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3. Anti-Bienal, Bienal, and the Dissolution of Los Once
Abigail McEwen
Description: Revolutionary Horizons: Art and Polemics in 1950s Cuba
Revolutionary Horizons: Art and Polemics in 1950s Cuba
By the end of 1953 and their eponymous exhibition at the Lyceum, Los Once appeared fully vested as a third-generation vanguardia, flush with recent critical success and increasingly adept in their promotion of abstract art. The martiano overtones...
Author
Abigail McEwen
PublisherYale University Press
Copyright© 2016 by Abigail McEwen
Related print edition pages: pp.67-93
https://doi.org/10.37862/aaeportal.00104.006
Stable URL: https://aaeportal.com/?id=-18041
Chapter subject tags:Avant-garde (Aesthetics)--Latin AmericaCuba--History--1933-1959Grupo Los Once (Artists' group)Art, Cuban--Exhibitions--20th centuryModernism (Art)--CubaArt, Latin American--20th centuryCuba--Politics and government--20th century

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3. Anti-Bienal, Bienal, and the Dissolution of Los Once