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List of Exhibitions (Part 1): 1939–1969
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Robert Motherwell: Paintings and Collages (A Catalogue Raisonné, 1941–1991)
This comprehensive list includes all exhibitions in which paintings, collages, and paintings on paper by Robert Motherwell were shown. It is organized chronologically, with solo and group exhibitions listed separately within each year. When applicable, we identify our source of information about each exhibition by stating (in parentheses) whether it was...
Author
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
PublisherYale University Press
Copyright© 2012 by The Dedalus Foundation, Inc., and Yale University
https://doi.org/10.37862/aaeportal.00105.019
Stable URL: https://aaeportal.com/?id=-18277
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List of Exhibitions (Part 1): 1939–1969
This comprehensive list includes all exhibitions in which paintings, collages, and paintings on paper by Robert Motherwell were shown. It is organized chronologically, with solo and group exhibitions listed separately within each year. When applicable, we identify our source of information about each exhibition by stating (in parentheses) whether it was accompanied by a catalogue, brochure, or checklist. If a catalogue or brochure was published in conjunction with an exhibition, its full citation immediately follows the exhibition entry; such publications are listed here and not in the Bibliography. The catalogue raisonné numbers are given for all known paintings and collages in each exhibition; but neither drawings nor prints are listed. When we could not identify a work in an exhibition, we have listed the unknown work under a descriptive title or the title given by the institution (preceded by “unidentified”) in the entry for that exhibition.
Reviews of exhibitions are cited with the author’s name and the year of publication. This abbreviated form corresponds to how we refer to publications throughout the catalogue raisonné, and allows the reader to locate the full citation in the Bibliography.
Exhibitions of works from a museum’s permanent collection are included in the List of Exhibitions, but appear in the catalogue raisonné entries only if they were accompanied by a brochure or catalogue. We have tried to be comprehensive in listing such exhibitions of works from permanent collection shows held during the early years of Motherwell’s career, but we are more selective about later instances, when his works were in the permanent collections of numerous museums.
Significant exhibitions of drawings are listed and are noted by the phrase “drawings only,” at the end of the citation. Drawings are not identified, however, in exhibitions of paintings, collages, or both. If we were unable to verify which works were included in an exhibition, the phrase “works unknown” appears at the end of the citation.
When an exhibition catalogue or brochure includes a text or statement by Motherwell, we note this in parentheses within the citation. A section of the Bibliography called “Writings by the Artist” contains a complete list of Motherwell’s published writings as well as a comprehensive selection of his unpublished writings.
In the List of Exhibitions, brackets are used to designate information about which we are not positively certain.
 
 
1939
 
SOLO EXHIBITIONS
 
Galerie Raymond Duncan, Paris, title unknown, June 1939. Works unknown (included “a small self-portrait on a wooden panel,” per letter to Meg Perlman, November 11, 1975).
 
1940
 
GROUP EXHIBITIONS
 
San Francisco Museum of Art, Fourth Annual Watercolor Exhibition of the San Francisco Art Association, February 7–March 3, 1940 (catalogue). See EW.I, EW.V.
Fourth Annual Watercolor Exhibition of the San Francisco Art Association. San Francisco: San Francisco Museum of Art, 1940.
 
Portland Art Museum, Ore., All-Oregon Exhibition: Paintings and Sculpture by Oregon Artists, May 22–June 30, 1940 (catalogue). Unidentified: 222. Figure by the Sea; 223. Landscape with Figures; 224. Souvenir de Proust.
All-Oregon Exhibition: Paintings and Sculpture by Oregon Artists. Foreword by Robert Tyler Davis. Portland, Ore.: Portland Art Museum, 1940.
 
San Francisco Museum of Art, “student work from the California School of Fine Arts,” August 6–25, 1940. Unidentified: “Nude in Landscape.”
 
1942
 
GROUP EXHIBITIONS
 
Whitlaw Reid Mansion, New York, First Papers of Surrealism, October 14–November 7, 1942 (catalogue). See P8(?), P9.
First Papers of Surrealism: Hanging by André Breton, His Twine Marcel Duchamp. Foreword by Sidney Janis; text by R. A. Parker. New York: Coordinating Council of French Relief Societies, 1942.
 
1943
 
GROUP EXHIBITIONS
 
Norlyst Gallery, New York, Adventures in Perspective, March 8–31, 1943 (checklist). See P10. Unidentified: 75. Composition. Reviewed in CUE 1943.
 
Art of This Century, New York, Exhibition of Collage, April 16–May 15, 1943. See C3.
 
Art of This Century, New York, Spring Salon for Young Artists, May 18–June 26, 1943 (checklist). See P10(?). Reviewed in Coates 1943, Connolly 1943, and Jewell 1943.
 
Baltimore Museum of Art, Selections from the May Collection, June 29–September 30, 1943. See C3. Reviewed in Baltimore Sun 1943.
 
Art of This Century, New York, Natural, Insane, Surrealist Art, December 1–31, 1943. Works unknown.
 
1944
 
SOLO EXHIBITIONS
 
Art of This Century, New York, Robert Motherwell: Paintings, Papiers Collés, Drawings, October 24–November 11, 1944 (catalogue). See P3, P11–P14, P16, C3, C4, C7, C8, C11(?), C12, C13. Unidentified: 2. Equilibrium Abstracted; 4. The Ambiguity of Experience. Reviewed in Artnews 1944, Faber 1944, Greenberg 1944b, Jewell 1944a, and Stroup 1944.
Robert Motherwell. Preface by James Johnson Sweeney. New York: Art of This Century, 1944.
 
GROUP EXHIBITIONS
 
Abstract and Surrealist Art in the United States, Cincinnati Art Museum, February 8–March 12, 1944; Denver Art Museum, March 26–April 23, 1944; Seattle Art Museum, May 10–June 4, 1944; Santa Barbara Museum of Art, Calif., July 8–23, 1944; Portland Art Museum, Ore., August 9–26, 1944; San Francisco Museum of Art, September 6–24, 1944 (catalogue). See C4.
Abstract and Surrealist Art in the United States. Introduction by Sidney Janis. San Francisco: San Francisco Museum of Art, 1944.
 
Art of This Century, New York, First Exhibition in America of, April 11–30, 1944 (checklist). See C8. Reviewed in J[ewell] 1944b and Riley 1944a.
 
Art of This Century, New York, Spring Salon for Young Artists, May 9–June 3, 1944 (checklist). See C7. Reviewed in Greenberg 1944a and Jewell 1944c.
 
Mortimer Brandt Gallery, New York, Abstract & Surrealist Art in America: Fifty Paintings by Outstanding Artists, November 29–December 30, 1944 (catalogue). See P12. Reviewed in New York Sun 1944 and R[iley] 1944b.
Abstract & Surrealist Art in America: Fifty Paintings by Outstanding Artists. New York: Mortimer Brandt Gallery, 1944.
 
67 Gallery, New York, 40 American Moderns, December 4–30, 1944 (checklist). See C12.
 
Art of This Century, New York, Christmas Suggestions, December 12, 1944–January 6, 1945. Drawings only.
 
Julien Levy Gallery, New York, The Imagery of Chess: A Group Exhibition of Paintings, Sculpture, Newly Designed Chessmen, Music and Miscellany, December 12, 1944–January 31, 1945 (catalogue). Unidentified: cat. no. 21.
The Imagery of Chess: A Group Exhibition of Paintings, Sculpture, Newly Designed Chessmen, Music and Miscellany. New York: Julien Levy Gallery, 1944.
 
1945
 
GROUP EXHIBITIONS
 
David Porter Gallery, Washington, D.C., A Painting Prophecy—1950, January 31–February 28, 1945; George Walter Vincent Smith Art Gallery, Springfield, Mass., March 28–April 18, 1945; City Art Museum of Saint Louis, May 1–30, 1945; San Francisco Museum of Art, September 9–October 7, 1945; Rochester Memorial Gallery of Art, [October 1945] (catalogue). See C8.
Personal Statement: Painting Prophecy—1950 (includes artist’s statements). Foreword by David Porter. Washington, D.C.: David Porter Gallery, 1945.
 
Museum of Modern Art, New York, Recent Acquisitions, February 14–March 18, 1945 (permanent collection exhibition; checklist). See C7.
 
Samuel M. Kootz Gallery, New York, inaugural exhibition, April 9–28, 1945; shown at a temporary space at the Feigl Gallery, New York, in conjunction with Léger: Oils, Gouaches, Drawings. Unidentified: “large canvas.” Reviewed in Artnews 1945, Gibbs 1945, Jewell 1945a, McBride 1945a, and Newsweek 1945a.
 
California Palace of the Legion of Honor, San Francisco, Contemporary American Painting, May 17–June 17, 1945 (catalogue). Unidentified: Collage. Reviewed in Frankenstein 1945.
Contemporary American Painting. Introduction by Jermayne MacAgy. San Francisco: California Palace of the Legion of Honor, 1945.
 
Museum of Modern Art, New York, The Museum Collection of Painting and Sculpture, June 20, 1945–February 13, 1946. See C7.
 
Samuel M. Kootz Gallery, New York, [group exhibition], July 17–August 1945. Works unknown. Reviewed in R[eed] 1945.
 
17th Regiment Armory, New York, The Arts and Antiques Show, September 24–30, 1945. Unidentified: “painting.” Reviewed in Loveman 1945a and Newsweek 1945b.
 
Art of This Century, New York, Autumn Salon, October 6–29, 1945. Works unknown.
 
Samuel M. Kootz Gallery, New York, Christmas Gift Show, November 26–December 22, 1945. Works unknown. Reviewed in Devree 1945.
 
Whitney Museum of American Art, New York, 1945 Annual Exhibition of Contemporary American Painting, November 27, 1945–January 10, 1946 (catalogue). See P19. Reviewed in Jewell 1945b, Loveman 1945b, and McBride 1945b.
1945 Annual Exhibition of Contemporary American Painting. New York: Whitney Museum of American Art, 1945.
 
1946
 
SOLO EXHIBITIONS
 
Samuel M. Kootz Gallery, New York, Robert Motherwell: Paintings, Collages, Drawings, January 2–19, 1946 (catalogue). See P15, P20, P23, P24, P33, P34, P46, C16, C19, C20, C23, C25. Unidentified: 1. Grey Abstraction with Mauve; 8. Figure on White; 11. Abstraction with Stripes; 18. Large Construction; 19. In Orange and Violet. Reviewed in Artnews 1946a, Coates 1946, Greenberg 1946, Jewell 1946d, McB[ride] 1946, New York Herald Tribune 1946, Stroup 1946, and Wolf 1946a.
Robert Motherwell: Paintings, Collages, Drawings. New York: Samuel M. Kootz Gallery, 1946.
 
Arts Club of Chicago, Robert Motherwell: Paintings, Collages, Drawings, February 7–27, 1946; San Francisco Museum of Art, March 26–April 14, 1946 (catalogue). See P3, P16, P19, P20, P24, P32, P33, C7, C8, C13, C16, C20, C23, C25. Unidentified: 1. Abstraction in Ochre and Red; 9. Figure in White; 11. Large Collage; 18. Figure on Yellow; 19. Black and White; 21. Drawing; 23. Drawing; 28. Landscape with Figures. Reviewed in Frankenstein 1946a, Frankenstein 1946b, and Jewett 1946.
Robert Motherwell: Paintings, Collages, Drawings. Introduction by James Johnson Sweeney. Chicago: Arts Club of Chicago, 1946.
 
GROUP EXHIBITIONS
 
Society of the Four Arts, Palm Beach, Fla., Abstract and Expressionist Paintings, January 18–February 10, 1946 (catalogue). See P11.
Abstract and Expressionist Paintings. Palm Beach, Fla.: Society of the Four Arts, 1946.
 
Pennsylvania Academy of the Fine Arts, Philadelphia, The One Hundred and Forty-first Annual Exhibition of American Painting and Sculpture, January 26–March 3, 1946 (catalogue). See P12.
The One Hundred and Forty-first Annual Exhibition of American Paintings and Sculpture. Philadelphia: Pennsylvania Academy of Fine Arts, 1946.
 
Whitney Museum of American Art, New York, 1946 Annual Exhibition of Contemporary American Sculpture, Watercolors, and Drawings, February 5–March 13, 1946 (catalogue). See C21. Reviewed in Gibbs 1946b.
1946 Annual Exhibition of Contemporary American Sculpture, Watercolors, and Drawings. New York: Whitney Museum of American Art, 1946.
 
Museum of Modern Art, New York, Recent Acquisitions in Painting and Sculpture, February 6–24, 1946 (permanent collection exhibition; checklist). See C19. Reviewed in Jewell 1946c.
 
Samuel M. Kootz Gallery, New York, The Big Top, March 4–23, 1946 (catalogue). See W7. Unidentified: Viola the Bareback Rider. Reviewed in Artnews 1946b and Jewell 1946a.
The Big Top. Introduction by Samuel M. Kootz. New York: Samuel M. Kootz Gallery, 1946.
 
Saint Paul Gallery and School of Art, Minn., Contemporary Art, Part 2: Paintings, April 3–25, 1946 (catalogue). Unidentified: Figuration.
Contemporary Art, Part 2: Paintings. Saint Paul, Minn.: Saint Paul Gallery and School of Art, 1946.
 
Samuel M. Kootz Gallery, New York, Building a Modern Collection, May 13–June 1, 1946 (catalogue). See P24. Unidentified: In the Garden; Viva (either C10 or C33). Reviewed in Wolf 1946b.
Building a Modern Collection. Introduction by Samuel M. Kootz. New York: Samuel M. Kootz Gallery, 1946.
 
Samuel M. Kootz Gallery, New York, Modern Paintings for a Country Estate, June 3–29, 1946. Works unknown. Reviewed in Devree 1946.
 
Tate Gallery, London, American Painting from the Eighteenth Century to the Present Day (organized by the National Gallery of Art, Washington, D.C.), June 14–August 5, 1946 (catalogue). See C3.
American Painting from the Eighteenth Century to the Present Day. Introduction by John Rothenstein. London: Tate Gallery, 1946.
 
Samuel M. Kootz Gallery, New York, In the Sun, September 4–28, 1946 (catalogue). See C15. Unidentified: 14. In the Sun. Reviewed in Reed 1946.
In the Sun. New York: Samuel M. Kootz Gallery, 1946.
 
Museum of Modern Art, New York, Fourteen Americans, September 10–December 8, 1946; Vassar College, Poughkeepsie, N.Y., January 5–26, 1947; Society of the Four Arts, Palm Beach, Fla., February 7–March 7, 1947; Cincinnati Modern Art Society, March 20–April 17, 1947; San Francisco Museum of Art, May 6–June 1, 1947; Louisiana State University, Baton Rouge, June 15–30, 1947; Indiana University Art Center Gallery, Bloomington, October 11–18, 1947 (catalogue). See P15, P19, P32, P34, C7, C8, C17, C19, C20, C25, W4. Reviewed in Gibbs 1946a and Tyler 1946.
Miller, Dorothy C., ed. Fourteen Americans. Entry “Robert Motherwell” (includes artist’s statements), pp. 34–38. New York: Museum of Modern Art, 1946.
 
Philadelphia Art Alliance, [group exhibition], October 1–27, 1946. Unidentified: Imaginary Landscape No. 2.
 
Samuel M. Kootz Gallery, New York, Homage to Jazz, December 3–21, 1946 (catalogue). See C6, C37(?), C38. Reviewed in Jewell 1946b.
Homage to Jazz. Introduction by Barry Ulanov. New York: Samuel M. Kootz Gallery, 1946.
 
Whitney Museum of American Art, New York, 1946 Annual Exhibition of Contemporary American Painting, December 10, 1946–January 16, 1947 (catalogue). See W4.
1946 Annual Exhibition of Contemporary American Painting. New York: Whitney Museum of American Art, 1946.
 
1947
 
SOLO EXHIBITIONS
 
Samuel M. Kootz Gallery, New York, Motherwell, April 28–May 17, 1947 (catalogue). See P36, P45–P48, P50–P53, P56, P58, C42, C47(?). Unidentified: 3. Feminine Personage; 13. Dark Figure; 15. Figure with Red. Reviewed in Artnews 1947b, Devree 1947b, Greenberg 1947, McB[ride] 1947, and W[olf] 1947.
Motherwell (includes artist’s statements). New York: Samuel Kootz Gallery, 1947.
 
GROUP EXHIBITIONS
 
Museum of Fine Arts, Houston, 55 Works of Modern Art Owned in Houston, January 12–February 3, 1947 (catalogue). See P21.
55 Works of Modern Art Owned in Houston. Houston: Museum of Fine Arts, 1947.
 
Pennsylvania Academy of the Fine Arts, Philadelphia, The One Hundred and Forty-second Annual Exhibition of Painting and Sculpture, January 26–March 2, 1947 (catalogue). See P37.
The One Hundred and Forty-second Annual Exhibition of Painting and Sculpture. Philadelphia: Pennsylvania Academy of the Fine Arts, 1947.
 
Whitney Museum of American Art, New York, 1947 Annual Exhibition of Contemporary American Sculpture, Watercolors, and Drawings, March 11–April 17, 1947 (catalogue). See C6.
1947 Annual Exhibition of Contemporary American Sculpture, Watercolors, and Drawings. New York: Whitney Museum of American Art, 1947.
 
Samuel M. Kootz Gallery, New York, 20th Century Still Life, March 17–April 5, 1947. Works unknown. Reviewed in Jewell 1947a.
 
Galerie Maeght, Paris, Introduction à la peinture moderne américaine, March 28–April 1947 (catalogue). See P36, P41, P42(?), P57, C44. Reviewed in Cahiers d’art 1947, Cassou 1947, and Citron 1947.
Introduction à la peinture moderne américaine (text in French). Essay by Harold Rosenberg. Paris: Galerie Maeght, 1947.
 
Corcoran Gallery of Art, Washington, D.C., The Twentieth Biennial Exhibition of Contemporary American Oil Paintings, March 30–May 11, 1947 (catalogue). Unidentified: 216. Figure with Red Stripes.
The Twentieth Biennial Exhibition of Contemporary American Oil Paintings. Preface by Hermann Warner Williams Jr. Washington, D.C.: Corcoran Gallery of Art, 1947.
 
Brooklyn Museum, International Water Color Exhibition: Fourteenth Biennial, April 16–June 8, 1947 (catalogue). See W2.
International Water Color Exhibition: Fourteenth Biennial. Brooklyn: Brooklyn Museum, 1947.
 
Samuel M. Kootz Gallery, New York, Season’s Highlights, June 9–[30], 1947. Works unknown.
 
University of Iowa, Iowa City, Third Summer Exhibition of Contemporary Art, June 15–July 30, 1947 (catalogue). See P46.
Third Summer Exhibition of Contemporary Art. Foreword by Lester D. Longman. Iowa City: University of Iowa, 1947.
 
Musée National d’Art Moderne, Le Salon des réalités nouvelles, July 21–August 18, 1947; may have traveled to additional venues (catalogue). See P36.
Réalités nouvelles. Paris: Comité du Salon des Réalités Nouvelles, 1947.
 
Samuel M. Kootz Gallery, New York, Women, September 8–27, 1947 (catalogue). See P64. Reviewed in Artnews 1947c, J[ewell] 1947b, and Reed 1947.
Galantière, Lewis, Paul Goodman, Clement Greenberg, Weldon Kees, Benjamin Péret, Harold Rosenberg, Jean-Paul Sartre, Barry Ulanov, Tennessee Williams, William Carlos Williams, and Victor Wolfson. Women: A Collaboration of Artists and Writers. Preface by Samuel M. Kootz; accompanying text to the artist’s work by Weldon Kees. New York: Samuel M. Kootz Editions, 1948.
 
Samuel M. Kootz Gallery, New York, 8 Paintings, September 29–October 18, 1947. See P58, P68. Reviewed in Artnews 1947a, Devree 1947a, and L[ansford] 1947.
 
Art Institute of Chicago, Abstract and Surrealist American Art: Fifty-eighth Annual Exhibition of American Paintings and Sculpture, November 6, 1947–January 11, 1948 (catalogue). See P56.
Sweet, Frederick A., and Katherine Kuh. Abstract and Surrealist American Art: Fifty-eighth Annual Exhibition of American Paintings and Sculpture. Foreword by Daniel Catton Rich. Chicago: Art Institute of Chicago, 1947.
 
California Palace of the Legion of Honor, San Francisco, 2nd Annual Exhibition of Painting, November 19, 1947–January 4, 1948 (catalogue). Unidentified: Composition.
2nd Annual Exhibition of Painting. Foreword by Thomas Carr Howe Jr.; introduction by Jermayne MacAgy. San Francisco: California Palace of the Legion of Honor, 1947.
 
Whitney Museum of American Art, New York, 1947 Annual Exhibition of Contemporary American Painting, December 6, 1947–January 25, 1948 (catalogue). See P65.
1947 Annual Exhibition of Contemporary American Painting. New York: Whitney Museum of American Art, 1947.
 
Samuel M. Kootz Gallery, New York, Water Colors, December 15–[31], 1947. Works unknown. Reviewed in Louchheim 1947.
 
1948
 
SOLO EXHIBITIONS
 
Samuel M. Kootz Gallery, New York, Paintings and Collages by Motherwell, May 10–29, 1948 (catalogue). See P64–P69, P76(?), P77, P80–P84, C45, C48–C50. Unidentified: 9. In Ochre and White; 15. Grey Woman; 17. In Brown and White; 20. Woolworth’s Worst. Reviewed in Artnews 1948, Greenberg 1948, Hunter 1948b, New York Sun 1948, and W[olf] 1948.
Paintings and Collages by Motherwell. New York: Samuel M. Kootz Gallery, 1948.
 
GROUP EXHIBITIONS
 
Whitney Museum of American Art, New York, 1948 Annual Exhibition of Contemporary American Sculpture, Watercolors, and Drawings, January 31–March 21, 1948 (catalogue). Unidentified: 123. Nude.
1948 Annual Exhibition of Contemporary American Sculpture, Watercolors, and Drawings. New York: Whitney Museum of American Art, 1948.
 
Abstract and Surrealist American Art (organized by the Art Institute of Chicago; circulated by the American Federation of Arts, Washington, D.C.), Kalamazoo Art Center, Mich., February 1–22, 1948; J. B. Speed Art Museum, Louisville, Ky., March 7–28, 1948; Cincinnati Modern Art Society, Cincinnati Art Museum, April 11–May 2, 1948; San Francisco Museum of Art, May 17–June 6, 1948; Modern Institute of Art, Beverly Hills, Calif., June [16]–July 11, 1948; Dallas Museum of Fine Arts, July 25–August 15, 1948; Cranbrook Academy of Art Museum, Bloomfield Hills, Mich., September 1–26, 1948; Baltimore Museum of Art, October 6–27, 1948; Vassar College Art Gallery, Poughkeepsie, N.Y., November 9–30, 1948; Isaac Delgado Museum of Art, New Orleans, December 15, 1948–January 8, 1949; selected works from the exhibition shown at Art Institute of Chicago, 1948 (see separate entry) [venue catalogues]. See P56.
Abstract and Surrealist American Art. Bloomfield Hills, Mich.: Cranbrook Academy of Art Museum, 1948.
 
Museo de Bellas Artes, Caracas, Venezuela, Exposicion Panamericana de Pintura Moderna, February 15–March 1, 1948 (catalogue). See C19.
Sicre, José Gómez, ed. Exposicion Panamericana de Pintura Moderna (text in Spanish). Caracas, Venezuela: Museo de Bellas Artes, 1948.
 
Columbia University Bookstore, New York, [group exhibition], March 1948. Works unknown.
 
Samuel M. Kootz Gallery, New York, Third Anniversary, March 20–April 17, 1948 (catalogue). See P67. Reviewed in Hunter 1948a.
Third Anniversary. New York: Samuel M. Kootz Gallery, 1948.
 
Whitney Museum of American Art, New York, 117 Oil and Water Color Originals by Leading American Artists, May 21–June 18, 1948; exhibition and sale of works from the collection of the War Assets Administration (catalogue). Drawings only.
Catalog of 117 Oil and Water Color Originals by Leading American Artists. New York: War Assets Administration, 1948.
 
