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Stuart Cary Welch, Kimberly Masteller
Description: From Mind, Heart, and Hand: Persian, Turkish, and Indian Drawings from the Stuart...
From Mind, Heart, and Hand: Persian, Turkish, and Indian Drawings from the Stuart Cary Welch Collection
Index
Author
Stuart Cary Welch, Kimberly Masteller
PublisherHarvard Art Museums
Copyright© 2004 President and Fellows of Harvard College
https://doi.org/10.37862/aaeportal.00053.018
Stable URL: https://aaeportal.com/?id=-16845
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Index
‘Abbas I, Shah, 8, 56, 68, 71n2, 104, 105, 159, 216–19. See also Shāhnāma
‘Abbas II, Shah, 217
‘Abbasi, Riza. See Riza, Aqa (later Riza ‘Abbasi)
‘Abbasi, Shafi‘, 76
‘Abd al-Aziz Khan, 58
‘Abd al-Samad, 84
Abu’l-Fath, Sultan Khalil, 216
Abu’l-Fazl, 82–84, 88, 184
Abu’l-Hasan, 4, 11, 13, 80, 80n2, 94, 96
Dabshalim and Bidpa’y, 96
The Huntsman Anup Rai Freed from a Lion by Emperor Jahangir and Prince Khurram (cat. 23) (attributed), 5, 11, 11, 92–95, 93, 94, 96n2
Jahangir’s Dream of the Visit to Shah ‘Abbas, 95n5
Two Pigeons (cat. 24) (attributed), 96, 97
Abu’l-Ma‘ali, Shah, 10, 78, 78, 79
Afsharid dynasty, 217, 221
Ahmad, Qadi, 58
Ahmad al-Husayni II, Khan 10, 48, 50, 58
Ahmad al-Mashhadi, Mir Sayyid (Ahmad al-Husayni), 58–59
Calligraphy (verso of cat. 9), 59
Ā’īn-i-Akbarī (The Statutes of Akbar) (Abu’l-Fazl), 82, 151
Akbar, Emperor (Akbar the Great), 3, 12, 78, 80, 82, 84, 86, 87, 96, 128, 159, 184
court, 101–3
as patron of the arts, 88, 219
seizes Gagraun fort, 151
Akbarnāma, 86
Album of Ashraf Khan, 104
Album of the Emir of Bukhara, 40
albums, 60
albums (muraqqa‘s), 2, 5, 8–9, 31, 40, 43, 50, 54, 60, 74, 76, 95n5, 104, 118, 175, 178
Alderman, Robert, 5
‘Ali, Mir Sayyid, 3, 10, 11, 18, 41, 46, 79, 84, 219
Mughals Visit an Encampment of Sadhus, 84n2
Portrait of Shah Abu’l-Ma‘ali (cat. 16), 10, 10, 78, 78–79
Tethered Camel and Rider (cat. 2) (attributed), 4, 8, 18, 41–43, 42, 41, 72, 72n2
‘Ali, Mirza, 79n3
‘Ali Asghar, 56
‘Ali Haravi, Mir, 58
Calligraphy (verso of cat. 2), 41
‘Ali al-Katib, 51
Calligraphy (verso of cat. 6), 51, 51
‘Ali ibn Muhammad al-Kirmani, 151
‘Alq’ al-Din Khalji, Sultan, 151
Amin al-Din, 107
Amir Khusraw Dihlavi, 58, 59
Anvār-i-Suhaylī (Va’iz al-Kashifi), 71n5, 96
Aq Qoyunlu (White Sheep) Turkmans, 8, 12, 48, 215, 216, 218, 221
Aqa Muhammad Khan, 217
Arabesque with Dragon and Parrot (cat. 1), 9, 35, 38–40, 39
‘Arifi, Lady Gazing at Her Reflection in a Pool, 28
artists’ signatures, 77
art patronage, 60, 70–71, 108, 110, 141, 143, 144, 175, 192
Indian, 80, 88, 120, 142, 143, 192, 220
Iranian, 60, 68, 72, 216, 217, 219
Turkish, 50, 218
Ashraf, Mir, 221
Ashraf Khan, 104
Askew, Kirk, 2
Aurangzeb, Prince (later Emperor ‘Alamgir), 12, 110, 111, 114, 114–115, 175, 220
Baba, Mirza, Rose, 76, 76, 77
Babur, 10, 219
Bada’uni, ‘Abd al-Qadir, 78
Bagpipe Player, The (cat. 11), 62–64, 63
Bahadur Shah, Sultan of Gujarat, 151
Bahadur Shah II, Emperor, 220
Bahmani Sultanate, 175–77, 219
Bahram Mirza, 8, 44
Balchand, 5, 95n7, 106, 219
Prince Khurram Attacking a Lion, 94, 94, 95n6. See also Pādshāhnāma
Banudatta, A Nayika and Her Lover, 24, 26
