Save
Save chapter to my Bookmarks
Cite
Cite this chapter
Print this chapter
Share
Share a link to this chapter
Free
Index of Titles
Robert L. Herbert (Editor), Eleanor S. Apter (Editor), Elise K. Kenney (Editor)
Description: The Société Anonyme and the Dreier Bequest at Yale University: A Catalogue...
The Société Anonyme and the Dreier Bequest at Yale University: A Catalogue Raisonné
Index of Titles
Author
Robert L. Herbert (Editor), Eleanor S. Apter (Editor), Elise K. Kenney (Editor)
PublisherYale University Art Gallery
PublisherYale University Press
Copyright© 1984 by Yale University
https://doi.org/10.37862/aaeportal.00158.015
Stable URL: https://aaeportal.com/?id=-16894
View chapters with similar subject tags
Chapter images ()
Loading image navigation...
No image index could be found for this publication.
Close this Panel
Show previous images Show next images
Index of Titles
Page numbers follow artists’ names.
Catalogue numbers follow titles.
ALAJÁLOV, CONSTANTIN 36–37
Harlequin and Woman, 1
ALBERS, JOSEF 38–40
White Circle, 2
Segments, 3
Gate, 4
ANNOT 41–42
Still Life: Flowers in Vase, 5, 6
Seated Woman, 7
ARCHIPENKO, ALEXANDER 42–48
Figure (Sketch for a Construction), 8
Figure Seated at a Table, 9
Thirteen Lithographs, 10A–M Woman, 11
ARP, JEAN (HANS) 48–51
Bird-Man, 12
Torso-Navel, 13
7 Arpaden, 14A–G
BARLACH, ERNST 51–53
Woman at the Hearth, 15
Cross and Grave Robbers, 16
Hope and Despair II, 17
BARNES, CHARLES 54–55
Abstract Composition, 18, 19
BAUER, RUDOLF 55–62
Untitled [Abstract Forms], 20, 21, 23, 24, 26, 27, 30, 32, 33
Lithograph No. 14, 22
Andante V, 25
Untitled [Drypoint], 28
Untitled [Watercolor], 29
Untitled [Sea Forms], 31
BAUMEISTER, WILLI 62–64
Soccer Players, 34
BERGMANN-MICHEL, ELLA 64–66
Spectral Reflection b 209, 35
Spectral Event, 36
BLANKENBURG, LOTHAR 66
View of Cottage, 37
BLOCH, ALBERT 66–68
Sunday, 38
Edge of the Village, 39
Villagers, 40
Holiday Evening, 41
BOCCIONI, UMBERTO 68–73
Study I for Dynamism of a Cyclist, 42
Study II for Dynamism of a Cyclist, 43
Still Life: Glass and Siphon, 44
BOIX, RICHARD 73–74
Study for Caricature of Man Ray, 45
Caricature of Man Ray, 46
Study for Caricature of Marcel Duchamp, 47
Caricature of Marcel Duchamp, 48
BOLOTOWSKY, ILYA 75–80
Untitled [Triangular Forms], 49
Untitled [Abstraction], 50
Abstraction [Yellow Background], 51
Untitled [Abstraction (Pink Background)], 52
Untitled [Study for mural, Day Room, Chronic Diseases Hospital, Welfare Island, New York], 53
Autumn [Study for mural, Men’s Day Room, Chronic Diseases Hospital, Welfare Island, New York], 54
Sailing [Study for mural, Men’s Day Room, Chronic Diseases Hospital, Welfare Island, New York], 55
Untitled [Christmas Card], 56
BORTNYIK, SÁNDOR 80–82
Red Locomotive, 57
BRANCUSI, CONSTANTIN 82–86
Yellow Bird, 58
BRAQUE, GEORGES 86–89
Black and White Collage, 59
BROCKMANN, GOTTFRIED 89–91
The Rigging Loft of Fame, 60
The Muse of the Arts, 61
BROMBERGER, DORA 91–96
Village Street, 62
Autumn Chilliness, 63
Still Life with Plants, 64
In the Cow Barn, 65
The City Street, 66
Village Scene, 67
Horses, 68
Harvesting, 69
Sheep and Three Children, 70
Landscape with Houses, 71