Palazzo Centrale, Venice, XXIV Biennale di Venezia: La Collezione Peggy Guggenheim, May 29–September 30, 1948; Palazzo Strozzi, Florence, February 19–March 10, 1949; Palazzo Reale, Milan, June–July 1949 [venue catalogues]. See C8.
Argan, G. C., “La Collezione Peggy Guggenheim.” In XXIV Biennale di Venezia (text in Italian). Venice: Edizioni Serenissima, 1948.
 
University of Iowa, Iowa City, Fourth Summer Exhibition of Contemporary Art, June–July 1948 (catalogue). See P45.
Fourth Summer Exhibition of Contemporary Art. Foreword by Lester D. Longman. Iowa City: University of Iowa, 1948.
 
Des Moines Art Center, Inaugural Exhibition of European and American Painting, Sculpture, Drawings, Prints, and Ceramics, June 2–September 1, 1948 (catalogue). See P19.
Inaugural Exhibition of European and American Painting, Sculpture, Drawings, Prints, and Ceramics. Des Moines: Des Moines Art Center, 1948.
 
Museum of Modern Art, New York, Collage, September 21–December 5, 1948. See C7.
 
California Palace of the Legion of Honor, San Francisco, 3rd Annual Exhibition of Painting, December 1, 1948–January 16, 1949 (catalogue). See C41.
3rd Annual Exhibition of Painting. Foreword by Thomas Carr Howe Jr.; introduction by Jermayne MacAgy. San Francisco: California Palace of the Legion of Honor, 1948.
 
Jewish Museum, New York, American Artists for Israel, December 21, 1948–January 30, 1949 (catalogue). See P46. Reviewed in Devree 1948.
American Artists for Israel. Foreword by Elias Newman. New York: Jewish Museum, 1948.
 
Museum of Modern Art, New York, American Paintings from the Museum Collection, December 22, 1948–March 20, 1949 (permanent collection exhibition; checklist). See C7. Reviewed in Devree 1948.
 
1949
 
SOLO EXHIBITIONS
 
Samuel M. Kootz Gallery, New York, Robert Motherwell Collages, 1943–49, October 4–22, 1949 (catalogue). See C1, C15, C19, C20, C41, C42, C44, C46, C48, C49, C52, C53. Reviewed in Devree 1949, G. 1949, and S[harp] 1949.
Robert Motherwell Collages, 1943–49 (includes artist’s statements). Introduction by Marianne Moore. New York: Samuel M. Kootz Gallery, 1949.
 
GROUP EXHIBITIONS
 
Architecture Building, College of Fine and Applied Arts, Urbana, Ill., University of Illinois Exhibition of Contemporary American Painting, February 27–April 3, 1949 (catalogue). See P81.
Weller, Allen Stuart. University of Illinois Exhibition of Contemporary American Painting. Introduction by Rexford Newcomb. Urbana: University of Illinois Press, 1949.
 
Modern Art: Paintings, Sculpture, Drawings; And a Group of Contemporary Manuscripts, previewed at Laurel Gallery, New York, March 1–10, 1949; exhibition and sale of works at the Kende Galleries, New York, March 12–18, 1949 (sale to benefit the International Rescue, Inc.; auction catalogue). Unidentified: European Elegy.
Modern Art: Paintings, Sculpture, Drawings; And a Group of Contemporary Manuscripts. New York: Laurel Gallery, in association with the Kende Galleries, 1949.
 
Whitney Museum of American Art, New York, 1949 Annual Exhibition of Contemporary American Sculpture, Watercolors, and Drawings, April 2–May 8, 1949 (catalogue). See C53.
1949 Annual Exhibition of Contemporary American Sculpture, Watercolors, and Drawings. New York: Whitney Museum of American Art, 1949.
 
John and Mable Ringling Museum of Art, Sarasota, Fla., American Painting: 3 Centuries, April 3–24, 1949 (catalogue). Unidentified: Black and White.
American Painting: 3 Centuries. Sarasota, Fla.: John and Mable Ringling Museum of Art, 1949.
 
Gallery 200, Provincetown, Mass., Forum 49, July 3–16, 1949. See W10. Reviewed in De Kooning 1949 and Provincetown Advocate 1949.
 
American Paintings from the Modern Collection (circulated by the Museum of Modern Art, New York), September 1949–June 1952 (venues and dates unknown). See C7.
 
Samuel M. Kootz Gallery, New York, The Intrasubjectives, September 14–October 3, 1949 (catalogue). See P87. Reviewed in Preston 1949 and De Ezcurra ca. 1949.
The Intrasubjectives. Introduction by Harold Rosenberg and Samuel M. Kootz. New York: Samuel M. Kootz Gallery, 1949.
 
Art Center School Galleries, Los Angeles, [group exhibition], October 24–November 4, 1949. See P53. Reviewed in Millier 1949.
 
Samuel M. Kootz Gallery, New York, The Birds & the Beasts, October 25–November 12, 1949. Unidentified: Bird. Reviewed in R[eed] 1949.
 
Museum of Modern Art, New York, Recent Acquisitions, October 25, 1949–January 22, 1950 (permanent collection exhibition; checklist). See P82. Reviewed in Burrows 1949.
 
Whitney Museum of American Art, New York, 1949 Annual Exhibition of Contemporary American Painting, December 16, 1949–February 5, 1950 (catalogue). See P88.
1949 Annual Exhibition of Contemporary American Painting. New York: Whitney Museum of American Art, 1949.
 
Samuel M. Kootz Gallery, New York, Extremes in Scale, December 27, 1949–[first week of January 1950]. Works unknown. Reviewed in Preston 1950d.
 
1950
 
SOLO EXHIBITIONS
 
Samuel M. Kootz Gallery, New York, Motherwell: First Exhibition of Paintings in Three Years, November 14–December 4, 1950; it is uncertain which works were included in the exhibition, according to the catalogue the works listed “represent a complete catalogue of the paintings done in 1949 and 1950.… The present exhibition is a selection from these titles” (catalogue). See P86–P88, P90–P94, P96, P101–P105, P107–P112, C52, C53, W9(?), W10. Unidentified: 8A. Catalonia; 9A. Spanish Drum Roll; 10A. “Little” Spanish Drum Roll; 2B. Brown Still Life; 8B. Victoria; 9B. Interior; 11B. Sienna and White; 14B. Still Life with Yellow and White. Reviewed in K[rasne] 1950b, McBride 1950, and Preston 1950b.
Motherwell: First Exhibition of Paintings in Three Years (includes artist’s statements). New York: Samuel M. Kootz Gallery, 1950.
 
GROUP EXHIBITIONS
 
Student Center, Washington University in Saint Louis, American Abstract Art, January 4–25, 1950. Works unknown. Reviewed in Edwards 1950.
 
Akron Art Institute, Ohio, The Variety in Artistic Production. January 15–February 15, 1950. See P76.
 
Frank Perls Gallery, Beverly Hills, Calif., [inaugural group exhibition], January 24–[March 1], 1950. Works unknown. Reviewed in Los Angeles Times 1950.
 
Museum of Modern Art, New York, Recent Acquisitions to the Museum Collection, January 31–May 7, 1950 (permanent collection exhibition; checklist). See P47. Reviewed in Burrows 1950b and Devree 1950b.
 
Detroit Institute of Arts, Little Show of Works in Progress, February 20–March 24, 1950 (catalogue). See C45, C48.
Little Show of Works in Progress. Detroit: Detroit Institute of Arts, 1950.
 
Architecture Building, College of Fine and Applied Arts, Urbana, Ill., University of Illinois Exhibition of Contemporary American Painting, February 26–April 2, 1950 (catalogue). See C20.
University of Illinois Exhibition of Contemporary American Painting. Introduction by Rexford Newcomb; essay by Allen S. Weller. Urbana: University of Illinois Press, 1950.
 
Samuel M. Kootz Gallery, New York, Black or White: Paintings by European and American Artists, February 28–March 20, 1950 (catalogue). See P86. Reviewed in Coates 1950, Devree 1950a, H[ess] 1950a, and S[harp] 1950.
Black or White: Paintings by European and American Artists. Introduction by Robert Motherwell. New York: Samuel M. Kootz Gallery, 1950.
 
San Francisco Museum of Art, Modern American Painting, March 15–April 16, 1950. See C7.
 
Metropolitan Museum of Art, New York, Young American Artists, March 24–April 30, 1950 (checklist). Unidentified: “collage.” Reviewed in Genauer 1950a and New York Herald Tribune 1950a.
 
Baldwin Kingrey, Chicago, [group exhibition], [April] 1950. Works unknown. Reviewed in Jewett 1950.
 
Des Moines Art Center, Contemporary American Painters, 1940–50, April 3–30, 1950 (checklist). See C44.
 
Watkins Gallery, American University, Washington, D.C., Objective and Non-Objective, April 16–May 5, 1950 (checklist). See P79.
 
Perspectives Gallery, New York, Magic, April 20–May 20, 1950. Works unknown.
 
Virginia Museum of Fine Arts, Richmond, American Painting, 1950, April 22–June 4, 1950 (catalogue). See P64.
Sweeney, James Johnson. American Painting, 1950. Foreword by Leslie Cheek Jr. Richmond: Virginia Museum of Fine Arts, 1950.
 
Art Institute of Chicago, 10th Annual Society for Contemporary American Art Exhibition, May 16–June 4, 1950 (checklist). Unidentified: Composition.
 
Toledo Museum of Art, Ohio, 37th Annual Exhibition: Contemporary American Paintings, June 1–August 31, 1950 (catalogue). See P67.
37th Annual Exhibition of Contemporary American Paintings. Toledo, Ohio: Toledo Museum of Art, 1950.
 
Samuel M. Kootz Gallery, New York, Something Old Something New, June 6–30, 1950. See P68, P94. Reviewed in B[reuning] 1950b, Burrows 1950a, and Devree 1950c.
 
University of Michigan, Ann Arbor, Contemporary Visual Arts: Postwar American Painting, June 28–August 28, 1950 (checklist). Unidentified: Bird.
 
Guild Hall, East Hampton, N.Y., 10 East Hampton Abstractionists, July 1–20, 1950. Works unknown.
 
Samuel M. Kootz Gallery, New York, [group exhibition], [August] 1950. Unidentified: “collage.” Reviewed in G[enauer] 1950b.
 
Hawthorne Memorial Gallery, Provincetown Art Association, Mass., Post-Abstract Painting 1950: France and America, August 6–September 4, 1950 (checklist). Unidentified: 8. Personage. Reviewed in Preston 1950c.
 
Samuel M. Kootz Gallery, New York, Looking Ahead, [September]–October [1], 1950. See P87. Unidentified: Still Life. Reviewed in B[reuning] 1950a, Burrows 1950c, and Preston 1950a.
 
Argent Gallery, New York, America Paints: 2nd Exhibition, September 18–30, 1950. Unidentified: “collage.” Reviewed in P[reston] 1950e.
 
American Painting, 1951: The Twelfth Annual Southeastern Circuit Exhibition of Contemporary Painting, Columbia Museum of Art, S.C., October 1–22, 1950; Friends of Contemporary Art, Miami, October 29–November 19, 1950; Norton Gallery and School of Art, West Palm Beach, Fla., November 26–December 17, 1950; Key West Art and Historical Society, Fla., December 28, 1950–January 14, 1951; Morse Gallery of Art, Rollins College, Winter Park, Fla., January 21–February 11, 1951; Florida Gulf Coast Art Center, Clearwater Museum of Art, Fla., February 13–March 11, 1951; High Museum of Art, Atlanta, March 18–April 8, 1951; Department of Art, University of Alabama, April 15–May 5, 1951; Isaac Delgado Museum of Art, New Orleans, May 13–June 1, 1951; Akron Art Institute, Ohio, June–July 25, 1951 (checklist). See W4.
 
Samuel M. Kootz Gallery, New York, The Muralist and the Modern Architect, October 3–23, 1950 (catalogue). See P102. Reviewed in Brian 1950, H[ess] 1950b, and Louchheim 1950.
Johnson, Philip, Marcel Breuer, Frederick Kiesler, Paul Lester Wiener, Jose Luis Sert, and John Harkness. The Muralist and the Modern Architect. New York: Samuel M. Kootz Gallery, 1950.
 
Walker Art Center, Minneapolis, Contemporary American Painting: 5th Biennial Purchase Exhibition, October 15–December 10, 1950 (catalogue). Unidentified: 79. Still Life.
Contemporary American Painting: 5th Biennial Purchase Exhibition. Minneapolis: Walker Art Center, 1950.
 
J. B. Speed Art Museum, Louisville, Ky., Drawings and Sculpture by Members of the Drawings and Sculpture Panels, October 26–28, 1950; shown in conjunction with the Midwestern College Art Conference (College Art Association) at the Allen R. Hite Art Institute, University of Louisville, Ky., October 26–28, 1950 (conference program). Works unknown.
 
Architectural League, New York, [group exhibition], October 30–November 11, 1950. See P102.
 
Whitney Museum of American Art, New York, 1950 Annual Exhibition of Contemporary American Painting, November 10–December 31, 1950 (catalogue). See P87.
1950 Annual Exhibition of Contemporary American Painting. Foreword by Herman More. New York: Whitney Museum of American Art, 1950.
 
California Palace of the Legion of Honor, San Francisco, 4th Annual Exhibition of Contemporary Painting, November 25, 1950–January 1, 1951 (catalogue). See P88.
4th Annual Exhibition of Contemporary Painting. Introduction by Thomas Howe Carr Jr., Jermayne MacAgy, and Frederick S. Bartlett. San Francisco: California Palace of the Legion of Honor, 1950.
 
1951
 
GROUP EXHIBITIONS
 
Milwaukee Art Institute, [“loan from the Whitney Museum of American Art”], January 4–February 15, 1951. See P65.
 
Frank Perls Gallery, Beverly Hills, Calif., Seventeen Modern American Painters, January 11–February 7, 1951; Santa Barbara Museum of Art, Calif., March 1–19, 1951 (catalogue). See P88. Reviewed in Millier 1951 and Sorzano 1951.
School of New York. Preface, “The School of New York,” by Robert Motherwell. Beverly Hills, Calif.: Frank Perls Gallery, 1951.
 
Stedelijk Museum, Amsterdam, Surréalisme + abstraction, January 19–February 26, 1951; Palais des Beaux-Arts, Brussels, March 5–28, 1951; Kunsthaus Zürich, April 14–May 1951 [venue catalogues]. See C8.
Surréalisme + abstraction: Choix de la collection; keuze uit de verzameling Peggy Guggenheim (text in French and Dutch). Amsterdam: Stedelijk Museum; Brussels: Palais des Beaux-Arts, 1951.
 
Pennsylvania Academy of the Fine Arts, Philadelphia, The One Hundred and Forty-sixth Annual Exhibition of Painting and Sculpture, January 21–February 25, 1951 (catalogue). See P64.
The One Hundred and Forty-sixth Annual Exhibition of Painting and Sculpture. Foreword by Joseph T. Fraser Jr. Philadelphia: Pennsylvania Academy of Fine Arts, 1951.
 
Museum of Modern Art, New York, Abstract Painting and Sculpture in America, January 23–March 25, 1951; Dallas Museum of Fine Arts, October 1–22, 1951; Saint Paul Gallery and School of Art, Minn., November 5–26, 1951; Winnipeg Art Gallery, Del., December 10–31, 1951; Toledo Museum of Art, Ohio, January 14–28, 1952; J. B. Speed Art Museum, Louisville, Ky., February 18–March 10, 1952; Southern Illinois University, Carbondale, March 24–April 14, 1952 (catalogue). See P47, P82. Reviewed in Time 1951a.
Carnduff, Andrew Ritchie. Abstract Painting and Sculpture in America. New York: Museum of Modern Art, 1951.
 
College of Fine and Applied Arts, Urbana, Ill., University of Illinois Exhibition of Contemporary American Painting, March 4–April 15, 1951 (catalogue). See P111.
University of Illinois Exhibition of Contemporary American Painting. Introduction by Allen Stuart Weller. Urbana: University of Illinois Press, 1951.
 
University Galleries, University of Nebraska, Lincoln, Nebraska Art Association Sixty-first Annual Exhibition, March 4–April 1, 1951 (catalogue). See P110.
Nebraska Art Association Sixty-first Annual Exhibition. Foreword by Duard W. Laging. Lincoln: University Galleries, University of Nebraska, 1951.
 
Samuel M. Kootz Gallery, New York, Male + Female, March 6–26, 1951. See P57. Unidentified: “Male.” Reviewed in H[olliday] 1951 and P[reston] 1951a.
 
Whitney Museum of American Art, New York, 1951 Annual Exhibition of Contemporary American Sculpture, Watercolors, and Drawings, March 17–May 6, 1951 (catalogue). Works unknown.
1951 Annual Exhibition of Contemporary American Sculpture, Watercolors, and Drawings. Foreword by Herman More. New York: Whitney Museum of American Art, 1951.
 
Samuel M. Kootz Gallery, New York, 5 x 6, March 28–April 14, 1951. See P113. Reviewed in Preston 1951b.
 
Art Institute of Chicago, 11th Annual Society for Contemporary American Art Exhibition, April 10–May 6, 1951 (checklist). See P101.
 
Indiana University Art Center, Bloomington, Contemporary Painting and Sculpture, May 1–21, 1951 (catalogue). See P57.
Contemporary Painting and Sculpture. Bloomington: Indiana University Art Center, 1951.
 
Samuel M. Kootz Gallery, New York, The Intimate Media: Watercolors, Drawings, Oils on Paper, Collages, Pastels, May 8–June 2, 1951. See C57. Reviewed in B[reuning] 1951 and G[oodnough] 1951.
 
Brooklyn Museum, International Water Color Exhibition: Sixteenth Biennial, May 9–June 24, 1951 (catalogue). Unidentified: 187. Figure.
International Water Color Exhibition: Sixteenth Biennial. Brooklyn: Brooklyn Museum; Brooklyn Institute of Arts and Sciences, 1951.
 
60 East Ninth Street, New York, Ninth Street Show, May 21–June 10, 1951. See C55(?).
 
Los Angeles County Museum, Contemporary Painting in the United States: 1951 Annual Exhibition, June 2–July 22, 1951 (catalogue). See P96.
Contemporary Painting in the United States: 1951 Annual Exhibition. Introduction by James B. Byrnes. Los Angeles: Los Angeles County Museum, 1951.
 
Samuel M. Kootz Gallery, New York, Resumé of the 1950–51 Season, June 4–29, 1951 (catalogue). See P101, P103, P105. Reviewed in Burrows 1951a and Devree 1951c.
Resumé of the 1950–51 Season. New York: Samuel M. Kootz Gallery, 1951.
 
University Gallery, University of Minnesota, Minneapolis, 40 American Painters, 1940–1950, June 4–August 30, 1951 (catalogue). See P57, C11.
40 American Painters, 1940–1950 (includes artist’s statements). Preface by H. H. Arnason. Minneapolis: University Gallery, University of Minnesota, 1951.
 
Museum of Modern Art, New York, Selections from Five New York Private Collections, June 26–September 9, 1951 (checklist). See P87. Reviewed in Genauer 1951a.
 
Duxbury Town Hall, Mass., [group exhibition], July 12–August 21, 1951. See C49.
 
Amerikanische Malerei: Werden und Gegenwart (circulated by the American Federation of Arts for Berliner Festwochen 1951), Rathaus Schöneberg, Berlin, September 20–October 5, 1951; Schloss Charlottenburg, Berlin, October 10–24, 1951; Galerie des Amerika Hauses, Munich, November 24–December 14, 1951 (venue catalogues). See P65, C52.
Amerikanische Malerei: Werden und Gegenwart (text in German). Introduction by Joachim Tiburtius. Berlin: Rathaus Schöneberg; Schloss Charlottenburg, 1951.
Amerikanische Malerei (text in German). Munich: Galerie des Amerika Hauses, 1951.
 
Samuel M. Kootz Gallery, New York, Art for a Synagogue, October 3–20, 1951 (catalogue). See P114. Reviewed in Chanin 1951, Louchheim 1951b, R[eed] 1951, and Reiss 1951.
Art for a Synagogue. Introduction by Samuel M. Kootz. New York: Samuel M. Kootz Gallery, 1951.
 
Watercolors by Artists of the United States (circulated by the Virginia Museum of Fine Arts, Richmond), Chatham Hall, Va., October 8–21, 1951; College of William and Mary, Williamsburg, Va., November 5–21, 1951; Arlington County Public Schools, Va., December 3–14, 1951; Winchester American Association of University Women, Handley School, Va., January 14–27, 1952; Mary Baldwin College, Staunton, Va., February 4–14, 1952; Richmond Public Schools, Va., February 25–March 3, 1952, and March 10–31, 1952; Mary Washington College, Fredericksburg, Va., April 21–May 5, 1952; National Cathedral School, Washington, D.C., May 12–25, 1952. Drawings only.
 
Art Institute of Chicago, 60th Annual American Exhibition: Paintings and Sculpture, October 25–December 16, 1951 (catalogue). See P109.
60th Annual American Exhibition: Paintings and Sculpture. Chicago: Art Institute of Chicago, 1951.
 
Busch-Reisinger Museum, Harvard University, Cambridge, Mass., Harvard Art Association, November 2–24, 1951. See C21.
 
Whitney Museum of American Art, New York, 1951 Annual Exhibition of Contemporary American Painting, November 8, 1951–January 6, 1952 (catalogue). See P105. Reviewed in Devree 1951b and Farber 1951.
1951 Annual Exhibition of Contemporary American Painting. Foreword by Herman More. New York: Whitney Museum of American Art, 1951.
 
City Art Museum of Saint Louis, Contemporary American Painting, November 12–December 10, 1951 (catalogue). See P86. Reviewed in Condon [1951].
Contemporary American Painting. Foreword by H. Stewart Leonard. Saint Louis: City Art Museum of Saint Louis, 1951.
 
Brooklyn Museum, Revolution and Tradition: An Exhibition of the Chief Movements in American Painting from 1900 to the Present, November 15, 1951–January 6, 1952 (catalogue). See P96. Reviewed in Coates 1951a.
Baur, John I. H. Revolution and Tradition: An Exhibition of the Chief Movements in American Painting from 1900 to the Present. Brooklyn: Brooklyn Museum; Brooklyn Institute of Arts and Sciences, 1951.
 
Samuel M. Kootz Gallery, New York, Review of 1951, December 1951–January 5, 1952. Works unknown. Reviewed in B[oswell] 1952.
 
New Gallery, Charles Hayden Memorial Library, Massachusetts Institute of Technology, Cambridge, Contemporary American Painting, December 11, 1951–January 9, 1952; selected works shown at the College of Fine and Applied Arts, Urbana, Ill., 1951 (see separate entry). See P111. Reviewed in Tech 1951.
 
American Vanguard Art for Paris Exhibitions (organized by Sidney Janis Gallery, New York, for the Galerie de France, Paris; circulated by the American Federation of Arts, New York), Sidney Janis Gallery, New York, December 26, 1951–January 5, 1952; Galerie de France, Paris, February 26–March 15, 1952; Los Angeles County Museum, August 3–24, 1952; San Francisco Museum of Art, September 9–October 5, 1952; Stanford University Art Gallery, Palo Alto, Calif., November 16–December 7, 1952; University of British Columbia, Vancouver, January 1–25, 1953; Vancouver Art Gallery, January 27–February 8, 1953; State College of Washington, Pullman, March 1–22, 1953; University of Washington, Seattle, April 12–May 3, 1953; Columbus Museum of Arts and Crafts, Ga., June 13–July 4, 1953; Miami Beach Public Library and Art Center, July 20–August 6, 1953 (catalogue). See P101.
 
Reviewed in Burrows 1951b, Coates 1951b, Devree 1951a, Fitzsimmons 1952a, and L. 1951.
Regards sur la peinture américaine (text in French; includes artist’s statements). Paris: Galerie de France, 1952.
 
