.
 
Hillsboro Fine Art, Dublin, International Collectibles, August 4–27, 2005. See P665, W600.
 
Tel Aviv Museum of Art, American Abstract Painting after World War II, August 18–November 5, 2005. See P46.
 
Pennsylvania Academy of the Fine Arts, Philadelphia, In Private Hands: 200 Years of American Painting, October 1, 2005–January 8, 2006 (catalogue). See P209.
Sajet, Kim, ed. In Private Hands: 200 Years of American Painting. Contributions by Lynn Marsden-Atlass, Nicolai Cikovsky Jr., and Robert Rosenblum. Philadelphia: Pennsylvania Academy of the Fine Arts, 2005.
 
Wadsworth Atheneum Museum of Art, Hartford, Conn., Dalí, Picasso, and the Surrealist Vision, October 7–December 31, 2005 (permanent collection exhibition). See P34.
 
Leonard Hutton Galleries, New York, Modern American Art, October 20–November 30, 2005.
 
Noguchi Museum, Long Island City, N.Y., The Imagery of Chess Revisited, October 20, 2005–March 5, 2006; Menil Collection, Houston, September 8, 2006–January 7, 2007 (catalogue). Drawings only.
List, Larry, ed. The Imagery of Chess Revisited. Introduction by Ingrid Schaffner. New York: Isamu Noguchi Foundation and Garden Museum, in association with George Braziller, 2005.
 
Chrysler Museum of Art, Norfolk, Va., Behind the Seen: The Chrysler’s Hidden Museum, October 21, 2005–February 19, 2006 (permanent collection exhibition). See P223.
 
Leslie Sacks Fine Art, Los Angeles, New Acquisitions, Part One: The Moderns, October 22–November 21, 2005. See C713, C784.
 
Cahoon Museum of American Art, Cotuit, Mass., Striking the Right Notes: Music in American Art, October 25–December 31, 2005. See C776.
 
Andrea Rosen Gallery, New York, Looking at Words: The Formal Presence of Text in Modern and Contemporary Works on Paper, November 2, 2005–January 2006. See C746.
 
CDS Gallery, New York, The Irascibles: On Paper, November 4, 2005–January 21, 2006. See W182.
 
Arnolfini, Bristol, England, Starting at Zero: Black Mountain College, 1933–57, November 5, 2005–January 15, 2006; Kettle’s Yard, Cambridge, England, January 28–April 2, 2006 (catalogue). See P69.
Harris, Mary Emma, Christopher Benfey, Eva Diaz, Edmund de Waal, and Jed Perl. Starting at Zero: Black Mountain College, 1933–57. Preface by Caroline Collier and Michael Harrison. Bristol, England: Arnolfini; Cambridge, England: Kettle’s Yard, 2005.
 
Galerie Klüser 2, Munich, Small Drawings, November 17–December 23, 2005. See C745.
 
Hillsboro Fine Art, Dublin, Annual Christmas Exhibition, November 17–December 23, 2005. See P1055, C326, C820.
 
Fundació Joan Miró, Barcelona, Mestres del collage de Picasso a Rauschenberg, November 25, 2005–February 26, 2006 (catalogue). See C56, C93, C100, C683.
Waldman, Diane, Donald B. Kuspit, and Carter Ratcliff. Mestres del collage de Picasso a Rauschenberg (text in Catalan). Barcelona, Spain: Fundació Joan Miró, 2005.
 
Galerie Contemporaine du Musée d’Art Moderne et d’Art Contemporain, Nice, France, Ecole de New York: Expressionnisme abstrait américain, œuvres sur papier, December 8, 2005–March 5, 2006 (catalogue). See P251, C194, C729, W459.
Perlein, Gilbert, and Dore Ashton. Ecole de New York: Expressionnisme abstrait américain, œuvres sur papier (text in French). Preface by Jacques Peyrat and André Barthe. Nice, France: Musée d’Art Moderne et d’Art Contemporain, 2005.
 
2006
 
SOLO EXHIBITIONS
 
Rosenbaum Contemporary, Boca Raton, Fla., Robert Motherwell, February 9–March 7, 2006. See C158, C308, C731.
 