Goats and Landscape, 72
Young Girl and Sheep, 73
The Hill, 74
The Road, 75
Beach with Walkway, 76
BROWN, DOUGLAS EDWIN 96–97
The House of the Rich Man, Port-Au-Prince, Haiti, 77
Decadence in Guatemala, 78
BRUCE, PATRICK HENRY 98–105
Plums, 79
Composition I, II, III, IV, V, 80–84
BUCHHEISTER, CARL 106–17
Red and Green Steps, 85
Composition Tender Green, 86
White with Black Wedge, 87
Portrait of Helma Schwitters, 88
Composition, 89
Sketch 12a after “Narrow Form, Variation 27,” 90
Sketch 25 after “Diagonal Composition 232a,” 91
Sketch 34 after “Picture with Bent Planes,” 92
Sketch 26 after “Diagonal Composition 533r,” 93
Sketch 29 after “Picture with White Wedge,” 94
Sketch 28 after “Composition 233/r,” 95
Sketch 33 after “Composition with Pink Triangle,” 96
Sketch 31 after “Diagonal Composition Brown-Black,” 97
Sketch 32 after “Composition Red Triangle,” 98
Sketch 30 after “Diagonal Composition Black-Red 334,” 99
Sketch 27 after “Diagonal Composition 534,” 100
Sketch 35 after “Diagonal Composition Red-Black,” 101
Sketch 36 after “Picture with Bent-back Triangle,” 102
BURLIUK, DAVID DAVIDOVICH 118–24
South Sea Fishermen, 103
The Eye of God, 104
Harlem River Bridge, 105
Seaport Village, 106
Woman with Green Cow, 107
The Beach, 108
The Keys, 109
The Fish Market, 110
California, 111
Dutch Girl, 112
Indian Composition, 113
Composition with Sponge, 114
Pictographic Composition with Metal Panels, 115
Geometric Composition, 116
Composition, 117
CALDER, ALEXANDER 125–27
Bird Form, 118
Fourth Flurry ’48, 119
CAMPENDONK, HEINRICH 128–39
Pastoral Scene, 120
Seated Nude, 121
Interior with Head and Still Life, 122
The Cloistered Life, 123
The Woodcarver, 124
The Red Cat, 125
Cartoon for a mural commemorating the return of Schneidemühl to the German nation, 126A
Three Women Giving Oath, 126B
Owls, 126C
Barnyard, 127
Boats and Fish, 128
Animals in the Pasture, 129
Goat and Sheep, 130
Composition with Female Nude and Animals, 131A,B
Composition with Horse, Deer, and Stag, 132
Nude Boy with Fishes, 133
Man with Cow and Goat, 134A,B
Girl with Frogs, 135
Leda and the Swan, 136
Nude Male with Fish, 137
Sitting Nude at Window with Cat, 138
The Fisherman, 139
Two Nudes with Horse, 140
Landscape with Peasants and Animals, 141
Nude with Goat in Front of a House, 142
Seated Female Nude with Flower, 143
Two Nudes in Boat under Starry Sky, 144
Shepherd with Large Goat, 145
Landscape with Goats and Bobcats, 146A,B
Large Head with Outspread Hand, 147
Adam and Eve, 148
CARLSUND, OTTO GUSTAF 140–49
Composition for an Observatory, 149
Three Decorative Panels for a Dining Room, 150A,B,C
Designs for Murals in a Cinema, 151A–K:
Gray Operator, 151A
Green Machine, 151B
Man with Megaphone I, 151C
Musician I, 151D
Actors, 151E
Musician II, 151F
Fireman, 151G
Red Machine, 151H
Brown Operator, 151I
Man with Megaphone II, 151J
Composition for Staircase II, 151K
CARRENO, MARIO 149–50
Untitled [Figure with Arms Raised], 152
CARROLL, LEON 151–53
Skyrocket, 153
Three Gold Diggers, 154
Emeralds (Cactus), 155
Chinese Delphinium, 156
CHAGALL, MARC 154–56
The Fiddler, 157
The Artist’s Grandmother, 158