1952
 
SOLO EXHIBITIONS
 
Library Rotunda, University of Louisville, Ky., [Drawings by Robert Motherwell], February 11, 1952–end of February. Works unknown. Reviewed in Bier 1952a.
 
Samuel M. Kootz Gallery, New York, Robert Motherwell: Paintings, Drawings, and Collages, April 1–19, 1952 (catalogue). See P85, P116, P117, P121, P124, P128–P134, P136, P137, C54, C55, W12, W14. Reviewed in Burrows 1952b, Faison 1952b, Fitzsimmons 1952b, H[ess] 1952, and Preston 1952b.
Robert Motherwell: Paintings, Drawings, and Collages. New York: Samuel M. Kootz Gallery, 1952.
 
Allen Memorial Art Museum, Oberlin College, Ohio, Paintings by Robert Motherwell, April 15–May 12, 1952 (checklist published in Allen Memorial Art Museum Bulletin 1952). See P16, P57, P87, P88, P91, P94, P95(?), P102, P125, C11, C46, C52, W10. Reviewed in Waters 1952.
 
GROUP EXHIBITIONS
 
Art Center, Indiana University, Bloomington, Movements and Countermovements in Contemporary American Art, January 7–[28], 1952. Works unknown. Reviewed in Indiana Daily Student 1952.
 
California Palace of the Legion of Honor, San Francisco, 5th Annual Exhibition of Contemporary Painting, January 24–March 2, 1952 (catalogue). Unidentified: Black Painting.
5th Annual Exhibition of Contemporary Painting. Foreword by Thomas Carr Howe Jr. San Francisco: California Palace of the Legion of Honor, 1952.
 
College of Fine and Applied Arts, Urbana, Ill., University of Illinois Exhibition of Contemporary American Painting, March 2–April 13, 1952 (catalogue). See P105.
Contemporary American Painting. Introduction by Allen Stuart Weller. Urbana: University of Illinois Press, 1952.
 
Furniture Gallery, John Wanamaker’s department store, Great Neck, N.Y., Living with Art Exhibit, March 9–22, 1952 (checklist). See C41.
 
Whitney Museum of American Art, New York, 1952 Annual Exhibition of Contemporary American Sculpture, Watercolors, and Drawings, March 13–May 4, 1952 (catalogue). Works unknown. Reviewed in Faison 1952a.
1952 Annual Exhibition of Contemporary American Sculpture, Watercolors, and Drawings. New York: Whitney Museum of American Art, 1952.
 
Phillips Collection, Washington, D.C., Painters of Expressionistic Abstractions, March 16–April 29, 1952 (checklist). See C48.
 
City Art Museum of Saint Louis, St. Louis Collects: An Exhibition Selected from Private Collections, April 7–May 5, 1952 (catalogue). See C19.
St. Louis Collects: An Exhibition Selected from Private Collections. Foreword by Perry Townsend Rathbone. Saint Louis: City Art Museum of Saint Louis, 1952. Exhibition catalogue doubled as the Bulletin of the City Art Museum of Saint Louis 37, nos. 2 and 3 (1952).
 
Samuel M. Kootz Gallery, New York, 7 Invited to South America, April 22–May 17, 1952; Museu de Arte Moderna do Rio de Janeiro, June 15, 1952 (end date unknown); Instituto de Arte Moderna, Buenos Aires, [September] 1952. See P57, P125. Reviewed in P[reston] 1952a.
 
Art Institute of Chicago, 12th Annual Society for Contemporary American Art Exhibition, May 6–June 8, 1952. See P103.
 
Cincinnati Art Museum, Purchase Exhibition: Modern Painting and Drawing, April 29–May 26, 1952 (catalogue). See P85, P96, P105.
Purchase Exhibition. Cincinnati: Cincinnati Art Museum, 1952.
 
Samuel M. Kootz Gallery, New York, French and American Paintings and Sculpture, May 6–31, 1952. Works unknown. Reviewed in L[a] F[arge] 1952.
 
Randolph-Macon Woman’s College, Lynchburg, Va., The Forty-first Annual Exhibition: American Paintings, May 11–June 9, 1952 (checklist). See C32.
 
J. B. Speed Art Museum, Louisville, Ky., 60th Annual American Exhibition (circulated by the American Federation of Arts, New York), May 16–June 8, 1952; selected works shown at the Art Institute of Chicago, October 1951 (see separate entry; checklist). See P109. Reviewed in Bier 1952a and Bier 1952b.
 
Frank Perls Gallery, Beverly Hills, Calif., [group exhibition], July [21]–August 16, 1952. Works unknown. Reviewed in M[illier] 1952.
 
Guild Hall, East Hampton, N.Y., Fourth Annual Invitation Exhibition by Regional Artists, July 24–August 12, 1952. See C52. Reviewed in East Hampton Star 1952.
 
The Versatile Medium (circulated by the Museum of Modern Art, New York), Pennsylvania State College, September 10–October 1, 1952; Wellesley College, Mass., October 15–November 5, 1952; Vassar College, Poughkeepsie, N.Y., November 19–December 10, 1952; Binghamton Museum of Fine Arts, N.Y., December 24, 1952–January 14, 1953; University of New Hampshire, Durham, January 28–February 18, 1953; Skidmore College, Saratoga Springs, N.Y., March 4–25, 1953; Currier Gallery of Art, Manchester, N.H., April 8–29, 1953; Lawrence Art Museum, Williams College, Williamstown, Mass., May 13–June 3, 1953; Parrish Memorial Art Museum, Southampton, N.Y., June 20–July 19, 1953; to additional venues without the artist’s work (checklist). See C7.
 
Arts and Industries Building, Iowa State Teachers College, Cedar Falls, [group exhibition], October 6–10, 1952. See P132.
 
Carnegie Institute, Pittsburgh, The 1952 Pittsburgh International Exhibition of Contemporary Painting, October 16–November 14, 1952; California Palace of the Legion of Honor, San Francisco, February 1–March 1, 1953 (catalogue). See P131. Reviewed in Frankenstein 1953, Kantner 1952a, and Krasne 1952.
The 1952 Pittsburgh International Exhibition of Painting and Sculpture. Foreword by Gordon Washburn. Pittsburgh: Department of Fine Arts, Carnegie Institute, 1952.
 
Municipal Art Center, Long Beach, Calif., Contemporary American Painting, October 26–November 30, 1952. Works unknown. Reviewed in Ward 1952.
 
Whitney Museum of American Art, New York, 1952 Annual Exhibition of Contemporary American Painting, November 6, 1952–January 4, 1953 (catalogue). See P117.
1952 Annual Exhibition of Contemporary American Painting. Foreword by Herman More. New York: Whitney Museum of American Art, 1952.
 
Worcester Art Museum, Mass., Painters’ Choice: An Exhibition of Contemporary American Pictures Selected by Their Makers, November 6–December 14, 1952 (catalogue). See P121.
Painters’ Choice: An Exhibition of Contemporary American Pictures Selected by Their Makers. Worcester, Mass.: Worcester Art Museum, 1952.
 
Samuel M. Kootz Gallery, New York, The Kootz Review of 1952, November 25–December 23, 1952. See P136. Reviewed in Burrows 1952a, Devree 1952, and R[itter] 1952.
 
Paul Kantor Gallery, Beverly Hills, Calif., Watercolors and Drawings by William Baziotes, Adolph Gottlieb, Hans Hofmann, and Robert Motherwell, December 8, 1952–January 7, 1953. Works unknown. Reviewed in M[illier] 1953.
 
1953
 
SOLO EXHIBITIONS
 
Samuel M. Kootz Gallery, New York, Robert Motherwell, April 6–25, 1953. See P138, P139, P141–P143, P145, P148, P149, C58, C59, C61, C68, W17, W87. Unidentified: The Turtle Doves; La Danse IV. Reviewed in C[ampbell] 1953, Faison 1953, F[itzsimmons] 1953b, and Preston 1953.
 
Kootz Gallery, Provincetown, Mass., [Robert Motherwell], July 18–31, 1953. See P144, C59.
 
GROUP EXHIBITIONS
 
Stable Gallery, New York, Second Annual Exhibition of Painting and Sculpture, January 11–[February 7], 1953 (catalogue). Works unknown.
Second Annual Exhibition of Painting and Sculpture. Introduction by Clement Greenberg. New York: Stable Gallery, 1953.
 
Arts Club of Chicago, Adolph Gottlieb, Robert Motherwell, William Baziotes, Hans Hofmann, January 14–Febuary 4, 1953; Walker Art Center, Minneapolis, Four Abstract Expressionists, February 15–March 15, 1953 (brochure). See P85, P88, P91, P130, P136, P137, C42, C46. Reviewed in Jewett 1953.
Adolph Gottlieb, Robert Motherwell, William Baziotes, Hans Hofmann. Chicago: Arts Club of Chicago, 1953.
 
Museu de Arte Moderna do Rio de Janeiro, Exposição Permanente, January 15–April 17, 1953 (permanent collection exhibition; catalogue). See P99.
Exposição permanente: catálogo (text in Portuguese). Introduction by Flavio de Aquino. Rio de Janeiro: Museu de Arte Moderna, 1953.
 
Memorial Hall, Hofstra College, Hempstead, N.Y., Contemporary Americans, February 9–20, 1953 (checklist). See P65.
 
Metropolitan Museum of Art, New York, The Edward Root Collection, February 12–April 12, 1953 (checklist). Drawings only.
 
College of Fine and Applied Arts, Urbana, Ill., Contemporary American Painting and Sculpture, March 1–April 12, 1953 (catalogue). See P117.
Contemporary American Painting and Sculpture. Introduction by Allen S. Weller. Urbana, Ill.: College of Fine and Applied Arts, 1953.
 
University Galleries, University of Nebraska, Lincoln, Nebraska Art Association Sixty-third Annual Exhibition, March 1953 (catalogue). See P110.
Nebraska Art Association Sixty-third Annual Exhibition. Foreword by Dorothy Holland and W. E. Militzer. Lincoln: University Galleries, University of Nebraska, Lincoln, 1953.
 
Furniture Gallery, John Wanamaker’s department store, Great Neck, N.Y., Art in America: 20th Century (organized by the Fine Arts Committee of Great Neck Education Association), March 1–14, 1953 (catalogue). See P121.
Art in America: 20th Century. Foreword by A. L. Chanin. Great Neck, N.Y.: Fine Arts Committee of Great Neck Education Association, 1953.
 
Palazzo del Parco, Bordighera, Italy, Seconda Mostra Internazionale di Pittura Americana, March 1–31, 1953. See C8.
 
Watkins Gallery, American University, Washington, D.C., Color, March 1–April 3, 1953 (catalogue). See C3.
Judd, Deane B., and Karl Knaths. Color. Washington, D.C.: Watkins Gallery, American University, 1953.
 
Corcoran Gallery of Art, Washington, D.C., The Twenty-third Biennial of Contemporary American Oil Paintings, March 15–May 3, 1953. See P111.
 
Samuel M. Kootz Gallery, New York, French/American, March 16–April 4, 1953. See P96. Reviewed in B[rach] 1953.
 
Parish House, Church of the Ascension, New York, An Exhibition of Contemporary Religious Art, March 22–April 5, 1953 (catalogue). See W14.
An Exhibition of Contemporary Religious Art. New York: Parish House, Church of the Ascension, 1952.
 
Whitney Museum of American Art, New York, 1953 Annual Exhibition of Contemporary American Sculpture, Watercolors, and Drawings, April 9–May 29, 1953 (catalogue). Drawings only.
1953 Annual Exhibition of Contemporary American Sculpture, Watercolors, and Drawings, New York: Whitney Museum of Art, 1953.
 
Walker Art Center, Minneapolis, The Classic Tradition in Contemporary Art, April 24–June 30, 1953 (catalogue). See C32.
The Classic Tradition in Contemporary Art. Minneapolis: Walker Art Center, 1953.
 
Randolph-Macon Art Gallery, Randolph-Macon Woman’s College, Lynchburg, Va., 42nd Annual Loan Exhibition: Contemporary American Painting, May 9–June 9, 1953 (checklist). See P130.
 
Samuel M. Kootz Gallery, New York, Art for a Synagogue, May 22–June 6, 1953 (catalogue). Tapestry only. Reviewed in F[itzsimmons] 1953a, La Farge 1953a, Louchheim 1953, and Smith 1953a.
Art for a Synagogue. New York: Samuel M. Kootz Gallery, 1953.
 
Art Institute of Chicago, 13th Annual Society for Contemporary American Art Exhibition, June 2–28, 1953 (checklist). See P117.
 
Toledo Museum of Art, Ohio, 40th Annual Exhibition: Contemporary American Paintings, June 7–August 30, 1953 (catalogue). Unidentified: 41. La Danse IV.
40th Annual Exhibition: Contemporary American Paintings. Toledo, Ohio: Toledo Museum of Art, 1953.
 
Fine Arts Gallery, University of Colorado, Boulder, Exhibition of Paintings, June 21–August 16, 1953. See P65.
 
Guild Hall, East Hampton, N.Y., A Selection from 12 East Hampton Collections, July 2–22, 1953 (catalogue). Unidentified: 39. Figure.
A Selection from 12 East Hampton Collections. Introduction by Gerald Sykes. East Hampton, N.Y.: Guild Hall, 1953.
 
Wisconsin Union Gallery, University of Wisconsin, Madison, Contemporary American Drawings, July 15–August 20, 1953 (catalogue). Drawings only.
Contemporary American Drawings. Madison: Wisconsin Union Gallery, University of Wisconsin, 1953.
 
Kootz Gallery, Provincetown, Mass., [group exhibition], July 18–31, 1953. See P144, C59.
 
Kootz Gallery, Provincetown, Mass., [group exhibition], August 29–September 13, 1953. Works unknown.
 
Memorial Building, Deerfield Academy, Mass., Juried National Art Show, September 3–20, 1953. Works unknown.
 
Art Building, Fair Grounds, Pomona, Calif., Painting in the U.S.A., 1721–1953 (presented by the Los Angeles County Fair), September 18–October 4, 1953 (catalogue). See P105.
Painting in the U.S.A., 1721–1953. Introduction by Arthur Millier. Pomona, Calif.: Los Angeles County Fair, 1953.
 
Samuel M. Kootz Gallery, New York, [group exhibition], October 1953. See P117. Reviewed in Devree 1953.
 
Museum of Cranbrook Academy of Art, Bloomfield Hills, Mich., First Biennial Exhibition: American Painting, Sculpture, October 2–November 1, 1953 (catalogue). See P88.
First Biennial Exhibition: American Painting, Sculpture. Bloomfield Hills, Mich.: Museum of Cranbrook Academy of Art, 1953.
 
Syracuse Museum of Fine Arts, N.Y., Abstract Painting in America: A Loan Exhibition, October 14–November [8], 1953 (catalogue). See P82.
Abstract Painting in America: A Loan Exhibition. New York: Syracuse Museum of Fine Arts, 1953.
 
Whitney Museum of American Art, New York, 1953 Annual Exhibition of Contemporary American Painting, October 15–December 6, 1953 (catalogue). See C68.
1953 Annual Exhibition of Contemporary American Painting. Foreword by Herman More. New York: Whitney Museum of American Art, 1953.
 
The Embellished Surface (organized by the Museum of Modern Art, New York), McMurray College, Jacksonville, Ill., October 26–November 23, 1953; Currier Gallery of Art, Manchester, N.H., January 4–25, 1954; Museum of Art, University of Michigan, Ann Arbor, February 8–March 1, 1954; Lamont Gallery, Phillips Exeter Academy, N.H., April 19–May 9, 1954; Mount Holyoke College, South Hadley, Mass., October 4–25, 1954; Newcomb College, Tulane University, New Orleans, January 1–22, 1955; Michigan State College, East Lansing, February 9–March 2, 1955; University of Connecticut, Storrs, April 14–May 4, 1955. See C46.
 
Birmingham Museum of Art, Ala., Eight Modern Americans, November 15–December 12, 1953. See P101, P117, P129, P145, C59.
 
Samuel M. Kootz Gallery, New York, [group exhibition], December 14–31, 1953. Works unknown.
 
Tanager Gallery, New York, Painting, Sculpture, December 14, 1953–[January 7], 1954. Works unknown.
 
Museu de Arte Moderna, São Paulo, Brazil, II Bienal do Museu de Arte Moderna de São Paulo, December 12, 1953–February 28, 1954 (catalogue). See C58.
II Bienal do Museu de Arte Moderna de São Paulo: Catalogo geral (text in Portuguese). São Paulo, Brazil: Edições Americanas de Arte e Arquitectura, 1953.
 
1954
 
GROUP EXHIBITIONS
 
Addison Gallery of American Art, Phillips Academy, Andover, Mass., Variations, Three Centuries of Painting, January 8–February 15, 1954 (catalogue). See W17.
Variations, Three Centuries of Painting. Andover, Mass.: Addison Gallery of American Art, 1954.
 
Contemporary Arts Museum, Houston, 4 Americans: From the Real to the Abstract, January 10–February 11, 1954 (catalogue). See P86, P88, P121, P150, C11, C52. Reviewed in Holmes 1954, Houston Post 1954, and Louden 1954.
4 Americans: From the Real to the Abstract. Introduction by R[alph] A. A[nderson] Jr. Houston: Contemporary Arts Museum, 1954.
 
Phillips Collection, Washington, D.C., Some American Painters, January 17–February 23, 1954. See C68.
 
Pennsylvania Academy of the Fine Arts, Philadelphia, One Hundred and Forty-ninth Annual Exhibition of Painting and Sculpture, January 24–February 28, 1954 (catalogue). See P96.
One Hundred and Forty-ninth Annual Exhibition of Painting and Sculpture. Philadelphia: Pennsylvania Academy of Fine Arts, 1954.
 
Stable Gallery, New York, Third Annual Exhibition of Painting and Sculpture, January 27–February 20, 1954. Works unknown.
 
Downtown Gallery, New York, International Exhibition: Painters under 40, February 2–27, 1954 (checklist). See P111.
 
Woman’s College of the University of North Carolina, Greensboro, Festival of the Arts, February 12–April 24, 1954. Works unknown.
 
Virginia Museum of Fine Arts, Richmond, American Painting 1954, February 26–March 21, 1954; Des Moines Art Center, April 4–May 2, 1954 (catalogue). See P109.
American Painting 1954. Foreword by Leslie Cheek Jr. Richmond: Virginia Museum of Fine Arts, 1954.
 
Museum of the University City, Caracas, Venezuela, U.S. Representation: Tenth Inter-American Conference, March 1–31, 1954 (catalogue). See P47.
Piconsalas, Mariano. La Pintura en Venezuela (text in Spanish). [Caracas, Venezuela: Secretaría General de la Décima Conferencia Interamericana], 1954.
 
A University Collects: Nebraska (circulated by the American Federation of Arts, New York), Dickinson College, Carlisle, Pa., March 15–April 5, 1954; College of Wooster, Ohio, April 19–May 10, 1954; Miami Beach Art Center, May 24–June 14, 1954; Art Gallery, University of Notre Dame, South Bend, Ind., July 1–31, 1954; Atlanta Public Library, August 20–September 9, 1954; Madison Art Association, University of Wisconsin, September 19–October 3, 1954; Rosicrucian Egyptian, Oriental Museum, San Jose, Calif., October 16–November 4, 1954; Iowa State Teachers College, Cedar Falls, December 2–23, 1954; Western Michigan College, Kalamazoo, January 4–25, 1955; Florida Gulf Coast Art Center, Clearwater, February 4–25, 1955; University of Oklahoma, Norman, March 7–27, 1955 (checklist). See P110.
 
Whitney Museum of American Art, New York, 1954 Annual Exhibition of Contemporary American Sculpture, Watercolors, and Drawings, March 17–April 18, 1954 (catalogue). See W22. Reviewed in H[ess] 1954.
1954 Annual Exhibition of Contemporary American Sculpture, Watercolors, and Drawings. New York: Whitney Museum of American Art, 1954.
 
Rembrandt Hall, Pomona College, Claremont, Calif., [group exhibition], [April] 1954. Works unknown. Reviewed in M[illier] 1954.
 
Department of Art, Iowa State Teachers College, Cedar Falls, 38 Contemporary Painters, April 4–28, 1954 (brochure). Unidentified: 30. La Danse. Reviewed in College Eye 1954.
38 Contemporary Painters. Cedar Falls: Iowa State Teachers College, 1954.
 
Detroit Institute of Arts, Annual Exhibition for the Friends of Modern Art, April 20–May 16, 1954 (checklist). See P101, C68.
 
Yale University Art Gallery, New Haven, Conn., Object and Image in Modern Art and Poetry, April 30–June 14, 1954 (catalogue). See P55, P117.
Object and Image in Modern Art and Poetry. Introduction by Jacques Maritain. New Haven, Conn.: Yale University Art Gallery, 1954.
 
Edwin Watts Chubb Library Art Gallery, Ohio University, Athens, The Exhibition of American Painting, 1804–1954, May 1–June 15, 1954 (catalogue). See C52.
The Exhibition of American Painting, 1804–1954. Foreword by Thornton Wilder. Athens: Ohio University, 1954.
 
Solomon R. Guggenheim Museum, New York, Younger American Painters: A Selection, May 12–September 26, 1954; to additional venues without the artist’s work (catalogue). See P154, P155. Reviewed in Faison 1954.
Younger American Painters: A Selection. Essay by James Johnson Sweeney. New York: Solomon R. Guggenheim Museum, 1954.
 
Samuel M. Kootz Gallery, New York, American and French Painting and Sculpture by Baziotes, Ferber, Gottlieb, Hare, Hofmann, Lassaw, Mathieu, Motherwell, Soulages, May 17–June 12, 1954. See P137. Reviewed in D[evree] 1954.
 
San Francisco Museum of Art, Smith College Collects, May 26–June 13, 1954. See C43.
 
Kootz Gallery, Provincetown, Mass., [group exhibition], June 1954. Works unknown.
 
Toledo Museum of Art, Ohio, 41st Annual Exhibition of Contemporary American Paintings, June 6–August 29, 1954 (brochure). See P111.
41st Annual Exhibition Contemporary American Paintings. Toledo, Ohio: Toledo Museum of Art, 1954.
 
Art Building and Iowa Memorial Union, State University of Iowa, Iowa City, Then and Now: American Painting in the 1930’s and 1950’s, June 13–July 31, 1954 (catalogue). See P96.
Then and Now: American Painting in the 1930’s and 1950’s. Foreword by Earl E. Harper; introduction by Lester D. Longman. Iowa City: State University of Iowa, 1954.
 
Kootz Gallery, Provincetown, Mass., [Recent work by William Baziotes and Robert Motherwell], July 21–[28], 1954. Works unknown.
 
Städtisches Museum Schloß Morsbroich, Leverkusen, Germany, Internationale Sezession 1954, August 3–September 11, 1954 (catalogue). See P121, W10.
Internationale Sezession 1954 (text in German). Leverkusen, Germany: Städtisches Museum Schloß Morsbroich, 1954.
 
Watercolors by U.S. Artists (circulated by the Virginia Museum of Fine Arts, Richmond), Douglas S. Freeman High School, Richmond, Va., October 1954; Madison College, Harrisonburg, Va., May 9–23, 1955; to additional unknown venues. Drawings only.
 
Museum of Modern Art, New York, XXVth Anniversary Exhibitions: Paintings, October 19, 1954–February 6, 1955 (permanent collection exhibition). See C7.
 
Art Institute of Chicago, 61st American Exhibition: Paintings & Sculpture, October 21–December 5, 1954 (catalogue). See P155.
61st American Exhibition: Paintings and Sculpture. Chicago: Art Institute of Chicago, 1954.
 
L’Aquarelle contemporaine aux Etats-Unis [organized by the Association Française d’Action Artistique, Paris], Salle Franklin, Bordeaux, France, November 1954; Musée Paul Dupuy, Toulouse, France, December 12, 1954–January 8, 1955; Musée des Beaux-Arts, Pau, France, February 17–March 27, 1955; Doris Meltzer Gallery, New York, June 19–October 1, 1956; may have traveled to additional venues [venue catalogues]. Unidentified: 79. Sans titre, I [Untitled, 1]; 80. Sans titre, II [Untitled, II].
L’Aquarelle contemporaine aux Etats-Unis (text in French). Toulouse, France: Musée Paul Dupuy, 1954.
 