Basawan, 3, 11, 82, 85, 88, 90, 103, 219
Ascetics Making Bhang (cat. 19) (attributed), 5, 10, 11, 22, 85, 85
Kanphata Yogi and Dog (cat. 21) (attributed), 22, 85, 88, 89
Bautze, Joachim, 127
Bayezid I, Sultan, 218
Bayram Khan, 78
Baysonghor, 215
Beach, Milo C., 13n6, 78
Begam Samru, 118–20
Beloved’s Toilette, The, 206
Bhoj Singh, Rao, 142, 144
Bhopali Ragini (cat. 35), 121–24, 123
Bihzad, 46, 48, 52, 67n1, 79, 79n3, 216
Two Seated Men, 79
Binney, Edwin 3rd, 26
Bishndas, 6, 8, 219
The Birth of Jahangir, 104
Portrait of Shah ‘Abbas I (cat. 27) (attributed), 5, 8, 104, 104
Brand, Michael, 20
Brijnathji, Lord Shri, 144
Brijnathji and Durjan Sal Sight a Pride of Lions, 142
British East India Company, 217, 219, 220
Bubriski, Kevin, 21–22
Bukhara, 58, 216
Bundela dynasty, 184
Bundi kingdom, 132, 134, 140, 142, 219, 220, 221
Bundi school, 6, 12, 121–24, 125–27, 143
Burning of Sanjō Palace, 132
calligraphy, 2, 43, 58, 82, 96, 103, 140
in albums (muraqqa‘s), 60, 76
nasta‘līq script, 13, 41, 43, 50, 51, 54, 64. 64, 70, 71, 98, 100
shikasta script, 94, 95. See also drawings (Turko-Indo-Iranian): calligraphic lines
Cartier, Claude, 5
Cartier, Louis J., 3, 5
cartoons. See techniques: use of cartoons
ceramics, 2, 9, 51n3
Ottoman, 13n8
tiles, 48, 67n3
women portrayed on, 98
Chand, Nihal: Cityscape (verso of cat. 66) (attributed), 190, 191
Krishna and Radha after Exchanging Clothes (chadma lila) (cat. 66) (attributed), 32, 188–91, 189
Chand, Sitaram, 188
Chanda, Mahliqa, 98–100
Chatwin, Bruce, 4
Chitarman, 116
Muhummad Shah Making Love, 116
Chunar Ragamala, 121
circle of Aqa Riza, Bagpipe Player, The (cat. 11), 62–64, 63
Company School paintings, 118, 208, 211, 213, 220
Consul Smith Album, 2
Coolidge, John, 28
Coomaraswamy, Ananda K., 1, 17
courtesans, 10, 32, 33, 98, 116, 198, 198n1
Crimean War, 218
Cuno, James, 29
Daniel, Thomas, 211
Daniel, William, 211
Dara Shukoh, Prince, 12, 110–11, 111, 112–13, 220
Das, Golcul, 178
Dāstān-i-Amīr Hamza (Tales of Hamza), 82
Daswanath, 10–11, 82–84
A Holy Man Meditates (Shrine with Sleeping Ascetic) (cat. 18) (attributed), 11, 22, 82–84, 83
A Learned Man, 84n3
Dauji II (Damodarji Maharaj, or Tilkayat Damodarji), 164
da Vinci, Leonardo, 23
Dawlat, 4, 101, 103, 219
Two Sufis: Two Temperaments (cat. 26), 4, 4, 22, 101, 101–3, 102
Deccani art, 3, 6, 12, 22, 154, 175
Deccan region and sultanates, 9, 114, 219, 220, 222
dervishes, 22, 54, 60, 81, 88, 101, 102, 106
Desai, Vishakha N., 111
Devgarh, 178, 183, 222
Dickson, Martin, 24, 25
Divan of Hafiz, 28
drawings (Turko-Indo-Iranian), 3
arabesque forms, 9, 13n8, 35, 38–40, 51n3
calligraphic lines, 8, 9, 10, 11, 33, 52, 56, 96, 136, 200
European influence on, 56–58, 70, 71n8, 76, 88, 90, 220
figural representations, 79
historical context and subjects, 9–13, 106, 132
humorous and satirical, 72, 192
from life, 8, 9, 41, 106, 140, 208
nature of drawing, 7–9
nīm qalam tinted drawings, 71n9, 85, 86
stylization of, 194
Dürer, Albrecht, 94
Durjan Sal, Maharao, 144
Dust Muhammad, 23, 79
Dying Inayat Khan, 2
Eléphant composite monté par un génie à tête de bouquetin, 154n1
Ettinghausen, Richard, 5
Farman Farmaian, Salman, 22
Fath ‘Ali Shah, 76, 106, 217