Village Fantasy: Peasant and Pig, 159
CHARCHOUNE, SERGE 156–58
Still Life in Gray, 160
Still Life in Brown and Gray, 161
DE CHIRICO, GIORGIO 158–61
The Lovers, 162
Metaphysical Interior, 163
COVERT, JOHN 161–72
The Temptation of Saint Anthony, 164
Weights, 165
Vocalization, 166
Time, 167
Brass Band, 168
Will, Intellect, Sensation, Emotion, 169
From Word to Object, 170
CROTTI, JEAN 172–74
Composition, 171
CSÁKY, JÓZSEF 174–75
Study for Face, 172
DAUGHERTY, JAMES HENRY 175–78
Wall Decoration, 173
Two Figures in Landscape, 174
Happy New Year to Katherine Dreier, 175
DEPERO, FORTUNATO 179–80
Little Pagliaccio, 176
DERAIN, ANDRÉ 181–82
Woman and Mountain, 177
DILLER, BURGOYNE 182–92
Construction, 178
Untitled [Composition with One Vertical], 179
Untitled [Composition with Red Rectangle], 180
Untitled [Composition with Floating Elements], 181
Untitled [Study for Third Theme], 182
Untitled [Composition with Thin Vertical Bands], 183
Untitled [Composition with Blue Background], 184
Untitled [Composition with Cross, with Primary Colors], 185
Untitled [Composition with Cross, in Black, White, and Gray], 186
Untitled [Composition with Cross, with Blue-Gray Band], 187
Untitled [Composition with Three Wide Vertical Bands], 188
Untitled [Composition with Gray Background], 189
Untitled [Two Compositions], 190
Untitled [Horizontal Composition], 191
Untitled [Study for Composition #21], 192
Composition #21, 193
VAN DOESBURG, THÉO 193–95
Sketch after Counter Composition V, 194
Counter Composition, 195
Sketch after Counter Composition IV, 196
Simultaneous Composition, 197
DONAS, MARTHE 196–200
Still Life with Bottle and Cup, 198
Still Life with Coffee Pot, 199
Still Life with Fruit, 200
Still Life with Profile of Pitcher, 201
Composition with Red Circle, 202
DOTTORI, GERARDO 201
The Tower, 203
DOVE, ARTHUR 202–05
Barnyard Fantasy, 204
Sunrise III, 205
DREIER, DOROTHEA A. 206–09
The Spinner, 206
Dutch Woman Seated, 207
New York: The Little Church around the Corner, 208
Lilies, 209
Market at Geneva, 210
DREIER, KATHERINE SOPHIE 210–17
Sketchbook, 211
Moonlight on the Thames, London, 212
Self-Portrait, 213
Zwei Welten, 214
Original Watercolors for 40 Variations, 215A–L
40 Variations, 216
The Eternal Hills, 217
Explosion, 218
DREWES, WERNER 218–23. See also Outerbridge, Paul, Jr.
High Wires, 219
Night, 220
Winter, 221
Night Fantasy, 222
Composition 140, 223
Red in Red, 224
Loose Contact, 225
Dark Connected by Light Areas, 226
Crystallic, 227
Inner Tropical Seas, 228
The Cloud, 229
DREWIN, ALEXANDER DAVIDOVICH 223–24
Suprematism, 230
DREXEL, CHRISTOF 224–25
The Garden, 231
DUCHAMP, MARCEL 225–45
Cemetery of Uniforms and Liveries, No. 2, 232
Tu m’, 233
Rotary Glass Plates (Precision Optics), 234
Rotoreliefs (Optical Disks), 235A–F
Color model for reproduction of “The Bachelors,” 236
Box in a Valise, 237, 238
Pocket Chess Set, 239
Genre Allegory, 240
In advance of the broken arm, 241
To Katherine Dreier, Knight of the Société Anonyme, 242
DUCHAMP, SUZANNE 246–48
Chef d’oeuvre accordéon, 243
Head of a Man, 244
Sailboats, 245
DUCHAMP-VILLON, RAYMOND 249–54
Parrot, 246
Seated Woman, 247
DZUBAS, FRIEDEL 254–56
Abstraction, 248, 251