Bobbie Greenfield Gallery, Santa Monica, Calif., Robert Motherwell, Africa Suite: Ink Drawings and Related Prints, April 1–May 13, 2006 (catalogue). See W342–W352.
Robert Motherwell, Africa Suite: Ink Drawings and Related Prints. Santa Monica, Calif.: Bobbie Greenfield Gallery, 2006.
 
Galleria d’Arte il Gabbiano, Rome, Robert Motherwell, May 4–June 17, 2006 (catalogue). See P439, C162, C633, C655, C797, W169, W371, W526. Reviewed in Turner 2006.
Arditi, Fiamma. Robert Motherwell (text in English and Italian). Rome: Galleria d’Arte il Gabbiano, 2006.
 
William Shearburn Gallery, Saint Louis, Robert Motherwell: Portfolios and Related Drawings and Paintings, May 5–June 11, 2006 (checklist). See P323, P666, P732, P747, P841, P903, P951, P1193, W492.
 
Baltimore Museum of Art, Robert Motherwell: Meanings of Abstraction, May 21–July 30, 2006 (permanent collection and loan exhibition; checklist). See P338, P341, C3, C84, C693, W59, W69. Reviewed in McNatt 2006.
 
Jerald Melberg Gallery, Charlotte, N.C., Robert Motherwell: The Torn Edge; Collages and Related Prints, September 8–October 14, 2006 (checklist). See C146, C235, C346, C385, C449, C610, C626, C776, C803, C812, C886.
 
GROUP EXHIBITIONS
 
Manny Silverman Gallery, Los Angeles, Winter Group Exhibition, January–March 2006 (checklist). See P393, P1105.
 
Centro-Museo Vasco de Arte Contemporáneo, Vitoria-Gasteiz, Spain, La Obra maestra desconocida: Basado en el relato Le Chef-d’Oeuvre inconnu de Honoré de Balzac, 1831–2006, 175 aniversario, February 2–May 28, 2006 (catalogue). See P156.
La Obra maestra desconocida: Basado en el relato Le Chef-d’Oeuvre inconnu de Honoré de Balzac, 1831–2006, 175 aniversario (text in Spanish). Essays by Francisco Calvo Serraller, Arthur C. Danto, Javier González de Durana, and Brigitte Léal; text by Honoré de Balzac. Vitoria-Gasteiz, Spain: Artium, 2006.
 
Bernard Jacobson Gallery, London, [group exhibition], March 2006 (checklist). See P791.
 
BA-CA Kunstforum, Vienna, Austria, Verrückte Liebe: Von Dalí bis Francis Bacon, Surreale Kunst aus der Sammlung Ulla und Heiner Pietzsch, March 8–June 18, 2006 (catalogue). See C14, C127.
Verrückte Liebe: Von Dalí bis Francis Bacon, Surreale Kunst aus der Sammlung Ulla und Heiner Pietzsch (text in German). Texts by Evelyn Benesch, Ulrich Bischoff, Ingried Brugger, et al. Vienna: BA-CA Kunstforum, 2006.
 
Art Institute of Chicago, Great American Drawings, March 18–June 19, 2006 (permanent collection exhibition). See C64.
 
Asheville Art Museum, N.C., Black Mountain College: Its Time and Place, April 7–August 6, 2006 (catalogue). See P104.
Diaz, Eva. Black Mountain College: An Exhibition Series. Asheville, N.C.: Asheville Art Museum, 2006.
 
Hillsboro Fine Art, Dublin, International Artists, May 4–24, 2006. See P903, P1022.
 
Cleveland Museum of Art, The Persistence of Geometry: Form, Content, and Culture in the Collection of the Cleveland Museum of Art, June 9–August 20, 2006 (permanent collection exhibition; catalogue). See P216.
Sims, Lowery Stokes. The Persistence of Geometry: Form, Content, and Culture in the Collection of the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2006.
 
Gilcrease Museum, Tulsa, Okla., Lines of Discovery: 225 Years of American Drawings (organized by the Columbus Museum, Ga.), June 17–August 27, 2006; Kalamazoo Institute of Arts, Mich., September 23–December 31, 2006; Arkansas Arts Center, Little Rock, January 26–April 22, 2007; Asheville Art Museum, N.C., November 9, 2007–February 10, 2008 (catalogue). See W121.
Butler, Charles T., ed. Lines of Discovery: 225 Years of American Drawings; The Columbus Museum. Essays by Bruce W. Chambers, Marilyn Laufer, and Stephen C. Wicks; commentary by Philip L. Brewer. Columbus, Ga.: Columbus Museum in association with D. Giles, 2006.
 
