Bard Graduate Center
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Bard Graduate Center
Bard Graduate Center
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Description: Le Corbusier Before Le Corbusier: Applied Arts, Architecture, Painting, and...
In his numerous writings, Le Corbusier remained uncharacteristically silent about his early career. This intriguing book examines his nascent years as a designer and architect, focusing on the period from 1907 to 1922—the year he changed his name from Charles Edouard Jeanneret and established his identity as Le Corbusier. The contributors to the book offer in unprecedented detail an account of Le Corbusier’s formative years and the cultural, intellectual, and artistic concerns that absorbed him as a young artist in Switzerland and Paris.

From 1907 to 1922 Jeanneret learned the art and craft of architecture and design, and defined his own image as an artist. The book discusses the cultural climate of his Swiss hometown, La Chaux-de-Fonds; his early mentors, friends, and clients; his educational pursuits, including his self-designed Grand Tour; and his first successes as an architect and designer. More than 350 illustrations—including architectural drawings and models, watercolors, sketches, photographs, and furniture—show the range of young Le Corbusier’s work and illuminate the principal themes and issues of his formative years.
Author
Print publication date August 2002 (out of print)
Print ISBN 9780300093575
EISBN 9780300266252
Illustrations 466
Print Status out of print
Description: Objects of Exchange: Social and Material Transformation on the Late...
Aaron Glass (Editor)
https://doi.org/10.37862/aaeportal.00276
The late nineteenth century was a period of rapid colonization and dramatic change for the indigenous peoples of the Northwest Coast of America. Objects of Exchange approaches the material culture of the period as visual evidence of shifting intercultural relations. Drawing on the collection of the American Museum of Natural History—from decorated clothing to containers, ceremonial regalia to trade goods—this book reveals the artistic traces of dynamic indigenous activity whereby objects were altered, repurposed, and adapted to meet the challenges of the time. Rather than treating the period as a climax of “traditional” art and culture, the authors suggest that we view its objects as witnesses to the dawn of an indigenous modernity. This remarkable book includes an intimate family portrait of the renowned Haida artist Charles Edenshaw; a discussion of the use of silver in economic and ceremonial contexts; and an exploration of the ways in which Tlingit women adapted beadwork to crest display as well as the tourist trade.

*This eBook is available exclusively on the A&AePortal.*
Author
Aaron Glass (Editor)
Print publication date February 2011 (out of print)
Print ISBN 9780300174427
EISBN 9780300265989
Illustrations 152
Print Status out of print
Description: An American Style: Global Sources for New York Textile and Fashion Design,...
https://doi.org/10.37862/aaeportal.00254
In 1915 the American Museum of Natural History (AMNH) embarked upon a mission to energize the American textile industry.  Curators sought to innovate a distinctly “American” design idiom drawing on a more universal “primitive” language. Ethnographic objects were included in study rooms; designers gained access to storage rooms; and museum artifacts were loaned to design houses and department stores. In order to attract designers and reluctant manufacturers, who quickly responded, collections were supplemented with specimens including fur garments from Siberia, Persian costumes, and Javanese textiles. This book positions the project at the AMNH in the broader narrative of early 20th-century design education in New York, which includes the roles of The Metropolitan Museum of Art, the Brooklyn Museum, and the Newark Museum.
Print publication date October 2013 (in print)
Print ISBN 9780300199437
EISBN 9780300264562
Illustrations 111
Print Status in print
Description: A. W. N. Pugin: Master of Gothic Revival
https://doi.org/10.37862/aaeportal.00252
Augustus Welby Northmore Pugin (1812–1852) was one of the most influential architects and designers of the nineteenth century, a man whose ideas and design principles were adopted and developed by followers as diverse as William Morris and Frank Lloyd Wright. As an architect, Pugin created cathedrals, churches, colleges, convents, and a wide range of domestic buildings whose form and structure changed the nature of architecture in his era. As a designer, he was responsible for the Gothic Revival, the most popular decorative form in Britain and around the world, and he was the creator of stunning furniture and woodwork; silver, metalwork, and jewelry; pottery and tiles; textiles and wallpapers; and books. This important book, written by eminent scholars, presents a comprehensive picture of Pugin, his achievements, and his times.

*This eBook is available exclusively on the A&AePortal.*
Author
Print publication date January 1995 (out of print)
Print ISBN 9780300066562
EISBN 9780300260922
Illustrations 410
Print Status out of print
Description: History of Design: Decorative Arts and Material Culture 1400–2000
Pat Kirkham (Editor), Susan Weber (Editor)
https://doi.org/10.37862/aaeportal.00219
Spanning six centuries of global design, this far-reaching survey is the first to offer an account of the vast history of decorative arts and design produced in Africa, the Americas, Asia, Europe, the Indian subcontinent, and the Islamic world, from 1400 to the present. Meticulously documented and illustrated, the volume covers interiors, furniture, textiles and dress, glass, graphics, metalwork, ceramics, exhibitions, product design, landscape and garden design, and theater and film design. Divided into four chronological sections, each of which is subdivided geographically, the authors elucidate the evolution of style, form, materials, and techniques, and address vital issues such as gender, race, patronage, cultural appropriation, continuity versus innovation, and high versus low culture.