Death of the General, 249
Armada, 250
EILSHEMIUS, LOUIS MICHEL 257–61
The Concert Singer, 252
Ferryboat at Night, 253
New York Harbor, 254
Mountain Landscape, 255
The Pool, 256
ERBSLÖH, ADOLF 262–63
The Factory, 257
ERNST, MAX 264–69
Paris-Rêve, 258
Anthropomorphic Figure, 259
Butterflies, 260
FEININGER, LYONEL 270–71
Locomotive, 261A,B
The Side-Wheeler, 262
FELIXMÜLLER, CONRAD 272
Three Nudes, 263
FISCHER, OSKAR 273–77
Believed, 264
Study for Bicycling, 265
A Summer’s Day, 266
The Unlucky Droshky Ride, 267
Tomorrow!, 268
Sheet 19, 269
Sheet 21, 270
Sheet 22, 271
Sheet 27, 272
Sheet 29, 273
Sheet 2, 274
Sheet 3, 275
Sheet 4, 276
Sheet 5, 277
Sheet 11A, 278
FISCHINGER, OSKAR W. 278–79
Abstract Composition, 279
FITZSIMMONS, JAMES A. 280–81
Essential Structure No. 2, 280
GABO, NAUM 281–86
Construction in Relief, 281
Tower, 282
Column, 283
GARBE, HERBERT 287–88
Group of Death I, 284
GAUGUIN, PAUL 288–89
Joys of Brittany, 285
GAULOIS, PAUL 290–98
Seated Nude, 286
Cubist Composition, 287
Composition with Architecture, 288
Cubist Design, 289
Construction in Blue, 290
Plane Construction #1, 291
Construction III, 292
Leda and the Swan, 293
Embracing Couple in a Garden, 294
Flying Fruit, 295
Cuban Landscape, 296
Landscape with Horses, 297
Houses, 298
The Fall of Man, 299
Decorative Flower Panel, 300
Still Life: Fish, Flowers, and Vegetables, 301
Ship’s Signal, 302
Decorative Composition with Flowers, 303
Daytime Game, 304
GLARNER, FRITZ 299–300
Peinture Relative, 305
GLEIZES, ALBERT 301–03
Landscape, 306
GOLDTHWAITE, ANNE 303–04
Portrait of Katherine S. Dreier, 307
GORKY, ARSHILE 305–07
Nighttime, Enigma, and Nostalgia, 308
GRAHAM, JOHN D. 308–13
Port de St. Tropez, 309
Still Life, 310
Vox Humana, 311
Picador Riding Bull, 312
Zeus, 313
Russian Still Life, 314
GRIS, JUAN 314–16
Newspaper and Fruit Dish, 315
GWOZDECKI, GUSTAVE 316–18
Head, 316, 317, 318, 319, 320, 321
HALICKA, ALICE 319–21
On the Beach, 322
Odalisque, 323
HARRIS, LAWREN S. 321–22
Abstraction No. 3, 324
HARTLEY, MARSDEN 323–24
Rubber Plant, 325
VAN HEEMSKERCK, JACOBA 325–27
The Village, 326
The Forest, 327
Park Scene, 328
Abstraction, 329
Composition, 330, 331, 332
HERRMANN, KARL (?) 328
Untitled, 332a
HILDEBRANDT, LILY UHLMANN 328–29
Horses, 333
HOERLE, ANGELIKA 330–32
Female Bust, 334
Tree and Wall, 335
Head with Sign, Hand, Wheel, and Auto Horn, 336
HOLTZMAN, HARRY 332–35
Lateral Volume #2, 337
Sculpture, 338
JACOBI, RUDOLF 335–36
Berlin Landscape, 339
Landscape, 340
JAWLENSKY, ALEXEJ 337–38
Head, 341
Abstract Head, 342
JÓNSSON, FINNUR 338–40
Woman at the Card Table, 343
Colored World, 344
KÁDÁR, BÉLA 340–45
Separation, 345
Silence, 346
The Embrace, 347
Couple Riding on Horseback, 348
Embrace on Horseback, 349
Flight, 350
The Sympathetic Horse, 351
Portrait of Herwarth Walden, 352
Street Scene, 353
KAKABADZÉ, DAVID NESTOROVITCH 345–52
Abstractions Based on Flower Forms, I—VI, 354–359
Abstractions Based on Sails, I—X, 360–369
Z (The Speared Fish), 370
KAMYS, WALTER 353–54
Earthworm, 371
Seaquake, 372
KANDINSKY, WASSILY 354–65
The Waterfall, 373
Improvisation No. 7 (Storm), 374
Multicolored Circle, 375
Kleine Welten, 376A–L