Gerald Peters Gallery, Dallas, Gerald Peters Modern: In Celebration of the 20th Anniversary of Gerald Peters Gallery, Dallas, July 7–August 29, 2006 (catalogue). See P512.
Gerald Peters Modern: In Celebration of the 20th Anniversary of Gerald Peters Gallery, Dallas. Dallas: Gerald Peters Gallery, 2006.
 
Bernard Jacobson Gallery, London, An Exhibition of Paintings, July 12–October 11, 2006 (checklist). See P768.
 
Grimaldi Forum, Monaco, New York, New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video, July 14–September 10, 2006 (catalogue). See P606.
Celant, Germano, and Lisa Dennison, eds. New York, New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video. Essays by Janet L. Abu-Lughod, Germano Celant, RoseLee Goldberg, Melissa Harris, Kirstin Hübner, Thierry Jousse, Herbert Muschamp, Mario Perniola, Fernanda Pivano, Robert Rosenblum, et al. Milan: Skira, 2006.
 
Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, The Guggenheim die Sammlung, July 21, 2006–January 7, 2007 (catalogue). See P607.
The Guggenheim die Sammlung (text in German). Essays by Jennifer Blessing, Julia Brown, Anthony Calnek, Susan Davidson, Lisa Dennison, Matthew Drutt, Michael Govan, Kay Heymer, Ted Mann, and Diane Waldman. New York: Solomon R. Guggenheim Foundation, in association with Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, 2006.
 
Whitney Museum of American Art, New York, Picasso and American Art, September 28, 2006–January 28, 2007; San Francisco Museum of Modern Art, February 25–May 28, 2007; Walker Art Center, Minneapolis, June 17–September 9, 2007; the artist’s work was included only in Minneapolis (catalogue). See C20.
Fitzgerald, Michael. Picasso and American Art. New York: Whitney Museum of American Art, in association with Yale University Press, New Haven, Conn., 2006.
 
Museum of Art, Washington State University, Pullman, Art & Context: The ’50s and ’60s, September 29–December 16, 2006 (catalogue). See C124.
Bruce, Chris, and Keith Wells. Art & Context: The ’50s and ’60s. Contributions by Nella Van Dyke. Pullman: Museum of Art, Washington State University, 2006.
 
Greenberg Van Doren Gallery, New York, Pre-Post: American Abstraction, October 11–November 11, 2006. See W132.
 
Dallas Museum of Art, Fast Forward: Contemporary Collections for the Dallas Museum of Art, November 21, 2006–April 8, 2007 (permanent collection exhibition; catalogue). See P364.
De Corral, María, and John R. Lane, eds. Fast Forward: Contemporary Collections for the Dallas Museum of Art. Contributions by Frances Colpitt, María de Corral, John R. Lane, Mark Rosenthal, Allan Schwartzman, and Charles Wylie. Dallas: Dallas Museum of Art, in association with Yale University Press, New Haven, Conn., 2007.
 
Hackett-Freedman Gallery, Art Basel, Miami Beach, A Culture in the Making: New York and San Francisco in the 1950s and ’60s, December 7–10, 2006; Hackett-Freedman Gallery, San Francisco, January 11–March 3, 2007 (catalogue). Drawings only.
Perl, Jed. A Culture in the Making: New York and San Francisco in the 1950s and ’60s. San Francisco: Hackett-Freedman Gallery, 2006.
 
Hillsboro Fine Art, Dublin, Inaugural, December 12–22, 2006. See P1096.
 
2007
 
SOLO EXHIBITIONS
 
Virginia Steele Scott Gallery, Huntington Library, Art Collections, and Botanical Gardens, San Marino, Calif., Twelve Drawings from Robert Motherwell’s Lyric Suite, June 9–August 12, 2007. Drawings only.
 
Galerie Lelong, Paris, Robert Motherwell: Spanish Frontier, December 14, 2007–January 26, 2008 (brochure). See P332, P348, P350, P475, P510, P518, P525, P952, P954, P998, P1012, P1035, P1075, P1081, P1197, P1202, C197, C226, C525, W50, W92, W215, W587.
 
