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List of illustrations

  • Portrait of Fath Khan, son of Malik Ambar
  • Frederick II and His Imperial Subjects
  • Frederick II and His Imperial Subjects, detail of four black Africans
  • Martyrdom of St. Mark
  • St. Michael Defeating an Attack on Constantinople
  • Pentecost
  • Egyptians, detail of the Pentecost
  • Head of a Black African (Johannes Maurus?)
  • The "False Frederick" and his Retainers
  • The Magi Before Herod
  • Adoration of the Magi
  • Adoration of the Magi
  • Coronation of the Virgin with a Black African Donor
  • Donor, detail of the Coronation of the Virgin with a Black African Donor
  • Armorial panel of Jacob of Reinach and his first wife, Eva von Schonau
  • Armorial bearings of the bishopric of Freising. Decorated initial. "Liber praediorum," fol. 1 (detail)
  • Armorial bearings of the bishopric of Freising. Decorated initial. "Liber praediorum," fol. 94r (detail)
  • Armorial bearings of Kirchberg family. Zurich Roll of Arms (detail)
  • Armorial bearings of Heinrich von Morungen. "Weingartner Liederhandschrift," p. 80
  • Armorial bearings of the "holy kings" of Cologne. Universal Armorial of the Geire Herald (Claes Heinen), fol. 28v
  • Banners of Sardinia and Corsica associated with the arms of the king of Aragon. Universal Armorial of the Gelre Herald (Claes Heinen), fol. 62v
  • From left to right: Armorial bearings of Jonge H'Man van Mekeren (Gelderland), Jan van Ranst (Brabant), H'Buria van Jupli, H'Henric van Haerd (Hesse), J'Librecht van Meldert (Brabant), He'van Moerkirke (Flanders), H'Jacop V'Vkane (France), A. van Stevoort. Universal Armorial of the Gelre Herald (Claes Heinen), fols. 90v, 74r, 106r, 97r, 74r, 82v, 48v, 107r (details)
  • Armorial bearings of Ubertino da Carrara. P. P. Vergerius, "Liber de principibus Carrariensibus et gestis eorum," fol. 26v
  • Wild Men and Moors
  • Wild Men and Moors, detail
  • Adoration of the Magi
  • Adoration of the Magi and four prophets
  • Adoration of the Magi
  • Adoration of the Magi
  • Melancholy, detail
  • John of Oppava. St. Matthew's mission in Ethiopia. "Evangelistary," fol. 1v
  • Adoration of the Magi
  • First decan of Aries. Albumasaar, "Treatise on Astrology," fol. 6v (detail)
  • First decan of Aries. Albumasaar, "Treatise on Astrology," fol. 4r
  • Second decan of Aquarius. Albumaser, "Treatise on Astrology," fol. 29v
  • First decan of Aries. Albumasar, "Treatise on Astrology," fol. 11 bisv (detail)
  • Second decan of Aquarius. Albumaser, "Treatise on Astrology," fol. 17v (detail)
  • Third decan of Aquarius. Albusamar, "Treatise on Astrology," fol. 17v (detail)
  • Martyrdom of St. Matthew. "Martyrology," fol. 94r (detail)
  • Martyrdom of St. Maurice. "Martyrology," fol. 94v (detail)
  • Queen of Sheba. Conrad Kyeser, "Bellifortis," fol. 122r
  • St. Gregory the Moor and St. Gereon, detail of the central panel of a triptych
  • St. Gereon and his companions in the Theban Legion. Fragment of an altarpiece wing
  • Detail of St. Gereon and his companions in the Theban Legion
  • Adoration of the Magi, detail
  • Adoration of the Magi, historiated initial
  • Adoration of the Magi, two altarpiece panels
  • Adoration of the Kings. Middle panel of the Twelfth Night Altarpiece
  • Adoration of the Magi, left wing of an altarpiece
  • Black King
  • Meeting of the Magi. John of Hildesheim, "Die Heiligen Drige Kunige," fol. 13v
  • Magi's dreams. John of Hildesheim, "Die Heiligen Drige Kunige," fol. 20r
  • Burial place of the Three Kings. John of Hildesheim, "Die Heilegen Drige Kunige," fol. 38r
  • St. Thomas baptizing the Magi
  • The Magi founding a city on the hill of Vaus
  • Moses fighting in the Land of the Blacks, where he finds a wife. "Historiated Bible," fol. 107r
  • The black bride of the Song of Songs. Krumlov Compilation, p. 256 (detail).