Abstract Interpretation, 377
Lithograph No. III, 1925, 378
Small Yellow, 379
Three works for Will Grohmann’s Wassily Kandinsky (Paris, Cahiers d’Art, 1930), 380A, B, C
KESTING, EDMUND 366–67
Collage, 381
KEYSER, RAGNHILD 367–70
Composition I, II, III, 382–384
KIESLER, STEFI “PIETRO DE SAGA” 371–73
Typo-Plastic, 385–389
KIRCHNER, ERNST LUDWIG 374–75
Woodcuts for Alfred Döblin’s Das Stiftsfräulein und der Tod, 390A–E
KLEE, PAUL 375–88
Garden of Passion, 391
Destruction and Hope, 392
Abstract. Red/Green Gradation (with some cinnabar in vertical format), 393
Red/green Architecture (yellow/violet gradation), 394
Autumn Flower, 395
Foundation, 396
Watercolor sketch for “MA,” 397
The Herald of Autumn (green/violet gradation with orange accent), 398
Ingenious Star Container, 399
The King of All Insects, 400
Sketch, on title page of Leopold Zahn, Paul Klee. Leben / Werk / Geist (Potsdam, 1920), 401
KLIEN, ERIKA GIOVANNA 389–96
Racing Horses, 402
Racing Men, 403
Trees in the Storm, 404
Flying Machine, 405
Factory, 406
Storm Bird, 407
Winter Landscape, 408
The Train, 409
Rhythm of Movement: Figure, 410
Rhythm of Movement, 411
Abstraction, 412
Brooklyn Bridge, 413
Landscape, 414
KOHLSAAT, KATHE 396–99
Crowd at Races, 415
Man with Shovel, 416
Nude, 417
Seated Nude, 418
Two Nudes, 419
Kirche in Katwijk, 420
Bookplate for Annie Kastropp, 421
Sunset, 422
Abstraction, 423, 424
Man’s Face, 425
Mountain Landscape, 426
LÉGER, FERNAND 400–06
Study for Le Disque, 427
Study for La Ville, 428
Ladder, 429
Umbrella, 430
Composition No. VII, 431
LEHMBRUCK, WILHELM 406–09
Female Torso, 432
The Pilgrim, 433
LIPCHITZ, JACQUES 410–14
Man with Mandolin, 434
LISSITZKY, EL 414–23
First Kestner Portfolio, 435A–G
Victory over the Sun, 436A–K
Proun 99, 437
l.n. 31, 438
LOZOWICK, LOUIS 423–25
City Shapes, 439
Machine Ornament, 440
LUBBERS, ADRIAAN 426–27
Herald Square, 441
New York Construction, 442
MALEVICH, KASIMIR 427–30
The Knifegrinder, 443
MARASCO, ANTONIO 431–32
Expansion of the Plastic Forces of a Village, 444
MARC, FRANZ 433–35
Lion Hunt (after Delacroix), 445
Birth of the Wolves, 446
MARCOUSSIS, LOUIS 435–38
Still Life with Knife, 447
Fish, 448
MARIN, JOHN 438–42
The Little Footbridge, Meaux, 449
Land and Sky, France, 450
Deer Isle, Maine: Stonington Water Front, Two Movements, 451
Landscape, 452
MATARÉ, EWALD 442–43
Horse, 453
MATISSE, HENRI 443–44
Nude Seated in an Armchair, 454
MATTA 445–47
Fabulous Race Track of Death (Instrument Very Dangerous to the Eye), 455
MATULKA, JAN 447–49
Abstract Forms, 456
Seated Woman, 457
MEDUNETSKY, KASIMIR 449–51
Spatial Construction, 458
MENSE, CARLO 451–52
The River Wuppe, 459
Scene on the River Wuppe, 460
METZINGER, JEAN 453–55
The Port, 461
G. M. [GEORG MEYER?] 455–58
Landscape Study, No. 83, 462
Landscape Study, No. 86, 463
Abstract Design, No. 56, 464
Abstract Composition, No. 80, 465
Abstract Form, No. 92, 466
Abstract Design, No. 116, 467
Abstraction, No. 122, 468
MICHEL, ROBERT 459–60
Three by Three, 469
MIRÓ, JOAN 461–63
Le Renversement, 470
MOHOLY-NAGY, LASZLO 463–67
Crescents and Cross, 471
Intersecting Planes, 472
Circle and Planes, 473