Finley, John H. IV, 22
Firdawsi, 7, 67, 159
Shāhnāma, 25, 38, 46, 54, 65, 84n1, 134
Firuz Shah Tughluq, Sultan, 151
Floozy, A (cat. 54), 162, 163
Fogg Art Museum, 4, 18, 19, 24, 25, 26, 28, 80
Francia, Jacopo, 5
Fraser, James, 211
Freedberg, Sidney, 4
Freer Gallery of Art, 5, 40, 60, 95n5, 115
Gagraun fort, 150, 150–151, 151, 152–153, 159
Galbraith, John Kenneth, 26
Ghaznavid dynasty, 74
Ghiyath al-Din Naqshband, 70–71, 71nn11, 12
Gilan, 10, 48
Gladwyn, Cynthia, 18
Goelet, John, 5, 25, 26
Golconda school, 7, 12
Gongora y Argote, Luis de, portrait of, 1, 2
Govardhan, 1, 3, 5, 116, 220
Woman Playing a Zither (cat. 25) (attributed), 5, 71, 98, 98–100, 99
Grand Mogul, The (Beach), 78
Granth Sahib, 151
Gujarat, 219
Guler kingdom, 200, 202, 204, 222
Gulistān (The Rose Garden) (Sa‘di), 74
Gulistan Palace, 76
Gulshan Album, 5
Hadith, 95
Hakim Momin Khan, Portrait of the Poet (cat. 33) (attributed), 31, 118–20, 119
haloes, 150, 166, 170, 172, 184
Hamid al-Din, Shaykh, 151
Hamzanāma, 82
Hara school and lineage, 142, 143
Harvard, 5, 13
art museums, 15
Islamic and Indian art collection, 24, 26–28
Harvard Advocate, 18
Harvard Lampoon, 18, 20, 22
Hashim, Mir, 80n1
Havell, E. B., 220
Hayat Khan, 92
Heeramaneck, Alice, 2
Heeramaneck, Nasli, 2
Herat, 40, 46, 58, 215, 216
Himalayan painting schools, 204, 206
Hindamian family, 3
Hindu art, 95, 141, 154
Hinduism, 108, 142
Hodgkin, Howard, 4, 5–6
Hodgson, Marshall G. S., 9
Hofer, Philip, 5, 26, 79
holy men (sadhus) and saints, 22, 85, 86, 90, 186, 204–5, 205
Holyroyd House on Park Street, The: From the Holyroyd Album, 212, 213
Houghton Shahnameh, The (Welch and Dickson), 25
Humayun, Emperor, 10, 78, 79, 82, 84n1, 216, 219. See also Shāhnāma
Hunhar, 116
Portrait of Aurangzeb (cat. 31) (attributed), 114, 114–115
Hunter, William, 211
Hunting Cheetah on a Cart, A, 178
Husayn Bayqara, 216
Hushang Shah, Sultan, 151
Ibn al-Mu‘tazz, 65, 67n4
Ibrahim Mirza, Sultan. See Sultan Ibrahim Mirza
illuminations, 8, 10
illustrated manuscripts, 2, 38, 56, 60, 86, 103, 215, 216
Inayat Khan, 1, 2, 94, 95n7
India, 8, 9, 85, 101, 121
chronology, 215, 219–20
India: Art and Culture, 1300–1900 exhibit, Metropolitan Museum of Art, 3
Indian art, 5, 6–7, 121, 124, 142, 208
naturalism in, 200, 208, 220
Indus Valley, 108
ink. See pigment: inks
Iran, 5, 215, 217, 220
chronology, 215–18
Isfahan, 8, 58, 68, 76, 217
Iskandar Beg Munshi, 56
Iskandar Sultan, 38
Islam, 98, 219
Isma‘il I, Shah, 48, 216, 218
Isma‘il II, Shah, 68, 216
Ismafil ibn Haydar, 216
Jahangir, Emperor, 5, 6, 8, 11, 92, 96, 103, 125, 128, 217, 219
Jahangiri, Aqa Riza, 5, 94, 219
Gentleman with a Gold Wine Cup, 80
Master and Pupil (Prince Salim?) (cat. 17), 5, 11, 11, 80, 81
Jahangir Mahal (palace), 184
Jahāngīrnāma (Emperor Jahangir), 80, 84, 104
Jaipur, 196, 220, 222
Jami, Haft Awrang (Seven Thrones), 40, 46
Japanese scroll painting, 7, 132
Jeune femme et vieillard, 85n2
Johnson Album, 178
Juki, Muhammad, Div Akvan Throws Rustam into the Sea, 38. See also Shāhnāma
Kabir, Sufi saint, 151
Kachhwaha Rajput lineage, 220
Kangra kingdom, 200, 206, 222
Karim Khan Zand, 217
Kautilya, 150
Kelekian family, 3
Kerala palace mural paintings, 140