  • Solomon worshipping idols. "Speculum humanae salvationis," fol. 16r, detail
  • Apparition of the Star to the Magi. "Speculum humanae salvationis," fol. 31r (detail)
  • Solomon worshipping idols. Hans Vintier, "Die Blumen der Tugend," fol. 6r
  • Envoys of the Antichrist preaching before the kings of Libya and Ethiopia. "Antichrist," fol. 2v
  • King of the Moors submitting to the Antichrist. "Antichrist," fol. 5r
  • Fabulous figures and black men marching toward the Antichrist. Adoration of the Antichrist. "Antichrist," fol. 4r
  • Armorial bearings of Prester John. Ulrich Richental, "Das Konzil zu Konstanz," fol. 130r (detail)
  • Armorial bearings of the Great Khan and his vassals, including Ethiopia and "Rex Morot." Ulrich Richental, "Das Konzil zu Konstanz," fol. 130v
  • Armorial bearings of the Count of Anthonis (Greek), of the Duke of Aschalott (Walachia), of the Duke of Zaltaygen (Greek), and of Alexander of Littow (Greek). Ulrich Richental, "Das Konzil zu Konstanze," fols. 135r and 135v (details)
  • Armorial bearings of the king of "Ybernia." "Conciliumbuch zu Costantz," fol. 101r (detail)
  • Armorial bearings of the king of "Ybernia." "Conciliumbuch zu Costantz," fol. 101r (detail)
  • Armorial bearings of the Magi-Kings. Ulrich Richental, "Das Konzil zu Konstanz," fol. 70r
  • Tomb of St. Thomas
  • Tower of King David. Armorial of Conrad Grünenberg, p. 3
  • Armorial bearings of the emperor of "Argyle." Armorial of Conrad Grünenberg, p. 83
  • Crests on display the day before a tourney. Armorial of Conrad Grünenberg, p. 233
  • Prester John and his vassals. Armorial of Conrad Grünenberg, p. 53
  • Armorial of Conrad Grünenberg, p. 68 (armorial bearings of the king of "Kanoppat" top row, middle)
  • Seven deadly sins. "Mélagnes théologiques," fol. 57v (detail)
  • Torment of the damned. Guillaume de Digulleville, "Pèlerinage de la vie humaine, de l'âme et de Jésus-Christ," fol. 117r (detail)
  • Torment of the damned. Guillaume de Digulleville, "Pèlerinage de la vie humaine, de l'âme et de Jésus-Christ," fol. 121r (detail)
  • Loosing of the four angels of the Euphrates and the invasion of horsemen. "Apocolypse en français," fol. 28r
  • Invasion of locusts. "Apocolypse en français," fol. 27r
  • King of Babylon grasping the seventh cup. "Apocolypse en français," fol. 52v
  • The Death Sentence
  • Scourging. Passion and Martyrdom of St. Sulpice, left lancet, lowest medallion
  • Scourging. "Très Belles Heures de Notre-Dameè of the Duke of Berry, p. 197
  • Eucharistic legend. Predella of an altarpiece, detail
  • Saracens retreating before the monstrance raised aloft by St. Clare. Altarpiece panel, detail
  • Torturing of the fifty philosophers of Alexandria, detail of the a panel of the St. Catherine Altarpiece
  • Capture of Antioch. William of Tyre, "Histoire de la Terre d'Outremer," fol. 57r (detail)
  • Defeat of the prince of Egypt. William of Tyre, "Histoire de la Terre d'Outremer," fol. 119r (detail)
  • Charlemagne's siege of Agen, "Chroniques de Francer," vol. 1, fol. 168v (detail)
  • Capture of Damietta. Joinville, "Vie de Saint Louis," p. 83
  • Crusaders fighting Saracens, detail
  • Abraham accuses Abimelech's servant. "Bible of Jean de Sy," fol. 34v (bottom of page)
  • Alliance between Abraham and Abimelech at Beer-Sheba. "Bible of Jean de Sy," fol. 34r (bottom of page)
  • Miracle of the Black Leg from the Predella of the Altarpiece of St. Cosmas and St. Damian (left panel)
  • Martyrdom of St. Cosmas and St. Damian. Predella of the Altarpiece of St. Cosmas and St. Damian
  • Fortune between Eur and Meseur. Christine de Pisan, "Mutacion de Fortune," fol. 16r (detail)
  • Satan. "Dante, "La Divina Commedia: Inferno," fol. 93r.