GROUP EXHIBITIONS
 
Hollis Taggart Galleries, New York, Pathways and Parallels: Roads to Abstract Expressionism, April 12–May 12, 2007 (catalogue). See P107.
Wechsler, Jeffrey. Pathways and Parallels: Roads to Abstract Expressionism. New York: Hollis Taggart Galleries, 2007.
 
Newcomb College, Tulane University, New Orleans, Drawn from New Orleans: Twentieth-Century Works from Private Collections, April 24–June 30, 2007. See P1058.
 
Scottsdale Museum of Contemporary Art, Ariz., Modern(ist) Love: The Dorothy Lincoln-Smith and Harvey K. Smith Collection, May 12–September 16, 2007. See P723, C679.
 
Georgia Museum of Art, University of Georgia, Athens, Suitcase Paintings: Small Scale Abstract Expressionism (organized by Art Enterprises, Ltd., and TMG Projects, Chicago), May 19–July 22, 2007; Ball State University Museum of Art, Muncie, Ind., September 8–December 2, 2007; Utah Museum of Fine Art, Salt Lake City, January 19–March 29, 2008; Sydney Mishkin Gallery, Baruch College, New York, May 3–June 4, 2008; Greenville County Museum of Art, S.C., June 28–August 24, 2008; Loyola University Museum of Art, Chicago, September 19–October 26, 2008 (catalogue). See W54. Reviewed in Warner 2008.
Kingsley, April. Suitcase Paintings: Small Scale Abstract Expressionism. Essays by John Corbett, Jim Dempsey, and Thomas McCormick. Chicago: Art Enterprises, and TMG Projects, 2007.
 
Nassau County Museum of Art, Roslyn Harbor, N.Y., Surrealism: Dreams on Canvas, May 26–August 12, 2007 (catalogue). See P65, P916, C41.
Schwartz, Constance, Charles A. Riley II, and Fariba Bogzaran. Surrealism: Dreams on Canvas. Roslyn Harbor, N.Y.: Nassau County Museum of Art, 2007.
 
Pavel Zoubok Gallery, New York, In Context: Collage + Abstraction, May 31–August 10, 2007. See C468.
 
Bernard Jacobson Gallery, London, Summer Exhibition, summer 2007 (checklist). See W501.
 
Hillsboro Fine Art, Dublin, Summer Exhibition, June 7–July 6, 2007. See P981.
 
Galerie Klüser 2, Munich, Drawings, June 12–July 28, 2007. See C380, C829, W231.
 
Fine Arts Building Gallery, University of Alberta, Edmonton, Canada, Aspects of Abstraction: A Selection of Paintings from Private and Public Collections, June 21–July 2007. See P281.
 
National Gallery of Victoria, Melbourne, Australia, Guggenheim Collection: 1940s to Now, June 30–October 7, 2007 (catalogue). See P607.
Hillings, Valerie L. Guggenheim Collection: 1940s to Now. Melbourne, Australia: National Gallery of Victoria, 2007.
 
Metropolitan Museum of Art, New York, Abstract Expressionism and Other Modern Works: The Muriel Kallis Steinberg Newman Collection in the Metropolitan Museum of Art, September 18, 2007–February 3, 2008 (permanent collection exhibition; catalogue). See P168.
Tinterow, Gary, Lisa Mintz Messinger, and Nan Rosenthal, eds. Abstract Expressionism and Other Modern Works: The Muriel Kallis Steinberg Newman Collection in the Metropolitan Museum of Art. Entry “Robert Motherwell,” by Pepe Karmel, pp. 160–63. New York: Metropolitan Museum of Art, 2007.
 
Huntington Museum of Art, W.Va., The Collection of Alex E. Booth, Jr., September 22, 2007–January 27, 2008 (permanent collection exhibition). See P527.
 
Museu d’Art Contemporani de Barcelona, Be-Bomb: The Transatlantic War of Images and All That Jazz, 1946–1956 (organized by Museu d’Art Contemporani de Barcelona and Museo Nacional Centro de Arte Reina Sofía de Madrid), October 4, 2007–January 7, 2008 (catalogue). See P154, C2, W5.
Be-Bomb: The Transatlantic War of Images and All That Jazz, 1946–1956 (separate versions in Spanish and English). Essays by Manuel J. Borja-Villel, Serge Guilbaut, Thomas Crow, et al. Barcelona: Museu d’Art Contemporani de Barcelona; Madrid: Museo Nacional Centro de Arte Reina Sofía, 2007.
 