Circle and Bar, 474
Cross and Circle, 475
Planes and Beams, 476
Abstraction, 477
Planes Cutting Planes, 478
G 5, 479
MOLZAHN, JOHANNES 468–78
Happening, 480
Cosmic Circles, 481
Fall, 482
Star Movement, 483
Roar of Space, 484
Released Energies, 485A,B Roar of the Stars, 486
Riding and . . . , 487
Another Station, 488
Curving Machines, 489
Little Height Machine, 490
Far Feeler, 491
Mysterium, 492, 494
Ride in . . . , 493
Untitled, 495
Opus XXX, 496
Opus XXXI, 497
Opus XXXII, 498A,B
Opus XXXV, 499
Family Portrait II, 500
Mirror of Women II, 501
Disappearing Cubes, 502
Immaterial Figure, 503
MONDRIAN, PIET 479–85
Fox Trot B, 504
Composition, 505
Fox Trot A, 506
MUCHE, GEORG 485–88
Homage to Herwarth Walden, 507
Growth of the Circle, 508
Two Forms, 509
NAUEN, HEINRICH 488–90
The Good Samaritan, 510
NEBEL, OTTO 490–92
Print No. 373, 511
Print No. 399, 512
NEWBY, RUBY WARREN 492–93
Flower Study, 513
NOLDE, EMIL 493–95
Morning in the Flower Garden, 514
OUTERBRIDGE, PAUL, JR., 495–97. See also Drewes, Werner
Abstract Forms, 515
Abstract Forms, probably Werner Drewes after Outerbridge, 516, 517
Tightrope Walker (Circus Series), 518
Elephant (Circus Series), 519
Trapeze (Circus Series), 520
Clown (Circus Series), 521
PANNAGGI, IVO 498–506
The Oarsman, 522
Architectonic Function 3U, 523
Geometric Function K 5%, 524
Postal Collage, 525, 526
Design with HN, 527
Design with 4, 528
Design with MN, 529
Design with HH, 530
Design with HMM, 531
Design with HM, 532
PAPAZOFF, GEORGES 507–10
Landscape with Cows, 533
Blue Landscape, 534
Funeral Procession, 535
Four Fishermen, 536
Head, 537
Untitled, 538
PECHSTEIN, HERMANN MAX 511
The Holy Family, 539
PERDRIAT, HÉLÈNE 512–13
Two Figures, 540
Two Women, 541
PERI, LASZLO 514–16
Two Rooms, 542
Room (Space Construction), 543
PEVSNER, ANTOINE 516–21
Portrait of Marcel Duchamp, 544
The Dancer, 545
PHILLIPS, HOLMEAD 521–22
The Wise and the Foolish Virgins, 546
St. George and the Dragon, 547
PHILLIPS, MARJORIE 522–23
Landscape with Buzzard, 548
PHOCAS, SUZANNE 524–25
Child with Dog, 549
PICABIA, FRANCIS 525–29
Prostitution Universelle, 550
Fatima, 551
Midi, 552
PICASSO, PABLO RUIZ 530–33
The Bath, 553
Head of a Woman, 554
POPOVA, LIUBOV 533–35
Painterly Architectonic, 555, 556
POST, HERMANN 536–38
The Elevated Railway, Berlin, 557
Backyards, 558
Prehistoric Animal, 559
PRAMPOLINI, ENRICO 538–41
Abstract Still Life, 560
Spatial Construction, 561
Architectural Absolute: Head and House, 562
Still Life: Tapestry Design No. 13, 563
Landscape: White House with Brown Door, 564
PUNI, IVAN (JEAN POUGNY) 541–45
Suprematist Drawing 3, 565
Suprematist Drawing 6, 566
Suprematist Composition, 567
PUTNAM, WALLACE 545–46
Sheep in Fog, 568
RAY, MAN 546–68
Lampshade, 569
Planes, 570
Web, 571
Feather, 572
Spiral, 573
Feather and Matchboxes, 574
Forms, 575
Magnet, 576
Manikin, 577
Manikins and Grate, 578
Manikins, 579
Ribbons, 580
Paper Ribbons, 581
Discs, 582
Ships, 583
Forms, 584
Rings and Grate, 585
Clock Wheels, 586
Sugar Loaves, 587
Reversed Manikins, 588
Sugar Loaves and Disc, 589
Letters, 590
Letters: PGSJOMC, 591
Nude in Spiderweb, 592
Portrait of Marcel Duchamp, 593, 594