  • Trial by Fire
  • Pentecost
  • Cleopatra. "Abreviamen de las Estorias," fol. 15v (detail)
  • Synchronological table of ancient rulers. "Abreviamen de las Estorias," fol. 10v (detail)
  • Encirclement of Lesser Armenia by Muslim forces. Marino Sanudo, "Liber secretorum fidelium crucis," fol. 14r (bottom of page)
  • Encirclement of the sultan of Egypt by crusaders and Christians of Nubia. Marino Sanudo, "Liber secretorum fidelium crucis," fol. 14r (bottom of page)
  • Map of the Black Sea (south at the top). Marino Sanudo, "Liber secretorum fidelium crucis," fol. 107r
  • World map (east at the top. Marino Sanudo, "Liber secretorum fidelium crucis," fols. 112v–113r
  • Portolano
  • Catalan Atlas
  • King of Mali, detail from "Catalan Atlas," fol. 3r
  • Portolano (detail)
  • Princes of the Orient at the court of Dame Fortune. Thomas II of Saluzzo, "Le Chevalier Errant," fol. 162r
  • Coronation of Hannibal. Titus Livius, "Histoire de Rome," vol. II, fol. 1
  • Gluttony: banquet of the Great Khan. "Tractatus de septem vitiis," fol. 13r
  • Julius Caesar and Attendants (from the Nine Heroes Tapestries), detail of black musician
  • Muhammad preaching. Boccaccio, "Des cas des nobles hommes et femmes," fol. 357v (detail)
  • Muhammad preaching. Boccaccio, "Des cas des nobles hommes et femmes," vo. 1, fol. 147r (detail)
  • Phaedria asks Parmenon to send two slaves to Thais. Terence, "Comedies (The Eunuch)," fol. 51v (detail)
  • Martyrdom of St. Mark. "Très Riches Heures" of the Duke of Berry, fol. 19v
  • Multiplication of the loaves. "Très Riches Heures" of the Duke of Berry, fol. 168v
  • David proclaiming the glory of God. "Très Riches Heures" of the Duke of Berry, fol. 27v (detail)
  • The apostles preaching. "Très Riches Heures" of the Duke of Berry, fol. 28r (detail)
  • Christ being led to the praetorium. "Très Riches Heures" of the Duke of Berry, fol. 143r (detail)
  • Detail of Meeting of the Magi. "Très Riches Heures" of the Duke of Berry, fol. 51v
  • Adoration of the Magi, detail
  • Multiplication of the loaves, detail. "Très Riches Heures" of the Duke of Berry, fol. 168v
  • Meeting of the Magi. "Très Riches Heures" of the Duke of Berry, fol. 51v
  • Adoration of the Magi
  • Queen of Sheba fording the Stream of Kedron. "Hours of the Catherine of Cleves," fol. 109r
  • Exaltation of the Cross. "Très Riches Heures" of the Duke of Berry, fol. 193r
  • Adoration of the Magi
  • Cortege of the Queen of Sheba
  • Two black boys in the cortege, detail of Cortege of the Queen of Sheba
  • The Adoration of the Magi, detail
  • Episode from the "Chason de Roland": baptism of Otinel by Bishop Turpin
  • Head of a black
  • Episode from an Arthurian legend: group of knights (fragment)
  • St. Paul preaching. Predella of the altarpiece of the high altar (detai)
  • St. Dominic of Silos and the release of captives
  • John VIII Palaeologus leaving Constantinople and his meeting with Pope Eugenius IV in Ferrara
  • Pope Eugenius IV giving the Bull of Union to the Ethiopians. Arrival of the Ethiopians and the Copts in Rome
  • Journey of the Magi, detail of the bowman in the cortege
  • Journey of the Magi (with portraits of the Medici family)
  • Catalan world map
  • So-called Genoese planisphere
  • Prester John and his kingdom, detail of So-called Genoese planisphere
  • West Africa, detail of So-called Genoese planisphere
  • Prester John. So-called Genoese planisphere
  • World map (south at the top)
  • Nile vally, detail of World map (south at the top)