Galleria Civica d’Arte Moderna e Contemporanea, Turin, Italy, Collage/Collages: From Cubism to New Dada, October 9, 2007–January 6, 2008 (catalogue). See C8.
Lamberti, Maria Mimita, and Maria Grazia Messina, eds. Collage/Collages: From Cubism to New Dada. Contributions by Flavio Fergonzi, Maria Mimita Lamberti, Maria Grazia Messina, Alessandro Nigro, and Federica Rovati. Milan: Electa, 2007.
 
Leslie Feely Fine Art, New York, Private Eye, October 18–November 13, 2007 (catalogue). See P1175, C146, C631.
Private Eye. Introduction by Jane Livingston. New York: Leslie Feely Fine Art, 2007.
 
Washburn Gallery, New York, The Tiger’s Eye, November 1–December 21, 2007 (checklist). See P43.
 
Denver Art Museum, Color as Field: American Painting, 1950–1975 (organized by the American Federation of Arts, New York), November 9, 2007–February 3, 2008; Smithsonian American Art Museum, Washington, D.C., February 29–May 26, 2008; Frist Center for the Visual Arts, Nashville, June 20–September 21, 2008 (catalogue). See P224, P564.
Wilkin, Karen. Color as Field: American Painting, 1950–1975. Essay by Carl Belz. New York: American Federation of Arts, in association with Yale University Press, New Haven, Conn., 2007.
 
Russell Bowman Art Advisory, Chicago, Collage, November 16, 2007–January 5, 2008. See C247.
 
Picker Art Gallery, Colgate University, Hamilton, N.Y., War Fallout: Mid-century Modernism in the Luther W. Brady Collection, November 27, 2007–April 3, 2008 (permanent collection exhibition; catalogue). See W80.
Monahan, Anne. The Luther W. Brady Collection at the Picker Art Gallery, Colgate University (includes artist’s statements). Hamilton, N.Y.: Picker Art Gallery, 2007.
 
Galería Cayón, Madrid, Tamaño Real/Actual Size, December 20, 2007–February 7, 2008 (catalogue). See P1028.
Tamaño Real/Actual Size (text in English and Spanish). Madrid: Galería Cayón, 2007.
 
2008
 
SOLO EXHIBITIONS
 
Museo Dolores Olmedo Patiño, Mexico City, Robert Motherwell: Obras Selectas de la Colección Walker Art Center, February 23–May 25, 2008 (catalogue). See P265, P437, P627, P1112, C66, C139, C410, C493, C507, W70, W101, W107, W518.
Carpenter, Elizabeth, and Elia Espinosa. Robert Motherwell: Obras selectas de la Colección Walker Art Center (text in Spanish). Mexico City: Museo Dolores Olmedo Patiño, 2008.
 
Bendheim Gallery, Greenwich, Conn., Selective Space: An Intimate Look at the Studio Life of Robert Motherwell, May 8–June 8, 2008. See C182, C824, W303, W492, W636.
 
William Shearburn Gallery, Santa Fe, N.Mex., Robert Motherwell, July 4–August 15, 2008 (checklist). See P308, P311, P495, P784, P793, P1015, P1050, P1118, P1128, W173, W186.
 
Bernard Jacobson Gallery, London, Robert Motherwell: Five Great Opens, October 15–November 22, 2008 (checklist). See P412, P418, P479, P497, P556, P561, C253, W289, W290, W299, W300, W356, W368–W370.
 
Galleria d’Arte il Gabbiano, Rome, Robert Motherwell, October 15, 2008–January 15, 2009 (catalogue). See P315, P316, P322, P326, C655, W169, W190, W526, W602, W640, W654, W662.
Robert Motherwell (text in Italian and English). Rome: Galleria d’Arte il Gabbiano, 2008.
 
GROUP EXHIBITIONS
 
Manny Silverman Gallery, Los Angeles, Mostly Black & White, January 12–March 1, 2008 (checklist). See W602.
 
Fondation Beyeler, Basel, Switzerland, Action Painting, January 27–May 12, 2008 (catalogue). See P154, P192.
Boehm, Gottfried, Robert Fleck, Pepe Karmel, Jason Edward Kaufman, and Ulf Küster. Action Painting. Basel: Beyeler Museum AG, 2008.
 