Three Heads (Joseph Stella and Marcel Duchamp), 595
Portrait of Suzanne Duchamp, 596
Portrait of Lydie Sarazin-Levassor (Mme. Marcel Duchamp), 597
Revolving Doors, 598A–J, 598
bis Promenade, 599
REDON, ODILON 569–70
And Beyond, the Astral Idol, 600
REID, ROBERT 571–72
The Bather, 601
RIBEMONT-DESSAIGNES, GEORGES 573–75
Jeune femme, 602
RICHTER, HANS 576–79
Preludium, 603A,B,C
RÖHL, KARL PETER 580–82
Untitled [Square in Balance], 604
Untitled [Three Rectangles], 605
Untitled [Cantilevered Forms], 606
Untitled [Large and Small Squares], 607
ROSENBORG, RALPH M. 582–83
At Night, 608
Subjective Landscape, 609
SALA, RAPHAEL 584
Portrait of Joseph Stella, 610
SCHAMBERG, MORTON LIVINGSTON 585–87
Machine, 611
SCHANKER, LOUIS 588–89
Abstraction, 612, 613
SCHEIBER, HUGO 589–90
Jazz Band, 614
SCHMIDT-ROTTLUFF, KARL 590–92
Lovers, 615
Kristus, 616
SCHRIMPF, GEORG 592–93
Woman at the Window, 617
SCHWICHTENBERG, MARTEL 593–95
Peasant Women, 618
Flowering Trees, 619
SCHWITTERS, KURT 595–611
Merzz. 19, 620
Drawing I 9, Lever 2, 621
Merz 316. Ische Gelb, 622
Merz 369, “tto,” 623
Merz 380. Schlotheim, 624
Monument to the Artist’s Father, 625
Merzmappe, 626A–G
Mz 2012 Orient, 627
Merz 1003 (Peacock’s Tail), 628
Oval Construction, 629
Relief with Red Segment, 630
Oval, Merz 1930, 631
Für K S Dreier Viel Freude!, 632
White-Blue, 633
To K. S. Dreier for Her 70th Birthday, 634
Merz 1947 Mean, 635
Carnival, 636
SEIWERT, FRANZ WILHELM 611–13
The Workman, 637
SERVRANCKX, VICTOR 614–16
N° 46–1922, 638
SEVERINI, GINO 616–17
Harlequin, 639
SHIRLAW, WALTER 618–20
Portrait of Dorothea A. Dreier, 640
Sappho, 641
The Cronies, 642
Untitled, 643
SHWAB, WALMAR 621–22
Construction 14, 644
STEGER, MILLY 622–23
Resurrection, 645
STEINITZ, KATE 624–25
Nude Holding a Mirror, 646
The Pine Trees, 647
Heads, 648
STELLA, JOSEPH 626–38
Battle of Lights, Coney Island, Mardi Gras, 649
Spring, 650
Brooklyn Bridge, 651
The White Heron, 652
Study for New York Interpreted, 653
Flower, 654
Flower and Butterfly, 655, 656
Flowers, 657, 658
STORRS, JOHN HENRY BRADLEY 638–43
Untitled terra-cotta, 659
Machine Form, 660
Seated Figure, 661
STUCKENBERG, FRITZ 643–51
Landscape in the Park, 662
Mother and Child, 663
Abstraction: Three Black Circles, 664
Forms, 665, 667
Abstract Forms, 666
Abstraction, 668, 674
Field in Bloom, 669
Abstraction: Black Forms on Red, 670
Abstraction: Green Squares, 671
Abstraction: Orange with Black Circles, 672
Abstraction: Squares, 673
The Rose, 675
Flowers, 676
Flowers: Star Shapes, 677
SURVAGE, LÉOPOLD 651–53
Landscape, 678
TÄUBER-ARP, SOPHIE 653–56
Sculpture en bois tourné, 679
TOPP, ARNOLD 656–58
Recollections of Hill 304, 680
Lithograph No. 4, 681
Lithograph No. 5, 682
Lithograph No. 6, 683
Self-Portrait, 684
TORRES-GARCÍA, JOAQUÍN 659–65
New York Docks, 685
New York City: Bird’s Eye View, 686
New York Street Scene, 687
Artists’ Ball: Pierrot and Figures Standing, 688
Artists’ Ball: Costumed Dancers, 689
Artists’ Ball: Two Dancers, 690
Artists’ Ball: Pierrot, Harlequin, and Dancers, 691
Artists’ Ball: Harlequin and Dancers, 692
Artists’ Ball: Spectators in Theater Boxes, 693
Docks, 694
UDALTSOVA, NADEZHDA ANDREEVINA 665–67