  • Conversion of the Ethiopian eunuch. Bible of Evert van Zoudenbalch, vol. II, fol. 81v
  • Black bride of the Song of Songs. Bible of Evert van Zoudenbalch, vol. I, fol. 298v
  • Adoration of the Magi
  • Adoration of the Magi, altarpiece wing, upper part
  • Adoration of the Magi
  • Adoration of the Magi
  • The Magi/Kings, detail of Archbishop Dietrich von Mörs's funerary monument
  • Adoration of the Magi, detail of a black king
  • Adoration of the Magi
  • Adoration of the Magi, detail
  • Adoration of the Magi, detail
  • Conversion of a Saracen. Jehan Germain, "Débat du Chrétien et du Sarrasin," fol. 14v
  • Departure of the Argonauts. "Roman de Troie," fol. 31r (detail)
  • Marriage of Philippa of Catania to Raymond de Campagne. Boccaccio, "Des cas des nobles hommes et femmes," fol. 347r
  • Death of Paris. Eighth piece in a series of tapestries on the Trojan War (detail)
  • Detail of Death of Paris. Eighth piece in a series of tapestries on the Trojan War (detail)
  • Alexander's battle with Porus, drawing after a tapestry in the "Story of Alexander" (detail)
  • Episodes from the life of Alexander the Great: Alexander plumbs the depths of the ocean and the attack of the wild men
  • Ambassadors of the Great Khan before King Mabrien. "Renaud de Montauban," fol. 387r
  • St. Francis of Assisi before the Sultan of Egypt, from Altarpiece of the Lives of the Virgin and Saint Francis
  • St. Francis of Assisi before the Sultan of Egypt, detail, from Altarpiece of the Lives of the Virgin and Saint Francis
  • Archangel Michael fighting the Saracens. Altarpiece panel
  • St. James Matamoros
  • Adoration of the Magi, detail of head of a black king
  • Adoration of the Magi in the Floreins triptych, detail of head of a black king
  • Head of the black king. Altarpiece of the Tanners' Guild, called the Seven Joys of the Virgin
  • Adoration of the Magi, detail of head of the black king
  • Seven Joys of Mary
  • Seven Joys of Mary, detail
  • Adoration of the Magi, detail
  • Adoration of the Magi
  • Adoration of the Magi
  • Cortege of the Magi. Altarpiece fragment
  • Adoration of the Magi
  • Adoration of the Magi, fragment
  • Black king (detail)
  • Black serving man (detail)
  • Half-length view of the black king
  • Adoration of the Magi
  • Adoration of the Kings
  • Adoration of the Kings, detail
  • Adoration of the Magi, detail
  • Adoration of the Magi
  • Adoration of the Magi, detail of a carved altarpeice
  • Adoration of the Magi
  • Adoration of the Magi
  • Adoration of the Magi, detail
  • Adoration of the Magi
  • Adoration of the Magi
  • Adoration of the Magi, detail of right wing
  • Adoration of the Magi
  • Adoration of the Magi, detail
  • Adoration of the Magi, detail
  • Prince Massimiliano Sforza having a meal. Aelius Donatus, "Garmmatica," fol. 26r
  • Allegorical scene. "La historia elle cose fate dallo invictissimo duca Francesco Sforza," book I, lower margin of the title page
  • Putti and two female onlookers, detail
  • Judith with the head of Holofernes
  • Miracle of the True Cross, detail of gondolier
  • Meeting of Ursula and the Prince, detail
  • Meeting of Etherius and Ursula and the Departure of the Pilgrims, from the St. Ursula Cycle, detail
  • Black serving woman, detail of Birh of the Virgin
  • Group of six black musicians, detail of Marriage of St. Ursula to Prince Conan. Panel of the Santa Auta Altarpiece
  • Laura Dianti
  • Birh of the Virgin
  • Calendar, month of January. "Book of Hours" of Dom Manuel, fol. 5v (detail)