Kevorkian family, 3, 4
Khalji Sultanate, 219
Khamsa (Quintet) (Khusraw), 59
Khamsa (Quintet) (Nizami), 44, 56, 59
Nomadic Encampment, 27, 44
Khan ‘Alam, 104
Khan Jahan Lodi (Pira), 125, 142
Khudanama, Shah Miranji, 106–7
Khud-nivisht va Naslnāma (Autobiography and Genealogy) (Miranji), 106
Khurasan dynasty, 216, 217
Khurram, Prince (later Shah Jahan), 92, 125. See also Shah Jahan, Emperor
Khusraw, Sultan, 44
Kishangarh, 220, 222
Kishangarh school, 186, 188, 191n7, 192, 194
Kotah art, 6–7, 13, 140, 141, 148, 162, 220
school, 6–7, 13, 31, 132, 170–71. See also Rajput art
Kotah Fort, 7, 8
Kotah kingdom, 142, 143, 144, 219, 220, 221
Kotah Master, 3, 6–7, 12–13, 13, 160
Composite Elephant (cat. 50) (attributed), 32, 154, 155
Dragons and Birds from the Chambal River (cat. 41) (attributed), 7, 134, 135, 154
Fish in the Chambal River (cat. 40) (attributed), 134, 135
The Heat of Battle (cat. 39) (attributed), 6, 35, 132, 133–34
A Hero Topples a Demon, 7
A Little Girl Dances before Spectators (cat. 43) (attributed), 14, 32, 136, 139, 140
Pet Antelope (cat. 51) (attributed), 32, 153, 156
Portrait of a Kotah Ruler, Madho Singh or Mukund Singh (cat. 36) (attributed), 125–27, 126
A Prince Slays a Rhinoceros from an Elephant (cat. 47) (attributed), 146, 147
Rao Bhoj Singh of Bundi Slays a Lion (cat. 45) (attributed), 142–43, 143, 144
Rao Ram Singh I of Kotah Pursuing a Rhinoceros (attributed), 6, 6, 7
Sketches of Figures and Animals (verso of cat. 42) (attributed), 138
Soldiers Carousing (cat. 42) (attributed), 136, 137, 138, 140
Worldly and Otherworldly Birds, 7
Young Durjan Sal Slays a Lion (based on “Rao Bhoj Singh of Bundi Slays a Lion”) (cat. 46) (attributed), 13, 31, 31, 36–37, 142, 144, 145
Kotah Palace mural paintings, 134, 146, 174
Krishna and Radha in an Exchange of Clothes (chadma lila), 188, 188, 190
Lady of Fashion, A (cat. 74), 206, 207
Leningrad Album, 95n5
Line Drawing of a Horse (cat. 68), 194, 195
Lodis, 219
Lovely Chinese Ladies, 175–77, 177
Lovers Embrace (cat. 71), 200, 201
Lutf ‘Ali Khan, 217
M’āhtir-i Mahmūd Shāhī (Exploits of Mahmud Shahi) (al-Kirmani), 151
Maharana Amar Singh II at Worship (cat. 61), 31, 175–77, 176
Maharao Ram Singh with a Girl in a Bariolet (cat. 58), 170–71, 171
Mahchuchak, Empress, 78
Mahmud Khan, 22, 217
Mamluks, 218
Manohar, 219
Mansur, 96, 213
Mantiq al-Tayr (The Conference of the Birds), 38
Man with Two Dogs on a Leash (cat. 75), 13, 32, 208–10, 209
Mar, Nida, 116
Maratha empire, 220
Mashhad, 60, 72, 80n2
Master of Elephants: Elephant Combat (cat. 38) (attributed), 7, 130, 131, Elephant Saluting a Prince (Madho Singh?) (cat. 37) (attributed), 7, 128, 129
McInerney, Terence, 5
media, 31–35
chalk, 32
charcoal powder (pounce), 32, 34
graphite, 32
gum, 35
papers, 31, 35, 77, 120. See also pigment
Mehmed I, 218
Mehmed II, 218
Mehmed VI, 218
Memoirs of Babur (Emperor Babur), 10
Metropolitan Museum of Art, 3, 5, 40
India: Art and Culture exhibition, 24–25
Mewar dynasty, 178, 183, 219, 220, 222
Minassian, Adrienne, 2–3, 5
Minassian, Kikor, 2–3, 5
Miniature persane du Xlle au XVIIe siècle, La (Sakisian), 4
miniatures, 3, 8, 159
elephant subjects, 128, 130
floral motifs, 74
Ilkhanid, 3