At the Piano, 695
UHDEN, MARIA 667–71
Riders, 696
Dance, 697
Men and Beasts, 698
Bear Trainer, 699
The Drive, 700
Island, 701
The Heavens, 702
VALMIER, GEORGES 671–73
Composition, 703
Composition, 1923, 704
VAN EVEREN, JAY 674–76
Abstraction, 705, 706
VASILIEFF, NICHOLAS 677–78
Laying the Cards, 707
VILLON, JACQUES 679–708
Portrait of Emile Nicolle, 708
Seated Woman, 709, 711, 713, 723
Elderly Couple, 710
Woman Sitting on Bed, 712
Three Figures on the Beach, 714
La Chasse aux mouettes, 715
Four Sailors, 716
Girl with Three Cats, 717
Nude Woman Reclining, 718
Two Soldiers, 719
The Little Mulatto, 720
Still Life, 721, 722
Portrait of an Actor, 724
In Memoriam, 725
Abstraction Construction (Baudelaire), 726
Horse, 727
Jockey series, nos. 1–8, 728–735
Color Perspective (vertical), 736
Color Perspective (horizontal), 737
The Jockey, 738
La Femme au chien, after Bonnard, 739A
Nature morte, after Braque, 739B
Mont Sainte-Victoire, after Cézanne, 739C
Etre et formes, after Jean Crotti, 739D
Buste de femme, after Derain, 739E
Paris, Avenue du Bois, after Kees Van Dongen, 739F
Zwei Welten, after Katherine S. Dreier, 739G
Fleurs, after S. Duchamp, 739H
Fête nautique, after Raoul Dufy, 739I
Les Vendanges, after Friesz, 739J
La Femme au piano, after Gromaire, 739K
La Femme au singe, after Marie Laurencin, 739L
La Femme à la cruche, after Léger, 739M
Olympia, after Manet, 739N
Port de Marseilles, after Albert Marquet, 739O
Les Odalisques sur la terrasse, after Matisse, 739P
La Tasse de thé, after Metzinger, 739Q
L’Italienne, after Modigliani, 739R
Nature morte, after Picasso, 739S
Les Saltimbanques, after Picasso, 739T
Nu, after Renoir, 739U
La Loge, after Renoir, 739V
Le Port de La Rochelle, after Signac, 739W
L’Eglise de Limours, after Utrillo, 739X
Paysage, after Vallotton, 739Y
Les Roses, after Van Gogh, 739Z
Color Perspective, after Jacques Villon, 739A A
Les Joueurs de cartes, after Cézanne, 739BB
The Philisopher, 740
Mythologie, 741
The Table, 742
Seated Girl, 743
The Centaur, 744
VOGELER, HEINRICH 708–18
The Artist’s Children, 745
The Invalid, 746
The Island of Peace, 747
A Vision: Buddha, 748
The Kremlin, Moscow, 749
The Kremlin, Moscow, Abstraction, 750
Bookplates, 751–795B
WAHLSTEDT, WALTHER 718–19
Fiorenza, 796
WALKOWITZ, ABRAHAM 719–33
Barge, 797
Night Scene, 798
Street Scene, 799
Bathers, 800
Standing Women, 801
Abstraction, 802–807, 809, 821, 822, 835, 836, 838
Dance Abstraction, 808, 819, 820
Dance Abstraction: Isadora Duncan, 810–818, 824–829, 832, 834
Rhythmic Lines, 823
Isadora Duncan, 830, 831, 833
Rhythm of the Sea, 837
Ballet Dancer, Female, 839, 840
Ballet Dancer, Male, 841
WEBER, MAX 733–35
Mother and Child, 842
On the Shore, 843
The Antique, 844
ZELLER, MAGNUS 736–38
Fieldworkers, Germany, 845
Family Group in a Landscape, 846
DREYER, FRIEDRICH ADOLF 738–39
The Burgher Militia, 847
EMILE NICOLLE 739–41
Shipyard at St.-Valery-en-Caux, 848
Street in St.-Valery-en-Caux, 849
Eu, View of a Church, 850
Courtyard at Le Tréport, 851
Street Scene, 852
Quai Scene, 853
Street Scene with Horse and Carriage, 854
Street near a Harbor, 855
Index of Titles
Previous chapter