  • Marriage of St. Ursula to Prince Conan. Panel of the Santa Auta Altarpiece
  • Musicians
  • Triumph of Caesar. "Romuleon," fol. 170r
  • Crucifixion, detail of group of musicians
  • Moorish dancer
  • Our Lady of Mercy
  • Our Lady of Mercy, detail
  • Detail of Triptych of the "Descent from the Cross," with St. Michael and St. Anthony
  • Triptych of the "Descent from the Cross," with St. Michael and St. Anthony
  • The Resurrection of Lazarus. Panel from reredos of Isabel la Católica (Isabel the Catholic) with scenes from the life of Christ
  • Multiplication of the Loaves. Panel from reredos of Isabel la Católica (Isabel the Catholic) with scenes from the life of Christ
  • Christ Before Pilate (detail). Panel of the altarpiece of the high altar
  • Miracle of the Black Leg, altarpiece panel
  • Miracle of the Black Leg
  • Miracles of the Medical Saints Cosme and Damien
  • Miracle of the Black Leg
  • Author delivering his book to the grand master of the Order of St. John of Jerusalem
  • Burning of the Bones of St. John the Baptist
  • Armorial bearings of the Pucci family
  • Tilting at the quintain (detail)
  • Letter from the chancellory of Maximilian I ennobling the Winkler von Mohrenfels family
  • Wild man holding two shields
  • St. George
  • Playing cards: king in the parrot series
  • Playing cards: knave in the parrot series
  • Armorial bearings of the Dürer family
  • Anton Tucher II and his wife Anna Reich
  • Armorial bearings of Hartmann Schedel
  • World Map. Hartmann Schedel, "Liber Chronicarum" (A. Koberger: Nuremberg, German edition), fols. XIIv–XIIIr
  • Stabius, terrestrial globe
  • Planisphere. "Insularium illustratum," fols. 68v–69r
  • Lineage of Ham. Hartmann Schedel, "Liber Chronicarum" (A. Koberger: Nuremberg, Latin edition), fols. XIVv–XVr
  • Lybian Sibyl
  • Tree of Jesse, detail
  • Tree of Jesse, detail
  • Tree of Jesse, detail of the black King
  • Tree of Jesse, detail
  • Amazonia. "Les Secrets de l'histoire naturelle contenant les merveilles et choses mémorables du monde," fol. 2r
  • Ethiopia. "Les Secrets de l'histoire naturelle contenant les merveilles et choses mémorables du monde," fol. 20r
  • Crucifixion
  • The Last Judgment
  • The Last Judgment, detail of group of the elect
  • The Last Judgment, detail of group of the damned
  • The Last Judgment, detail of group of the elect
  • Baptism of the Ethiopian eunuch
  • Detail of The Supper at Emmaus
  • The Last Supper, Abraham and Melchizedek, Moses receiving manna
  • The Supper at Emmaus
  • The Garden of Earthly Delights
  • The Garden of Earthly Delights, detail
  • The Garden of Earthly Delights, detail
  • The Garden of Earthly Delights, Garden panel, detail
  • The Garden of Earthly Delights, detail of central panel
  • Garden of Earthly Delights, detail of central panel
  • Map of the Old and New Worlds (detail)
  • The Cantino planisphere
  • Fort of Elmina, detail of the Cantino planisphere
  • Natives of Guinea, Algoa, Arabia, and India
  • Natives of Africa and India
  • Tapestry of the Indies: giraffes
  • Triumph of the King of Cochin
  • Triumph of the King of Cochin
  • Triumpoh of Emperor Maximilian I, pl. 124: procession of the peoples from Calicut
  • Portrait of Katharina
  • Portrait of a black man
Free
Description: The Image of the Black in Western Art, Volume II: From the Early Christian Era to...
Contents
Author
PublisherHarvard University Press
https://doi.org/10.37862/aaeportal.00138.001
Free
Description: The Image of the Black in Western Art, Volume II: From the Early Christian Era to...
