Short Titles Used in the Catalogue

Herbert, Robert L.; Apter, Eleanor S.; Kenney, Elise K.

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Short Titles Used in the Catalogue

Robert L. Herbert (Editor), Eleanor S. Apter (Editor), Elise K. Kenney (Editor)

Description: The Société Anonyme and the Dreier Bequest at Yale University: A Catalogue...

The Société Anonyme and the Dreier Bequest at Yale University: A Catalogue Raisonné

Short Titles Used in the Catalogue

Author

Robert L. Herbert (Editor), Eleanor S. Apter (Editor), Elise K. Kenney (Editor)

PublisherYale University Art Gallery

PublisherYale University Press

https://doi.org/10.37862/aaeportal.00158.005

Stable URL: https://aaeportal.com/?id=-16884

Short Titles Used in the Catalogue

Bohan 1982 Ruth L. Bohan, The Société Anonyme’s Brooklyn Exhibition: Katherine Dreier and Modernism in America (Ann Arbor, MI, 1982). Revised version of the author’s doctoral dissertation, University of Maryland, 1980

Centre Pompidou, Paris Musée National d’Art Moderne, Centre National d’Art et de Culture Georges Pompidou, Paris

Forster-Hahn 1968 Françoise Forster-Hahn, French and School of Paris Paintings in the Yale University Art Gallery (New Haven and London, 1968)

Guggenheim Museum The Solomon R. Guggenheim Museum, New York

Hirshhorn Museum, Washington, D.C. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.

Louvre Musée du Louvre, Paris

MOMA The Museum of Modern Art, New York

SA 1950 Katherine S. Dreier and Marcel Duchamp, Collection of the Société Anonyme: Museum of Modern Art 1920, ed. George Heard Hamilton (New Haven, 1950)

Scrapbook Any of several scrapbooks, in the Archives of the Société Anonyme, in which Katherine Dreier pasted a miscellany of newspaper clippings, pamphlets, and sheets torn from various publications

Trowbridge 1948 Katherine S. Dreier, James J. Sweeney, and Naum Gabo, Three Lectures on Modern Art, The Trowbridge Lectures, 1948, Yale University (New York, 1949)

Whitney Museum Whitney Museum of American Art, New York

YUAG 1972 Selected Paintings and Sculpture from the Yale University Art Gallery, with introduction by Andrew Carnduff Ritchie and commentaries by Katharine B. Neilson (New Haven and London, 1972)

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