Margaret Brown Gallery, Boston, The Botolph Group Presents Religious Art Today, December 9–31, 1954 (catalogue). See P154.
The Botolph Group Presents Religious Art Today. Boston: Margaret Brown Gallery, 1954.
 
Samuel M. Kootz Gallery, New York, [group exhibition], December 13–31, 1954. Works unknown. Reviewed in New York Times 1954.
 
1955
 
GROUP EXHIBITIONS
 
John Herron Art Museum, Indianapolis, Contemporary American and European Paintings, January 15–February 20, 1955 (catalogue). See P109.
Contemporary American and European Paintings. Indianapolis: John Herron Art Museum, 1955.
 
College of Fine and Applied Arts, Urbana, Ill., 163rd Annual Exhibition: American Oil Painting and Sculpture, February 27–April 3, 1955 (catalogue). See C58. Reviewed in George 1955.
163rd Annual Exhibition: American Oil Painting and Sculpture. Essay by Allen Stuart Weller. Urbana: University of Illinois Press, 1955.
 
University Gallery, University of Minnesota, Minneapolis, Drawings by Nineteen Americans, March 7–April 1, 1955 (checklist). Drawings only.
 
Modern Art in the United States: Selections from the Collections from the Museum of Modern Art (circulated by the International Council of the Museum of Modern Art, New York), Musée Nationale d’Art Moderne, Paris, Cinquante ans d’art aux Etats-Unis, March 30–May 15, 1955; Kunsthaus Zürich, Moderne Kunst aus U.S.A., July 16–August 28, 1955; Museo de Arte Moderno, Barcelona, III Bienal Hispanoamericana de Arte: El Arte moderno en los Estados Unidos, September 24–October 24, 1955; Haus des Deutschen Kunsthandwerks, Frankfurt, Moderne Kunst aus U.S.A., November 13–December 11, 1955; Tate Gallery, London, Modern Art in the United States: A Selection from the Collections of the Museum of Modern Art, January 5–February 12, 1956; Gemeente Museum, The Hague, 50 Jaar moderne kunst in de U.S.A., March 2–April 15, 1956; Wiener Secession Galerie, Vienna, May 5–June 2, 1956; Kalemagdan Pavillion, Belgrade, Yugoslavia, Savremena utmetnost U.S.A.D., July 6–August 6, 1956 [venue catalogues]. See P86, C7. Reviewed in B[ernier] 1955 and Heron 1956.
Moderne Kunst aus U.S.A.: Auswahl aus den Samlungen des Museum of Modern Art, New York (text in German). Foreword by Rene d’Harnoncourt; essay by Holger Cahill and Dorothy C. Miller. Zurich: Kunsthaus Zürich, 1955.
III Bienal Hispanoamericana de arte: El Arte moderno en los Estados Unidos (text in Spanish). Introductory texts by Holger Cahill, William S. Lieberman, and Arthur Drexler; prologue by Henry-Russell Hitchcock. Barcelona: Museo de Arte Moderno, 1955.
Modern Art in the United States: Selections from the Collections of the Museum of Modern Art. Foreword by Rene d’Harnoncourt. London: Tate Gallery, 1956.
 
Andrew Dickson White Museum of Art, Ithaca, N.Y., The Integration of Painting and Sculpture with Architecture, April 10–May 1, 1955. Works unknown.
 
Samuel M. Kootz Gallery, New York, Tenth Anniversary Festival: A Decade of Modern Painting and Sculpture, April 11–May 7, 1955 (catalogue). See P64.
Tenth Anniversary Festival: A Decade of Modern Painting and Sculpture. New York: Samuel M. Kootz Gallery, 1955.
 
Stanford Art Gallery, Stanford University, Palo Alto, Calif., Twentieth Century Drawings, April 16–May 15, 1955 (catalogue). Drawings only.
Twentieth Century Drawings. Introduction by George A. Harris. Palo Alto, Calif.: Stanford University, 1955.
 
Stable Gallery, New York, Fourth Annual Exhibition of Painting and Sculpture, April 26–May 21, 1955. Works unknown.
 
Brooklyn Museum, International Water Color Exhibition: Eighteenth Biennial, May 4–June 12, 1955 (catalogue). Works unknown.
International Water Color Exhibition: Eighteenth Biennial. Foreword by John Gordon. Brooklyn: Brooklyn Museum; Brooklyn Institute of Arts and Sciences, 1955.
 
Whitney Museum of American Art, New York, The New Decade: 35 American Painters and Sculptors, May 11–August 7, 1955; San Francisco Museum of Art, October 6–November 6, 1955; Art Galleries, University of California at Los Angeles, November 20–December 11, 1955; Pasadena Art Museum, Calif., December 12, 1955–January 8, 1956; Colorado Springs Fine Arts Center, February 9–March 20, 1956; City Art Museum of Saint Louis, April 15–May 15, 1956 (catalogue). See P87, P154, C42, W19.
Baur, John I. H., ed. The New Decade: 35 American Painters and Sculptors. New York: Whitney Museum of American Art, 1955.
 
Tokyo Metropolitan Art Museum, The Third International Art Exhibition, Japan, May 20–June 5, 1955; Sogo Gallery, Osaka, Japan, June 24–July 6, 1955; Culture Hall, Nagoya, Japan, July 13–26, 1955; Iwataya Gallery, Fukuoka, Japan, August 16–24, 1955; Public Hall Gallery, Saseho, Japan, September 8–25, 1955; Watanabe Memorial Hall, Ube, Japan, October 1–15, 1955; Modern Art Museum, Takamatsu, Japan, October 23–November 13, 1955; Fukuya/Tenmaya, Hiroshima, Japan, November 22–December 4, 1955 (catalogue). Drawings only.
The Third International Art Exhibition, Japan (text in English and Japanese). Foreword by Chikao Honda; essay by Teiichi Hijikata. Tokyo: Mainichi Newspapers, 1955.
 
San Francisco Museum of Art, Art in the 20th Century: Commemorating the Tenth Anniversary of the Signing of the U.N. Charter, June 17–July 10, 1955. See P50.
 
HC Gallery, Provincetown, Mass., [group exhibition], June 25–July 8, 1955. Works unknown.
 
Carnegie Institute, Pittsburgh, The 1955 Pittsburgh International Exhibition of Painting and Sculpture, October 13–December 18, 1955 (catalogue). See P157. Reviewed in Faison 1955.
The 1955 Pittsburgh International Exhibition of Painting and Sculpture. Foreword by Gordon Bailey Washburn. Pittsburgh: Department of Fine Arts, Carnegie Institute, 1955.
 
Paul Kantor Gallery, Beverly Hills, Calif., [group exhibition], December 12–30, 1955. See P96, P137.
 
1956
 
GROUP EXHIBITIONS
 
Pennsylvania Academy of the Fine Arts, Philadelphia, The One Hundred and Fifty-first Annual Exhibition of Painting and Sculpture, January 22–February 26, 1956 (catalogue). See P155, P159, C61.
The One Hundred and Fifty-first Annual Exhibition of American Painting and Sculpture. Foreword by Joseph T. Fraser Jr. Philadelphia: Pennsylvania Academy of Fine Arts, 1956.
 
Rose Fried Gallery, New York, Collages: International Collage Exhibition, February 13–March 17, 1956 (catalogue). Unidentified: cat. no. 17.
Collages: International Collage Exhibition. Introduction by Herta Wescher. New York: Rose Fried Gallery, 1956.
 
Newark Museum, N.J., Abstract Art: 1910 to Today, April 27–June 10, 1956 (catalogue). See C20.
Abstract Art: 1910 to Today. Foreword by Mildred Baker; introduction by William H. Gerdts. Newark, N.J.: Newark Museum, 1956.
 
Yale University Art Gallery, New Haven, Conn., Pictures Collected by Yale Alumni, May 8–June 18, 1956 (catalogue). See C38.
Pictures Collected by Yale Alumni. Foreword by Lamont Moore; introduction by Theodore Sizer. New Haven, Conn.: Yale University Art Gallery, 1956.
 
Stable Gallery, New York, Fifth Annual Exhibition of Painting & Sculpture, May 22–June 16, 1956. Works unknown.
 
Camino Gallery, New York, June Salon, June 1–22, 1956. See P159.
 
HCE Gallery, Provincetown, Mass., [group exhibition], July 5–20, 1956. Drawings only.
 
Kirby Student Center, University of Minnesota, Duluth, [loan exhibition], August 1956–beginning of May 1957. See P102. Reviewed in Finberg 1956 and UMD Statesman 1956.
 
HCE Gallery, Provincetown, Mass., [group exhibition], August 1–13, 1956. Drawings only.
 
Saint Paul Gallery of Art, [loan exhibition], August 7, 1956–May 17, 1957. See P102.
 
HCE Gallery, Provincetown, Mass., [group exhibition], August 18, 1956 (end date unknown). Works unknown.
 
Martha Jackson Gallery, New York, Salute to Modern Art U.S.A., October 2–[27], 1956. See P154. Reviewed in A[shton] 1956.
 
Whitney Museum of American Art, New York, Annual Exhibition: Sculpture, Paintings, Watercolors, Drawings, November 14, 1956–January 6, 1957 (catalogue). See C66.
Annual Exhibition: Sculpture, Paintings, Watercolors, Drawings. New York: Whitney Museum of American Art, 1956.
 
Fleming Museum, University of Vermont, Burlington, [loan exhibition], November 19–December 10, 1956. See P65.
 
1957
 
SOLO EXHIBITIONS
 
Sidney Janis Gallery, New York, Robert Motherwell, May 13–June 8, 1957 (checklist). See P154, P155, P157–P159, P161, P163, C64–C70, W16, W19, W24. Unidentified: 11. Collage; 14. Collage. Reviewed in Ashton 1957a, Ashton 1957c, Coates 1957, H[ess] 1957, Rice 1957, S[awin] 1957, and Sawyer 1957a.
 
HCE Gallery, Provincetown, Mass., [Robert Motherwell], August 4–11, 1957. Drawings only.
 
GROUP EXHIBITIONS
 
Alan Gallery, New York, Paintings and Drawings by Living Americans: A Selection by Vincent Price, January 22–February 9, 1957 (catalogue). See C38.
Paintings and Drawings by Living Americans: A Selection by Vincent Price. Foreword by Vincent Price. New York: Alan Gallery, 1957.
 
Grand Rapids Art Gallery, Mich., American Painting Exhibition, January 31–March 2, 1957 (checklist). See P65.
 
University of Michigan, Ann Arbor, Paintings from the UN Art Galleries, February 10–March 10, 1957. See P110.
 
Woman’s College of the University of North Carolina, Greensboro, Panel’s Choice, 1957, March 8–27, 1957; North Carolina Museum of Art, Raleigh, April 2–24, 1957 (catalogue). See C38.
Panel’s Choice, 1957. Raleigh: North Carolina Museum of Art, 1957.
 
Museum of Modern Art, New York, Recent American Acquisitions, March 14–April 30, 1957 (permanent collection exhibition). See P64, P87.
 
Sidney Janis Gallery, New York, 8 Americans, April 1–20, 1957 (catalogue). Reviewed in S[iegel] 1957. See P156.
8 Americans. New York: Sidney Janis Gallery, 1957.
 
Stable Gallery, New York, 6th Annual Exhibition of Painting and Sculpture, May 7–June 1, 1957. Works unknown. Reviewed in Ashton 1957b.
 
Albright Art Gallery, Buffalo, Contemporary Art: Acquisitions, 1954–1957, May 15, 1957–June 15, 1957 [exhibition extended to February 15, 1958] (permanent collection exhibition; catalogue). See P156.
Contemporary Art: Acquisitions, 1954–1957. Foreword by Gordon M. Smith. Buffalo: Buffalo Fine Arts Academy; Albright Art Gallery, 1957.
 
Fogg Art Museum, Harvard University, Cambridge, Mass., Modern Painting, Drawing, and Sculpture: Collected by Louise and Joseph Pulitzer, Jr., May 16–September 15, 1957 (catalogue). See C19.
Chetham, Charles Scott. Modern Painting, Drawing, and Sculpture: Collected by Louise and Joseph Pulitzer, Jr. Contributions by Agnes Mongan, Walter Barker, John Coolidge, Joseph Pulitzer Jr., and Helmut Ripperger. Vol. 2. Cambridge, Mass.: Fogg Art Museum, 1958.
 
Boston Arts Festival, American Painting and Sculpture: A National Invitational Exhibition, June 1–September 1, 1957 (catalogue). See C21.
Boston Arts Festival: 1957 Souvenir Program. Boston: [Boston Art Festival Committee], 1957.
 
Minneapolis Institute of Arts, American Paintings, 1945–1957, June 18–September 1, 1957 (catalogue). See P102, P157, C42.
American Paintings, 1945–1957. Minneapolis: Minneapolis Institute of Arts, 1957.
 
Wesleyan University, Middletown, Conn., American Scene, July 22–October 10, 1957. See P47.
 
Art Gallery, Douglass College, Rutgers, State University of New Jersey, New Brunswick, Group 1, October 9–30, 1957. Works unknown.
 
Whitney Museum of American Art, New York, 1957 Annual Exhibition: Sculpture, Paintings, Watercolors, November 20, 1957–January 12, 1958 (catalogue). See P158. Reviewed in Time 1957b.
1957 Annual Exhibition: Sculpture, Paintings, Watercolors. New York: Whitney Museum of American Art, 1957.
 
Zabriskie Gallery, New York, Collage in America (organized with the American Federation of Arts, Washington, D.C.), December 16, 1957–January 4, 1958; Davenport Municipal Art Gallery, Iowa, February 1–24, 1958; George Peabody College, Nashville, Tenn., March 7–26, 1958; Florida A&M University, Tallahassee, April 7–27, 1958; University of Wyoming, Laramie, May 8–28, 1958; Atlanta Public Library, September 15–October 5, 1958; Newcomb College, Tulane University, New Orleans, October 21–November 15, 1958; Vassar College, Poughkeepsie, N.Y., November 24–December 18, 1958; Colorado Springs Fine Art Center, January 5–25, 1959; Ohio University, Athens, February 8–28, 1959 (checklist). See C67.
 
1958
 
GROUP EXHIBITIONS
 
Hetzel Union Gallery, Pennsylvania State University, University Park, Albers, de Kooning, Gorky, Guston, Kline, Motherwell, Pollock, Rothko: An Exhibition in Tribute to Sidney Janis, February 3–24, 1958 (catalogue). See P164.
Albers, de Kooning, Gorky, Guston, Kline, Motherwell, Pollock, Rothko: An Exhibition in Tribute to Sidney Janis. University Park: Pennsylvania State University, 1958.
 
University of Utah, Salt Lake City, Nine American Painters: The Fourth Annual Invitational Exhibition of the University of Utah Department of Art, March 2–23, 1958 (catalogue). See P85, P149, P155, C42.
Nine American Painters: The Fourth Annual Invitational Exhibition of the University of Utah Department of Art. Salt Lake City: University of Utah, 1958.
 
Takashimaya Department Store, Osaka, Japan, Osaka Festival 1958: The International Art of a New Era, U.S.A., Japan, Europe, April 12–20, 1958; traveled to additional unknown venues in Nagasaki, Hiroshima, Tokyo (September 2–7, 1958), and Kyoto (September 10–20, 1958; catalogue). See P225.
Osaka Festival 1958: The International Art of a New Era; U.S.A., Japan, Europe (text in English, French, and Japanese). Essays by Michel Tapié and Jirō Yoshihara. Series Gutai 9. Kyoto: Publishing Committee of Gutai, 1958.
 
United States Pavilion, Brussels World’s Fair, Seventeen Contemporary American Painters (circulated by the American Federation of Arts, New York), April 17–October 18, 1958; USIS Library, London, Seventeen American Artists + Eight Sculptors, October 31–November 21, 1958 (venue catalogues). See P121, P154, C49, W10. Reviewed in Coates 1958, Genauer 1958, Sylvester 1958, and Vogue 1958.
Morley, Grace L. McCann. “Seventeen Contemporary American Painters.” In American Art: Four Exhibitions (text in English and French). New York: American Federation of Arts, 1958.
Morley, Grace L. McCann. Seventeen American Artists + Eight Sculptors. Foreword by Harris K. Prior. London: USIS Library, in association with the American Federation of Arts, 1958.
 
The New American Painting (circulated by the Museum of Modern Art, New York), Kunsthalle, Basel, Switzerland, Jackson Pollock und Neue Amerikanische Malerei, April 19–May 26, 1958; Galleria Civica d’Arte Moderna, Milan, June 1–29, 1958; Museo Nacional de Arte Contemporaneo de Madrid, July 16–August 11, 1958; Hochschule für Bildende Künste, Berlin, September 1–October 1, 1958; Stedelijk Museum, Amsterdam, Jong Amerika Schildert, October 17–November 24, 1958; Palais des Beaux-Arts, Brussels, Jackson Pollock et la Nouvelle Peinture Americaine, December 6, 1958–January 4, 1959; Musée National d’Art Moderne, Paris, Jackson Pollock et la Nouvelle Peinture Américaine, January 16–February 15, 1959; Tate Gallery, London, February 24–March 22, 1959; Museum of Modern Art, New York, May 28–September 8, 1959 (venue catalogues). See P64, P87, P159, P164, P168, W19. Reviewed in Time 1958.
The New American Painting: La Nueva Pintura Americana (text in Spanish; includes statements by the artist). Preface by Porter A. McCray; introduction by Alfred H. Barr Jr. Madrid: Museo Nacional de Arte Contemporaneo de Madrid, 1958.
Jong Amerika Schildert (text in Dutch). Preface by Porter A. McCray; introduction by Alfred H. Barr Jr. Amsterdam: Stedelijk Museum, 1958.
The New American Painting: La Nouvelle Peinture Americaine (text in French). Preface by Porter A. McCray; introduction by Alfred H. Barr Jr. Brussels: Palais des Beaux-Arts, 1959.
Jackson Pollock et la Nouvelle Peinture Américaine (text in French; includes artist’s statements). Introduction by Jean Cassou, Porter A. McCray, and Sam Hunter. Paris: Musée National d’Art Moderne, 1959.
The New American Painting (includes artist’s statements). Foreword by Gabriel White; preface by Porter A. McCray; introduction by Alfred H. Barr Jr. London: Tate Gallery, 1959.
The New American Painting (includes artist’s statements). Foreword by Rene d’Harnoncourt; introduction by Alfred H. Barr Jr. New York: Museum of Modern Art, 1959.
 
Whitney Museum of American Art, New York, The Museum and Its Friends: Twentieth-Century American Art from Collections of the Friends of the Whitney Museum, April 30–June 15, 1958 (catalogue). See P157.
The Museum and Its Friends: Twentieth-Century American Art from Collections of the Friends of the Whitney Museum. Foreword by Flora Whitney Miller. New York: Whitney Museum of American Art, 1958.
 
James Gallery, New York, Invitation Annual, May 16–June 6, 1958. Drawings only. Reviewed in Ashton 1958.
 
HCE Gallery, Provincetown, Mass., [group exhibition], June 28–July 8, 1958. Works unknown.
 
Flint Institute of Arts, Mich., Contemporary American Art, August 7–September 15, 1958 (catalogue). See C71.
Contemporary American Art. Flint, Mich.: Flint Institute of Arts, 1958.
 
HCE Gallery, Provincetown, Mass., [group exhibition], August 7, 1958 (end date unknown). Works unknown.
 
Coliseum, New York, National Home Furnishings Show (organized by the United States Rubber Company), August 11–21, 1958. See P170.
 
Pennsylvania Academy of the Fine Arts, Philadelphia, Twentieth Century American Painting and Sculpture from Philadelphia Private Collections, October 25–November 30, 1958 (checklist). See P12.
 
Whitney Museum of American Art, New York, Annual Exhibition: Sculpture, Paintings, Watercolors, Drawings, November 19, 1958–January 4, 1959 (catalogue). See P176.
Annual Exhibition: Sculpture, Paintings, Watercolors, Drawings. New York: Whitney Museum of American Art, 1958.
 
Contemporary Arts Museum, Houston, Personal Contacts: A Decade of Contemporary Drawings, 1948–1958, November 20, 1958–January 4, 1959 (catalogue). Drawings only. Reviewed in Geeslin 1958 and Holmes 1958.
Personal Contacts: A Decade of Contemporary Drawings, 1948–1958. Essays by Jermayne MacAgy and James Boynton. Houston: Contemporary Arts Association, 1958.
 
Carnegie Institute, Pittsburgh, The 1958 Pittsburgh Bicentennial International Exhibition of Contemporary Painting and Sculpture, December 5, 1958–February 8, 1958 (catalogue). See C68.
The 1958 Pittsburgh Bicentennial International Exhibition of Contemporary Painting and Sculpture. Introduction by Gordon Bailey Washburn. Pittsburgh: Carnegie Institute, 1958.
 
Oklahoma Art Center, Oklahoma City, Oklahoma Art Center Inaugural Exhibition, December 5, 1958–January 31, 1959. See P110.
 
World House Galleries, New York, Brussels ’58 (organized by the American Federation of Arts, New York), December 15, 1958–January 17, 1959 (catalogue). See P121, P154.
Brussels ’58. Foreword by Harris K. Prior. New York: World House Galleries, 1959.
 
Alan Gallery, New York, Beyond Painting: An Exhibition of Collages and Constructions, December 29, 1958–January 24, 1959 (brochure). See C78. Reviewed in Ashton 1959b.
Beyond Painting: An Exhibition of Collages and Constructions. New York: Alan Gallery, 1958.
 
1959
 
SOLO EXHIBITIONS
 
Sidney Janis Gallery, New York, Robert Motherwell, March 9–April 4, 1959 (checklist). See P173, P175, P177, P178, P182, P187, P191, P207, P236, C79, C81–C84, W34–W40, W43–W45, W47, W49–W53, W57–W64, W66–W70, W72, W74, W78, W79, W82. Unidentified: 11. Pregnant Nude No. 3; 17. Pregnant Nude No. 9; 23. Painting; 29. Altamira. Reviewed in Ashton 1959a, Genauer 1959a, M[ott] 1959, Preston 1959b, and S[andler] 1959.
 
New Gallery, Bennington College, Vt., Robert Motherwell: First Retrospective Exhibition, April 24–May 23, 1959 (catalogue). See P1, P3, P4, P85, P90, P156, P158, P171, P176–P178, P187, P192, P236, C1, C42, C49, C71, C72, C75, C78, C87, W16, W37, W39, W45, W65. Unidentified: 7. Collage; 13. Painting.
Robert Motherwell: First Retrospective Exhibition. Foreword by E. C. Goossen. Bennington, Vt.: Bennington College, 1959.
 
GROUP EXHIBITIONS
 
Poindexter Gallery, New York, To Nell Blaine, 1959 (exact dates unknown). Works unknown.
 
Sidney Janis Gallery, New York, 8 American Painters, January 5–31, 1959 (catalogue). See P172. Reviewed in Coates 1959, Preston 1959a, and S[chuyler] 1959.
8 American Painters. New York: Sidney Janis Gallery, 1959.
 
Addison Gallery of American Art, Phillips Academy, Andover, Mass., The American Line: 100 Years of Drawing (circulated by the American Federation of Arts, New York), January 10–February 15, 1959; University of Michigan, Ann Arbor, March 1–21, 1959; Newcomb College, New Orleans, April 2–22, 1959; J. B. Speed Art Museum, Louisville, Ky., May 4–24, 1959; Des Moines Art Center, June 10–30, 1959; Oglebay Institute, Wheeling, W.Va., August 1–21, 1959; Kansas State Teacher’s College, Emporia, September 3–23, 1959; Charles and Emma Frye Art Museum, Seattle, October 5–25, 1959; Fine Arts Association, Tucson, Ariz., November 8–29, 1959; Madison Art Association, Wis., December 10–31, 1959; Montclair Art Museum, N.J., January 17–February 21, 1960; Allentown Art Museum, Pa., March 5–25, 1960; Root Art Center, Hamilton College, N.Y., April 10–June 5, 1960 (catalogue). Drawings only.
Hayes, Bartlett H., Jr. The American Line: 100 Years of Drawing. Andover, Mass.: Addison Gallery of American Art, Phillips Academy, 1959.
 