Indian, 15, 121
Mughal, 211
painted on ivory, 118
painting techniques, 120
Persian/Iranian, 15, 41, 59
Safavid, 74
Timurid, 74
Miran, Shah, 106
Miranji Khudanama, Shah, 106
Mir Musavvir, 219
Miró, Joan, 23
Mir Sayyid ‘Ali. See ‘Ali, Mir Sayyid
Miskin, 3, 12, 34, 86
Akbar Observing an Animal Combat while Hunting (cat. 20) (attributed), 3, 12, 12, 22, 34, 86, 87
The Animal Kingdom (may be the work of Miskin), 86n2
The Assembly of Animals, 86
Beasts, Real and Mythological on a Rocky Hillside (may be the work of Miskin), 86n2
The Great Hunt near Lahore in 1567, 86. See also Akbarnāma
Monif, H. Khan, 2
Montebello, Philippe de, 3
motifs, floral, 40, 41, 74–77, 218
Mount Abu, Rajasthan, 142
Mughal art, 1, 3, 6, 12, 19, 80, 114, 194, 208, 220
animal imagery, 134, 148
composites, 154
copies and tracings, 95
historical accuracy in, 11
humorous treatment of subjects, 192
influence of, 132
manuscripts, 2
marble objects, 22
miniatures, 211
motifs and subjects, 9, 11, 40, 80
naturalism in, 13, 108.125, 200, 202, 213
portraits, 82, 84n2, 86, 88, 90, 96, 108, 125, 213
predominance of white in, 22
schools and styles, 110, 116, 118
significance of haloes, 115
Mughal Empire, 9, 111, 114, 125, 132, 142, 215, 217
chronology, 219, 220, 222
court, 10, 90, 92, 125
Muhammad, Shaykh, 41, 56
A Lame Man of Arts and Letters (cat. 4), 33, 43n4, 46, 46–47, 47
Muhammad ‘Ali, Calligraphy (verso of cat. 13), 70, 71
Muhammad Amir, Shaykh, 213
Two Dogs in a Meadow Landscape, 213
Muhammad Baqir, 74, 76
Muhammad Hadi, Mirza, 74, 76
Muhammadi, 62
Sultan by a Stream, 67n3
Muhammad Khudabanda, Shah, 60, 68, 216
Muhammad al-Naqqash, Mir Sayyid, 13n8
Dragon in Foliage (cat. 6) (signed by), 4–5, 10, 13n8, 48–51, 50–51
A Hero in Combat with a Dragon (cat. 5) (attributed to), 48–51, 49
Muhammad Shah, 116, 217, 219, 220
Muhammad Shaybani, 216
Muhammad Zaman II, 76
Mu‘in Musavvir: A Camel Fore and Aft (cat. 14), 18, 31, 72, 73
Muntakhab al-Tavārīkh (Selected Histories) (Bada’uni), 78
Murad, Prince, 110, 111
Muzaffar ‘Ali, 54, 72n2, 79n3 My Name Is Red (Pamuk), 25
Nadir Shah Afshar, 217, 220
Naipaul, V. S., 17
Namdeva, 186
Nanak, Guru, 151
Nanha, Lion Attacking a Man, 94
Night Train to Agra (cat. 60), 174, 174
Nishapuri, Mir San‘i, 71n9
Nizam al-Din Awliya, Shaykh, 59
Nizami, Nomadic Encampment, 27, 44
Khamsa (Quintet), 44, 56, 59
Nobleman with Attendants, A (cat. 72), 33, 202, 203
“No. 5 Park Street” (verso of cat. 76), 213, 213
Ortiz, George, 4, 15
Ottoman Turkey, 8, 9, 10, 48, 215, 216, 217, 218, 221
chronology, 218. See also Aq Qoyunlu (White Sheep) Turkmans
Qarā Qoyunlu (Black Sheep) Turkmans Turkman art
Pādshāhnāma (‘Abd al-Hamid Lahauri), 5, 94, 106, 125
Pahari art, 186, 191n5, 200, 204, 206
paint. See pigment
Pala dynasty, India, 140
Pamuk, Orhan, 25
Panoply of Priests, A (cat. 55), 164, 165
Patnaik, Naveen, 175
Payag, 12, 220
The Battle of Samugarh (cat. 30) (attributed), 12, 31, 110, 110–11, 112–13, 132
Fath ‘Ali Shah and Miran Shah, Two Holy Men (cat. 28) (attributed), 106–7, 107
Officers and Wise Men, 106. See also Pādshāhnāma
Peabody, Norbert, 5
Stuart Cary Welch on Camelback, 16
Peacock Throne, 220
Persian art, 38, 74, 77, 80, 154
influences on, 68