Leading authorities in design history and decorative arts studies present hundreds of objects in their contemporary contexts, demonstrating the overwhelming extent to which the applied arts have enriched customs, ceremony, and daily life worldwide over the past six hundred years. This ambitious, landmark publication is essential reading, contributing a definitive classic to the existing scholarship on design, decorative arts, and material culture, while also introducing these subjects to new readers in a comprehensive, erudite book with widespread appeal.

*This eBook is available exclusively on the A&AePortal.*
Author
Pat Kirkham (Editor), Susan Weber (Editor)
Print publication date December 2013 (in print)
Print ISBN 9780300196146
EISBN 9780300255973
Illustrations 817
Print Status in print
Description: William Kent: Designing Georgian Britain
Susan Weber (Editor)
https://doi.org/10.37862/aaeportal.00218
Winner of the Alfred H. Barr Jr. Award/College Art Association

The most versatile British designer of the eighteenth century, William Kent (1685–1748) created a style for a new nation and monarchy. The scope of his achievements encompasses architecture, palatial interiors, elaborate gardens, and exquisite furniture. Among his creative innovations are bold combinations of elements from Palladian, rococo, and gothic design, anticipating the intermingling of architectural styles we see today.  William Kent: Designing Georgian Britain is the first comprehensive exploration of this important designer and his extraordinary creations.

An international team of the foremost experts in the field examines the entire spectrum of Kent’s oeuvre, including the interiors at Kensington Palace and Houghton Hall. Essays illuminate issues about the authorship of Kent’s furniture and metalwork, situate his contributions in relation to architectural discourse, and classify the characteristics of his designs.

*This eBook is available exclusively on the A&AePortal*
Author
Susan Weber (Editor)
Print publication date October 2013 (out of print)
Print ISBN 9780300196184
EISBN 9780300256482
Illustrations 632
Print Status out of print
Description: Women Designers in the USA, 1900–2000: Diversity and Difference
Pat Kirkham (Editor)
https://doi.org/10.37862/aaeportal.00208
This stunning book celebrates the many contributions women designers have made to American culture over the past century in such fields as textiles, ceramics, graphics, furniture, interiors, metalwork, fashion, and jewelry. It includes designers from the arts and crafts and modernist movements, Native American and African American cultures, the post-World War II era, craft and “ethnic” revivals in the 1970s and 1980s, and the world of today. Many famous designers are discussed, including Eva Zeisel, Maria Martinez, Ray Eames, Florence Knoll, Edith Head, Clare McCardell, Bonnie Cashin, Elsa Peretti, and April Greiman, as well as less well-known designers.

The book features seventeen essays by such eminent scholars as Valerie Steele, Ellen Lupton, Cheryl Buckley, and Edward S. Cooke, Jr. A timeline offers readers a broader context within which to understand the developments discussed in the text, as does Eileen Boris’s chapter “Women in the United States, 1900–2000: Social Change and Changing Experience.” In addition, an essay by Pat Kirkham and Lynne Walker explores such fascinating issues as the differing gendered nature of the various areas of design, training, and education, support networks, “race,” class, cultural traditions, and the diverse ways in which women came to be, practiced as, and experienced being designers.
Author
Pat Kirkham (Editor)
Print publication date January 2002 (out of print)
Print ISBN 9780300093314
EISBN 9780300255980
Illustrations 454
Print Status out of print
Description: Agents of Faith: Votive Objects in Time and Place
Ittai Weinryb (Editor)
https://doi.org/10.37862/aaeportal.00203
Votive objects or ex-votos are a broad category of material artifacts produced with the intention of being offered as acts of faith. Common across historical periods, religions, and cultures, they are presented as tokens of gratitude for prayers answered, as well as the physical manifestation of hopes and anxieties. Agents of Faith explores votive offerings in the context of material culture, art history, and religious studies to better understand their history and present-day importance. By looking at what humans have chosen to offer in their votive transactions, this volume uncovers their most intimate moments in life and questions the nature, role, and function of one of the most fundamental aspects of the relationship between people and things—the imbuing of objects with sentiment. Encompassing exquisite works of art as well as votives of humble origin and material, with objects dating from 2000 B.C. to the twenty-first century, the beautiful illustrations and wide-ranging text expose the global reach of votive practices and the profoundly personal nature behind their creation.

*This eBook is available exclusively on the A&AePortal*
Author
Ittai Weinryb (Editor)
Print publication date October 2018 (in print)
Print ISBN 9780300222968
EISBN 9780300254679
Illustrations 390
Print Status in print