Playhouse Gallery, Miami, Paintings and Sculpture from the Norton Collection, January 12–24, 1959. See P11.
 
Museum of Fine Arts, Houston, New York and Paris: Painting in the Fifties, January 16–February 8, 1959 (catalogue). See P85, P178.
Dorival, Bernard, and Dore Ashton. New York and Paris: Painting in the Fifties. Houston: Museum of Fine Arts, Houston, 1959.
 
Baltimore Museum of Art, Museum Directors’ Choice, February 15, 1959 (end date unknown; catalogue). See C86.
Museum Director’s Choice. Foreword by Adelyn D. Breeskin. Baltimore: Baltimore Museum of Art, 1959.
 
Coe College, Cedar Rapids, Iowa, 1959 Fine Arts Festival, March 3–April 26, 1959. See P65.
 
Horace Mann School, New York, A Half-Century of American Art, March 11–April 18, 1959. See W80.
 
Museum of Art, Rhode Island School of Design, Providence, Paintings since 1945: A Collection in the Making, March 18–April 19, 1959 (catalogue). See C38.
Paintings since 1945: A Collection in the Making. Introduction by Richard Brown Baker. Providence: Museum of Art, Rhode Island School of Design, 1959.
 
Gallery Kimura, Tokyo, Motherwell, Newman, Okada, Rothko, Tobey, Youngerman, April 4–30, 1959 (catalogue). See W10.
Motherwell, Newman, Okada, Rothko, Tobey, Youngerman. Tokyo: Gallery Kimura, 1959.
 
Contemporary American Watercolors and Drawings from the Edward W. Root Collection (circulated by the Smithsonian Institution, Washington, D.C.), J. B. Speed Art Museum, Louisville, Ky., June 1–30, 1959; George Thomas Hunter Gallery of Art, Chattanooga, Tenn., July 15–September 15, 1959; Art Department, State University of New York Teachers College, Fredonia, October 1–25, 1959; Lawrence Art Museum, Williams College, Williamstown, Mass., November 6–29, 1959; Phillips Gallery, Washington, D.C., December 12, 1959–January 5, 1960; Syracuse Museum of Fine Arts, N.Y., January 14–February 17, 1960; Carleton College, Northfield, Minn., March 1–22, 1960; Peabody Fine Arts Museum Building, George Peabody College for Teachers, Nashville, Tenn., April 3–24, 1960; Albany Institute of History and Art, May 7–31, 1960 (checklist and catalogue). Drawings only.
Selections from the Edward Root Collection. Utica, N.Y.: Munson-Williams-Proctor Institute, [1959].
 
Wesleyan University, Middletown, Conn., [group exhibition], July 1–August 31, 1959. See C49.
 
Museum Fridericianum, Kassel, Documenta II, July 11–October 11, 1959 (catalogue). See P85, P182, P192, C75, W37.
II. Documenta ’59: Kunst nach 1945; Malerei, Skulptur, Druckgrafik (text in German). Introduction by Werner Haftmann. Cologne, Germany: Verlag M. DuMont Schauberg, 1959.
 
Baltimore Museum of Art, New Paintings and Sculpture from Established and Newly Formed Baltimore Collections, July 12–September 26, 1959 (checklist). See C66, C68, C86. Reviewed in Ashton 1959c.
 
HCE Gallery, Provincetown, Mass., Frankenthaler/Motherwell, July 14–20, 1959. Works unknown.
 
Sokolniki Park, Moscow, American Painting and Sculpture: American National Exhibition in Moscow, July 25–September 5, 1959; Whitney Museum of Art, New York, Paintings and Sculpture from the American National Exhibition, October 28–November 15, 1959 (venue catalogues). See P154.
American Painting and Sculpture: American National Exhibition in Moscow. Essay by Lloyd Goodrich. Detroit, Mich.: Archives of American Art, 1959.
Paintings and Sculpture from the American National Exhibition in Moscow. Essay by Lloyd Goodrich. New York: Whitney Museum of Art, 1959.
 
Signa Gallery, East Hampton, N.Y., Third Exhibition 1959: A Selection of Painting & Sculpture, August 21–September 20, 1959. See C83, C84.
 
Albany Institute of History and Art, Recent American Paintings, September 10–October 25, 1959; selected works from the circulating exhibition by the Museum of Modern Art, New York, 1958. See P64, P164.
 
Galerie Beyeler, Basel, Switzerland, Panorama, October–November 1959 (catalogue). See P191.
Panorama. Basel, Switzerland: Galerie Beyeler, 1959.
 
Rocky Mount Arts Center, N.C., Private Collection, October 4–30, 1959 (brochure). Drawings only.
Private Collection. Rocky Mount, N.C.: Rocky Mount Arts Center, 1959.
 
Artists as Collectors (circulated by the American Federation of Arts, New York), City National Bank, Fort Smith, Ark., November 1–22, 1959; Allyn Gallery, Southern Illinois University, Carbondale, December 4–25, 1959; Akron Art Institute, Ohio, January 5–25, 1960; Wabash College, Crawfordsville, Ind., February 7–27, 1960; Fort Wayne Museum of Art, Ind., March 12–April 2, 1960; Miami Beach Art Center, June 2–22, 1960; [venue unknown], July 15–August 20, 1960; University of North Carolina, Greensboro, September 8–28, 1960; Museum of Art, University of Virginia, Charlottesville, October 10–31, 1960; Midland Art Association, Mich., November 17–December 8, 1960 (checklist). See C90.
 
Art Gallery, Douglass College, Rutgers, State University of New Jersey, New Brunswick, Group 3, November 30–December 16, 1959. Works unknown.
 
Whitney Museum of American Art, New York, 1959 Annual Exhibition of Contemporary American Painting, December 9, 1959–January 31, 1960 (catalogue). See P177.
1959 Annual Exhibition of Contemporary American Painting, New York: Whitney Museum of American Art, 1959.
 
1960
 
GROUP EXHIBITIONS
 
Addison Gallery of American Art, Phillips Academy, Andover, Mass., American Art, January 8–February 15, 1960. See P101.
 
Columbus Gallery of Fine Arts, Ohio, Contemporary American Painting, January 14–February 18, 1960 (catalogue). See P156.
Contemporary American Painting. Introduction by Tracy Atkinson. Columbus, Ohio: Columbus Gallery of Fine Arts, 1960.
 
Ferus Gallery, Los Angeles, Fourteen New York Artists, January 18–February 13, 1960. See P50, W72.
 
Trabia Gallery, New York, Small Masterpieces, February 3–27, 1960. Drawings only. Reviewed in Ashton 1960b.
 
Montgomery Center, Pomona College, Claremont, Calif., New York School, February 18–March 6, 1960. See P50. Reviewed in S[eldis] 1960.
 
Stedelijk Van Abbemuseum, Eindhoven, the Netherlands, Jonge kunst uit de collectie Dotremont, Brussel, February 20–March 27, 1960 (catalogue). See P169.
Jonge kunst uit de collectie Dotremont, Brussel (text in Dutch). Preface by Michel Tapié. Eindhoven, the Netherlands: Stedelijk Van Abbemuseum, 1960.
 
Walker Art Center, Minneapolis, 60 American Painters, 1960: Abstract Expressionist Painting of the Fifties, April 3–May 8, 1960 (catalogue). See P102.
Arnason, H. H. 60 American Painters, 1960: Abstract Expressionist Painting of the Fifties. Minneapolis: Walker Art Center, 1961.
 
Sidney Janis Gallery, New York, 9 American Painters, April 4–23, 1960 (catalogue). See P208. Reviewed in Ashton 1960a.
9 American Painters. New York: Sidney Janis Gallery, 1960.
 
Newark Museum, N.J., Collage: Art in Scraps and Patchwork, April 28–June 12, 1960. See C38.
 
Esther Stuttman Gallery, New York, Homage to Albert Camus, May 4–28, 1960. Works unknown.
 
The Mint Museum of Art, Charlotte, N.C., The Horace Richter Collection: Contemporary American Painting and Sculpture, May 1–August 1, 1960 (catalogue). See C44.
The Horace Richter Collection: Contemporary American Painting and Sculpture. Charlotte, N.C.: The Mint Museum of Art, 1960.
 
Wilmington Society of the Fine Arts, Delaware Art Center, Six American Painters, May 9–30, 1960. See P65.
 
Minneapolis Institute of Arts, Drawings, Paintings, and Sculpture from Three Private Collections, July 13–August 14, 1960 (catalogue). See W38, W67.
Drawings, Paintings, and Sculpture from Three Private Collections. Introduction by Sam Hunter. Minneapolis: Minneapolis Institute of Art, 1960.
 
Signa Gallery, East Hampton, N.Y., Second Exhibition 1960, July 22–August 18, 1960. See P164.
 
HCE Gallery, Provincetown, Mass., [group exhibition], August 22–28, 1960. Works unknown.
 
Everett Ellin Gallery, Los Angeles, Drawings by Fifteen Americans, September 11–October 8, 1960. Works unknown.
 
Art Center in La Jolla, Calif., La Jolla Collects: Paintings, Prints, and Sculpture, September 29–November 7, 1960 (catalogue). Drawings only.
La Jolla Collects: Paintings, Prints and Sculpture. Introduction by Donald J. Brewer. La Jolla, Calif.: Art Center in La Jolla, 1960.
 
Cleveland Museum of Art, Paths of Abstract Art, October 5–November 13, 1960 (catalogue). See P85, P156, P177.
Henning, Edward B. Paths of Abstract Art. Entry “Motherwell,” pp. 36–37. New York: Cleveland Museum of Art, 1960.
 
Kunsthaus Zürich, Thompson Pittsburgh: Aus einer amerikanischen Privatsammlung, October 15–November 27, 1960; Kunstmuseum, Düsseldorf, Sammlung G. David Thompson, Pittsburgh/USA, December 14, 1960–January 29, 1961; Gemeentemuseum, The Hague, Collectie Thompson uit Pittsburgh, February 17–April 9, 1961; Galleria Civica d’Arte Moderna, Turin, Italy, Esposizione: Collezione G. David Thompson, Pittsburgh/USA, October–November 1961; shown in New York without the artist’s work (venue catalogues). See P31, P191.
Thompson Pittsburgh: Aus einer amerikanischen Privatsammlung (text in German). Foreword by G. David Thompson; introduction by Alfred H. Barr Jr. Zurich: Kunsthaus Zürich, 1960.
Sammlung G. David Thompson (text in German). Foreword by Meta Patas and G. David Thompson; introduction by Alfred H. Barr Jr. Düsseldorf: Kunstmuseum, 1960.
Collectie Thompson uit Pittsburgh (text in Dutch). Foreword by L. W. and G. David Thompson; introduction by Alfred H. Barr Jr. The Hague: Haags Gemeentemuseum, 1961.
Esposizione: Collezione G. David Thompson, Pittsburgh/USA (text in Italian). Foreword by G. David Thompson; introduction by Alfred H. Barr Jr. and Vittorio Viale. Turin, Italy: Galleria Civica d’Arte Moderna, 1961.
 
Walden School, New York, [Eleventh annual art exhibition and sale], October 27–30, 1960; an auction to benefit the Walden School Scholarship Fund. See C57.
 
Esther Stuttman Gallery, New York, The Current Scene: American Painting, November 8–December 3, 1960 (checklist). See C115.
 
Art Gallery, McCormick Place, Chicago, Inaugural Exhibition, November 18–December 23, 1960 (checklist). See P11.
 
1961
 
SOLO EXHIBITIONS
 
Sidney Janis Gallery, New York, Robert Motherwell, April 10–May 6, 1961 (catalogue). See P193, P194, P208, P210, P213, P216–P219, C89, C92, C104, C105, C108, C110, C113, C115, C123, C124, W94, W96, W99, W100, W103, W104, W111, W112, W116. Reviewed in J[udd] 1961, K[roll] 1961b, Porter 1961, and Sandler 1961a.
Robert Motherwell. New York: Sidney Janis Gallery, 1961.
 
Museu de Arte Moderna, São Paulo, Brazil, VI Bienal de São Paulo, September 10–December 3, 1961 (catalogue). See P3, P84, P85, P135, P161, P164, P177, P192, P194, P208, P216, P217, P219, C7, C20, C33, C49, C104, C105, W10, W19, W45, W68, W69, W97, W104. Reviewed in Rosenberg 1961, Schiff 1961, and Schiff 1962.
D’Harnoncourt, Robert. VI Bienal do Museu de Arte Moderna, São Paulo, 1961: Estados Unidos (text in Portugese). Entry “Robert Motherwell,” by Frank O’Hara. São Paulo: Museu de Arte Moderna, 1961.
 
Galerie Heinz Berggruen, Paris, Robert Motherwell Collages, 1958–1960, October 3–28, 1961 (catalogue). See C75, C78, C82, C89–C92, C106–C109, C112, C114, C115, C117, C119, C121, C122, C124, W100. Reviewed in Ashbery 1961 and Frigerio 1961.
Hunter, Sam. Robert Motherwell Collages, 1958–1960 (text in French). Paris: Galerie Heinz Berggruen, 1960.
 
GROUP EXHIBITIONS
 
Art Institute of Chicago, 64th American Exhibition: Paintings, Sculpture, January 6–February 5, 1961 (catalogue). See P164.
64th American Exhibition: Paintings, Sculpture. Foreword by J. M. Chicago: Art Institute of Chicago, 1961.
 
Kunstverein für die Rheinlande und Westfalen, Düsseldorf, and Düsseldorf Kunsthalle Grabbeplatz, Aktuelle Kunst: Bilder und Plastiken aus der Sammlung Dotremont, March 3–April 9, 1961 (catalogue). See P169.
Aktuelle Kunst: Bilder und Plastiken aus der Sammlung Dotremont (text in German and French). Essay by Julien Alvard. Düsseldorf: Kunstverein für die Rheinlande und Westfalen; Düsseldorf Kunsthalle Grabbeplatz, 1961.
 
Union College, Schenectady, N.Y., New Trends in Twentieth-Century Art, March 5–26, 1961. Drawings only. Reviewed in Bell 1961.
 
Walker Art Center, Minneapolis, Eighty Works from the Richard Brown Baker Collection, March 21–April 16, 1961 (catalogue). See C38.
Eighty Works from the Richard Brown Baker Collection. Minneapolis: Walker Art Center, 1961.
 
New Gallery, Charles Hayden Memorial Library, Massachusetts Institute of Technology, Cambridge, Paintings, Sculpture, Prints, and Drawings Presented as Part of the Institute’s Centennial Celebration, April 1–30, 1961 (brochure). See P137.
Paintings, Sculpture, Prints, and Drawings Presented as Part of the Institute’s Centennial Celebration. Cambridge, Mass.: New Gallery, Charles Hayden Memorial Library, Massachusetts Institute of Technology, 1961.
 
Crown Hall, Illinois Institute of Technology, Chicago, The Maremont Collection at the Institute of Design, April 5–30, 1961 (catalogue). See P171.
The Maremont Collection at the Institute of Design. Preface by Katherine Kuh. Chicago: Institute of Design Press, 1961.
 
Art Gallery, McCormick Place, Chicago, [group exhibition], April 7–30, 1961. See C50.
 
John and Mable Ringling Museum of Art, Sarasota, Fla., The Sidney Janis Painters: Albers, Baziotes, Gorky, Gottlieb, Guston, Kline, De Kooning, Motherwell, Pollock, Rothko, April 8–May 7, 1961 (catalogue). See P158, P192.
The Sidney Janis Painters: Albers, Baziotes, Gorky, Gottlieb, Guston, Kline, De Kooning, Motherwell, Pollock, Rothko (includes artist’s statements). Foreword by Kenneth Donahue; introduction by Dore Ashton. Sarasota, Fla.: John and Mable Ringling Museum of Art, 1961.
 
Kunsthalle Basel, Switzerland, Moderne Malerei seit 1945 aus der Sammlung Dotremont, April 22–May 28, 1961 (catalogue). See P169. Reviewed in Schoenenberger 1961.
Moderne Malerei seit 1945 aus der Sammlung Dotremont (text in German). Introduction by Arnold Rüdlinger. Basel, Switzerland: Kunsthalle Basel, 1961.
 
Theater Guild, New York, The Dissent Art Show, May 6–7, 1961; exhibition and sale for the benefit of Dissent magazine. Works unknown.
 
Sidney Janis Gallery, New York, 10 American Painters, May 8–June 3, 1961 (catalogue). See P215. Reviewed in S[andler] 1961b.
10 American Painters. New York: Sidney Janis Gallery, 1961.
 
Rice Gallery, New York, Group Show: Artists of East 94th–95th Sts., May 18–June 10, 1961. Works unknown.
 
Vassar College, Poughkeepsie, N.Y., Centennial Loan Exhibition: Drawings & Watercolors from Alumnae and their Families, May 19–June 11, 1961; Wildenstein & Company, New York, June 14–September 9, 1961 (catalogue). Drawings only. Reviewed in Fay 1961.
Mayor, Hyatt, Aline B. Saarinen, and Katharine Kuh. Centennial Loan Exhibition: Drawings & Watercolors from Alumnae and their Families. Poughkeepsie, N.Y.: Vassar College, 1961.
 
Palazzo Ancaiani, Festival of Two Worlds, Spoleto, Italy, Modern American Drawings (organized by the International Council of the Museum of Modern Art, New York), June 16–July 16, 1961; Bezalel National Museum, Jerusalem, August 19–October 3, 1961; Athens Technological Institute, Greece, January 3–21, 1962; Helsinki Art Hall, Finland, March 23–April 18, 1962; Göteborg Museum of Fine Arts, Sweden, April [23]–May 9, 1962; American Cultural Center, Paris, Dessins américains contemporains, June 6–July 10, 1962; USIS Gallery, U.S. Embassy, London, July 22–August 17, 1962; Städtischen Kunstsammlungen, Bonn, Amerikanische Zeichnungen, 1942–1861, August 28–September 30, 1962 (venue catalogues). Drawings only.
Carandente, Giovanni. Disegni Americani Moderni (text in Italian). Rome: De Luca Ediore, 1961.
Modern American Drawings. Introductions by William S. Lieberman, Porter McCray, and Karl Katz. New York: Museum of Modern Art; Jerusalem: Bezalel National Museum, 1961.
Amerikanische Zeichnungen, 1942–1961 (text in German). Introductions by William S. Lieberman and Eberhard Marx. Bonn: Städtischen Kunstsammlungen, 1962.
Modern American Drawings (text in English and Greek). Athens, Greece: Athens Technological Institute, 1962.
Dessins américains contemporains (text in French). Introduction by William S. Lieberman. Paris: Centre Culturel Américain, 1962.
 
Vanguard American Painting (circulated by the United States Information Agency, Washington, D.C.), Galerie Wurthle, Vienna, June 19–July 8, 1961; Zwerglgarten, Salzburg, Austria, July 10–August 31, 1961; Kalemegdan Pavilion, Belgrade, Yugoslavia, September 15–October 1, 1961; Umetnicki Pavilion, Skoplje, Yugoslavia, October 14–29, 1961; Moderna Galerija, Zagreb, Yugoslavia, November 9–20, 1961; Umetnostna Galerija, Maribor, Yugoslavia, November 25–December 4, 1961; Moderna Galerija, Ljubljana, Yugoslavia, December 11, 1961–January 7, 1962; [venue unknown], Rijeka, Yugoslavia, January 13–31, 1962; USIS Gallery, American Embassy, London, March 1–15, 1962; Landesmuseum, Darmstadt, Germany, April 14–May 13, 1962 (venue catalogues). See P172, P213, W94.
Savremena američka umetnost. Introduction by H. H. Arnason (text in Serbo-Croatian). [Belgrade: American Embassy, 1961].
Amerikanische maler der gegenwart (text in German). Introduction by H. H. Arnason. [Salzburg, Austria: Zwerglgarten, 1961.]
Vanguard American Painting. Introduction by H. H. Arnason. London: USIS Gallery, American Embassy, 1962.
 
New Gallery, Provincetown, Mass., 1961 Invitational, July 21–27, 1961. Works unknown.
 
The Collection of Mr. and Mrs. Ben Heller (circulated by the Museum of Modern Art, New York), Art Institute of Chicago, September 22, 1961–October 22, 1961; Baltimore Museum of Art, December 3–31, 1961; Cleveland Museum of Art, March 13–April 10, 1962; California Palace of the Legion of Honor, San Francisco, April 30–June 3, 1962; Portland Museum of Art, Ore., June 15–July 22, 1962; Los Angeles County Museum, September 5–October 14, 1962 (catalogue). See P155, C52. Reviewed in Loper 1962.
The Collection of Mr. and Mrs. Ben Heller. Preface by Alfred H. Barr Jr.; introductions by Ben Heller and William C. Seitz. New York: Museum of Modern Art, 1961.
 
Joslyn Art Museum, Omaha, 100 Works from the Collections at the University of Nebraska, October 1961 (catalogue). See P110.
100 Works from the Collection of the University of Nebraska. Introduction by Eugene Kingman and Norman A. Geske. Omaha: Joslyn Art Museum, 1961.
 
Museum of Modern Art, New York, The Art of Assemblage, October 2–November 12, 1961; Dallas Museum for Contemporary Arts, January 9–February 11, 1962; San Francisco Museum of Art, March 5–April 15, 1962 (catalogue). See C46, C125.
Seitz, William C. The Art of Assemblage. New York: Museum of Modern Art, 1961.
 
Solomon R. Guggenheim Museum, New York, American Abstract Expressionists and Imagists, October 12–December 31, 1961 (catalogue). See P222. Reviewed in Alloway 1961, Kroll 1961a, and Picard 1961.
Arnason, H. H. American Abstract Expressionists and Imagists. New York: Solomon R. Guggenheim Museum, 1961.
 
Robert Elkon Gallery, New York, Inaugural Exhibition, October 17–November 4, 1961. Works unknown.
 
Carnegie Institute, Pittsburgh, The 1961 Pittsburgh International Exhibition of Contemporary Painting and Sculpture, October 27, 1961–January 7, 1962 (catalogue). See P218.
The 1961 Pittsburgh International Exhibition of Contemporary Painting and Sculpture. Introduction by Gordon Bailey Washburn. Pittsburgh: Carnegie Institute, 1961.
 
Museum of Fine Arts, Springfield, Mass., An Exhibition of Contemporary Art: Paintings, Prints, and Sculpture from Private Collections in Greater Springfield (organized by the Greater Springfield Chapter of the National Women’s Committee for Brandeis University), November 29–December 13, 1961 (checklist). Unidentified: Biblical Symbols.
 
Roland de Aenlle Gallery, New York, Artists for Artists of PS619, December 12, 1961–January 6, 1962. Works unknown.
 
Whitney Museum of American Art, New York, 1961 Annual Exhibition of Contemporary American Painting, December 13, 1961–February 4, 1962 (catalogue). See P183.
1961 Annual Exhibition of Contemporary American Painting. New York: Whitney Museum of American Art, 1961.
 
Galerie Schmela, Düsseldorf, Conrad Marca-Relli Malerei und Robert Motherwell Collagen, December 15, 1961–January 15, 1962. See C115, C121, C122.
 
Museum of Modern Art, New York, Recent Acquisitions, December 18, 1961–February 25, 1962 (permanent collection exhibition; checklist published in Museum of Modern Art Bulletin 1962). See P215.
 
1962
 
SOLO EXHIBITIONS
 
Galleria Odyssia, Rome, Collages di Motherwell, [January–February] 1962 (catalogue). See C70–C72, C75, C78, C81–C83, C89–C93, C99, C101, C106–C109, C112–C114, C116, C117, C119, C124, C129, W100.
Hunter, Sam. Collages di Motherwell (text in Italian). Rome: Galleria Odyssia, 1962.
 