The Image of the Black in Western Art was conceived by the late Dominique Schlumberger de Menil (1908–1997) and her husband, John (1904–1973), fifty years ago. The de Menils were known internationally for their patronage of artists such as René Magritte and Max Ernst as early as the 1930s, and eventually for the size and range of their art collection. Their passion for...
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PublisherHarvard University Press
https://doi.org/10.37862/aaeportal.00138.002
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Description: The Image of the Black in Western Art, Volume II: From the Early Christian Era to...
Acknowledgments
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PublisherHarvard University Press
https://doi.org/10.37862/aaeportal.00138.003
Description: The Image of the Black in Western Art, Volume II: From the Early Christian Era to...
Before 1979, when the medieval section of the Menil Foundation’s The Image of the Black volumes first appeared, nothing of a systematic or comprehensive nature had been published on this topic, which most mainstream...
PublisherHarvard University Press
Related print edition pages: pp.1-30
https://doi.org/10.37862/aaeportal.00138.004

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Description: The Image of the Black in Western Art, Volume II: From the Early Christian Era to...
The first part of this volume devoted a good deal of attention to the imperial areas of Europe, a procedure dictated by the iconographic evidences found both in the Carolingian sphere and in the Germanic Empire that followed. We have seen that a wealth of themes and myths grew up around the color black, the Aethiops, Prester John, the Queen of Sheba, and the Magi, and we followed the emergence and...
PublisherHarvard University Press
Related print edition pages: pp.31-82
https://doi.org/10.37862/aaeportal.00138.005

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Description: The Image of the Black in Western Art, Volume II: From the Early Christian Era to...
The development of the image of the black in nonimperial Europe differed from the evolution we have so far studied. We have seen that in the empire the image developed mainly within the confines of heraldry and typology. The rest of Europe was traversed by two conflicting currents—the one traditional, with its stereotypes, the other realistic, with its concrete images derived from contact...
PublisherHarvard University Press
Related print edition pages: pp.83-152
https://doi.org/10.37862/aaeportal.00138.006

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Description: The Image of the Black in Western Art, Volume II: From the Early Christian Era to...
The second half of the fifteenth century saw the world change in several ways. Some of these changes were spectacular; others, deeper though less visible, foreshadowed economic, social, and political upheavals whose aftershock would be felt clear into the twentieth century. European relations with Africa and Africans became closer and more complex than anything known in the previous ten centuries....
PublisherHarvard University Press
Related print edition pages: pp.153-184
https://doi.org/10.37862/aaeportal.00138.007

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Description: The Image of the Black in Western Art, Volume II: From the Early Christian Era to...
The last quarter of the fifteenth century witnessed a fresh outbreak of representations of Africans. From then on the black is really “seen” and “translated” in various ways. This variety reflects the contradictions in which Europe was living. Except for the highly localized example of St. Maurice, the most traditional theme and the one most closely connected with the...
PublisherHarvard University Press
Related print edition pages: pp.185-279
https://doi.org/10.37862/aaeportal.00138.008

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Description: The Image of the Black in Western Art, Volume II: From the Early Christian Era to...
Africa and the Africans have not, until very recently, been in the forefront of Western man’s concerns. The study which is here brought to a close—incomplete as it still is—has revealed neither a real interest in the black world and its cultures nor an effort to capitalize on the knowledge gained of that world. One must look to reasons other than Africa’s existence as a...
PublisherHarvard University Press
Related print edition pages: pp.281-284
https://doi.org/10.37862/aaeportal.00138.009

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Description: The Image of the Black in Western Art, Volume II: From the Early Christian Era to...
Abbreviations
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PublisherHarvard University Press
https://doi.org/10.37862/aaeportal.00138.010
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Description: The Image of the Black in Western Art, Volume II: From the Early Christian Era to...
Illustrations
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PublisherHarvard University Press
https://doi.org/10.37862/aaeportal.00138.011
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Description: The Image of the Black in Western Art, Volume II: From the Early Christian Era to...
Index
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PublisherHarvard University Press
https://doi.org/10.37862/aaeportal.00138.012
The Image of the Black in Western Art, Volume II: From the Early Christian Era to the “Age of Discovery,” Part 2: Africans in the Christian Ordinance of the World
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