ink drawings, 78–79
pigment, 35, 116, 136, 160
cost of, 60
inks, 31–32, 33, 35, 60, 79, 106
metallic gold and silver, 33–34, 65, 71n9
for papers, 31
pigment-binder combination, 33
polychrome, 60
red, 140
tinting, 71n9, 85, 86, 200, 210
watercolor and opaque watercolor, 33, 124, 154, 213
white highlighting paint, 36, 145
white paint used for corrections, 125, 134, 160, 184, 202
Pipaji Khinchi, King, 151
poetry, 71, 98, 190
bird and flower themes, 74
composed by women, 98
in drawings (qit‘a fragments), 43, 50–51, 58–59, 64, 79, 100
ghhazals (poetic songs), 59, 118
Persian, 58–59, 64, 71, 74, 103
Shi’a lamentations, 98
portraits, 60, 80, 92, 96, 118–20, 125, 210
of animals, 194, 213
of courtesans, 32, 33, 198
of holy men, 82, 84n2, 86, 88, 90, 101–3, 106–7, 108, 164, 204–5
on ivory, 118
from life, 8, 9, 106, 140, 208
Mughal, 82, 84n2, 86, 88, 90, 96, 108, 125, 213
naturalistic, 46, 125, 202
profile view of subject, 38, 127, 213
psychological, 11, 44
of royalty, 5, 8, 10, 11, 12, 78–79, 92, 104, 114–15, 125–27, 170–71, 175–77, 178, 186, 202, 217
self-portraits, 46
of women, 7–8, 198, 206
Prince at Prayer, A (cat. 65), 186, 187
Procession at Datia (cat. 64), 184, 185–86
prostitutes, 58, 162, 198
Proto-Elamite Statuette of a Monkey, 26, 28
Punjab art, 208–10, 220
Qajar dynasty, 9, 74, 76, 217–18, 221
Qandahar Fort, 216, 217, 219
Qarā Qoyunlu (Black Sheep) Turkmans, 8, 48, 215, 216, 221
Qavam al-Saltana, 74, 76
Qazvin/Qazvin art, 56, 68, 216
Qisas al-Anbiyā‘ (Story of the Prophets), 56
Qizilbāsh turbans, 50
Ragamala (Garland of Melodies), 12, 121
Rai, Anup, 92–95, 93, 95n1
Raimondi, Marcantonio, 56
Cleopatra, 58
Rajasthan, 3, 5, 6, 9, 95n1, 142, 219, 220, 222
art, 6, 29
court, 154
Rajput art, 1, 3, 13, 19, 141, 186, 194
interior vision of, 12, 13
painting schools, 125
predominance of white in, 22. See also Kotah art
Rajput kingdom, 9, 132, 143n2, 151, 196, 220
Ram, Jivan, 120
Hakim Momin Khan, Portrait of the Poet (cat. 33) (attributed), 31, 118–20, 119
Sketch of Begam Samru (attributed), 118, 118
Ram Das, 92
Rama Connerses with Hermits, 205
Ramayana painting series, 205
Ramjidas, 184
Randhawa, Mohinder Singh, 26
Rao Madho Singh Trust Museum, Kotah, 125, 132, 142, 159
Rasamanjari (Blossom-Cluster of Delight) (Banudatta), 26
Ratan, Rao, 125
Ratton, Charles, 4
Ravat Hunts with Cheetah, The (cat. 62), 178, 179, 183
Rawda al-Ushshāq (Garden of Lovers) (Arifi), 28
Red Fort at Delhi, 220
Rich, Claudius, 74
Riza, Aqa (later Aqa Riza Jahangiri). See Jahangiri, Aqa Riza
Riza, Aqa (later Riza ‘Abbasi), 3, 8, 13, 54, 74, 80, 217
influence on other artists, 62
style and themes, 58, 60, 62, 65
Cheetah Trainer (cat. 12) (attributed), 33–34, 65, 65–67, 66, 178
Maiden Reclines, A (cat. 9) (attributed), 3–4, 9–10, 56–59, 57
Seated Sufi (cat. 10) (attributed), 22, 60, 61. See also circle of Aqa Riza
Riza-yi ‘Abbasi Album, 60
Riza Shah Pahlavi, 218
Robinson, B. W., 5
Room for Wonder (Welch), 213n5
Rothschild family, 3, 5
Rom of Sadhus, A (cat. 73), 22, 204–5, 205
Royal Pleasures (cat. 56), 31, 32, 55, 35, 166, 167
sadhus (holy men), 20, 22, 85, 86, 90, 204–5, 205
Sa‘di, 74
Bustān (The Garden), 40
Sadiqi Beg, 8, 56, 70