Pasadena Art Museum, Calif., Robert Motherwell: A Retrospective Exhibition, February 18–March 11, 1962 (catalogue). See P3, P50, P53, P54, P79, P84, P85, P96, P105, P135, P148, P161, P164, P173, P176, P177, P192, P194, P208, P216, P217, P222, C7, C33, C45, C48, C49, C69, C104, C105, W10, W19, W25, W45, W48, W68, W69, W97, W104. Reviewed in Langsner 1962, Nordland 1962b, Secunda 1962, and Seldis 1962b.
Robert Motherwell: A Retrospective Exhibition. Foreword by Thomas W. Leavitt; essays by Frank O’Hara, Sam Hunter, and Robert Motherwell; and poem by Barbara Guest. Pasadena, Calif.: Pasadena Art Museum, 1962.
 
Galerie der Spiegel, Cologne, Germany, Robert Motherwell, April 6–May 1962. See C83, C89, C112, C116, C117, C124.
 
Sidney Janis Gallery, New York, New Paintings in Oil and Collages by Robert Motherwell, December 4–29, 1962 (checklist and catalogue; works not listed in the catalogue are listed in the checklist). See P220, P223, P224, P229, P230, P242–P244, P246, C125–C128, C131–C133, C135, W120, W127, W129–W133, W135–W137, W139, W140, W142–W147, W149–W156. Reviewed in Ashton 1963a, Ashton 1963b, E[dgar] 1963, Fried 1963, Newsweek 1962, O’Doherty 1962, Roberts 1963, and Tillim 1963.
New Paintings in Oil and Collages by Robert Motherwell. New York: Sidney Janis Gallery, 1975.
 
GROUP EXHIBITIONS
 
Abstract Drawings and Watercolors: U.S.A. (circulated by the International Council of the Museum of Modern Art, New York), Museo de Bellas Artes, Caracas, Venezuela, January 14–February 24, 1962; Museu de Arte Moderna do Rio de Janeiro, March 29–April 22, 1962; Museu de Arte Moderna, São Paulo, Brazil, May 10–30, 1962; Museo de Arte Moderno, Buenos Aires, July 2–22, 1962; Salon of the Municipal Government of Montevideo, Uruguay, August 3–19, 1962; Reifschneider Gallery, Santiago, Chile, September 24–October 10, 1962; Instituto de Arte Contemporáneo, Lima, Peru, October 23–November 3, 1962; Casa de la Cultura Ecuatoriana, Guayaquil, Ecuador, November 10–16, 1962; Museo de Arte Colonial, Quito, Ecuador, November 23–30, 1962; Museo Nacional, Bogotá, Colombia, February 6–27, 1963; Instituto Panameño de Arte, Panama City, Panama, March 11–26, 1963; Palacio de Bellas Artes, Mexico City, May 8–28, 1963 (venue catalogues). See P99.
Ashton, Dore. Dibujos acuarelas abstractos, USA (text in Spanish). Contributions by Anne Dahlgren Hecht and Nadia Hermos. Caracas, Venezuela: Museo de Bellas Artes, 1962.
Ashton, Dore. Desenhos e aquarelas abstratos, USA (text in Portuguese). São Paulo, Brazil: Museu de Arte Moderna de São Paulo, 1962.
Ashton, Dore. Dibujos acuarelas abstractos, USA (text in Spanish, includes artist’s statements). Montevideo, Uruguay: Salon Municipal de Exposiciones, 1962.
Dibujos y acuarelas, USA (text in Spanish). Panama City, Panama: Instituto Panameño de Arte, 1963.
 
Art USA Now: The Johnson Collection of Contemporary American Paintings (circulated by the United States Information Agency, Washington, D.C., and S. C. Johnson & Sons; international dates unknown), Milwaukee Art Center, September 20–October 21, 1962; Bridgestone Gallery, Tokyo, 1962; Honolulu Academy of Arts; Royal Academy of Arts, London, February 14–March 17, 1963; Zappeion, Athens; Palazzo Venezia, Rome; Haus der Kunst, Munich; Salon Prives, Casino de Monte-Carlo, Monaco; Congress Hall, Berlin; Charlottenborg, Copenhagen; Liljevalchs Konsthall, Stockholm; Civico Padiglione d’Arte Contemporanea, Milan; Palais des Beaux-Arts, Brussels; Municipal Gallery of Art, Dublin; Cason del Buen Retiro, Madrid; Kunst-Museum, Lucerne, Switzerland; Musée d’Art Moderne de la Ville de Paris; Akademie der Bildenden Kunste, Vienna; Corcoran Gallery of Art, Washington, D.C., December 29, 1964–January 17, 1965; Philadelphia Museum of Art, February 1–March 7, 1965; Whitney Museum of American Art, New York, March 23–April 18, 1965; Rhode Island School of Design, Providence, April 30–May 23, 1965; Museum of Fine Arts, Boston, June 4–27, 1965; Detroit Institute of Arts, July 9–August 1, 1965; Minneapolis Institute of Arts, August 10–September 5, 1965; Krannert Art Museum, University of Illinois, Urbana, September 17–October 10, 1965; City Art Museum of Saint Louis, October 22–November 14, 1965; Cincinnati Art Museum, November 22–December 16, 1965; Joslyn Art Museum, Omaha, January 28–February 20, 1966; Denver Art Museum, March 4–27, 1966; Seattle Art Museum, April 8–May 1, 1966; Fresno State College, Calif., May 13–June 5, 1966; Fine Arts Gallery of San Diego, Calif., June 17–July 10, 1966; Fort Worth Art Center, July 22–August 14, 1966; Des Moines Art Center, September 1–20, 1966; Tennessee Fine Arts Center, Nashville, September 30–October 23, 1966; Birmingham Museum of Art, Ala., November 4–23, 1966; Wichita Art Museum, Kans., December 7–28, 1966; Andrew Dickson White Museum, Cornell University, Ithaca, N.Y., January 15–February 17, 1967; Joe and Emily Lowe Art Center, Coral Gables, Fla., March 7–April 9, 1967; Columbia Museum of Art, S.C., April 21–May 14, 1967; Museum of Modern Art, Mexico City, June 29–August 15, 1967; O’Keefe Centre, Toronto, September 14–October 15, 1967 [venue catalogues]. See P194.
Weller, Allen S. Art USA Now. Edited by Lee Nordness. Entry “Robert Motherwell,” by Jane Gollin, vol. 2, pp. 189–91. New York: Viking Press, 1963.
Art USA Now (text in English and Japanese). Foreword by Edwin O. Reischauer. Tokyo: Asahi Press and Bridgestone Gallery, 1962.
 
Gimpel Fils, London, A Selection of East Coast and West Coast American Painters, March 1962 (catalogue). See P203.
A Selection of East Coast and West Coast American Painters. London: Gimpel Fils, 1962.
 
Society of the Four Arts, Palm Beach, Fla., American Art of Our Century, March 3–April 1, 1962 (catalogue). See P65.
American Art of Our Century: Lent by the Whitney Museum of American Art. Palm Beach, Fla.: Society of the Four Arts, 1962.
 
Museum of Fine Arts, Houston, Some Recent Accessions, March 8–April 22, 1962 (permanent collection exhibition; catalogue). See P219.
Some Recent Accessions. Houston: Museum of Fine Arts, Houston, 1962.
 
Horace Mann School, Riverdale, N.Y., American Art, April 2, 1962–[end of April] (checklist). See C86. Reviewed in Horace Mann Record 1962.
 
Wadsworth Atheneum, Hartford, Conn., Continuity and Change: 45 American Abstract Painters and Sculptors, April 12–May 27, 1962 (catalogue). See C7, W96.
Continuity and Change: 45 American Abstract Painters and Sculptors. Foreword by Samuel Wagstaff Jr. Hartford, Conn.: Wadsworth Atheneum, 1962.
 
Seattle Fine Arts Pavilion, Seattle World’s Fair: Art since 1950, American and International, April 21–October 21, 1962; Institute of Contemporary Art, Boston, American Art since 1950, November 20–December 23, 1962; Rose Art Museum, Brandeis University, Waltham, Mass., American Art since 1950, November 21–December 23, 1962 (venue catalogues). See P183, C124.
Hunter, Sam. Seattle World’s Fair: Art since 1950, American and International. Seattle: Seattle World’s Fair; Waltham, Mass.: Brandeis University, and Poses Institute of Art, 1962.
American Art since 1950. Foreword by Sam Hunter. Boston: Institute of Contemporary Art, 1962.
 
John and Mable Ringling Museum of Art, Sarasota, Fla., Works of Art from Florida Public Collections, May 1962. See P11. Reviewed in Edelson 1962.
 
Joe and Emily Lowe Art Gallery, University of Miami, Coral Gables, Fla., 18th, 19th, and 20th Century Paintings, July–September 1962. See P92.
 
Arkansas Arts Center, Little Rock, The James A. Michener Collection of Twentieth Century American Paintings, May 3–June 3, 1962; William Rockhill Nelson Gallery of Art, Kansas City, Mo., July 15–September 30, 1962 (catalogue). See P210.
The James A. Michener Collection of Twentieth Century American Paintings. Little Rock: Arkansas Arts Center, 1962.
 
Centenary College for Women, Hackettstown, N.J., [“a collection of contemporary American paintings”], May 6–9, 1962; part of the Centenary College for Women’s “Fine Arts Week,” May 6–12, 1962. See P65.
 
Sidney Janis Gallery, New York, 10 American Painters, May 7–June 2, 1962 (catalogue). See P220. Reviewed in S[andler] 1962.
10 American Painters. New York: Sidney Janis Gallery, 1962.
 
Whitney Museum of American Art, New York, The First Five Years: Acquisitions by the Friends of the Whitney Museum of American Art, 1957–1962, May 16–June 17, 1962 (permanent collection exhibition; catalogue). See C104, C105.
The First Five Years: Acquisitions by the Friends of the Whitney Museum of American Art, 1957–1962. Foreword by Roy R. Neuberger. New York: Whitney Museum of American Art, 1962.
 
Museu de Arte Moderna do Rio de Janeiro, Museu de Arte Moderna Collection Exhibition, June 12–August 26, 1962. See P99.
 
Galerie Charles Lienhard, Zurich, Accrochage, August 1962 (brochure).
Accrochage. Zurich: Galerie Charles Lienhard, 1962.
 
Pasadena Art Museum, Calif., U.S. Abstract Expressionism, October 3–19, 1962. See P50. Reviewed in Seldis 1962a.
 
Trabia-Morris Gallery, New York, Art of the Americas, October 16–November 10, 1962 (catalogue). See W5.
Art of the Americas. Introduction by Emilio del Junco. New York: Trabia-Morris Gallery, 1962.
 
UCLA Art Galleries, Los Angeles, The Gifford and Joann Phillips Collection, November 4–December 9, 1962 (catalogue). See P18, P105, P176, W25, W48, W116. Reviewed in Nordland 1962c.
The Gifford and Joann Phillips Collection. Foreword by Frederick S. Wight. Los Angeles: UCLA Art Galleries, 1962.
 
Art Center in La Jolla, Calif., Oil Paintings from the Collection of Mr. and Mrs. Joseph Hazen (organized by the Los Angeles County Museum of Art), November 29–December 20, 1962; Santa Barbara Museum of Art, Calif., May 14–June 9, 1963. See P127.
 
Galerie Charles Lienhard, Zurich, [group exhibition], December 1962–January 1963 (catalogue). See C78, C90, C106–C108.
Appel, Arp, Tal Coat, Robert Delaunay, Dubuffet, Estéve, Sam Francis, Glarner, Hélion, Herbin, Jenkins, Asger Jorn, Kupka, Wilfredo Lam, Léger, Lohse, Marca-Relli, Miró, Joan Mitchell, Motherwell, Müller, Ben Nicholson, Osborne, Pasmore, Picasso, Riopelle, Rothko, William Scott, Soulages, de Staël, Valenti, Bram van Velde, Villon. Zurich: Galerie Charles Lienhard, 1962.
 
1963
 
SOLO EXHIBITIONS
 
Smith College Museum of Art, Northampton, Mass., An Exhibition of the Work of Robert Motherwell, January 10–28, 1963 (catalogue). See P85, P177, P201, P216, P217, C11, C43, C49, C87, C94, C124, W10, W19, W50, W96, W104, W112, W128, W134, W139, W141, W148, W150, W151, W155–W157.
An Exhibition of Work of Robert Motherwell (includes artist’s statements). Introduction by Lee V. Eastman; foreword by Thomas C. Mendenhall; interview with the artist by Charles Chetham, transcribed by Margaret Paul. Northampton, Mass.: Smith College Museum of Art, 1963.
 
New Gallery, Charles Hayden Memorial Library, Massachusetts Institute of Technology, Cambridge, Robert Motherwell, February [11]–March 3, 1963. See P85, P177, P216, P217, P220, P222, P223, P229, P230, C11, C49, C72, C89, C94, C124–C126, W19, W96, W104, W127, W128, W137–W139, W141, W142, W144, W149–W151, W155. Reviewed in Driscoll 1963 and Taylor 1963.
 
Watkins Gallery, American University, Washington, D.C., Robert Motherwell, March 20–April 4, 1963. See P150, P224, C3, C66.
 
GROUP EXHIBITIONS
 
Wellesley College, Mass., [group exhibition], 1963 (exact dates unknown). See C38.
 
Art Institute of Chicago, 66th American Exhibition: Directions in Contemporary Painting and Sculpture, January 11–February 10, 1963 (catalogue). See W136, W140, W146.
66th Annual American Exhibition: Directions in Contemporary Painting and Sculpture. Foreword by A. James Speyer. Chicago: Art Institute of Chicago, 1963.
 
Goucher College, Baltimore, Selections from the Collection of Mrs. Henry Epstein: An Exhibition at Goucher College Marking the Opening of the College Center, January 13–February 13, 1963 (catalogue). See W17.
Selections from the Collection of Mrs. Henry Epstein: An Exhibition at Goucher College Marking the Opening of the College Center. Preface by Otto F. Kraushaar; introduction by Lincoln F. Johnson. Baltimore: Goucher College, 1963.
 
Baltimore Museum of Art, Master Works from the Museum and Private Collections, January 15–February 10, 1963. See C68.
 
Galerie Müller, Stuttgart, Germany, Sam Francis, Franz Kline, Joan Mitchell, Robert Motherwell, Mark Rothko, January 19–February 15, 1963. Works unknown.
 
Allentown Art Museum, Pa., The James A. Michener Foundation Collection, February 2–March 20, 1963 (catalogue). See P210.
The James A. Michener Foundation Collection. Foreword by James A. Michener; introduction by Richard Hirsch. Allentown, Pa.: Allentown Art Museum, 1963.
 
Washington Gallery of Modern Art, D.C., Lyricism in Abstract Art, February 21–March [9], 1963; traveled to additional venues without the artist’s work. See P224.
 
University of Pennsylvania, Philadelphia, [group exhibition], spring 1963. See W69.
 
Muhlenberg College, Allentown, Pa., Selections from the James A. Michener Foundation Collection, March 21–May 21, 1963. See P210.
 
Galleria la Bussola, Turin, Italy, [group exhibition], April 1963. Works unknown.
 
Columbia Museum of Art, S.C., Ascendancy of American Painting, April 3–June 2, 1963 (brochure). See C44.
Ascendancy of American Painting. Columbia, S.C.: Columbia Museum of Art, 1963.
 
Peoria Art Center, Ill., [loan exhibition], April 7–May 2, 1963. See C50.
 
University of Rhode Island, Kingston, Paintings and Sculpture from the Whitney Museum of American Art, April 28–May 17, 1963 (checklist). See P65.
 
Pasadena Art Museum, Calif., Mr. and Mrs. Max Zurier Collection, April 30–May 21, 1963 (catalogue). See P53, C69.
Mr. and Mrs. Max Zurier Collection. Foreword by Thomas W. Leavitt. Pasadena, Calif.: Pasadena Art Museum, 1963.
 
Sheldon Memorial Art Gallery, Lincoln, Neb., A Selection of Works from the Art Collections at the University of Nebraska, May 1963 (permanent collection exhibition; catalogue). See P110.
A Selection of Works from the Art Collections at the University of Nebraska. Foreword by Clifford M. Hardin. [Lincoln, Neb.]: Board of Regents, University of Nebraska, 1963.
 
Centre Culturel Américain, Paris, De A à Z 1963: 31 Peintres américains choisis par the Art Institute of Chicago, May 10–June 20, 1963; selected works from the Art Institute of Chicago, January 1963 (see entry; catalogue). See W136.
De A à Z 1963: 31 peintres américains choisis par the Art Institute of Chicago (text in French). Introduction by John Maxon and A. James Speyer. Paris: Centre Culturel Américain, 1963.
 
Dallas Museum for Contemporary Arts, Texas Collects 20th Century Art, May 15–28, 1963 (catalogue). See P219.
Texas Collects 20th Century Art. Dallas: Dallas Museum for Contemporary Arts, 1963.
 
Art Institute of Chicago, 23rd Annual Exhibition by the Society for Contemporary American Art, May 24–June 17, 1963 (checklist). See C131.
 
American Federation of Arts, New York, [group exhibition], August 1963 (checklist). See P199.
 
National College of Art and Design, Dublin, Irish Exhibition of Living Art, 1963, August 15–September 14, 1963 (catalogue). See P156. Reviewed in O’Doherty 1963.
Irish Exhibition of Living Art, 1963. Dublin: National College of Art and Design, 1963.
 
Beaverbrook Art Gallery, Fredericton, New Brunswick, Canada, The Dunn International Exhibition, September 7–October 6, 1963; Tate Gallery, London, November 15–December 22, 1963 (catalogues). See P224.
Dunn International: An Exhibition of Contemporary Painting Sponsored by the Sir James Dunn Foundation. Foreword by M. Beaverbrook. London: Arts Council of Great Britain, 1963.
 
Philadelphia Museum of Art, Philadelphia Collects 20th Century, October 3–November 17, 1963 (catalogue). See P12, C22.
Philadelphia Collects 20th Century. Philadelphia: Philadelphia Museum of Art, 1963.
 
Memorial Art Gallery, University of Rochester, N.Y., Selections from the James A. Michener Foundation Collection, October 4–27, 1963 (brochure). See P210.
Selections from the James A. Michener Foundation Collection. Foreword by James A. Michener. Rochester, N.Y.: Memorial Art Gallery, University of Rochester, 1963.
 
Sidney Janis Gallery, New York, 11 Abstract Expressionist Painters, October 7–November 2, 1963 (catalogue). See P220.
11 Abstract Expressionist Painters. New York: Sidney Janis Gallery, 1963.
 
Solomon R. Guggenheim Museum, New York, 20th Century Master Drawings, November 6, 1963–January 5, 1964; University Gallery, University of Minnesota, Minneapolis, February 3–March 15, 1964; Fogg Art Museum, Harvard University, Cambridge, Mass., April 6–May 24, 1964 (catalogue). Drawings only.
Simon, Sidney, and Emily Rauh. 20th Century Master Drawings. Minneapolis: University of Minnesota, 1963.
 
University of Notre Dame Art Gallery, Ind., American Paintings from the Whitney Museum, November 17–December 22, 1963. See P65.
 
Minneapolis Institute of Arts, Four Centuries of American Art, November 27, 1963–January 19, 1964 (catalogue). See P110.
Davidson, Marshall B. Four Centuries of American Art. Introduction by Carl J. Weinhardt. Minneapolis: Minneapolis Institute of Arts, 1963.
 
[Venue unknown], New York, The Second Dissent Art Show, [December] 1963; exhibition and sale for the benefit of Dissent magazine. Works unknown.
 
Museum of Art, Munson-Williams-Proctor Institute, Utica, N.Y., New Directions in American Painting (organized by the Poses Institute of Fine Arts, Brandeis University, Waltham, Mass.), December 1, 1963–January 5, 1964; Isaac Delgado Museum of Art, New Orleans, February 7–March 8, 1964; Atlanta Art Association, March 18–April 22, 1964; J. B. Speed Art Museum, Louisville, Ky., May 4–June 7, 1964; Art Museum, Indiana University, Bloomington, June 22–September 20, 1964; Washington University in Saint Louis, October 5–30, 1964; Detroit Institute of Arts, November 10–December 6, 1964 (catalogue). See W171.
New Directions in American Painting. Introduction by Sam Hunter. Waltham, Mass.: Poses Institute of Fine Arts, Brandeis University, 1963.
 
Isaac Delgado Museum of Art, New Orleans, The James A. Michener Foundation Collection, December 8, 1963–January 12, 1964. See P210.
 
Whitney Museum of American Art, New York, Annual Exhibition, 1963: Contemporary American Painting, December 11, 1963–February 2, 1964 (catalogue). See W165.
Annual Exhibition, 1963: Contemporary American Painting. New York: Whitney Museum of American Art, 1963.
 
Jewish Museum, New York, Black and White, December 12, 1963–February 5, 1964 (catalogue). See P217, W10. Reviewed in Hudson 1964, Kozloff 1964b, Rose 1964, and Sandler 1963a.
Heller, Ben. Black and White (includes artist’s statements). Preface by Alan R. Solomon. New York: Jewish Museum, 1963.
 
National Gallery of Art, Washington, D.C., Paintings from the Museum of Modern Art, New York, December 17, 1963–March 1, 1964 [extended to March 22, 1964] (catalogue). See P215. Reviewed in Raymont 1963.
Paintings from the Museum of Modern Art, New York. Preface by John Walker; foreword by René d’Harnoncourt; introduction by Alfred H. Barr Jr. Washington, D.C.: National Gallery of Art, 1963.
 
1964
 
GROUP EXHIBITIONS
 
Solomon R. Guggenheim Museum, New York, Guggenheim International Award 1964, January 16–March 29, 1964; Academy of Arts, Honolulu, May 14–July 5, 1964; Haus am Luetzowplatz, Berlin, August 21–September 15, 1964; National Gallery of Canada, Ottawa, October 5–November 9, 1964; John and Mable Ringling Museum of Art, Sarasota, Fla., January 16–March 14, 1965; Museo Nacional de Bellas Artes, Buenos Aires, April 20–May 20, 1965 (catalogue). See P220. Reviewed in Sandler 1964 and World 1964.
Guggenheim International Award 1964 (includes artist’s statements). Introduction by Lawrence Alloway. New York: Solomon R. Guggenheim Foundation, 1963.
 
Art Gallery, University of New Mexico, Albuquerque, Selections from the L. M. Asher Family Collection, January 20–February 23, 1964 (catalogue). Drawings only.
Selections from the L. M. Asher Family Collection. Introduction by C[lint] A[dams]. Albuquerque: Art Gallery, University of New Mexico, 1964.
 
Wollman Hall, New School Art Center, New York, The American Conscience: An Exhibition of Contemporary Paintings, March 3–April 4, 1964 (catalogue). See C7, W10. Reviewed in Canaday 1964b.
The American Conscience: An Exhibition of Contemporary Paintings (includes artist’s statements). Foreword by Paul Mocsanyi. New York: New School Art Center, 1964.
 
Goucher College, Towson, Md., Selections from the Robert and Jane Meyerhoff Collection, March 8–April 5, 1964. See C68.
 
City Art Museum of Saint Louis, 200 Years of American Painting, April 1–May 31, 1964 (catalogue). See P156.
200 Years of American Painting. Foreword by Charles Nagel; introduction by Merrill C. Rueppel. Saint Louis: City Art Museum of Saint Louis, 1964.
 
Washington Gallery of Modern Art, D.C., Treasures of 20th Century Art from the Maremont Collection, April 1–May 3, 1964 (catalogue). See P171.
Treasures of 20th Century Art from the Maremont Collection. Preface by Katherine Kuh. Washington, D.C.: Washington Gallery of Modern Art, 1964.
 