Samuel P. Harn Museum of Art, University of Florida, Gainesville, Paradigms and the Unexpected: Modern and Contemporary Art from the Shey Collection, February 10–May 18, 2008 (catalogue). See P474, P667, P775, C157, C837.
Paradigms and the Unexpected: Modern and Contemporary Art from the Shey Collection. Essay by Budd Harris Bishop; with contributions by Dulce María Román and Kerry Oliver-Smith. Gainesville, Fla.: Samuel P. Harn Museum of Art, 2008.
 
Mount Holyoke College Art Museum, South Hadley, Mass., Side by Side—Docents’ Choice: Works on Paper, March 4–June 1, 2008. See C604.
 
Blanden Art Museum, Fort Dodge, Iowa, Casualties of War: Modern Artists and the Second World War, March 6–September 10, 2008. See P132.
 
Grey Art Gallery, New York University, New York Cool: Painting and Sculpture from the NYU Art Collection, April 22–July 19, 2008; Palmer Museum of Art, Pennsylvania State University, University Park, September 16–December 14, 2008; University of Iowa Museum of Art, Iowa City, January 17–March 15, 2009; Bowdoin College Museum of Art, Brunswick, Maine, April 17–July 19, 2009; Hunter Museum of American Art, Chattanooga, Tenn., August 23–October 25, 2009 (catalogue). See C88.
Karmel, Pepe, ed. New York Cool: Painting and Sculpture from the NYU Art Collection. Essays by Lynn Gumpert, Pepe Karmel, Alexandra Lange, and Lytle Shaw. New York: Grey Art Gallery, New York University, 2008.
 
Bernard Jacobson Gallery, London, Mixed Gallery Exhibition, May 2008 (checklist). See C504.
 
Jewish Museum, New York, Action/Abstraction: Pollock, de Kooning, and American Art, 1940–1976, May 4–September 21, 2008; Saint Louis Art Museum, October 19, 2008–January 11, 2009; Albright-Knox Art Gallery, Buffalo, February 13–June 14, 2009; the artist’s work was shown in Buffalo only (catalogue). Drawings only.
Kleeblatt, Norman L., ed. Action/Abstraction: Pollock, de Kooning, and American Art, 1940–1976. Essays by Maurice Berger, Irving Sandler, Norman L. Kleeblatt, Caroline A. Jones, Debra Bricker Balken, Douglas Dreishpoon, Charlotte Eyerman, Mark Godfrey, and Morris Dickstein. New York: Jewish Museum, in association with Yale University Press, New Haven, Conn., 2008.
 
Ameringer Yohe Fine Art, New York, Summer Selections, May 24–August 22, 2008. See P248.
 
Cameron Art Museum, Wilmington, N.C., Bearden to Ruscha: Contemporary Art from the North Carolina Museum of Art, May 25, 2008–May 24, 2009. See P1025.
 
Bernard Jacobson Gallery, London, Summer Show, summer 2008 (checklist). See P711.
 
Museum of Fine Arts, St. Petersburg, Fla., Art, Friendships, and the New York School: The Benjamin Gollay Collection, June 28–September 28, 2008. See C76.
 
Leslie Sacks Fine Art, Los Angeles, New Acquisitions: The Moderns, September 6–October 6, 2008. See C627.
 
Manny Silverman Gallery, Los Angeles, Fall Selections, September 6–October 18, 2008. See C509.
 
Haunch of Venison, New York, Abstract Expressionism: A World Elsewhere, September 12–November 12, 2008 (catalogue). See P606, C5, C169, C191. Reviewed in Smith 2008.
Anfam, David. Abstract Expressionism: A World Elsewhere. Forewords by Harry Blain, Robert Fitzpatrick, and Graham Southern. New York: Haunch of Venison, 2008.
 
Galerie Bernd Klüser, Munich, Reflections on Light: 30 Jahre Galerie Bernd Klüser/30 Years Galerie Bernd Klüser, September 16–November 15, 2008 (catalogue). See C829.
Klüser, Bernd. Reflections on Light: 30 Jahre Galerie Bernd Klüser/30 Years Galerie Bernd Klüser (text in English and German). Munich: Galerie Bernd Klüser, 2008.
 