Falcons, Dragons, and Other Creatures (cat. 8), 54, 55
Figures from the Annunciation (cat. 13), 68–71, 69, 70
Lion Tamer, 68, 71n6
Majma‘ al-Khavāss (Assembly of Worthies), 68, 71n11
Man on Horseback Attacked by a Dragon, 54n5
Qānūn al-Suvar (Canons of Painting), 68
Seated Man, 54
A Seated Princess, 71n6
The Simuryh Carries Zal to Her Nest, 54
Safavid art, 3, 8, 12, 13, 19, 54, 68
court artists and styles, 60, 96, 219
decorative designs, 40
dragons portrayed in, 134
genre scenes, 62
influences on, 25, 46
miniatures, 74
rarity of nudes in, 82
wit and humor in, 72
Safavid Empire, 9, 48, 58
chronology, 215, 216, 217, 219, 221
court, 6, 48
Safi al-Din, Shaykh, 216
Sakisian, Arménag, 4
Sal, Durjan, 150–51
Salim, Prince, 80, 81, 86, 184
Salt, Henry, 211
Sam Mirza, Prince, 28
Sanga, Rana, 151
San‘i, Mir, 54
Sanjar, Sultan, 44
Satirical Portrait of Four Ascetics (cat. 22), 2, 22, 90, 91
Sayyid Sultanate, 219
Schroeder, Eric, 19, 23–24, 28, 80
Seated Courtesan (cat. 70), 32, 33, 198, 199
Seated Man (cat. 53), 160, 161
Selim I, 216
Selim II, 218
Seu, Manaku, 200, 202
Seu, Nainsukh, 200, 202, 205
Seu, Pandit, 200, 202, 204–5
Shah ‘Abbas Standing (Album of Ashraf Khan), 104
Shah Jahan, Emperor, 12, 103n2, 110, 111n1, 114, 114–15, 196
as patron of the arts, 220
splits Bundi kingdom, 142. See also Pādshāhnāma
Shahjahanabad, 111n1
Shah Mahmud al-Nishapuri, Calligraphy (verso of cat. 11), 64, 64
Shāhnāma (Firdawsi), 25, 38, 46, 54, 65, 84n1, 134
Shah Rulch, 215, 216
Shams al-Ushshaq, Shah Miranji, 106, 107
Shatrujit, Maharaja, 184
Shatru Sal, Maharao, 172
Shatru Sal II, Maharao, 172, 173
Shatru Sal II and Two Ladies (cat. 59), 172, 173
Shaykh Zada, Incident in a Mosque, 28
Shi’ism, 216
Shiraz, 74, 76, 215, 216, 217
Shri Mathureshji, 168
Shushtar, Abdul Latif, 211
Singh, Balwant, 202, 202n4
Singh, Birad, 194, 194n2
Singh, Jagat, 7, 12–13
Singh, Jaswant, 178, 183
Singh, Madho, 125, 127, 142, 219–20
Singh, Maharao Bhim, 132, 150
Singh, Maharao Ram, 172
Singh, Mukund, 125, 127
Singh, Prince Ram, 186n2
Singh, Prince Savant (pen name Nagaridas), 190, 191n7, 192
Singh, Rao Ram, 6, 6, 7 146, 147, 159
Singh, Sawai Pratap, 196
Singh, Udai, 219
Singh Deo, Rajasthan Bir, 184
Singh I, Maharao Bhim, 151
Singh II, Jai, 196, 220
Singh II, Maharana Amar, 175–77–176
Singh II, Maharao Ram, 166, 170–71
Singh II, Sawai Ram, 196
Singhji, Thakur Hanvant, 170
Singh Randhawa, Mohinder, 26
Siyavush the Georgian, 62
Skelton, Robert, 16, 84n1
Sketches: Hunt Scene (cat. 44), 141, 141
Sketches of Dogs (cat. 63), 178, 180–83, 181, 182
Sketch of the Holroyd House from a Different View (cat. 76), 32–33, 211–13, 212
Small Dragon in Foliage (cat. 7), 34, 52, 53
Songhur Balkhi and Lulu the Spy Are Received by Baba Bakhsha, a Former Spy Living in Aqiqnagar, 82
Sprig of Rose Blossoms (cat. 15), 4, 10, 35, 74–77, 75
St. Petersburg Album, 74
Strange Happenings on a Terrace (cat. 67), 192, 193
Sufism/Sufis, 9, 22, 106, 107, 151
dervishes, 60, 88, 101, 106
Sulayman Shukoh, Prince, 80n1
Süleyman I, 216, 218
Sultan Ibrahim Mirza, 46, 72
Sultan Muhammad, 3, 9, 216
Proud Prince, Humble Sufi (cat. 3) (attributed), 4, 9, 44–45, 45
Worldly and Otherworldly Drunkenness, 28