Fine Arts Gallery, Indiana University, Bloomington, American Painting 1910 to 1960: A Special Exhibition Celebrating the 50th Anniversary of the Association of College Unions, April 19–May 10, 1964 (catalogue). See P101.
American Painting 1910 to 1960: A Special Exhibition Celebrating the 50th Anniversary of the Association of College Unions. Entry “Robert Motherwell” by Annemarie E. Mahler. Bloomington: Indiana University, 1964.
 
Tate Gallery, London, Painting & Sculpture of a Decade: 54–64 (organized by the Calouste Gulbenkian Foundation, London), April 22–June 28, 1964 (catalogue). See P217, P230, C129. Reviewed in Farnsworth 1964 and Robertson 1964.
Painting & Sculpture of a Decade: 54–64. London: Calouste Gulbenkian Foundation, 1964.
 
Paul Kantor Gallery and Frank Perls Gallery, Beverly Hills, Calif., 50 Years of Beverly Hills, April 25–26, 1964 (checklist). See P148.
 
Fogg Art Museum, Harvard University, Cambridge, Mass., Within the Easel Convention: Sources of Abstract-Expressionism, May 7–June 7, 1964 (catalogue). See P90, C21, C49, W10.
Within the Easel Convention: Sources of Abstract-Expressionism (includes artist’s statements). Foreword by Ann Gabhart, Frieda Grayzel, and Rosalind Krauss; essay by Rosalind Krauss. Cambridge, Mass.: Fogg Art Museum, 1964.
 
Whitney Museum of American Art, New York, The Friends Collect: Recent Acquisitions by Members of the Whitney Museum of American Art, May 8–June 16, 1964 (catalogue). See W124.
The Friends Collect: Recent Acquisitions by Members of the Whitney Museum of American Art. New York: Whitney Museum of American Art, 1964.
 
San Francisco Museum of Art, New Collectors, May 12–June 15, 1964. See C33.
 
Rose Art Museum, Brandeis University, Waltham, Mass., Boston Collects Modern Art, May 24–June 14, 1964 (catalogue). See C124.
Boston Collects Modern Art. Waltham, Mass.: Poses Institute of Fine Arts, Brandeis University, 1964.
 
Marlborough-Gerson Gallery, New York, American Vision: Paintings and Sculpture, June 10–July 31, 1964. See P667. Reviewed in O’Doherty 1964, Willard 1964b, and Willard 1964c.
 
Pavilion of Fine Arts, New York World’s Fair, 1964–65, New York, American Art Today, June 16–July 16, 1964 (catalogue). See C137.
American Art Today. Foreword by Norman E. Blankman. New York: Long Island Arts Center, 1964.
 
Whitney Museum of American Art, New York, Between the Fairs: 25 Years of American Art, 1939–1964, June 24–September 23, 1964 (catalogue). See P157.
Between the Fairs: 25 Years of American Art, 1939–1964. Foreword by Lloyd Goodrich; introduction by John I. H. Baur. New York: Whitney Museum of American Art, 1964.
 
Museum Fridericianum, Kassel, Documenta III, June 27–October 5, 1964 (catalogue). See P224, P229, P277.
Documenta III (text in German). Foreword by Karl Branner; introduction by Werner Haftmann and Arnold Bode. Cologne, Germany: Verlag M. DuMont Schauberg, 1964.
 
Philadelphia Museum of Art, Art since 1945: The Michener Foundation Collection, June 29–September 23, 1964. See P210.
 
Provincetown Art Association, Mass., Golden Anniversary Exhibition, August 2–October 6, 1964 (catalogue). See C138. Reviewed in Newsweek 1964.
Golden Anniversary Exhibition. Foreword by Hudson P. Walker. Provincetown, Mass.: Provincetown Art Association, 1964.
 
J. L. Hudson Gallery, Detroit, Gallery Selections, September 8–26, 1964. Works unknown.
 
Institut Mathildenhöhe, Darmstadt, Germany, I. Internationale der Zeichnung, September 12–November 15, 1964 (catalogue). Unidentified: Untitled.
Krimmel, Bernd, and Micheline Schöffler. I. Internationale der Zeichnung (text in German). Essays by Heinz Winfried Sabais, Werner Hofmann, Dore Ashton, Carl Georg Heise, and Werner Hafmann. Darmstadt, Germany: Institut Mathildenhöhe, 1964.
 
Solomon R. Guggenheim Museum, New York, American Drawings, September 17–October 25, 1964; University of Michigan Museum of Art, Ann Arbor, November 11–December 13, 1964; Grand Rapids Art Museum, Mich., January 10–February 7, 1965; University Gallery, University of Minnesota, Minneapolis, February 24–March 21, 1965; Seattle Art Museum, April 8–May 2, 1965; Denver Art Museum, June 6–July 4, 1965; Dallas Museum of Fine Arts, July 25–August 22, 1965; Columbus Gallery of Fine Arts, Ohio, September 12–October 10, 1965; Krannert Art Museum, University of Illinois, Champaign, November 15–December 5, 1965 (catalogue). See W131, W149, W152, W153. Reviewed in Canaday 1964a.
American Drawings. Introduction by Lawrence Alloway. New York: Solomon R. Guggenheim Foundation, 1964.
 
FAR Gallery, New York, Drawing Today, October 20–31, 1964. Drawings only. Reviewed in Willard 1964a.
 
Museum of Art, Carnegie Institute, Pittsburgh, The 1964 Pittsburgh International Exhibition of Contemporary Painting and Sculpture, October 30, 1964–January 10, 1965 (catalogue). See P274.
The 1964 Pittsburgh International Exhibition of Contemporary Painting and Sculpture. Foreword by Gustave von Groschwitz. Pittsburgh: Museum of Art, Carnegie Institute, 1964.
 
Washington University, Saint Louis, [loan exhibition], November 1964. See C50.
 
Sidney Janis Gallery, New York, A Selection of 20th Century Art of 3 Generations, November 24–December 26, 1964 (catalogue). See W17.
A Selection of 20th Century Art of 3 Generations. New York: Sidney Janis Gallery, 1964.
 
Baltimore Museum of Art, Forty Nine Plus One, November 30, 1964–January 10, 1965 (permanent collection exhibition; checklist). See C3.
 
Tate Gallery, London, The Peggy Guggenheim Collection, December 31, 1964–March 7, 1965 (catalogue). See C8.
The Peggy Guggenheim Collection. Foreword by Gabriel White; preface by Herbert Read; introduction by Peggy Guggenheim. London: Arts Council of Great Britain, 1965.
 
1965
 
SOLO EXHIBITIONS
 
Phillips Collection, Washington, D.C., Collages by Robert Motherwell: A Loan Exhibition, January 2–February 15, 1965 (catalogue). See C3, C21, C49, C68, C71, C78, C82, C90, C91, C106, C108, C112, C117, C124–C126, C129, C131, C136, C137, C141, C142, C144, C146, C147, C149–C152, W116.
Collages by Robert Motherwell: A Loan Exhibition. Washington, D.C.: Phillips Collection, 1965.
 
Robert Motherwell: Works on Paper (circulated by the Museum of Modern Art, New York), Duke University, Durham, N.C., September 20–October 11, 1965; University of Minnesota, Minneapolis, October 25–November 22, 1965; College of St. Benedict, Saint Joseph, Minn., November 30–December 21, 1965; University of Utah, Salt Lake City, January 7–28, 1966; White Memorial Museum, San Antonio, Tex., February 13–March 6, 1966; Library Gallery, University of South Florida, Tampa, March 21–April 11, 1966; Contemporary Arts Association, Houston, April 27–May 17, 1966; Baltimore Museum of Art, September 13–October 16, 1966; Indiana University Museum, Bloomington, October 31–November 20, 1966; University of Colorado, Boulder, December 5–26, 1966; University of California, Riverside, January 13–February 5, 1967; San Francisco Museum of Art, February 20–March 18, 1967; Sacramento State College, Calif., April 2–23, 1967 (catalogue). See P84, P96, P105, P158, P176, P182, P208, P219, P255, P256, P277, P334, P339, P340, P349, C67, C71, C91, C123, C130–C132, C139, C154–C156, W16, W68, W96, W115, W116, W119–W122, W128, W138, W139, W161, W162, W164, W196, W197, W202. Unidentified: Bennington; Drawing; Untitled. Reviewed in Frankenstein 1967a, Fried 1967, Holmes 1966, and Monte 1967.
Robert Motherwell: Works on Paper. Introduction by Wilson Burdett. Houston: Contemporary Arts Museum, 1966.
 
Museum of Modern Art, New York, Robert Motherwell, September 29–November 29, 1965; Stedelijk Museum, Amsterdam, January 7–February 27, 1966; Whitechapel Art Gallery, London, March 17–April 17, 1966; Palais des Beaux-Arts, Brussels, May 5–June 5, 1966; Museum Folkwang, Essen, Germany, Robert Motherwell: Gemälde Collagen Zeichnungen, July 2–August 14, 1966; Galleria Civica d’Arte Moderna, Turin, Italy, September 27–October 30, 1966 (venue catalogues). See P3, P12, P16, P18, P47, P64, P68, P85, P87, P121, P155, P156, P158, P161, P164, P176, P177, P180, P182, P208, P215–P220, P224, P236, P261, P271, P274, P277, P278, P280, P281, P334, P338–P342, P373, P850, C1, C3, C7, C11, C16, C17, C33, C42, C46, C49, C52, C69, C72, C89, C104, C105, C113, C119, C124, C125, C136, C142, C146, C147, C151, C152, W10, W19, W40, W45, W65, W95, W101, W104, W123, W124, W127, W129, W130, W133, W136, W141, W145, W147. Reviewed in Barker 1965, Berkman 1965, B[erkson] 1965, Bernardi 1966, Bourdon 1955, Bowen 1966, Bowyer 1966, [Brett] 1966, Burr 1966, C[anaday] 1965, Carver 1965, Davis 1965, Dunlop 1966, Fabri 1965, Genauer 1965a, Genauer 1965b, Gosling 1966, Grinke 1966, Hudson 1965, Kaufman 1965, Kay 1965, Kozloff 1965b, Lippard 1965, Lynton 1966a, Lynton 1966b, Melville 1966, Moyse 1966, Newsweek 1965, New Yorker 1965, New York Herald Tribune 1965, O’Hara 1965a, Roberts 1966, Robertson 1965, Rykwert 1966, Stone 1966, Tillim 1965, Times (London) 1965, Vogue 1966, Wasserman 1965, Willard 1965, and Williams 1966.
O’Hara, Frank. Robert Motherwell: With Selections from the Artist’s Writings (includes statements by the artist). With contributions by William Berkson, Kynaston McShine, and Bernard Karpel. New York: Museum of Modern Art, 1965.
O’Hara, Frank. Robert Motherwell (text in English and Dutch; includes artist’s statements). Amsterdam: Stedelijk Museum, 1966.
Robert Motherwell: Gemälde Collagen Zeichnungen (text in German; includes artists statements). Introduction by Paul Vogt. Essen, Germany: Museum Folkwang, 1966.
Mallé, Luigi, and Frank O’Hara. Robert Motherwell (text in Italian; includes artist’s statements). Turin, Italy: Galleria Civica d’Arte Moderna, 1966.
 
GROUP EXHIBITIONS
 
Herron Museum of Art, Indianapolis, Painting & Sculpture Today, January 1–31, 1965 (checklist). Unidentified: 34. Untitled.
 
American Collages (circulated by the International Council of the Museum of Modern Art, New York), State University College, Oswego, January 5–26, 1965; Wells College, Aurora, N.Y., February 8–28, 1965; Chatham College, Pittsburgh, March 10–31, 1965; Allentown Art Museum, Pa., April 9–30, 1965; Museum of Modern Art, New York, May 10–July 25, 1965; Goucher College, Baltimore, September 26–October 17, 1965; Kresge Art Center, Michigan State University, East Lansing, November 1–22, 1965; Coe College, Cedar Rapids, Iowa, January 4–26, 1966; Delaware Art Center, Wilmington, February 11–March 4, 1966; State University College, Geneseo, N.Y., May 3–24, 1966; Museum Boymans-van Beuningen, Rotterdam, the Netherlands, September 20–October 30, 1966; Museum Voor Stad en Lande, Groningen, the Netherlands, November 5–December 11, 1966; Court Gallery, Copenhagen, January 6–21, 1966; Kunstnernes Hus, Oslo, February 11–March 5, 1967; Amos Anderson Gallery, Finnish American Society, Helsinki, Finland, April 14–May 7, 1967; Liljevalchs Konsthall, Stockholm, June 2–18, 1967 (checklist and venue catalogues). See C104, C105, C110, C135, C157–C159. Reviewed in Nieuwe Rotterdamse Courant 1966.
Amerikaanse Schilderijen Collages (text in English and Dutch; includes artist’s statements). Rotterdam, the Netherlands: Museum Boymans-van Beuningen, 1966.
American Collages (text in English and Norwegian). Introduction by Kynaston L. McShine. Oslo: Kunstnernes Hus, 1967.
American Collages (text in English and Swedish). Stockholm: Liljevalchs Konsthall, 1967.
 
Charlotte Crosby Kemper Gallery, Kansas City Art Institute, Mo., Expressionism: Force of the Fifties, January 13–February 4, 1965. See P110.
 
Institute of Contemporary Art, University of Pennsylvania, Philadelphia, 1943–1953: The Decisive Years, January 14–March 1, 1965 (catalogue). See P84, P85, C7, W10, W16. Unidentified: Hen.
1943–1953: The Decisive Years. Introduction by Samuel Adams Green. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1965.
 
University of Alabama, Tuscaloosa, [loan exhibition], February 1965. See C50.
 
Krannert Art Museum, Champaign, Ill., Twelfth Exhibition of Contemporary American Painting and Sculpture, March 7–April 11, 1965 (catalogue). See P280.
Twelfth Exhibition of Contemporary American Painting and Sculpture. Introduction by Allen S. Weller. Urbana: University of Illinois Press, 1965.
 
Providence Art Club, R.I., Critics’ Choice: Art since World War II, March 31–April 24, 1965 (catalogue). See P340.
Hess, Thomas B., Hilton Kramer, and Harold Rosenberg. Critics’ Choice: Art since World War II. Providence, R.I.: Providence Art Club, 1965.
 
Metropolitan Museum of Art, New York, Three Centuries of American Painting, April 9–October 17, 1965 (catalogue). See P138.
Three Centuries of American Painting. New York: Metropolitan Museum of Art, 1965.
 
Whitney Museum of Art, New York, A Decade of American Drawings, 1955–1965, April 28–June 6, 1965 (catalogue). See W156. Unidentified: 65. Untitled.
A Decade of American Drawings, 1955–1965. Foreword by Donald M. Blinken. New York: Whitney Museum of Art, 1965.
 
Greenross Gallery, New York, [group exhibition], May 6–22, 1965. Works unknown.
 
Lyman Allyn Museum, New London, Conn., A Contemporary Collection of Painting and Sculpture Selected from the Collection of Eleanor Ward, May 16–September 16, 1965 (catalogue). See C61.
A Contemporary Collection of Painting and Sculpture Selected from the Collection of Eleanor Ward. Introduction by Dore Ashton. New London, Conn.: Lyman Allyn Museum, 1965.
 
Museum of Fine Arts, Houston, Contemporary American and European Painting and Sculpture, summer 1965 (permanent collection exhibition). See P219.
 
White House, Washington, D.C., The White House Festival of the Arts, June 14, 1965 (catalogue). See P216.
The White House Festival of the Arts. Washington, D.C.: White House, 1965.
 
Los Angeles County Museum of Art, New York School, The First Generation: Paintings of the 1940s and 1950s, June 16–August 1, 1965 (catalogue). See P54, P96, P164, P173, C7, C38, C48, W17. Reviewed in Seldis 1965.
Tuchman, Maurice, ed. New York School, The First Generation: Paintings of the 1940s and 1950s (includes artist’s statements). Los Angeles: Los Angeles County Museum of Art, 1965.
 
Marlborough Galleria d’Arte, Rome, Maestri del XIX e XX secolo, July 1–September 15, 1965 (checklist). See W167, W177.
 
Treat Gallery, Bates College, Lewiston, Maine, Primitive Art through Optical Art, November 1–30, 1965. See P65.
 
Whitney Museum of American Art, New York, 1965 Annual Exhibition: Contemporary American Painting, December 8, 1965–January 30, 1966 (catalogue). See P256.
1965 Annual Exhibition: Contemporary American Painting. New York: Whitney Museum of American Art, 1965.
 
1966
 
GROUP EXHIBITIONS
 
Birmingham Museum of Art, Ala., Selections from the James A. Michener Foundation Collection, January 2–31, 1966; University of Alabama, Tuscaloosa, February [3]–28, 1966. See P210.
 
University Art Museum, University of Texas, Austin, Drawings &: An Exhibition at the University Art Museum of the University of Texas, February 6–March 15, 1966 (catalogue). See P65.
Drawings &: An Exhibition at the University Art Museum of the University of Texas. Foreword by Donald B. Goodall; introduction by Mercedes Matter. Austin: University Art Museum, University of Texas, 1966.
 
Cordier & Ekstrom, New York, Hommage à Caissa, February 8–26, 1966. Drawings only.
 
Cincinnati Art Museum, American Painting, February 15–March 15, 1966 (brochure). See P1123.
American Painting. Preface by Richard J. Boyle. Cincinnati: Cincinnati Art Museum, 1966.
 
Peace Tower (installed at the intersection of La Cienega and Sunset boulevards), Los Angeles, February 26, 1966 (end date unknown). Works unknown.
 
Seth Siegelaub, New York, 25: Painting and Sculpture, March 1–26, 1966 (checklist). Unidentified: 11. Painting.
 
Kunstverein Hannover, Germany, 127. Frühjahrsausstellung, March 13–April 17, 1966 (catalogue). See P191.
127. Frühjahrsausstellung (text in German). Hannover, Germany: Kunstverein Hannover, 1966.
 
Nelson Gallery-Atkins Museum, Kansas City, Mo., [loan exhibition from Washington University in Saint Louis], April 7–May 8, 1966. See C55.
 
San Francisco Museum of Art, Art for the Collection: 20th Century American Master Drawings, April 20–May 29, 1966. See W182.
 
Marlborough-Gerson Gallery, New York, America, Italy, England: Three Concepts, [June]–July 29, 1966. Works unknown. Reviewed in Schjeldahl 1966.
 
Palais Galliera, Paris, Centenaire de Toulouse-Lautrec: Tableaux et sculptures modernes, June 7–8, 1966 (catalogue). Works unknown.
Centenaire de Toulouse-Lautrec: Tableaux et sculptures modernes. Introduction by Michel Tapié. Paris: Palais Galliera, 1966.
 
Cleveland Museum of Art, Fifty Years of Modern Art, 1916–1966, June 14–July 31, 1966 (catalogue). See P156, P215.
Henning, Edward B. Fifty Years of Modern Art, 1916–1966 (includes artist’s statements). Cleveland: Cleveland Museum of Art, 1966.
 
Cedar Rapids Art Center, Iowa, [loan exhibition], June 24–July 24, 1966. See C50.
 
Jewish Museum, New York, Contemporary Art for the Synagogue, June 29–September 5, 1966; Hillel Foundation, University of Chicago, September 29–October 20, 1966; Westside Jewish Community Center, Los Angeles, November 3–23, 1966; Rochdale Jewish Center, Jamaica, N.Y., December 7–20, 1966; Woodsdale Temple, Wheeling, W.Va., January 4–19, 1966; Council of Jewish Organizations, Hamilton, Ontario, Canada, February 1–21, 1966; to additional unknown venues (catalogue). See P116.
Kline, Katherine. Contemporary Art for the Synagogue. New York: Jewish Museum, in association with the Union of American Hebrew Congregations, 1966.
 
Baltimore Museum of Art, Selections from the Robert and Jane Meyerhoff Collection, September 27–October 30, 1966 (catalogue). See P198, C68.
Selections from the Robert and Jane Meyerhoff Collection. Foreword by Charles Parkhurst. Baltimore: Baltimore Museum of Art, 1966.
 
Whitney Museum of American Art, New York, Art of the United States, 1670–1966, September 28–November 27, 1966 (catalogue). See P87.
Goodrich, Lloyd. Art of the United States, 1670–1966. New York: Whitney Museum of American Art, 1966.
 
Institute of Contemporary Art, University of Pennsylvania, Philadelphia, New Art in Philadelphia, September 30–November 11, 1966 (catalogue). See P343, W148.
New Art in Philadelphia. Philadelphia: Institute of Contemporary Art, 1966.
 
Kunstmuseum St. Gallen, Switzerland, Amerikanische Kunst aus Schweizer Besitz, October 8–November 20, 1966 (catalogue). See P31, P191. Unidentified: 87. Personnage; 90. In Black.
Amerikanische Kunst aus Schweizer Besitz (text in German). St. Gall, Switzerland: Kunstverein St. Gallen, 1966.
 
Two Decades of American Painting (circulated by the International Council of the Museum of Modern Art, New York), National Museum of Modern Art, Tokyo, October 15–November 27, 1966; National Museum of Modern Art, Kyoto, Japan, December 10, 1966–January 22, 1967; Lalit Kala Akademi, New Delhi, March 28–April 15, 1967; National Gallery of Victoria, Melbourne, Australia, June 6–July 9, 1967; Art Gallery of New South Wales, Sydney, Australia, July 17–August 13, 1967 (venue catalogues). See P177, P229, P350, P353, P363. Reviewed in McCaughey 1967.
Rasmussen, Waldo, ed. Two Decades of American Painting (text in English and Japanese). Essays by Irving Sandler, Lucy R. Lippard, and G. R. Swenson. Tokyo: National Museum of Modern Art, 1966.
Rasmussen, Waldo, ed. Two Decades of American Painting. Essays by Irving Sandler, Lucy R. Lippard, and G. R. Swenson. New Delhi: Lalit Kala Akademi, 1967.
Rasmussen, Waldo, ed. Two Decades of American Painting. Essays by Lucy Lippard, Irving Sandler, and G. R. Swenson. Melbourne, Australia: National Gallery of Victoria; Sydney, Australia: Art Gallery of New South Wales, 1967.
 
Fogg Art Museum, Harvard University, Cambridge, Mass., Paintings and Sculpture from the Hazen Collection, October 19–December 1, 1966 (checklist). See P127.
 
Weatherspoon Art Gallery, University of North Carolina at Greensboro, Art on Paper, 1966, November 6–December 16, 1966 (catalogue). See W216.
The Weatherspoon Annual Exhibition: Art on Paper, 1966. Introduction by Gilbert F. Carpenter. Greensboro, N.C.: Weatherspoon Art Gallery, 1966.
 
Drexel Institute of Technology, Philadelphia, Art 75: Seventy-fifth Anniversary Exhibition; Contemporary Painting and Sculpture, November 9–December 2, 1966 (checklist). See P362.
 
J. L. Hudson Gallery, Detroit, Abstract Expressionism—A Continuing Tradition, November 9–30, 1966 (brochure). See P255, P359, C75, C160, C168, W190, W210.
Abstract Expressionism—A Continuing Tradition. Detroit: J. L. Hudson Gallery, 1966.
 
Cranbrook Academy of Art, Bloomfield Hills, Mich., Source: Detroit, December 8, 1966–January 1, 1967 (checklist). See P255.
 
Oakland University, Rochester, Mich., A Point of View: Selected Paintings and Drawings from the Richard Brown Baker Collection, December 16, 1966–January 28, 1967 (checklist). See C38.
 