DePaul University Art Museum, Chicago, 1968: Art and Politics in Chicago, September 18–November 23, 2008 (catalogue). See P180.
Kelly, Patricia. 1968: Art and Politics in Chicago. Interviews by Robert Cozzolino, Christopher Mack, Joanna Gardner Huggett, and Amor Kohli. Chicago: DePaul University Art Museum, 2008.
 
Musée des Beaux-Arts de Lyon, France, 1945–1949, Repartir à zéro: Comme si la peinture n’avait jamais existé, October 24, 2008–February 2, 2009 (catalogue). See P93, C2.
Chassey, Eric de, and Sylvie Ramond. 1945–1949, Repartir à zéro: Comme si la peinture n’avait jamais existé (text in French). Essays by Guiternie Maldonado, Karolina Lewandowska, Annie Claustres, Jeffrey Wechsler, Emmanuel Guigon, Jean-François Chougnet, Marek Swica, and Klaus Herding. Paris: Hazan; Lyon, France: Musée des Beaux-Arts de Lyon, 2008.
 
Rogaland Kunstmuseum, Stavanger, Norway, Traces and Spaces: Jan Groth’s Influences and Contemporaries, November 13, 2008–April 13, 2009; Henie Onstad Kunstsenter, Høvikodden, Norway, May 5–September 13, 2009 (catalogue). See P417.
Meyer, Peter S., and Jan Windsholt, eds. Traces and Spaces: Jan Groth’s Influences and Contemporaries (text in English and Danish). Essays by Peter S. Meyer, Karin Hellandsjø, Asmund Thorkildsen, and Vibece Salthe. Stavanger, Norway: Rogaland Kunstmuseum, in association with Henie Onstad Kunstsenter, Høvikodden, 2008.
 
Gana Art New York, Collector’s Eye: Modern, Pop, and Contemporary Art, November 20–December 20, 2008. See P1164.
 
Robert Miller Gallery, New York, Beyond the Canon: Small Scale American Abstraction 1945–1965, November 20, 2008–January 3, 2009 (checklist). See C746, W56, W220.
 
Arca, Chiesa di San Marco, Vercelli, Italy, Peggy Guggenheim e la nuova pittura americana, November 21, 2008–March 1, 2009 (checklist and catalogue). See P607, W37.
Barbero, Luca Massimo. Peggy Guggenheim e la nuova pittura americana (text in Italian). Vercelli, Italy: Arca, Chiesa di San Marco, 2008.
 
Hillsboro Fine Art, Dublin, Annual Christmas Exhibition, November 27–December 22, 2008. See P1131.
 
Patricia and Phillip Frost Art Museum, Florida International University, Miami, Modern Masters from the Smithsonian American Art Museum, November 29, 2008–March 1, 2009; Westmoreland Museum of American Art, Greensburg, Pa., June 14–September 6, 2009; Dayton Art Institute, Ohio, October 10, 2009–January 2, 2010; Telfair Museum of Art, Savannah, Ga., November 13, 2010–February 5, 2011; Cheekwood Botanical Garden and Museum of Art, Nashville, March 19–June 19, 2011; Reynolda House Museum of American Art, Winston-Salem, N.C., October 7, 2011–January 1, 2012 (catalogue). See P136, P194, C22, C44.
Mecklenburg, Virginia M. Modern Masters: American Abstraction at Midcentury. Contributions by Tiffany D. Farrell. Washington, D.C.: Smithsonian American Art Museum, in association with D. Giles, London, 2008.
 
2009
 
SOLO EXHIBITIONS
 
Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, Palo Alto, Calif., Robert Motherwell, May 6–November 15, 2009. See P1181, C667, C706.
 
Bernard Jacobson Gallery, London, Robert Motherwell: Open, June 17–August 28, 2009 (checklist). See P400, P412, P438, P439, P458, P532, P543, P550, P555, P567, P591, P617, P696, P711, P729, P735, P768, P801, P802, P807, P853, P987, P1068, P1107, C262, C263, W299, W356, W485. Reviewed in Glover 2009.
 
Leslie Sacks Fine Art, Los Angeles, Robert Motherwell: Prints and Unique Works on Paper, July 11–August 10, 2009. See C784.
 
Mary and Leigh Block Museum of Art, Northwestern University, Evanston, Ill., Robert Motherwell: An Attitude towards Reality, from the Collection of the Walker Art Center, September 25–December 6, 2009 (checklist). See P265, P437, P627, P1112, C66, C139, C410, C493, C507, W70, W101, W107, W518.
 