Suratgar, Lutf ‘Ali, 74, 76, 77
Tabriz, 10, 12, 56, 58, 134, 135n1, 215, 216, 217, 218
art style, 48
Tagore, Abanindranath, 220
Tahmasp I, Shah, 8, 10, 44, 48, 54, 56, 60
art patronage, 72, 216, 219
court in Tabriz, 58, 218
Emperor Humayun and, 82, 216. See also Shāhnāma
Tahmasp II, Shah, 217
Taju, Shaykh: Five Views of an Elephant Combat (cat. 48) (attributed), 31, 33, 148, 149
Fort of Gagraun (cat. 49) (attributed), 150, 150–51, 151, 3.5 2–53
A Polo Game (cat. 52) (attributed), 8, 33, 158–59, 158–59
Tapa Figure, Easter Island, 18
Tax Collectors and Village Elders, 120n3
techniques, 78–79
burnishing, 31, 32
composite imagery, 154
contour line and shading, 85, 92, 94, 96, 116, 121–24, 127, 198
hatching, 106
layering of lines and brushstrokes, 88, 118, 125
outline, 52
overlapping design/overlays, 33, 52, 103, 104
pricking, 8, 34–35, 124, 136, 140
repetitive forms, 96, 204
stippling, 115, 120n3, 177
tracings (charbas) (pounces), 8, 34, 77, 95, 120, 136–40, 204
underdrawing, 32, 33, 70, 115, 121, 140, 160, 196, 202n4
use of cartoons, 40, 184, 208
use of flattened space and forms, 116, 121, 124, 132, 184, 202n4
use of line, 132, 194
use of parallel lines, 177
use of pattern, 38–40, 132
varying thickness of line, 56, 60, 62, 106, 115
washes, 76, 79, 96, 106, 115
textiles and costumes, 2, 10, 40, 48–50, 51n3
kaftans, 13n8, 48–50
Ottoman, 13n8, 48–50
Thackston, Wheeler M., 51n1
Tiepolo, Giovanni Battista, 2
Timur (Tamerlane), 215, 218, 219
Timurid art, 38, 39, 74, 79, 134, 215
Timurid dynasty, 9, 216, 221
Toilette, La (cat. 32), 30, 33, 35, 116, 117
Topkapı Sarayı Müzesi, Istanbul, 7, 8, 13, 40
Circumcision Room, 13n8, 48, 51n3
Treatise on Painting (da Vinci), 23
Tughluq Sultanate, 219
Turkey. See Ottoman Turkey
Turkman art, 4, 5, 6, 8, 10, 13, 19, 25, 40, 48, 48, 51, 216
Tuzuk, 92
Umrāo Jān Adā (Rusiva), 98
Utsav mala (Garland of Festivals), 190
Uzun Hasan, Aq Qoyunlu ruler, 216
Vaishnava tradition, 186
Va’iz al-Kashifi, Husayn, 71n5
Vakil Mosque, 76
Vallabhacharya Sampradaya religious tradition, 164, 168, 188
Varma, Raja Ravi, 220
Velázquez, Diego Rodriguez de Silva y, Portrait of Luis de Gongora y Argote, 1, 2
Vever, Henri, 3
Victoria and Albert Museum, 13, 19, 86, 120, 171, 186
Vilaval Ragini (cat. 34), 6, 12, 34, 121–24, 122
Wang Mo, 23
Welch, Anthony, 54
Welch, Stuart Cary, 13n6, 15–29, 79, 96, 104, 115, 116, 132
on fusion in art, 213
mounts Grace of White exhibit, 22
mounts India: Art and Culture exhibition at the Metropolitan Museum of Art, 24–25
mounts The Art of Mughal India: Paintings and Precious Objects exhibition at the Fogg Art Museum, 24
photography by, 19–20
American in Paris, 19
Block of Ice, 23, 23
The Explorer, 17, 17–18
Mrs. Norman E. Mack, My Mother’s Mother, 1
Popular Professions Illustrated: I. The Explorer, 19
Popular Professions Illustrated: III. The Ethnologist, 18
Portrait of Geshi Gali, 21
Portrait of Rinchen Tanje, 20
The Psychology of Art, 22, 22
William Frasier Album, 118
Wind Palace (Hama Mahal) of Jaipur, The (cat. 69), 196, 197
Woman Who Dared Visit an Artist, The (cat. 57), 7, 168, 169
Yogi in Deep Meditation (cat. 29), 22, 108, 109
Zand dynasty, 74, 221
Zebrowski, Mark, 5
Zucker, Benjamin, 24