1967
 
SOLO EXHIBITIONS
 
Robert Motherwell: Works on Paper (circulated by the International Council of the Museum of Modern Art, New York; shown in conjunction with Drawings by Arshile Gorky), Centro de Artes Visuales del Instituto Torcuato Di Tella, Buenos Aires, November 29–December 23, 1967; Museo de Bellas Artes de Caracas, Venezuela, January 21–February 14, 1968; Biblioteca Luis-Angel Arango del Banco de la Republica, Bogotá, Chile, March 25–April 7, 1968; Museo Universitario de Ciencias y Arte, Mexico City, May 3–June 18, 1968 (venue catalogues). See C71, C72, C82, C89, C117, C119, C125, C132, C136, C150, C155, C157, C198, C222, W10, W16, W19, W94, W97, W101, W122, W128, W138, W139, W162, W170, W196, W197, W206, W207, W213, W229, W231–W233. Reviewed in Herner de Schmelz 1968.
“Sobre papel”: Obras de Robert Motherwell (text in Spanish). Foreword by Waldo Rasmussen; introduction by H. H. Arnason. Buenos Aires: Centro de Artes Visuales del Instituto Torcuato de Tella, 1967.
Gorky-Motherwell (text in Spanish). Foreword by Waldo Rasmussen; introduction by H. H. Arnason. Caracas, Venezuela: Museo de Bellas Artes de Caracas, 1968.
Arshile Gorky: Dibujos; Robert Motherwell: Obras sobre papel (text in Spanish). Foreword by Waldo Rasmussen; introduction by H. H. Arnason. Bogotá, Chile: Biblioteca Luis-Angel Arango del Banco de la Republica, 1968.
Sobre papel: Obras de Arshile Gorky y Robert Motherwell (text in Spanish). Introduction by Juan Garcia Ponce. Mexico City: Museo Universitario de Ciencias y Arte, 1968.
 
GROUP EXHIBITIONS
 
J. L. Hudson Gallery, Detroit, Gallery Selections, January 7–February 1, 1967. Works unknown.
 
Winnipeg Art Gallery, Manitoba, Canada, Contemporary Americans, February 8–28, 1967 (catalogue). See C46, C145, C169.
Contemporary Americans. Introduction by Illi-Maria Harff. Manitoba, Canada: Winnipeg Art Gallery, 1967.
 
Henry Gallery, University of Washington, Seattle, Drawings by Americans: Recent Work by Thirteen Contemporary Artists, February 12–March 19, 1967 (catalogue). See W82. Unidentified: 6. Pregnant Nude, #3; 7. Untitled.
Drawings by Americans: Recent Work by Thirteen Contemporary Artists. Introduction by Gervais Reed. Seattle: Henry Gallery, University of Washington, 1967.
 
Museum of Art, Rhode Island School of Design, Providence, Exchange Exhibition, Exhibition Exchange: From the Collection of Rose Art Museum, Brandeis University, February 15–March 31, 1967 (catalogue). See P218.
Exchange Exhibition, Exhibition Exchange: From the Collection of Rose Art Museum, Brandeis University. Essays by William C. Seitz and Daniel Robbins. Providence: Museum of Art, Rhode Island School of Design, 1967.
 
Krannert Art Museum, Champaign, Ill., Contemporary American Painting and Sculpture, 1967, March 5–April 9, 1967 (catalogue). See P361.
Contemporary American Painting and Sculpture, 1967. Introduction by Allen S. Weller. Urbana: University of Illinois Press, 1967.
 
Library and Teaching Galleries, University of South Florida, Tampa, Drawings and Collages from the Richard Brown Baker Collection, March 7–April 6, 1967. See C38.
 
North Carolina Museum of Art, Raleigh, American Paintings since 1900 from the Permanent Collection, April 1–23, 1967 (permanent collection exhibition; catalogue). See P67.
American Paintings since 1900 from the Permanent Collection. Raleigh: North Carolina Museum of Art, 1967.
 
Grand Rapids Art Museum, Mich., 20th Century American Painting, April 2–30, 1967 (catalogue). See P110.
Warnock, Anne E. 20th Century American Painting. Foreword by Walter H. McBride. Grand Rapids, Mich.: Grand Rapids Art Museum, 1967.
 
Institute of Contemporary Art, Boston, New Directions in Collecting, Part One: Museum Acquisitions, April 8–May 14, 1967; Berkshire Museum, Pittsfield, Mass., July 5–25, 1967 (catalogue). See P218.
New Directions in Collecting, Part One: Museum Acquisitions. Introduction by Sue M. Thurman. Boston: Institute of Contemporary Art, 1967.
 
North Shore Community Arts Center, Great Neck, N.Y., Fifty American Painters from the Whitney Museum and Collections of Long Island, April 9–30, 1967. See P65.
 
Art Institute of Chicago, 27th Annual Exhibition by the Society for Contemporary American Art, April 11–May 21, 1967 (checklist). See P341, C128.
 
American Painting: The 1940’s (circulated by the American Federation of Arts, New York, and the Cultural Affairs Committee of the University of Georgia, Athens), Georgia Museum of Art, University of Georgia, Athens, April 19–May 10, 1967; Art Club of Erie, Pa., August 6–27, 1967; Roberson Center for the Arts and Sciences, Binghamton, N.Y., September 10–October 1, 1967; Everson Museum, Syracuse, N.Y., October 15–November 5, 1967; Kent Boys’ School, Conn., November 19–December 10, 1967; Museum of Fine Arts, St. Petersburg, Fla., January 28–February 18, 1968; Bacardi Imports, Miami, March 3–24, 1968; Greenville County Museum of Art, S.C., April 7–28, 1968; Nassau Community College, Garden City, N.Y., May 12–June 12, 1968 (catalogue). See P12.
Dodd, Lamar, and William D. Paul Jr. American Painting: The 1940’s. New York: American Federation of Arts, 1967.
 
United States Pavilion, Expo ’67, Montreal, American Painting Now, April 28–October 27, 1967; Horticultural Hall, Boston, December 15, 1967–January 10, 1968 (catalogue). See P367.
Solomon, Alan. American Painting Now, Boston: Institute of Contemporary Art, 1967.
 
University of California, Irvine, A Selection of Paintings and Sculptures from the Collections of Mr. and Mrs. Robert Rowan, May 2–21, 1967; San Francisco Museum of Art, June 2–July 2, 1967 (catalogue). See P50.
A Selection of Paintings and Sculptures from the Collections of Mr. and Mrs. Robert Rowan. Irvine: University of California, 1967.
 
Fondation Maeght, Saint-Paul-de-Vence, France, Dix ans d’art vivant, 1955–1965, May 3–July 23, 1967 (catalogue). See C125.
Dix ans d’art vivant, 1955–1965 (text in French). Preface by François Wehrlin. Saint-Paul-de-Vence, France: Fondation Maeght, 1967.
 
Whitney Museum of American Art, New York, American Art of the Twentieth Century: Selections from the Permanent Collection, June 30–September 24, 1967 (permanent collection exhibition). See P65, C104, C105.
 
Cleveland Museum of Art, Recent Acquisitions by Cleveland Collectors, July 11–September 11, 1967. See C10.
 
Dayton Art Institute, Ohio, International Selection 1967, September 15–October 15, 1967. See P359.
 
Washington Gallery of Modern Art, D.C., Art for Embassies Selected from the Woodward Foundation Collection, September 30–November 5, 1967 (catalogue). See P151.
Art for Embassies Selected from the Woodward Foundation Collection. Introductions by Charles W. Millard and Henry Geldzahler. Washington, D.C.: Washington Gallery of Modern Art, 1967.
 
Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Selected Works from the Collection of Mr. and Mrs. H. Gates Lloyd, October 18–November 19, 1967 (catalogue). See P12. Unidentified: 40. Automatism with Splash.
Selected Works from the Collection of Mr. and Mrs. H. Gates Lloyd. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1967.
 
Museum of Art, Carnegie Institute, Pittsburgh, 1967 Pittsburgh International Exhibition of Contemporary Painting and Sculpture, October 27, 1967–January 7, 1968 (catalogue). See P370.
1967 Pittsburgh International Exhibition of Contemporary Painting and Sculpture. Foreword by Gustave von Groschwitz. Pittsburgh: Museum of Art, Carnegie Institute, 1967.
 
Stedelijk van Abbemuseum, Eindhoven, the Netherlands, Kompass 3: Schilderkunst na 1945 uit New York, November 9–December 17, 1967; Frankfurter Kunstverein, Kompass New York: Schilderkunst na 1945 uit New York, December 30, 1967–February 11, 1968 (venue catalogues). See P365, C178, C179.
Kompass 3: Schilderkunst na 1945 uit New York; Paintings after 1945 in New York (text in English and Dutch). Preface by P. Wember and Jean Leering; essay by Jean Leering. Eindhoven, the Netherlands: Stedelijk van Abbemuseum, 1967.
Kompass New York: Malerei nach 1945 aus New York; Paintings after 1945 in New York (text in English and German). Essays by Jean Leering and E. Rathke. Frankfurt: Frankfurter Kunstverein, [1967].
 
Richard Gray Gallery, Chicago, Artists/Bennington: An Exhibition of Works by Artists Identified with Bennington College, December 6–31, 1967. Works unknown.
 
Whitney Museum of American Art, New York, 1967 Annual Exhibition of Contemporary Painting, December 13, 1967–February 4, 1968 (catalogue). See P378.
1967 Annual Exhibition of Contemporary Painting. New York: Whitney Museum of American Art, 1968.
 
1968
 
SOLO EXHIBITIONS
 
San Francisco Museum of Art, Robert Motherwell Paintings, October 1–November 3, 1968. See P334. Reviewed in Albright 1968, Bloomfield 1968, and Los Angeles Times 1968.
 
Whitney Museum of American Art, New York, Robert Motherwell: Collages, October 7–November 17, 1968 (checklist). See C150, C200, C205, C207, C208, C210, C223, C228–C233, C235–C241, C246, C252, C253, C257, C259, C262, C263, C633. Reviewed in Andreae 1968, Kramer 1968, and Wasserman 1968.
 
GROUP EXHIBITIONS
 
United States Embassy, Mexico City, Art in Embassies: Mexico City III, February 1968–August 1969 [extended to August 1970]. See P398.
 
Telfair Academy of Arts and Sciences, Savannah, Ga., American Paintings from the Whitney Museum, N.Y., January 9–February 20, 1968; Society of the Four Arts, Palm Beach, Fla., March 1–31, 1968. See P65.
 
Pennsylvania Academy of the Fine Arts, Philadelphia, The One Hundred and Sixty-third Annual Exhibition: American Painting and Sculpture, January 19–March 3, 1968 (catalogue). See P339, P362, P376.
The One Hundred and Sixty-third Annual Exhibition: American Painting and Sculpture. Foreword by Joseph T. Fraser Jr. Philadelphia: Pennsylvania Academy of Fine Arts, 1968.
 
City Art Museum of Saint Louis, Works of Art of the Nineteenth and Twentieth Centuries Collected by Louise and Joseph Pulitzer, Jr., January 23–March 24, 1968 (catalogue). See C19.
Works of Art of the Nineteenth and Twentieth Centuries Collected by Louise and Joseph Pulitzer, Jr. Saint Louis: City Art Museum of Saint Louis, 1968.
 
Social Comment in American Art (circulated by the Museum of Modern Art, New York), Lawrence University, Appleton, Wis., February 25–March 15, 1968; White Museum of Art, Cornell University, Ithaca, N.Y., April 9–30, 1968; Museum of Art, Bowdoin College, Brunswick, Maine, June 13–July 7, 1968; Bloomsburg State College, Pa., September 22–October 13, 1968; College of Wooster, Ohio, November 1–22, 1968; Municipal University of Omaha, January 3–31, 1969; DePauw University, Greencastle, Ind., February 21–March 16, 1969; Sloan Galleries of American Painting, Valparaiso University, Ind., April 8–28, 1969; Mankato State College, Minn., May 19–June 9, 1969. See P331, P516.
 
Finch College Museum of Art, New York, Betty Parsons’ Private Collection, March 13–April 24, 1968; Cranbrook Academy of Art, Bloomfield Hills, Mich., September 22–October 20, 1968; Brooks Memorial Art Gallery, Memphis, November 1–December 1, 1968 (venue catalogues). See P41.
Betty Parsons’ Private Collection. Essay by E. C. Goossen. New York: Finch College Museum of Art, 1968.
Betty Parsons’ Private Collection. Foreword by Robert J. McKnight; introduction by Elayne H. Varian; essay by E. C. Goossen. Bloomfield Hills, Mich.: Cranbrook Academy of Art; Memphis: Brooks Memorial Art Gallery, 1968.
 
Museum of Modern Art, New York, Dada, Surrealism, and Their Heritage, March 27–June 9, 1968; Los Angeles County Museum of Art, July 16–September 8, 1968; Art Institute of Chicago, October 19–December 8, 1968 (catalogue). See C42 (work shown only in New York). Reviewed in Ashbery 1968a and Ashbery 1968b.
Rubin, William S. Dada, Surrealism, and Their Heritage (includes artist’s statements). New York: Museum of Modern Art, 1968.
 
Gould Student Center Gallery, New York University, Selections from the New York University Art Collection, April 27–May 4, 1968 (checklist). See C88.
 
Herron Museum of Art, Indianapolis, Painting & Sculpture Today—’68, May 12–June 9, 1968 (catalogue). See W203.
Painting & Sculpture Today—’68. Indianapolis: Herron Museum of Art, 1968.
 
National Gallery of Art, Washington, D.C., Paintings from the Albright-Knox Art Gallery, May 18–July 21, 1968 (catalogue). See P156.
Paintings from the Albright-Knox Art Gallery. Foreword by John Walker; introduction by Gordon Mackintosh Smith. Buffalo: Buffalo Fine Arts Academy, 1968.
 
Central Pavilion, XXXIV Biennale di Venezia, Venice, XXXIV Biennale di Venezia: Linee della ricerca contemporanea: Dall’informale alle nuove strutture, June 10–October 20, 1968 (catalogue). See P373.
Venezia Biennale 1968 (text in Italian). Preface by Giovanni Favaretto Fisca; introduction by G. A. Dell’Acqua. Venice: Ufficio Stampa della Biennale, 1968.
 
Museum of Contemporary Art, Chicago, Selections from the Collection of Mr. & Mrs. Robert B. Mayer, July 13–September 8, 1968 (catalogue). See P341.
Selections from the Collection of Mr. & Mrs. Robert B. Mayer. Essays by Jan van der March and David H. Katzive. Chicago: Museum of Contemporary Art, 1968.
 
San Francisco Museum of Art, Contemporary Painting and Sculpture from Bay Area Collections, September 13–October 23, 1968. See P360.
 
Olympic Games Arts Festival, Mexico City, Contemporary American Painting from the Collection of Richard Brown Baker, October 1968. See C38.
 
Honolulu Academy of Arts, Signals in the ’Sixties, October 5–November 10, 1968 (catalogue). See P353.
Signals in the ’Sixties. Foreword by James W. Foster Jr.; introduction by James Johnson Sweeney. Honolulu: Honolulu Academy of Arts, 1968.
 
Finch College Museum of Art, New York, Documentation: Sculpture, Painting, Drawing, October 15–November 24, 1968 (catalogue). See W80.
Documentation: Sculpture, Painting, Drawing. Essay by Elayne H. Varian. New York: Finch College Museum of Art, 1968.
 
Richard Feigen Gallery, Chicago, Richard J. Daley, October 23–November 23, 1968; Contemporary Arts Center, Cincinnati, December 19, 1968–January 4, 1969; Richard Feigen Gallery, New York, February 19, 1969; to additional unknown venues (catalogue). See P180, W250. Reviewed in Janson 1968 and Time 1968b.
Richard J. Daley. Introduction by J. S. M. Cincinnati: Contemporary Arts Center, 1968.
 
Milwaukee Art Center, The Collection of Mrs. Harry Lynde Bradley, October 25, 1968–February 23, 1969 (catalogue). See W205, W208.
The Collection of Mrs. Harry Lynde Bradley. Introduction by Tracy Atkinson. Milwaukee: Milwaukee Art Center, 1968.
 
Museum of Modern Art, New York, In Honor of Dr. Martin Luther King, Jr., October 31–November 3, 1968 (checklist). See C154.
 
Café Galerie, New York, Premiere Exhibit, November 1968 (exact dates unknown; checklist). See C57.
 
American Painting: The 1950’s (circulated by the American Federation of Arts, New York), Georgia Museum of Art, University of Georgia, Athens, November 3–December 1, 1968; Wichita Art Museum, Kans., December 22, 1968–January 19, 1969; Charles and Emma Frye Art Museum, Seattle, February 9–March 9, 1969; Roberson Memorial Center for the Arts and Sciences, Binghamton, New York, May 18–June 15, 1969; University of Pittsburgh, July 6–August 3, 1969; Huntington National Bank, Columbus, Ohio, September 8–October 6, 1969; Edmonton Art Gallery, Alberta, Canada, October 26–November 23, 1969 (catalogue). See W19.
Washburn, George B., ed. American Painting: The 1950’s. New York: American Federation of the Arts, 1968.
 
Provincetown Art Association and Museum, Mass., [group exhibition], November 3–December 1968. Works unknown.
 
Reese Palley Gallery, San Francisco, Motherwell/Kline, November 6–December 7, 1968. See P169, C155, C157, C198, C222, W122, W128, W138, W139, W206, W229.
 
Marlborough-Gerson Gallery, New York, Drawings, Watercolors, and Sculpture by Modern Masters, December 1968–January 25, 1969. Drawings only.
 
1969
 
SOLO EXHIBITIONS
 
Marlborough-Gerson Gallery, New York, Robert Motherwell: “Open” Series, 1967–1969, May 13–June 7, 1969 (catalogue). See P409, P411, P413, P415, P418–P422, P425, P427, P429–P431. Reviewed in Andreae 1969, Apollo 1969a, Ashton 1969a, Glueck 1969, Gruen 1969, Kramer 1969b, Schjeldahl 1969b, and Simon 1969.
Robert Motherwell: “Open” Series, 1967–1969. New York: Marlborough-Gerson Gallery, 1969.
 
Museum of Modern Art, New York, Robert Motherwell: Lyric Suite, September 8–October 13, 1969. Drawings only.
 
Marlborough Galleria d’Arte, Rome, Robert Motherwell, October 23–November 25, 1969; Galleria Toninelli, Milan, December 1969; Galleria La Bussola, Turin, Italy, January 27–February 23, 1970. See P425, P448, P453, P474, P475, P480, P488, P495, P498, P501, C214, C257, W254. Unidentified: three untitled works.
 
Toledo Museum of Art, Ohio, Paintings and Collages by Robert Motherwell, November 2–December 7, 1969; Seattle Art Museum, January 9–February 15, 1970; Stanford University Art Museum, Palo Alto, Calif., New Works by Robert Motherwell, April 14–May 17, 1970 (checklist). See P177, P277, P340, P350, P353, P378, P413, P416, P430, P490, P492, P998, C22, C132, C238, C246. Unidentified: 5. Beside the Sea, No. 68. Reviewed in Bruner 1969.
 
GROUP EXHIBITIONS
 
Solomon R. Guggenheim Museum, New York, Works from the Peggy Guggenheim Foundation, January 16–March 23, 1969 (catalogue). See C8.
Works from the Peggy Guggenheim Foundation. Foreword by Harry F. Guggenheim and Harry F. Messer; introduction by Peggy Guggenheim. New York: Solomon R. Guggenheim Museum, 1969.
 
University of Maryland Art Department and Art Gallery, J. Millard Tawes Fine Arts Center, College Park, Retrospective for a Critic: Duncan Phillips, February 12–March 16, 1969 (catalogue). See C129.
Hormats, Bess. Retrospective for a Critic: Duncan Phillips. Preface by George Levitine; introduction by William H. Gerdts; foreword by J. William Fulbright. College Park: University of Maryland, 1969.
 
Virginia Museum of Fine Arts, Richmond, Judge the Jury, March 14–April 13, 1969; selected works from Whitney Museum of American Art, New York, 1968. See P336, P378, C205, C207, C208, C210, C223, C230–C233, C235, C236, C238–C241, C246, C252, C253, C257, C259, C262, C263, C633, W196.
 
Department of Creative Arts Gallery, Purdue University, West Lafayette, Ind., Collage: Bearden, Bultman, Motherwell, Nickle, Roeber, April 1–May 2, 1969 (catalogue). See C132. Unidentified: five collages.
Collage: Bearden, Bultman, Motherwell, Nickle, Roeber. Introduction by Tony Vevers. Lafayette, Ind.: Purdue University, 1969.
 
James Graham & Sons Gallery, New York, The Big Drawing, April 8–May 3, 1969. See W305.
 
Scudder Gallery, Paul Creative Arts Center, University of New Hampshire, Durham, The Rose Art Museum Collection, Brandeis University, April 14–May 5, 1969 (catalogue). See P218.
The Rose Art Museum Collection, Brandeis University. Introductions by Dirk Bach and Russell Connor. Durham, N.H.: Scudder Gallery, 1969.
 
Museum of Modern Art, New York, Twentieth-Century Art from the Nelson Aldrich Rockefeller Collection, May 26–September 1, 1969 (catalogue). See P86, W133, W136.
The Nelson Aldrich Rockefeller Collection. Foreword by Monroe Wheeler; preface by Nelson A. Rockefeller; essay by William S. Lieberman. New York: Museum of Modern Art, 1969.
 
National Museum of Modern Art, Tokyo, Contemporary Art: Dialogue between the East and the West, June 12–August 17, 1969 (catalogue). See P426.
Contemporary Art: Dialogue between the East and the West (text in English and Japanese). Introduction by Yukio Kobayashi and Masayoshi Homma. Tokyo: National Museum of Modern Art, 1969.
 
Lincoln Laboratory, Massachusetts Institute of Technology, Lexington, [loan exhibition], June 16–September [30], 1969. See C49.
 
Museum of Modern Art, New York, The New American Painting and Sculpture: The First Generation, June 18–October 5, 1969 (checklist). See P3, P4, P47, P87, P215, P373, P420, C7, C237, W259. Reviewed in Apollo 1969b, Reading Eagle 1969, Rosenberg 1969, and Schjeldahl 1969a.
 
Tirca Karlis Gallery, Provincetown, Mass., Ten Americans, July 11–17, 1969. Works unknown.
 
Whitney Museum of American Art, New York, Seventy Years of American Art, Permanent Collection: Section 2, 1950–1969, July 15–September 28, 1969 (permanent collection exhibition). See C104, C105.
 
Emily Lowe Gallery, Hofstra University, Hempstead, N.Y., From Betty Parsons’ Private Collection, September 1969–October 17, 1969. See P41.
 
San Francisco Museum of Art, Focus on Collectors, September 26–October 26, 1969. See P253.
 
Metropolitan Museum of Art, New York, New York Painting and Sculpture, 1940–1970, October 18, 1969–February 8, 1970 (catalogue). See P3, P85, P220, P338, P411, P414, C11, C230, W252. Reviewed in Kramer 1969a, Kramer 1969c, and Young 1969.
Geldzahler, Henry. New York Painting and Sculpture, 1940–1970. Foreword by Thomas P. F. Hoving; essays by Harold Rosenberg, Robert Rosenblum, Clement Greenberg, William Rubin, and Michael Fried. New York: E. P. Dutton, in association with the Metropolitan Museum of Art, 1969.
 
Museo Nacional de Bellas Artes, Buenos Aires, 109 Obras de Albright-Knox Art Gallery, October 23–November 30, 1969 (catalogue). See P156.
109 Obras de Albright-Knox Art Gallery (text in Spanish). Foreword by Seymour H. Knox; introduction by Gordon M. Smith. Buenos Aires: Asociación Amigos del Museo Nacional de Bellas Artes, 1969.
 
Marion Koogler McNay Art Museum, San Antonio, Tex., Collectors Gallery III, November 7–December 24, 1969. See C199.
 
New School Art Center, New York, American Drawings of the Sixties: A Selection, November 11, 1969–January 10, 1970 (catalogue). See W109.
American Drawings of the Sixties: A Selection. Foreword by Paul Mocsanyi. New York: New School Art Center, 1969.
 
Whitney Museum of American Art, New York, 1969 Annual Exhibition: Contemporary American Painting, December 16, 1969–February 1, 1970 (catalogue). See P489. Reviewed in Mellow 1969.
1969 Annual Exhibition: Contemporary American Painting. Foreword by John I. H. Baur. New York: Whitney Museum of American Art, 1969.
List of Exhibitions (Part 1): 1939–1969
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