GROUP EXHIBITIONS
 
Hackett-Freedman Gallery, San Francisco, Synchronies: Undercurrents in Postwar European and American Abstraction, January 8–February 28, 2009. See P1118.
 
Manny Silverman Gallery, Los Angeles, Made in America, January 9–April 22, 2009 (checklist). See P971.
 
Bernard Jacobson Gallery, London, Gallery Mixed Show, January 13–February 5, 2009 (checklist). See P966, C638.
 
Nassau County Museum of Art, Roslyn Harbor, N.Y., Long Island Collects, January 18–March 15, 2009. See P1184, C41.
 
Morgan Library and Museum, New York, The Thaw Collection of Master Drawings: Acquisitions since 2002, January 23–May 3, 2009 (catalogue). Drawings only.
Eitel-Porter, Rhoda, Cara Dufour Denison, Isabelle Dervaux, Jennifer Tonkovich, Andaleeb Banta, Todd Magreta, and Justine Pokoik. The Thaw Collection of Master Drawings: Acquisitions since 2002. Foreword by William M. Griswold; preface by Eugene V. Thaw; introduction by Rhoda Eitel-Porter. New York: Morgan Library and Museum, 2009.
 
Espace de l’Art Concret, Centre d’Art Contemporain, Mouans-Sartoux, France, Vivre l’art: Collection Venet, January 25–May 24, 2009 (catalogue). See P804.
Avrilla, Jean-Marc, and Bernard Marcadé. Vivre l’art: Collection Venet (text in French). Mouans-Sartoux, France: Espace de l’Art Concret, Centre d’Art Contemporain, 2009.
 
Armand Bartos Fine Art, New York, 1968–69: 40 Years Later, February 18–March 21, 2009. See P444.
 
Hillsboro Fine Art, Dublin, International: 20th Century and Contemporary Masters, March 26–April 18, 2009. See P321, P1083. Reviewed in Dunne 2009.
 
Nohra Haime Gallery, New York, Layered/Boxed, March 26–May 16, 2009. See C746.
 
Bernard Jacobson Gallery, London, Gallery Mixed Show, April 1–May 2, 2009 (checklist). See P526.
 
Figge Art Museum, Davenport, Iowa, Pollock’s Mural and Modern Masterworks from the University of Iowa Museum of Art, April 19–December 31, 2009. See P851.
 
Neue Nationalgalerie, Berlin, Bilder Träume: Die Sammlung Ulla und Heiner Pietzsch, June 19–November 22, 2009 [catalogue]. See C14, C127.
 
Broadbent, London, The Seamless Garment, June 24–August 15, 2009. See C481.
 
Waddington Galleries, London, Group Show, July 1–October 14, 2009. See C503.
 
Fred, London, Collage: London/New York, August 6–September 27, 2009. See C449.
 
John Berggruen Gallery, San Francisco, Independent Visions: American Paintings, Drawings, and Sculpture, August 14–September 30, 2009. See C143.
 
Kent Gallery, New York, All in This Together: Dorothea Tanning & Friends, September 10–November 28, 2009 (catalogue). See P112.
All in This Together, New York: Kent Gallery, 2009.
 
Mildred Lane Kemper Art Museum, Washington University, Saint Louis, Chance Aesthetics, September 18, 2009–January 4, 2010 (catalogue). Drawings only.
Malone, Meredith. Chance Aesthetics. Essays by Susan Laxton and Janie Mileaf; entries by Bradley Bailey and Emily Hage. Saint Louis: Mildred Lane Kemper Art Museum, Washington University, 2009.
 
El Museo del Barrio, New York, Nexus New York: Latin/American Artists in the Modern Metropolis, October 17, 2009–February 28, 2010 (catalogue). See P8, P10.
Nexus New York: Latin/American Artists in the Modern Metropolis. New York: El Museo del Barrio; New Haven and London: Yale University Press, 2009.
 
2010
 
GROUP EXHIBITIONS
 
Jewish Museum, New York, Modern Art, Sacred Space: Motherwell, Ferber, and Gottlieb, March 14–August 1, 2010. See P114. Reviewed in Freudenheim 2010 and Rosenberg 2010.
List of Exhibitions (Part 3): 1988–2010
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